Tagged: wrong

Webcomics You Should Be Reading: ‘xkcd’

  • News
  • April 13, 2009

Welcome back to the article series you love to comment on (mainly because I yell out on facebook I’ll buy pizza and beer for those who comment), Webcomics You Should Be Reading! I’ve taken you, gentle reader, on a magic carpet ride through a tunnel of funny ranging from the macabre, the vulgar, the hyper-cute, to the thought-provoking-so-much-so-that-the-comment-string-ended-up-an-actual-debate. So, where do we go from there? How about we jump into the deep end of smarty-pants webcomics. That’s right, you guessed it. Dust off your mortar boards, and fire up dictionary.com… it’s time to read xkcd!

A little history then: Randall Munroe is a CNU graduate with a degree in physics. Before starting xkcd, he worked on robots at NASA’s Langley Research Center in Virginia. After scanning in some old math notes with cartoons drawn in the margins, he was linked by BoingBoing, and soon there after, the phenomenon was birthed.

Simply put, ‘xkcd’ is a webcomic for smarty pants people who enjoy their humor on the higher side of the SAT score charts. Given the breadth of vile jokes I smattered you with, I figured we needed a chance to enhance our vernaculars. The comic itself is a continuity-free mash of stick figurey with jokes that range from topics as diverse as electrical engineering to the astrophysics.  Mr. Munroe identifies the strip as being about “Romance, Sarcasm, Math, and Language”. I’ll take his word for it. Why? Cause after a day of reading through the strips, I’m certain he’s smarter than I am, and I fear debate. That being said, the strip is hilarious, and bears sharing. Let’s discuss.

The strip is as a dry as melba toast, with a wit as sharp as english cheddar. As a bonus (not unlike our host last week, who donated free avatars on her site) ‘xkcd’ will increase your vocabulary, expand your mind with it’s universal concepts, and for those who let their mouse linger over the strips, Mr. Munroe grants us a scooby snack of alt-text that enhances each strip. It’s funny, brain-enhancing, and drawn with all the skill a CNU graduate with physics should be able to muster. Alright folks… I’ve waxed poetic enough at this point… so on with the cavalcade of links!

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ComicMix Quick Picks – what day is it? March 32nd?

What it’s been like here recently…

cartoon from www.weblogcartoons.com

Just way too much stuff to go through, and we’ve been very busy with the print announcement and rushing to get things ready for the Previews catalog, and I have dozens of tabs open to blog about and consolidate. Wheeee!

So this will be more of a high-speed link dump from the last few days. Onward:

  • The cast and crew of Battlestar Galactica at the United Nations – "We are all Cylons. We are all Colonials." Alex Epstein’s take on the last episode of BSG: Seriously? That’s What You Got? My favorite comment on the finale, from Sabrina: "There can be no more spoilers for BSG, because they spoiled it themselves."
     
  • Don’t forget tonight’s Family Guy/Star Trek The Next Generation crossover.
     
  • Non-comics link of the day: John Mellencamp on The State of the Music Business:
    Over the last few years, we have all witnessed the decline of the music business, highlighted by finger-pointing and blame directed against record companies, artists, internet file sharing and any other theories for which a case could be made. We’ve read and heard about the "good old days" and how things used to be. People remember when music existed as an art that motivated social movements. Artists and their music flourished in back alleys, taverns and barns until, in some cases, a popular groundswell propelled it far and wide. These days, that possibility no longer seems to exist. After 35 years as an artist in the recording business, I feel somehow compelled, not inspired, to stand up for our fellow artists and tell that side of the story as I perceive it. Had the industry not been decimated by a lack of vision caused by corporate bean counters obsessed with the bottom line, musicians would have been able to stick with creating music rather than trying to market it as well.
    Hmm– maybe it is a comics link after all.

  • ‘The Phantom’ will be on SciFi or SyFy or whatever they’re calling it. Impress me: get Billy Zane to do cameos.
     
  • Speaking of SciFi’s name change: SciFi Founder Hates Syfy, Issac Asimov would have hated it, and yo9 for the win.


  • Dharma wants you… since the 70’s apparently.
     

