Tagged: Wilson Fisk

Mindy Newell: Doctor Who, Queen Elizabeth, and Donald Trump

FFN_IMAGE_51880447|FFN_SET_60099314Before I get to the heart of my column today, I just wanted to mention that if you’re jonesing for Matt Smith, may I suggest The Crown, the new Netflix original series, about Queen Elizabeth. No, not the red-headed daughter of Anne Boleyn and Henry Tudor (a.k.a. Henry VIII) whose story has been told numerous times on both small and big screens, but Queen Elizabeth II, the current English monarch whose reign is at 62 years and counting.

The erstwhile titular star of Doctor Who plays Prince Philip Mountbatten, Duke of Edinburgh, who married Elizabeth in 1947 after officially giving up his royal relationship to the Greek and Danish royal families and becoming a naturalized British citizen. I have never been a fan of Prince Philip – he has always seemed to me to be the epitome of the “ruling class,” cold, distant, and without empathy or sympathy for us working slobs. In fact, I’ve often wondered just what the hell Elizabeth Windsor ever saw in him. However, as played by Matt – at least so far, I’ve only seen the first two episodes (before King George’s death from cancer, though he is already terminally ill) and concentrating on the young royal couple’s carefree life – the young Philip is sexy, athletic, incredibly handsome, loving, and an all-around great guy. He even takes over the renovating of Clarence House.

And attention Matt Smith fans! He has an adorable butt, as seen in a bedroom scene… and according to the RadioTimes website, more are coming! Quoting from the article:

“The British actor – who stars alongside [Claire] Foy in Peter Morgan’s lavish tale of Queen Elizabeth II’s early years – bares his backside in the occasional bedroom scene, but not for the reasons one might expect.

“’A crucial thing is that Philip sleeps naked. That’s a fact. That was something that we found out… They weren’t put in – it’s just the fact that there are bed scenes. And what do you do, put Philip in a pair of [sic] pyjamas? That’s not right for the character.’ Smith joked that the scenes were ‘actually the best bit of acting I did in the whole series. No word of a lie. It was my most truthful moment.’”

As I said, I’ve only seen the first two episodes – the only reason I stopped was that it was getting really late and my eyelids were growing heavy – but so far, so good. (By the way, an added bonus is watching John Lithgow as the once and re-elected Prime Minister Winston Churchill.) So if you needing your Matt Smith fix, or just really missing Downton Abbey – I’ve been rebinging on the Crawley family, and now that I think of it, my guess is that they would all be still alive in 1947. Well, maybe except for the Dowager Countess Violet, but I wouldn’t really be surprised if that redoubtable woman spit in the face of death – go stream The Crown.

•     •     •     •     •

doctor-doom-this-land-is-mineTomorrow is Election Day. As I posted to Mary Mitchell, John Ostrander’s talented and lovely wife <snikt>

We interrupt this column for your columnist to watch the last 1:43 seconds of the Giants-Eagles game. Score is Giants 28, Eagles 23. Both teams are 4-3. Eagles just intercepted, in easy field goal range, but the Eagles are going for it. (They are now on the Giants’ 17-yard line.) Third down and ten. Now fourth and ten. Timeout – clock reset 10 seconds, now 1:28 left. Fourth down conversions for Eagles today is 1 for 3. Eagles quarterback Wentz throw a pass into the end zone to Eagles wide receiver Matthews. No good!!!!!!!! The Giants hang on to win!!!!!! <snikt>

As I was saying…

Tomorrow is Election Day. As I posted to Mary Mitchell, John Ostrander’s talented and lovely wife – I am absolutely terrified that he will win. And I have never been scared of the “other” candidate winning. Sad? Yes. Concerned? Yes. But never terrified.

