Tagged: Warner Bros

300: Rise of an Empire Combo Pack Coming June 24

300: Rise of an Empire Combo Pack Coming June 24

DisplayMAMExtViewBurbank, CA, May 9, 2014 – Vengeance is sought when 300: Rise of an Empire arrives onto Blu-ray 3D Combo Pack, Blu-ray Combo Pack, DVD Special Edition and Digital HD on June 24 from Warner Bros. Home Entertainment. Producer Zack Snyder teams up with Director Noam Murro to create the follow up to the 2007 hit “300” in the same visually stunning style as the original.  The stylized epic follows two warring nations that fight for glory amidst a raging sea.

Adapted from a screenplay by Zack Snyder and Kurt Johnstad, and based on Frank Miller’s graphic novel “Xerxes,” Warner Bros. Pictures and Legendary Pictures’ 300: Rise of an Empire was directed by Noam Murro. Gianni Nunnari, Mark Canton, Zack Snyder, Deborah Snyder and Bernie Goldmann produced the film, with Thomas Tull, Frank Miller, Stephen Jones, Craig J. Flores and Jon Jashni serving as executive producers.

The film stars Sullivan Stapleton (“Gangster Squad”) as Themistokles and Eva Green (“Dark Shadows”) as Artemisia, alongside Lena Headey (“Game of Thrones”) as the Spartan Queen, Gorgo; David Wenham (“Better Man”) as Dilios; Andrew Tiernan (“Ripper Street”) as Ephialtes; Andrew Pleavin (“The Borgias”) as Daxos; and Rodrigo Santoro (“The Last Stand”) returns in the role of the Persian God-King, Xerxes. The main cast also includes Hans Matheson (“The Christmas Candle”) as Themistokles’ closest friend and advisor, Aeskylos; Callan Mulvey (“Zero Dark Thirty”) and Jack O’Connell (“Skins”) as father and son soldiers, Scyllias and Calisto; and Igal Naor (“Ambassadors”) as the Persian King Darius.

300: Rise of an Empire will be available on Blu-ray 3D Combo Pack for $44.95 and on Blu-ray Combo Pack for $35.99.  Both include a digital version of the movie on Digital HD with UltraViolet.* Fans can also own 300: Rise of an Empire in Digital HD on June 24 via purchase from digital retailers.


300: Rise of an Empire, told in the breathtaking visual style of the blockbuster “300,” is a new chapter of the epic saga, which takes the action to a new battlefield—the sea.

The story pits the Greek general Themistokles against the massive invading Persian forces, ruled by the mortal-turned-god Xerxes, and led by Artemisia, the vengeful commander of the Persian navy.

Knowing his only hope of defeating the overwhelming Persian armada will be to unite all of Greece, Themistokles ultimately leads the charge that will change the course of the war.


300: Rise of an Empire Blu-ray 3D Combo Pack, Blu-ray Combo Pack and 2-Disc Standard Definition DVD Special Edition contain the following special features:

  • The 300 Effect

o   3 Days in Hell

o   Brutal Artistry

o   A New Breed of Hero

o   Taking the Battle to the Sea

  • Real Leaders & Legends
  • Women Warriors
  • Savage Warships
  • Becoming a Warrior


300: Rise of an Empire will be available for streaming and download to watch anywhere in high definition and standard definition on their favorite devices from select digital retailers including Amazon, CinemaNow, Flixster, iTunes, PlayStation, Target Ticket, Vudu, Xbox and others. Starting June 24, 300: Rise of an Empire will also be available digitally on Video On Demand services from cable and satellite providers, and on select gaming consoles.


PRODUCT                                                                            SRP

Blu-ray 3D Combo Pack                          $44.95

Blu-ray Combo Pack                                   $35.99

DVD 2-disc Special Edition (WS)         $28.98

Street Date: June 24, 2014

DVD Languages: English, Latin Spanish, Canadian French

BD Languages: English, Latin Spanish, Canadian French, Brazilian Portuguese

DVD Subtitles: English SDH, Latin Spanish, Parisian French

BD Subtitles: English SDH, Latin Spanish, Parisian French, Brazilian Portuguese

Running Time: 103 minutes

Rating: R for strong sustained sequences of stylized bloody violence throughout, a sex scene, nudity and some language

Beware the Batman Season 1 Part 1 Out Next Week

1000x1000_BewareTheBatmanS1BURBANK, CA (February 14, 2014) – The caped crusader continues to conquer Gotham City’s villains with the Blu-ray™ and DVD release of Beware The Batman: Shadows of Gotham, Season 1 Part 1 from Warner Bros. Home Entertainment, Warner Bros. Animation and DC Entertainment. Batman and his trusted friends Alfred and Katana band together in the series’ first 13 episodes to face the twisted machinations of Gotham City’s criminal underworld.