Anything else? Consider this an open thread. (Cartoon by Dave Walker. Find more cartoons you can freely re-use on your blog at We Blog Cartoons.)

The Un-Ethics of Watchmen, Part 1: A Bird’s-Eye View

  • News
  • March 2, 2009

Editor’s note: With the imminent release of Watchmen, we thought we’d try and get a different perspective. So we asked Alexandra Honigsberg, a professional ethicist and genre author, to read the book for the first time and delve into the ethos of the world created by Alan Moore and Dave Gibbons.

If super-hero comics are the literature of ethics, then Watchmen is the literature of un-ethics. It is the template for what not to do and makes Batman look like a Boy Scout, even at his darkest Dark Knight. They make Dirty Harry look clean. There’s a new saying on the street that Bitch is the New Black, it Gets Things Done. Well, these guys and gals are certainly the biatch. But is there any way to redeem their actions so that the ends justify the means? Or, more importantly, that even the most inhumane or inhuman retains some sense of what it means to be human?

The study of ethics is the exploration of the good life and how to live it. Now by the “good life” I don’t mean the bling life. I mean a life that is honourable, virtuous and, on a profound level not shaken by the winds of change, happy. Happiness (or pleasure or joy or The Good). That’s the end, the ultimate goal, or what Aristotle calls “that at which all rational beings aim.” Ari makes a fine distinction between the acts of a man (animal, non-rational) and the acts of a human (rational) or what some of us might term the mensch (gender neutral). One of the biggest invectives that Laurie hurls at Dr. Manhattan/Jon Osterman is that, after working for so long in the lab and being so all-powerful (the man not only to end all wars, but end all worlds), he ceases to be human. Moore emphasizes this with quotes from Nietzsche, who claims that when we become evolved enough we will not need rules, we will have become extra-moral – the superman (not the Nazis’ bastardization thereof) who has no need of ethics as we now know them. But are we still human? Extreme means change the agent and therefore change the end (e.g., The Comedian’s total amorality). Can we still give a damn if we’re all god-like? Or in the midst of so much horror that no human could reasonably be expected to survive unscarred (think of the Holocaust), are we still human? What’s human? What’s life? What’s good and who decides? Who gives authority to whom and why?

 

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ComicMix Quick Picks – February 18, 2009

ComicMix Quick Picks – February 18, 2009

Today’s list of quick items that don’t fill a full post on their own:

  • Cartoon Network has committed to 26 episodes of Marvel Super Hero Squad, to begin broadcasting in late 2009.
     
  • Apparently, the classic romantic comedy of manners is just not considered to be of sufficient interest anymore. First, Elizabeth Bennet and Fitzwilliam Darcy were battling zombies; now, they’re facing an alien invasion. Where’s the reverse of this trend? When do they put “Mars Attacks—and Hosts an Afternoon Garden Party” on the schedule?
     
  • The BBC plans to put Doctor Who on stage.  (Wow, and it worked out so well for that other beloved British property, The Lord of the Rings. Heck, maybe Coraline will prove me wrong.)
     
  • Dragonball purists will no doubt be disappointed to learn that Goku will be played by a 26-year-old in the live-action film Dragonball Evolution. However, fans of James Marsters—who’s portraying Goku’s foe, Lord Piccolo—are probably salivating at the slashy opportunities that this choice offers. Let’s face it, slash is a fine manga/anime tradition; plus, that episode of Buffy Season 6, in conjunction with that episode of Torchwood Season 2, suggest that Marsters is making a career of playing characters who confuse fighting with foreplay (and that’s definitely not a bad thing…).
     
  • Cardiologist needed at the Satellite of Love (or its current equivalent), stat! Mike Nelson, formerly of MST:3K, now of RiffTrax, is spending the month of February on an all-bacon diet.  He’s not allowed to add any sauces or condiments to the bacon, either, which seems an unwarranted restriction, because how can you go on an all-bacon diet without trying Bacon Explosion?

Anything else? Consider this an open thread.

Amy Goldschlager is an editor for FindingDulcinea.com.