For the record, while I am a registered Democrat – I became one back in 2008 so I could vote for Obama in the primary here in New Jersey – and while I do believe that the Republican Party has, since the election of Bill Clinton, completed its morphication into the Repugnantican Party, as those who follow me and/or on Facebook know – it might interest you to know that I have voted the Republican ticket before: for Tom Kean and Christie Whitman as New Jersey governors in their respective races, and, most notably, you will all drop dead with surprise now, for George H. W. “Pappy” Bush as President in his (first) 1988 campaign. (Unlike waaaaay too many Americans, I also consider foreign policy when choosing my Presidents, and as Director of the CIA, “Pappy” had the inside track; there’s a reason we didn’t go all the way into Baghdad in the Gulf War, and George H. W. Bush knew it and got it, i.e., the balance of power sometimes makes ugly bedfellows. See Roosevelt, Churchill, and Stalin in WW II for reference. Or if it’s too much work for you to do a little historical research, just look what’s happened in the Middle East since Bush, Jr. took out Saddam.) Besides, Barbara Bush is pro-choice, and I have always suspected that her husband is, too, even if it has not been politically expedient for him to say so.

So why am I so terrified of a President Trump? Let me put into comic book terms:

I would rather have Lex Luthor as President than Donald Trump. Why? Because Lex Luthor, archenemy of Superman, is smart. Trump is not.

I would vote for Wilson Fisk before I could ever vote for Donald Trump. Why? Because Wilson Fisk, archenemy of Daredevil, loves his woman beyond himself. Trump is a man whose women are only reflections of his own narcissism.

I would vote for Doctor Doom before I could ever vote for Donald Trump. Why? Because Doctor Doom, archenemy of the Fantastic Four, loves his country, Latveria. Trump does not love the United States; he loves Amerika.

Amerika.

Do you want a taste of Trump’s Amerika?

Here is the transcript of what President Obama said to the crowds attending his rally for Hillary Clinton on Friday night in Fayetteville, North Carolina as he was interrupted by a Trump supporter; the crowd was loudly booing and getting riled up:

“Hey! Listen up! I told you to be focused, and you’re not focused right now. Listen to what I’m saying. Hold up. Hold up! Hold up! Hold up! Everybody sit down, and be quiet for a second… First of all, we live in a country that respects free speech. Second of all, it looks like maybe he might’ve served in our military and we got to respect that. Third of all, he was elderly and we got to respect our elders. And fourth of all, don’t boo, vote.”

And here is what Trump told his supporters about the incident at his campaign rally in Hershey, Pennsylvania:

“There was a protester and a protester that likes us. And what happened is they wouldn’t put the cameras on him. They kept the cameras on Obama… He was talking to a protester, screaming at him, really screaming at him. By the way, if I spoke the way Obama spoke to that protester, they would say he became unhinged.”

‘Nuff said.

Marc Alan Fishman: Gazing Beyond the Gender Gap

ghostbusters thor spiderman iron man

By the time this column posts, I will have seen the new Ghostbusters flick from the Freaks and Geeks guru Paul Feig. I have chosen to see the film based not on any lingering love of the first two incarnations of the franchise (but put a pin in that until next week). I am not seeing it because of any particular love of the paranormal. And I’m especially not seeing it because a who’s-who of amazingly funny women are starring in it.

I’m seeing it because it looks like a fun flick to shut my chattering brain off for a couple of hours. Maybe giggle and marvel at some special effects in the process.

Meanwhile I also saw this week that Iron Man will be played by a black woman in some upcoming issues of the series. I’ve literally no doubt that the move isn’t permanent. I’m chalking it up to Marvel’s occasional jones to do the unexpected. It’s a great marketing plot to enrage Old School fanboys, while making millennials have hope for the future. It’s the battle-cry of the embittered old farts of fandom… “It’s not my Iron Man / Ghostbusters / Peanuts / Voltron / Power Rangers!”

Ahh, but that’s where you’re wrong, Grandpa. It’s merely a horse of a different color.

I’m personally mollified by the continual degradation of our pop culture society’s abandoning the shades of grey that better fit our worlds of fiction. To take a hard line stance over the casting of a female in what was once a male role, a black person in what was once a white role, or even a CGI character where hand-drawn animation once stood is just lunacy to me. At the end of the day, I don’t care who. I care what, why, and how.

While the 2003 Daredevil film will be fondly remembered as dreck, I actually liked it quite a bit. Sure it was muddied by Collin Farrell clearly ingesting a bit too much coke before filming. Sure it introduced the Greek ninja goddess Elektra as a supremely white chick. But you know what? It also gave us Michael Clark Duncan owning the Wilson Fisk role. I recall some sects of fans going banana-sandwiches over the darkening of the character.  And then I recall seeing the film, and basking in the depiction. Duncan was strong, stoic, and the apex of scene-eating-villainous. It never mattered once that he was black. Nor did he speak in jive, or really reference his ethnicity at all.