BtB_345_930_Still05Beware the Batman Season 1 Part 1 is available for the first time on both Blu-ray™ and DVD next Tuesday, February 18, 2014. Warner Bros. Home Entertainment offers a two-disc DVD set ($19.97 SRP), while the single-disc Blu-ray™ is available from Warner Archive Collection for $19.95 via shop.warnerarchive.com and wbshop.com.

BtB_345_931_Still01Batman swings into an exhilarating new age, teaming with a powerful allies old and new for a thrilling new take on the classic Dark Knight franchise in Beware the Batman: Shadows of Gotham, Season 1 Part 1. The new action-packed detective thriller incorporates Batman’s core characters with a rogue’s gallery of criminals as the Caped Crusader faces some of Gotham City’s most despicable villains. Through the show’s first 13 animated adventures of this two-disc collection, ex-secret agent Alfred and lethal swordstress Katana join Batman to takes on an array of evildoers including the likes of Anarky, Professor Pyg, Mister Toad and Magpie. This thrilling series redefines what we have come to know as the “Batman show” and is sure to excite fans with cutting-edge CGI visuals.

“Warner Bros. Home Entertainment is delighted to begin this exhilarating animated Batman series with the release of Beware The Batman: Shadows of Gotham, Season 1 Part 1,” Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation and Partner Brands Marketing. “Fans will be excited to see their favorite super hero up against a whole new set of villains from the DC Universe to continue the expansion of the Dark Knight franchise!”


Beware the Batman Season 1 Part 1

  1. Hunted
  2. Secrets
  3. Tests
  4. Safe
  5. Broken
  6. Toxic
  7. Family
  8. Allies
  9. Control
  10. Sacrifice
  11. Instinct
  12. Attraction
  13. Fall

Warner Bros Wins Superman Copyright Battle

Joe Shuster

Joe Shuster (Photo credit: Wikipedia)

Today the seemingly endless Superman heirs copyright suit might have truly leaped its final bound. Just over a month after lawyer Marc Toberoff petitioned the 9th Circuit Court of Appeals for a rehearing of opinion in favor of Warner Bros, the court has said no. “The panel has voted unanimously to deny the petition for rehearing,” said the order issued today. In saying no, the 9th Circuit closed the door on any more requests from the heirs of Superman co-creator Joe Shuster.

Read the rest at Warner Bros Wins Superman Copyright Battle As Heirs Denied Rehearing – Deadline.com.

Snow Will Not Stop “Justice League: War” NYC Premiere

Some our readers applied for (and many won) tickets for the World Premiere of Justice League: War tonight at The Paley Center for Media in New York.

According to a Warner Bros spokesman, “The city is being battered with a powerful snowstorm, but not strong enough to withstand the Justice League … so the show will go on as planned.”

Christopher Gorham (the voice of Flash), producer James Tucker, director Jay Oliva, dialogue director Andrea Romano and character designer Phil Bourassa will still be hand for this premiere showing. Some very exclusive prizes will also be given away.

Justice League: War to Debut at the Paley Center January 21

Justice League War cover artWarner Bros. Home Entertainment and The Paley Center for Media proudly present the World Premiere of Justice League: War, the next entry in the popular, ongoing series of DC Universe Animated Original PG-13 Movies, in New York on January 21, 2014. Filmmakers and members of the voice cast will attend the event for red carpet media interviews and a post-screening panel discussion.

BURBANK, CA (December 19, 2013) – An alien attack threatening cataclysmic worldwide devastation brings together the world’s greatest super heroes – for the first time – in Justice League: War, the latest entry in the ongoing series of DC Universe Animated Original Movies. Produced by DC Entertainment and Warner Bros. Animation, Justice League: War arrives February 4, 2014, from Warner Bros. Home Entertainment as a Blu-ray™ Combo Pack ($24.98 SRP), DVD ($19.98 SRP) and Digital HD. The Blu-rayTM Combo Pack will include a digital version of the movie on Digital HD with UltraViolet™. Order due date is December 31, 2013.