NYCC 2009: Day 3, late

NYCC 2009: Day 3, late

  • News
  • February 9, 2009

Yowza! Another con comes to a close, and a lot of hi’s from the usual gang of idiots, renewals of acquanitances (hi Cooch!), the continuted con conversations– you know, the ones which you pick up again as soon as you see the person you haven’t seen since the last convention, and so on.

We’ll have a lot of detailed reports from our Mix of folks soon, but here are my fast general impressions:

* Very successful, on a number of levels. The con has worked out all the problems related to size, and even though this is the biggest yet, they seem to have knocked out the bugs and ran very smoothly. There were no particular problems that aren’t encountered by any other con its size and location (the usual like convention center food, bad wi-fi, nothing within easy walking distance, etc.). Sellout crowds, very well attended panels, yet still movable for the most part.

* Most of the publishers and vendors I talked to were very happy with their traffic and sales. Scott Kurtz sold out of everything by the end of Saturday. Everything. One can only imaging what Sunday would have brought with a kid filled crowd.

* Lots of costumes, which is a sign of a certain level of growth and maturity for a con, if not necessarily for the con-goers. We’ll have photos up this week.

* Paper and digital continue to share their uneasy alliance. Most publishers realize they now can’t survive without both components, and are trying to figure out how to make that work.

* I expected the entire con to be nothing but Watchmen, and was happy to be proven wrong. On the other hand, the crowd for Dave Gibbons at Titan Books at the end of the con was nothing short of insane, as you can see from the picture above– the line was five deep, as you can see in the photo. There are a lot of people eager for this movie, and not from places you might expect.

Hopefully, over the next few days, I’ll be ahead of the curve enough to get some real analysis done. On the other hand, since I still haven’t gotten around to doing my 2009 preview… oh well. Hope springs eternal– which, come to think of it, seems to be the overall theme of the convention.

ComicMix QuickPicks – January 16-18, 2009

ComicMix QuickPicks – January 16-18, 2009

The weekend wrap-up of comic-related news items that might not generate a post of their own, but may be of interest…

* Tom Mason interviews Dan Thompson about his new strip RIP HAYWIRE at Comix 411.

* The Comics Reporter: Dan Vado on the recent changes at Diamond:

…the thing that slaps us up in the face most is the raising of the Purchase Order benchmark to $2500. What that means is that every book needs to generate $2500 of revenue (that would mean a little over $6000 in sales at retail based on the discount we give to Diamond) in order to be listed with Diamond. That does not mean that Diamond is going to cancel or not carry books which appear in the Previews but do not reach that benchmark, but it does mean that if you have a line of books which consistently do not meet that mark, you will not be getting your books listed in the Previews for long…

…what few books we published as floppies will probably not ever see the light of day. While a first issue might sell well enough to meet the benchmark it is more than likely that everything from a second or third issue on will not. Again, I think your average reader might be shocked at how poorly some comics sell. So, if you’re a small publisher or a self-publisher and your plan is to release a mini-series and then collect it as a trade, those plans might change.

It’s a tough spot for everyone to be in. Diamond is in essence asking everyone to sell more in a recessionary environment or find themselves out of the catalog. Short term, a lot of publishers are going to find themselves with no distribution.

Read the whole thing.

* And while we’re getting depressed on comics economics, we have Ilan Strasser of Fat Moose Comics and Games on the Current State of the Comic Market. Via ICV2. Also, who says the Book Business Is Dead? Why, Jason Epstein does… here’s his Autopsy of the Book Business. I’d be slightly more worried if Jason hadn’t been calling the alarm for 15 years… on the other hand, it doesn’t mean he was wrong then or that he’s wrong now.

* It gets even uglier: Anderson News Warns of ‘Implosion’ in Mag Business:

Magazine distributor Anderson News CEO Charlie Anderson is warning of an “implosion in the business” as his company attempts to impose new charges on magazine publishers, according to a report in Folio. Anderson, which represents over 20% of magazine distribution in the U.S., is demanding that publishers pay an additional $.07 per copy distributed (gross, not net of returns) to return magazine distribution to profitability for his company.  “The business has not been profitable and has not been for a very long time,” Anderson said.  “What we are trying to do is give some stability in the channel.  Short of that, there will be an implosion in the business.”  Anderson says he believes that three of the four magazine wholesalers that distribute magazines nationwide are unprofitable.