And yes: Vincent D’Onofrio’s Fisk is a million times better… but you’re taking a slow burn performance in a carefully built show vs. a blockbuster built to bank bucks in the short term. But I digress.

In the last decade or so, specifically in comics, we’ve seen a veritable gold rush of diversity. To quote Vox: “[Marvel] has already given us a black Captain America, a female Thor, a Muslim American Ms. Marvel, and a black-Latino Spider-Man. That push has been met with applause from fans who want to be included, praise and recognition from critics, and prickly criticism from comic purists who believe their beloved titles have been shunted aside for gimmicks and stunts.” And while those purists poo-poo the notion of such hypocrisy, I’ve been able to enjoy hearing about new readers coming to comics because they now had a character to relate to. Comic books (and I’d go far as to say science-fiction and fantasy) have long been the secret playground for those with a better vision of society. Where the world is color and gender blind. Where the story above all else determines the validity of a character.

Maybe I’m just that liberal a person; I don’t balk at any casting of any character in any fiction for any reason with regards to sexual orientation, gender, creed, religion, or pizza topping preference. It will always be about the character in context to the plot around them. If Riri Williams dons the red and gold armor to do battle with nefarious ne’er-do-wells, so be it. So long as she provides depth and clarity to the book; giving me, a long time reader, something new to respond to. If the Ghostbusters of 2016 are women? That’s fantastic. More so, if they provide a new take on the classic model of snarky comedians waging war on special effects. Regardless of erogenous zone paraphernalia… plot overpowers all.

And at the end of the day, if you want to call it a marketing gimmick, so be it. Because if the final piece of fiction is good enough, then you’ll swallow your ignorance with a smile and a changed mind.

Mindy Newell: Wilson Fisk and Hell’s Kitchen

 

Wilson Fisk

“Today, the only reminder that this stretch of (Manhattan’s) SoHo was once a forest of filling stations known as Gasoline Alley is a coffee shop of the same name that sells single-origin coffee beans from Burundi.” • Sarah Maslin Nir, “With Gas Station’s Closing, A Fuel Desert Expands in Manhattan,” The New York Times, April 22, 2016

“On a block where a kebab could once be had at 2 a.m. from Bereket, the 24-hour Turkish restaurant that was forced to close in 2014, there will now be a 30,000-square-foot Equinox gym and spa with a lounge and juice bar; condo residents will be able to access the two-story gym through a private entrance. Gone too, are places like Ray’s Pizza and Empanada Mama. While such spots and the unmemorable single-story buildings that once housed them could not claim any historic significance, they were popular haunts that gave the area its character…” • Ronda Kaysen, “Alongside the Pastrami, Luxury Condos,” The New York Times, April 24, 2016

When we drive out to Long Island to celebrate Passover and other good times with the family, we go through the Holland Tunnel, up the Avenue of the Americas (also known as Sixth Avenue) to Houston – pronounced House-ston for you non-New Yorkers in the audience – then make a right onto the Bowery, a left onto Delancey and over the Williamsburg Bridge to the BQE – the Brooklyn-Queens Expressway for you non-New Yorkers in the audience, which, by the way, rarely deserves the “express” in its name – to the LIE – the Long Island Expressway, which also rarely deserves the “express” in its name. The most interesting part of the drive has always been through downtown NYC and the Lower East Side.

Over the years I have marveled (no pun intended) at the changes on the Lower East Side as gentrification and real estate developers have mutated the ramshackle buildings and tenement apartments into glass-and-steel buildings, luxury lofts, and upscale storefronts. Boy, has the neighborhood changed! The streets on which so many of our immigrant ancestors first claimed their status as Americans and which were indelibly imprinted in the public’s minds in movies like Crossing Delancey, Godfather II, and When Harry Met Sally are disappearing, only to be witnessed as black-and-white pictures from a Ken Burns documentary.