When the powerful Darkseid and his massive, relentless forces invade Earth, a group of previously unaligned super heroes – misunderstood and, in some cases, hunted by the authorities – discover the only way to fend off the attack will be to work together as a cohesive unit. Batman, Superman, Wonder Woman, Green Lantern, Flash, Shazam and, in his origin story, Cyborg combine their respective talents in an all-out battle to save the planet. Based on the 2012 graphic novel, “Justice League: Origin,” by Geoff Johns & Jim Lee, Justice League: War provides a glance into the world before the Justice League was created, and offers the initial animated incarnation of DC Entertainment’s The New 52.

“Justice League: War brings together all the best elements of DC Comics – dynamic plot twists, revolutionary new artwork and of course, hostility amongst heroes and villains alike,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family Animation Marketing and Partner Brands. “Showcasing a voice talent cast that unites some of today’s most popular actors, Warner Bros. Home Entertainment is proud to release Justice League: War as the next DC Universe Animated Original Movie.”

Primetime television stars Jason O’Mara (Terra Nova, Vegas, Life on Mars) and Justin Kirk (Weeds), the voices of Batman and Green Lantern, respectively, lead an impressive ensemble of television and film stars in the notable super hero roles. The celebrity-laden voice cast includes Shemar Moore (Criminal Minds) as Cyborg, Michelle Monaghan (Mission Impossible III, Gone Baby Gone) as Wonder Woman, Christopher Gorham (Covert Affairs) as Flash, Alan Tudyk (Suburgatory, 42, Serenity) as Superman, Sean Astin (The Lord of the Rings Trilogy) as Shazam, and Rocky Carroll (NCIS) as Silas Stone. On the villainous side, popular voice actor Steve Blum (Justice League: The Flashpoint Paradox) provides the voice of Darkseid, and Bruce Thomas (Legally Blonde, Army of Darkness) gives voice to DeSaad.

Justice League: War delivers an action-packed addition to the ongoing series of DC Universe Animated Original Movies, which have sold more than 13 million units to date. The film features brand-new extra content for collectors and fans alike.

Justice League: War Enhanced Content includes:

  • Featurette – Deconstructing Justice League: War – Part commentary, part documentary, director Jay Oliva teams up with artist Jim Lee as they compare and contrast the comic-to-screen process of some of the most memorable moments in the film.
  • Featurette – Creating Heroes: The Life and Art of Jim Lee – This documentary film explores the work of master artist Jim Lee, from his early days to his current position as co-Publisher of DC Entertainment and his comic collaboration with Geoff Johns.
  • Making Of – Justice League: War Act D – From animatic to pencil test, the final stanza of the film.
  • A Sneak Peak at Son of Batman – An advance look into the next DCU Animated Original Movie with the creators and cast.
  • From the DC/Warner Bros. Animation Vault – 4 Bonus Cartoons


Street Date: February 4, 2014

Order Due Date: December 31, 2013

Languages: English and Spanish

Audio: Dolby Surround Stereo

Color / Closed Captioned

MPAA Rating:  PG-13

  Justice League: War

Blu-ray™ Combo Pack – $24.98 SRP

SD 1 Disc – $19.98 SRP

SD UPC: 1000381833 / 883929318421

BD UPC: 1000381834 / 883929318438

DreamWorks is hoping that your interest in things moving quickly is not limited to The Flash and The Fast and Furious films. Come March, they will be releasing The Need for Speed and unveiled the new one-sheet.

Jen Krueger: Pre-Hype Hype

krueger-art-131217-150x78-8279015On November 15, Reddit users discovered a mysterious website called Survivor 2299 that had cryptic text, messages buried in its code, and a clock counting down to December 11. With clear aesthetic references to popular post-apocalyptic nuclear wasteland video game series Fallout, gamers got excited. It’s been more than three years since game publisher Bethesda released the previous installment in the franchise, and all signs pointed to Survivor 2299 being a precursor to the fervently anticipated announcement of a Fallout 4 release date. But on December 6, I was among a number of gamers disappointed as Survivor 2299 was revealed to be a hoax. Dashed hopes aside though, I was left wondering how a community that’s generally considered quite savvy was fooled by (or at the very least, enticed to seriously consider) a hoax that lasted almost a month. The answer I’ve landed on: we’re steeped in pre-hype hype.