* Even uglier than that: theBookseller.com reports that book sales were discounted by nearly a billion dollars in England last year.

* Can it get even worse? According to Tom Spurgeon, yes: more newspapers can fold– the Minneapolis Star Tribune just filed for Chapter 11 bankruptcy– or they could just cut back on their comics sections. And we haven’t even heard about bookstore returns.

* Exhibits examine ties between Jews and comic books — although it amazes me that I find out about an exhibit at Brown University in Providence, Rhode Island by reading a newspaper web site in Richmond, Indiana.

* Sir John Mortimer, the creator of Rumpole of the Bailey, has died.

Anything else? Consider this an open thread.

Manga Friday: Four and Four and Four

Manga Friday: Four and Four and Four

  • News
  • November 14, 2008

Sometimes I even confuse myself, and I think I’ve just done it with that sub-head. These three books are all the fourth volumes of their series, all things I reviewed before, and all from Yen Press (because they and Del Rey are the most consistent at sending me books for review – hint, hint, other manga publishers).

Alice on Deadlines, Vol. 4
By Shiro Ihara
Yen Press, November 2008, $10.99

I’ve reviewed all three of the previous books in this series: one, two, three. And I’ve enjoyed them each slightly less than the one before, as the series wandered away from its lecherous-angel-of-death-wreaks-havok-on-the-life-of-a’”normal”-teenage-girl premise into more generic monster-fighting, evil-corporation, and true-love lands.

Lapan is that angel of death I mentioned – shingami, to be more Japanese about it – and Alice is the nubile young woman whose body he is currently inhabiting, and cladding in unlikely underwear almost as often as he’d like. Alice was bounced out to a skeleton in the first volume, but she’s off in the spirit realm as this book opens – spending a season dead, more or less – and returns later on. There are a number of other characters, including, in this book, several members of the Tsurukame family, which owns and runs the corporation that sends out the shingami. They, confusingly, also seem to be part of the natural order of things, so perhaps the Tsurukames are subcontracting from whatever gods are behind everything.
 

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Comic Mix Six – The Six Worst Comic Book Video Games

Comic Mix Six – The Six Worst Comic Book Video Games

  • Uncategorized
  • October 18, 2008

Comic books, admittedly, don’t have a great history when itcomes to video game adaptations.  Hell,most games based on licensed properties have a certain stigma about them.  It probably stems from the fact that theyfeel like a cheap cash-in…a way to make a quick buck on a popular fad such asmovies, TV shows, and yes, comics.  Now,that’s not to say ALL comic book games are bad, no; but the genre does have itsshare of stinkers.  Out of all thepossible crap-fests out there, these are the top six games that should never beallowed near your console of choice…EVER.

Marvel’s Uncanny X-Men– 1989: NES

Back in the heyday of the Nintendo Entertainment System,they were making games for EVERYTHING. At the time, publisher LJN held the rights to the Marvel license, andsadly, churned out turd after turd.  Oneof their biggest steaming piles was this mess, based on Marvel’s MightyMutants.  What made this game sobad?  Well, sadly, the technology of theday seems to be the biggest culprit.  Thegame took a top-down view of the action, and since there was only so much youcould show in 8-bit, character details were pretty much non-existent.  That, combined with the muddy, dirty colorsof the backgrounds and you were lucky you could see anything at all, let alonewhich character you had selected. Nothing was recognizable, despite the fact that it had a decent sized rosterselected from the books.  Thankfully, it’sone of the few bad marks on an otherwise mostly successful game franchise.