But one beat-up, dirty, and unobtrusive “landmark” remained: the gas station at the corner of Lafayette and East Houston, opposite the Puck Building. It was always there. The last surviving “member” of “Gasoline Alley,” it closed on Thursday, April 22, soon to be replaced by another glass-and-steel building with luxury lofts and upscale storefronts.

So what does this all have to do with comics?

Well, nothing much, really, except that in preparation for watching the second season of Daredevil on Netflix, I “rebinged” on the last half of its first, so that the “new” Lower East Side’s redevelopment into a Lifestyles of the Rich and Famous episode, a “private” community for the 1% – or is that 0.25%? – seemed to especially hit me hard this year; I felt a mixture of poignancy for what has been lost, anger at the disrespect to history, and, yes, I admit it, an appreciation of the new metropolitan beauty of downtown. And I also thought of all those obscenely rich real estate developers and their corporations. Which made me think of Wilson Fisk.

Now I’m not accusing anyone of blowing up whole blocks or of killing tenants reluctant to move; still, Fisk’s plans for Hell’s Kitchen – which these days barely resembles the streets on which the Jets and the Sharks danced and rumbled in West Side Story – and, more specifically, what happened to Elena Cardenas and the apartment building in which she lived are only an extrapolation of what actually happened…

Built in 1881, making it the second-oldest apartment house in New York City, the Windermere sits at the corner of 57th Street and Ninth Avenue. In 1980, the owner, Alan B. Weissman, wanted in on the booming redevelopment and gentrification that was the first phase of the rezoning of Hell’s Kitchen by New York Cit, so he set about trying to get the tenants to leave. Apartments were broken into and ransacked, doors and locks were broken, prostitutes and junkies moved in, and the occupants claimed, in court, to have received death threats.

Weissman was never directly linked to these activities, but his managers were sent to jail and he and wife ranked #1 in the 1985 Village Voice edition of “The Dirty Dozen: New York’s Worst Landlords.” In 2007, the New York City court system ordered the building and the seven remaining tenants protected, despite the derelict living conditions. the state of disrepair of the Windermere itself. and the demolition of its neighboring buildings as redevelopment boomed. The tenants were finally forcibly removed in 2007 by fire department, citing dangerous conditions, and the building has remained empty. Last year, the new owner, Mark Tess, was named to the “25 Worst Landlords” list by the city’s Public Advocate office.

Fisk’s dream to remake Hell’s Kitchen stemmed, I think, from a desire to wipe out the memory, the last vestiges, of what happened in that dirty little rat hole of an apartment somewhere in the dregs and darkness of Hell’s Kitchen. (Spoiler alert – though you’ve had a year to catch up, and if I can do it, you have no excuses: For those who haven’t watched the first season Daredevil, Fisk committed patricide – justified, im-not-so-ho, since his father was a total piece of shit in every way imaginable–in defense of his mother.) And, oh, yeah, he was also a megalomaniac. But once you kill your father and get away with it, belief in your own indestructible power can be, um, inspirational.

Foggy and Matt of Nelson and Murdoch, Attorneys-at-Law, through the power of the courts, managed to get Fisk into federal custody. But one New York institution went another way.

From “Alongside the Pastrami…”:

“While other New York City institutions have succumbed to the insatiable appetite of a hungry real estate market, the 128-year-old Katz’s Delicatessen, with $19.95 pastrami sandwiches and a legion of fans, found a way to hang on.

“Last year, the family-owned deli at 205 East Houston Street sold two neighboring properties and its air rights for about $17 million, paving the way for a developer to build an 11-story condominium next door. The arrangement ensures that, for at least another generation, New Yorkers will be able to get corned beef and brisket at the Lower East Side deli that was immortalized in the 1989 film When Harry Met Sally.

“The sale was part of a $75 million acquisition of 12 single-story commercial spaces that spared Katz’s, but sealed the fates of all of the other mom-and-pop businesses on East Houston Street between Orchard and Ludlow Streets. They were all displaced to make way for the new condo. Sales are set to start by the end of the month at 196 Orchard, with prices for the 94 apartments starting at $1.075 million for a 551-square-foot studio.”

If you can’t beat ‘em, join ‘em.