Naturally, the debut of a major product or entertainment property is going to be preceded by marketing efforts to make consumers excited for its release. To get the best day one numbers possible, Apple and Warner Bros. spend a considerable amount of money making sure everyone and their brother know exactly when the latest iPhone and Batman movie come out. But while these companies and others like them may’ve once been content to start their marketing push just a few months before a product launch, they now begin tantalizing consumers much earlier, and with much less information.

I blame the teaser trailer. A few quick shots strung together or fifteen seconds from a single scene may not be enough to communicate what a movie is about, but it’s more than enough to make people start tweeting about how badly they want to see something. And if boosting anticipation is the goal, releasing a teaser weeks or months before the full trailer accomplishes that goal handily.

But the pre-hype hype hasn’t stopped there. A movie’s teaser trailer may be the first advertising general audiences encounter these days, yet within recent years studios have caught on to a way to create buzz for films even earlier, and amongst a more targeted demographic: the San Diego Comic-Con panel. Movies don’t have to be completed for studios to start talking them up to crowds at the show. Heck, some films are even promoted there before going into production, with simple information like casting announcements taking the starting position in the hype parade once occupied by the teaser trailer.

Not surprisingly, this mentality of conventions being the place to start generating hype goes beyond movies. Video game companies reveal far-off game release dates to fans at E3, the event that is to the gaming world what the San Diego Comic-Con is to comics. And of course, Apple’s new tech announcements are so anticipated that their press conferences are treated with the reverence of a convention, complete with save the date cards and the promise of live streaming for those who can’t make it. With an already assembled crowd representing the people most likely to enjoy a forthcoming product, why wouldn’t companies capitalize on the fact that a tiny tidbit is enough to get die-hard fans eagerly anticipating things they won’t be seeing for months?

Actually, to be fair, I should point out there is a movie studio that wouldn’t start up their hype machine at Comic-Con nine to twelve months in advance of a film release like so many others do. Marvel Studios starts even earlier. By announcing titles in the third phase of the plan for their cinematic universe, they’ve managed to create hype for films that are still years away from theatrical release. And though it seems unnecessary to start parceling out information years in advance like this, I have to admit I’m already pumped for Ant-Man and will probably only get more excited about it with each hype-bolstering move Marvel Studios makes until the movie’s 2015 release date.

Now if only Bethesda would take a page from Marvel’s book and give me a real Fallout 4 date to look forward to, even if it’s not in this decade.




Mike Gold: Will There Always Be Superman Comics?

Gold Art 131120Over a decade ago the head of what was then called Tribune Media Services told me that as far as the producer of the Little Orphan Annie musicals was concerned, he did not need the comic strip around in order to keep his Annie franchise successful. I responded, “Well, somebody’s figured out what Disney’s been up to.”

Walt Disney used to say that he always reminded people that the whole thing started out with a mouse. And to this very day – the 85th anniversary of the first Mickey Mouse cartoon was last Monday – Mickey has remained the (usually silent) Disney spokesmouse. So… riddle me this, Mousemen. Outside of a few direct-to-DVDs and a couple teevee shots, how many Mickey Mouse cartoons were made in the past 60 years?

There was not a single Mickey Mouse cartoon produced between 1953 and 1983. There’s been maybe four true Mickey cartoons produced since then, plus the short-lived House of Mouse show, some video games and a few cameos.

And tons of merchandising which, obviously, was not dependent upon the character’s presence on the large or the small screen.

Two of the biggest superhero characters of the 1930s through 1950s were The Shadow and The Lone Ranger. Both remain icons, but neither are vital forces in our cultural marketplace – despite what seems to have been a contest to see who could produce the worst Lone Ranger feature film. If this were, say, 1940, I suspect most people would say these guys would remain strong in one form or another for a long, long time. In The Shadow’s case, that would be until his radio show was cancelled on December 26, 1954. The Lone Ranger lasted on teevee until September 12, 1957; there was an animated series that ran for 28 episodes in the mid-60s.

So, I ask you: as a comic book, how long will Superman last? Or Spider-Man, or Batman, or the X-Men… you get the idea. In the 1940s, Superman was successful in comic books but even more successful as a radio series and a newspaper comic strip. The comic books were kept alive by the success of the Superman television series in the 1950s. National Periodical Publications, predecessor to DC Comics, didn’t need comic books to make a profit. In fact, if they didn’t own their own distribution network they might have canned the print operation when sales plummeted during the mid-50s.

Warner Bros. (DC comics) and Disney (Marvel comics) do not need the comic books in order to sell merchandising and produce movies and television shows, although producing good movies and teevee shows is always challenging.