Fantastic Four – 1997:Playstation

Ugh.  When you talkabout ugly games, two system generations ago, we had some DOGS.  3D graphics were all the rage, and polygoncounts were climbing higher and higher. Sadly, they still couldn’t figure out that muddy background thing, andso stuff tended to blend together – badly. At least this time you could see what was happening…but it wasn’tpretty.  Take a tried and true gameplaystyle, affectionately known as the “beat ‘em up”, and add comic’s firstfamily.  What could go wrong?  Well, how about poor control, terrible plotand just plain shoddy gameplay?  First,the game is about the Fantastic FOUR…so you have Mr. Fantastic, InvisibleWoman, Human Torch, The Thing and…She-Hulk? Wouldn’t that be FIVE?  Then, you have repetitive, lazy combat (anormal pitfall for the “beat ‘em up”) of miscellaneous enemies that are largein number and small in variety.  Add to thatthe poor hit detection, lousy control response and just a general sense of “whybother?” and you have this mighty gem.  Fantastic,indeed.

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Review: ‘Gus and His Gang’ by Chris Blain

Review: ‘Gus and His Gang’ by Chris Blain

Gus and His Gang
By Chris Blain
First Second, October 2008, $16.95

There must be some reason why the good Western comics – hell, pretty much all of the Western comics – of the past three decades have all come from France, but I don’t know it myself. France never had a West of its own; never had a frontier on its border to expand into. (Rather the opposite, actually – their big neighbor is Germany, which spent several hundred years trying to expand into them.) But there’s a streak of Western comics – about the American West, of course – from France going back through the “Blueberry” stories by Charlier and Moebius up to this book.

Well, whatever the reason, the French like stories about our Old West at least as much as we do, and now here’s another one: [[[Gus and His Gang]]], a collection of stories originally published between 2004 and 2007 about three outlaws and the women they pursue (and are pursued by). Gus, Clem and Gratt do rob banks and hijack trains – that’s how they make their living – but those things are mostly incidentals in these stories. These guys are much more concerned with getting a leg over – money never seems to be a problem (there’s always another bank to knock over), but sex always is.

Gus is the title character, the guy on the cover, and the ostensible leader of the three-man gang, but he has the worst luck with women of the three. The first story, “Natalie,” sets the tone – a woman from his past (he knew her five years before, in Cincinnati, when he was working in a wild west show) comes back into his life, and he chases around after her – as she leads him on by his exceptionally long nose – but doesn’t get anything out of it.

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Review: ‘Dexter’ Episode #301

Review: ‘Dexter’ Episode #301

The Crime Scene: “Our Father”
From Showtime: “[[[Dexter]]] begins to question his blind loyalty to his father’s memory. In an act of spontaneity, he wonders whether The Code of Harry is a necessity anymore. Dexter’s relationship with Rita intensifies. Angel becomes Sergeant, replacing the deceased Doakes. Dexter goes to desperate measures to cover up his latest murder, while meeting assistant district attorney Miguel Prado, who has history with Lt. LaGuerta. Meanwhile, the team discover the victim of another killer, which could just be bigger than the Bay Harbor Butcher.”

Blood Spatter Analysis

[[[The Dark Defender]]] is back, and he’s ready to kick ass and take blood samples.

Last season, blood spatter analyst cum vigilante killer Dexter Morgan nearly found himself on the wrong side of a prison cell. Sergeant James Doakes discovered that Dexter was the man behind the grizzly Bay Harbor Butcher slayings. Luckily, Dex was saved by the belle, the highly obsessive Lila, who killed Doakes to prevent Dexter from being discovered. Not so luckily for Lila, Dexter murdered the woman for killing Doakes, but not before pinning the murders on the deceased officer. With that monkey off his back, Dexter was free to resume his vendetta against Miami’s criminal underground… and resume he has!

As the third season begins, Dexter reflects upon his highly successful summer. His game has stepped up in every sense of the word. He’s back in the killing business, taking out all new bad guys and making up for lost samples with a new blood collection. He’s also upped his acting abilitiy, particularly notable when Dexter poses as a junkie to attain recon on his next victim, a murdering drug dealer named Freebo. Dexter’s social skills are at an all time high as well, both around the Miami Metro Police Department and at home with his girlfriend, Rita. In fact, Dexter’s progress as a killer might be second to his relationship progress with Rita. Let’s just say that he’s had his hands very, ah, full.

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