Emily S. Whitten: Daredevil in the MCU

Marvel’s Daredevil premiered on Netflix on Friday, April 10. All 13 episodes went up at once, which is great both for binge-watchers (a.k.a. people who just really like long-form storytelling, okay??) like me; and also for Marvel’s presumed need to establish key but new-to-MCU characters before Captain America: Civil War, which hits theaters May 6, 2016.

Of course, we don’t actually know if Daredevil will show up in Civil War, even if the show appears to have teased the Civil War plot. Oddly enough, as of two weeks ago, Daredevil star Charlie Cox said he hadn’t been “invited to that party.” On the other hand, it seems like Civil War would be the perfect movie in which to tie the Marvel movies and TV shows even more tightly together. Given we already have connections in Agents of S.H.I.E.L.D., and the next planned Marvel Netflix shows will star Luke Cage, Jessica Jones, Iron Fist, and The Defenders (to include, perhaps, appearances by MCU characters we’ll have seen by then like Ant-Man, Doctor Strange, and The Hulk?), it should be a no-brainer (and almost necessary) for Marvel to include relevant TV characters in the larger-scale Civil War movie, and perhaps cameos for any stars of the Netflix shows who haven’t made it to TV yet by May of 2016.

But I guess even if we don’t see all the TV characters in the movies by Civil War, it still gives watchers a foundation of MCU character knowledge for those superheroes if they are referenced in the plot. Of course, having all of these TV shows means to truly be caught up on the MCU you now have to watch both the Marvel movies and the TV shows; but fortunately, at least so far, that’s no hardship. (And it can make for fun Easter egg hunting in both movies and shows. Another cool one from Daredevil is the newspaper headline for the “Battle of NY” in Ben Urich’s office, as well as the script’s indication that Wilson Fisk’s rise to power is built on the destruction that took place during The Avengers movie.)

With Agent Carter having had a great eight episode run (that show is so much fun), and Agents of S.H.I.E.L.D. continuing to be a fan favorite, Daredevil has come in as the newest addition to TV, and it is really good. As teased previously, it is definitely darker and grittier than some of Marvel’s fare, with a hint of a noir feel; but then, I’ve always associated that aesthetic with Daredevil anyway. One of the things I enjoy about the Daredevil stories is the exploration of the microcosm of Hell’s Kitchen and its resident vigilante. The comic has always had a sort of small town/big city feel to it because of how deeply Daredevil is rooted in that one neighborhood, Matt Murdock’s history there, and his desire to make at least his little corner of the world a cleaner place. Even Daredevil’s nemesis, the Kingpin, while his business may spread through New York and beyond, is rooted in the darker, slummier parts of the city. That keeps the comic true to its gritty NYC roots even as the storylines change.

The show overall evokes a dark and sometimes meditative mood, although it’s not lacking in great action scenes, whether they be while Daredevil is fighting villains, or when the Kingpin’s violent urges overcome his generally calm demeanor. Speaking of the Kingpin, he is portrayed here in a wonderfully complex manner by one of my long-time favorite actors, Vincent D’Onofrio. One thing I really like about Daredevil is that it’s not a black-and-white show. It humanizes the villains to some extent; such as when it shows the to-the-death devotion between the Russian Ranskahov brothers, and a peek into the difficult past that led them to their position at the show’s start. Nowhere is this humanization more well done than with Wilson Fisk, the Kingpin. He is in equal parts a sympathetic villain and truly chilling, and D’Onofrio manages to continually evoke the feeling that with this man, “still waters run deep” and beneath the surface there is a well of complex emotions coupled with his terrifying rage. In the comics, the Kingpin, despite his low origins, publicly attempts to appear as an educated man, and is portrayed as an entrepreneurial villain.

This comes across in the TV script, in lines such as, “Problems are just opportunities that have not presented themselves,” and in his business dealings and his romancing of Vanessa in fancy restaurants, with wines recommended by his assistant. The series also shows the rise of the Kingpin’s obsession with Daredevil, which eventually leads to the seminal comics storyline in which Fisk exposes Murdock as Daredevil and ruins his life and reputation.