The good folks at DC’s New York City office – including the vast majority of their editorial departments – have but a few more weeks to decide if they are going to move to Los Angeles in the spring of 2015. It’s a tough decision.

As a member of DC’s historical family, indulge me as I offer this piece of advise. If you want to move to Los Angeles, do so. But as soon as you get there, keep an eye out for other jobs. Warner Bros. and Disney do not need to publish comic books in order to keep their stockholders happy.

Just don’t tell them so.




Dennis O’Neil: DC’s Wandering Boot-heals

oneil-art-131107-150x177-4470100Our good times are all gone

And I’m bound for moving on…

Ian Tyson

I doubt that anyone who cared was surprised when, last week, Diane Nelson, the high honcho of DC Comics, announced that the company was relocating to Burbank in about a year. The move had been rumored for a long time, particularly afterDC became part of a movie making company, Warner Bros., of which you may have heard. It was only logical: Manhattan real estate comes with a mighty price and so it seemed to make sense to leave New York and go where the parent company already owned property.

Once, on a business trip, Dick Giordano and I established very brief headquarters on the sprawling Warner’s lot, which had vacant offices we could use. So: empty space, huh? Interesting. And a publishing venture no longer much needed to be located in New York: electronic communications largely eliminated the required treks writers and artists made to midtown. No need to endure the subway when you could pop your work into a fax machine and, later, discuss it with your editor by telephone, all without changing out of your pajamas. And yeah, yeah, I know: fax machines – stone age stuff. But not to us, not then. And pretty soon, the technology got really nifty.

Sure, once in a while, usually when contemplating a complicated stunt, I thought it best to get some creative people together in a room and that was always possible – you know, airplanes and the like – and I always preferred to discuss plots with the writer and me breathing the same air, but that wasn’t strictly necessary. Mostly, editorial chores could be done with someone who lived in the United Kingdom as easily as with someone who lived in Brooklyn.

What we may not have been properly mindful of was that our most reliable product, superhero stories, weren’t about print and paper anymore; they had become about images on screens large and small, most serviceable in theaters and on television. They still have a place on paper and, I’m pretty sure, will continue to do so, and maybe one of you savants out there will write a monograph explaining why print is the proper venue for our characters but, bite the bullet, flicks and the tube are where the major action is. In the best superhero tradition, they’re going where they’re most needed,

My reaction? It’s never a good idea to get into a scrap with what is.

A few years ago, DC relocated some people, some of my former colleagues, from New York to California. In retrospect, that was the opening move, the fulfillment of an event long anticipated. Then the Mad Magazine offices became a suite of empty rooms: move number two. And now… amen. An era quietly ends.


FRIDAY MORNING: Martha Thomases

Man of Steel Infographic Traces Route from Krypton to Earth

MOS_LAK_4in1_ALL_PREIn advance of next week’s release of Zack Snyder’s Man of Steel on Blu-ray and DVD, Warner Home Video has released this infographic. This tells you al you need to know about Krypton, or at least the world as depicted in this past summer’s reimagining of the Action Ace. The film has grossed over $662 million worldwide, which, given its production budget of $225 million, means it is on the cusp of profitability. Ancillary sales, including the domestic home video release, should push it into the black before the year is out. Box Office Mojo notes that it may not have soared to the heights anticipated by Warner Bros and its DC Entertainment subsidiary. In dollars, it ranks tenth as a comic book adaptation, although it is the top grossing Superman film dating all the way back to Superman and the Mole Men.

Rotten Tomatoes says the film was perceived as only 56% fresh, dubbed by major media critics as too somber. Richard Roeper, for example, noted, “There’s very little humor or joy in this Superman story.” Fans were divided over this sterile and somber version of the archetypal superhero, sharply criticism the filmmakers and DC for letting Superman commit murder. In comparison, this weekend’s Thor: The Dark World is already trending at a strong 75% fresh.

DC Entertainment has bet a lot on this interpretation, letting it be known that this should be considered the first installment in a unified DC Cinemaverse. Already shooting for a summer 2015 release is a sequel which will include a Caped Crusader owing much to Frank Miller’s groundbreaking The Dark Knight Returns. Fans already have their knives sharpened for flaying Ben Affleck’s performance as the Darknight Detective without seeing a single frame of film, a habit that can be traced back to the first announcement of Michael Keaton donning the cape and cowl. The sequel is also rumored to be introducing Diana, the Princess of Themyscira with current theory being that Jamie Alexander, Lady Sif in the Thor series, is in talks with the studio.

What is expected to follow would be a Justice League movie while DC and Warner have been coy about whether or not the television reality seen in Arrow and its intended Flash spinoff would also be set in the same reality. Given the success of Disney, Marvel and ABC has had with integrating Agents of S.H.I.E.L.D. with the feature films, one would think they would follow suit.

Look for our Man of Steel review next week.

REVIEW: Necessary Evil: Super-Villains of DC Comics

Necessary Evil-SuperVillains of DC ComicsThere are times one wonders what synergies truly exist between parent company Warner Bros and DC Entertainment. Normally, the studio cherry-picks properties it wants from its subsidiary and rarely does DC get something in return. However, as the company planned its mammoth villain-centric fall publishing plans, they managed to corral the studio into helping create and market the just released Necessary Evil: Super-Villains of DC Comics. The 99-minute documentary features sound and fury but its significance is obscured.

Watching it, I kept wondering who this was being marketed to since casual fans of the movies, television shows, or video games lack the context to comprehend much of what the host of talking heads had to say. Even current readers of the New 52 might be confused by the various iterations of the villains as they have appeared through the years.

With Christopher Lee trying, and not entirely succeeding, at using his marvelous voice to lend gravitas to the overwrought script, we are taken through a series of thematic chapters exploring the nature of villainy. What is entirely lacking is any sort of historic context to put things into perspective.

At first, larger-than-life heroes evolved from their pulp ancestors to tackle four-color criminal masterminds, corrupt government officials, and the occasional mad scientist. Heck, Superman didn’t really meet a serious threat until the Ultra-Humanite at the beginning of his second year. At least Bob Kane was faster to have Batman deal with the Mad Monk and Hugo Strange in his inaugural year. The Golden Age of comics saw a plethora of heroes and heroines arrive without as much thought being put into their opponents resulting in a mere handful of worthy adversaries being revived through the years.

The exception is Batman, where Bill Finger clearly recognized the need for a bizarre rogues gallery, much as Dick Tracy had his grotesque villains in his newspaper strip. It really wasn’t the Silver Age of the late 1950s before other heroes were given a significantly interesting collection of villains demonstrating an evolutionary leap in the sophistication of the premises and storytelling.

GroupYou wouldn’t really know any of this from the documentary which focused more than 99% of its art from the last half-decade or so and all its talk was a jumble so we’d go from someone discussing a theme to someone else discussing a specific bad guy and his ever-changing motivation. In listening to co-publishers Dan DiDio and Jim Lee, one would think every story has to feature a good versus evil confrontation and each adventure has to end with the hero paying some price for the victory. Such cookie cutter thinking may be one reason why the New 52 has been struggling to maintain readers, prompting its accelerating churn of titles.

The past is represented by Len Wein and Marv Wolfman, with a dollop of Paul Levitz while writers Scott Snyder and Marc Guggenheim seem to be the modern era. Then we hear from Editor-in-Chief Bob Harras and Editorial Director Bobbie Chase, neither of whom shows a personal opinion about the modern day bad guys. The Hollywood connection is represented by Man of Steel‘s Zack Snyder, Superman: The Movie’s Richard Donner and future Justice League Dark  director Guillermo del Toro (although Tim Burton and Christopher Nolan or David Goyer would have been nice). Animation is covered by Paul Dini, Alan Burnett, and Andrea Romano and their contributions are interesting. We even have vocal performers Kevin Conroy, Clancy Brown, Kevin Shinick and Scott Porter on hand to lend their thoughts. The most passionate of the bunch with some of the best lines is DC’s Chief Creative Officer Geoff Johns. Second to him is psychiatrist Andrea Letamendi, who brings  fresh perspective and a fan girl’s point of view. (It’s also hard to accept the speakers discussing Captain Marvel’s foes when they keep mistakenly calling the Big Red Cheese by Shazam — I know it’s  a legal issue, but still…)

The tedious enterprise ends with what is essentially a commercial for the Forever Evil event now being released. Overall, this was an interesting attempt to make noise for the entire line but it was such a mishmash of comments, name dropping, and the like that one wonders what its really trying to say.

The disc is lovely to look at thanks to the colorful high definition artwork and clips from comics, animation, and live-action productions. This Blu-ray does not come with any extras which is a missed opportunity.