Despite dark villains like Fisk, the show retains that humorous edge that defines the modern MCU. One of the best sources of this in Daredevil is Murdock’s best bud Foggy Nelson, who is portrayed perfectly by Elden Henson. I’ve always had a soft spot for Foggy (also played well by Jon Favreau in the 2003 Daredevil movie), who is generally portrayed as being good natured, loyal, and with a good heart. The show does well in using him to inject some levity into the show, without turning him into too much of a goofy comic foil. He’s also a great contrast to the more serious Murdock, and a means for the story to show how Daredevil’s vigilante identity creates difficulties in his “normal” life and in being there for his friends.

One thing I really like about this show is the portrayal of how normal people deal with the superhero/vigilante elements in their world. Two other characters that add a great deal to Daredevil in this aspect are Claire Temple (serving in the role of the Night Nurse), and Ben Urich, the tenacious investigative reporter for The New York Bulletin (rather than The Daily Bugle, as in the comics). The script-writers have managed to make these two characters (played by Rosario Dawson and Vondie Curtis-Hall, respectively) both well-rounded supporting characters, and windows through which viewers can experience how someone might deal with being a “mundane” in a world of heroes and vigilantes. (Such as when Ben Urich says that, “[i]n my experience, there are no heroes; no villains; just people with different agendas.”) I love it when shows manage to successfully convey multiple viewpoints like that.

Of course, a main viewpoint is obviously Daredevil’s, and Charlie Cox does a great job in his dual role as Murdock and his vigilante alter-ego. The show does well to start with a Murdock who wants to make the streets a safer place but is pretty clueless about what’s actually going on out there, and gradually sleuths out the corruption in the NYPD and the existence of a greater criminal network. It also gives an interesting perspective on his views of the law, and how they interplay with his role as a costumed vigilante. Flashbacks to his childhood in Hell’s Kitchen add to the story, and also provide us with a few more fun Easter eggs, such as the mention (and poster) of Carl “Crusher” Creel’s boxing match against Murdock’s father, Battlin’ Jack Murdock; Creel has previously been seen in the MCU as The Absorbing Man on Agents of S.H.I.E.L.D.

Overall, I think Daredevil makes a great addition to the MCU, and look forward to seeing how the future Netflix shows pan out and how they all tie in to each other and to the greater MCU as time goes on. It seems like I’m not alone in this. The show has garnered mostly good reviews thus far; and I’d agree with James Gunn (writer-director of Guardians of the Galaxy), who opined on Facebook that “this character I loved so much for so long ha[s] been brought to television with such spirit, love, and care.”

Of course, it’s always nice to get the “person on the street” viewpoint as well; and since I started my Daredevil Netflix binge with a Daredevil Watch Party of me and three friends and assigned them the homework of telling me what they think of the show, I’ll provide their perspectives here as well:

Friend 1: “More than any superhero adaptation I’ve seen recently, Daredevil works independent of its mythos. I find myself wanting to watch it for more than just the really cool fight scenes (which are really cool) and the comic references. Instead, the well-written dialogue and excellent chemistry between the lead actors will keep me coming back for more. I am just as interested to learn about Matt Murdock the lawyer as Daredevil the superhero.

Daredevil is not perfect. I think the creators are sometimes, to the detriment of the plot, overly enthusiastic about no longer having to deal with television censors. However, I am really looking forward to finishing the season.”

Friend 2: “I think Daredevil did a really good job of introducing an outsider (me) and someone who doesn’t generally care for Big Two superheroes (also me) to what is undoubtedly an unholy tangled mess of continuity and backstory without info dumping or becoming utterly impenetrable.”

Friend 3: “The Netflix adaptation of Daredevil has the potential to be the comic world’s answer to The Wire drama on HBO. Daredevil is a crime drama that shows every tier of decay in the post-industrial American city – from the streets to the courtrooms and the newsrooms. Vincent D’Onofrio does a credit to his hometown of Brooklyn by portraying New York crime lord Kingpin as a calculating but very human villain. His performance shows why Kingpin is a more compelling villain than his equally bald DC Comics doppelganger Lex Luthor.”

So there you have it, folks; if you haven’t checked out Daredevil yet, I and my three friends and a bunch of other people on the internets liked it a lot; and I bet you will too. So lay in the popcorn, get comfy, and when you’re done with it, tell me what you think, and Servo Lectio!

 

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