Tagged: Warner Bros

‘Grayskull’ Crumbles at Warner Bros

‘Grayskull’ Crumbles at Warner Bros

Latino Review states that Grayskull, the reimagining of the He-Man property, is dead in the water over at Warner Bros.

According to the Web site, the WB had a short list of directors they’d be comfortable handing the film to, including Doug Liman (The Bourne Identity) and Bryan Singer (Superman Returns). Both directors and others passed on the property, despite some "up and coming directors that were gung ho on the script, but the studio wasn’t feeling them."

Additionally, the film’s biggest champion, Navid McIIhargey, left Silver Pictures, the company developing Grayskull, to become a Senior Vice President at New Regency. As a child, McIIhargey grew up with the He-Man character and was doing work "day to day to get He-Man over the mountain and get the movie made." As such, without a strong advocate, Grayskull never stood a chance.

The site also reports that Mattel, the company that holds the rights to He-Man action figures and related merchandise, is "infurated at Warner, [and] they want the property back to take it elsewhere." The toy company is understandably frustrated as Paramount continues to pump out films for 80’s darlings Transformers and G.I. Joe, allowing Hasbro to reign supreme as the ruler of the action figure market.

Grayskull is a script from Justin Marks, who also penned the upcoming Street Fighter: The Legend of Chun-Li and Hack/Slash. Latino Review wrote a rave review of the He-Man script, calling it another potential "Lord of the Rings combining both mythology and science fiction." Other Web sites, such as Ain’t it Cool News, disagree completely with Latino Review’s praise.

In the He-Man universe, Castle Grayskull is a fortress on the planet Eternia. The castle is a high priority target for Skeletor and his cronies who believe the secrets locked within would lead the way to become Masters of the Universe.

‘Sleeper’ Scribe Signed

‘Sleeper’ Scribe Signed

Newcomer Brad Ingelsby has been hired by Warner Bros. to adapt WildStorm’s Sleeper into a feature film. Ed Brubaker and Sean Phillips’ short-lived sf/crime comic lasted two 12-part maxiseries and was somewhat tied to the greater WildStorm continuity.  In fact, the first maxiseries ended and spun events into the Coup D’Etat crossover event.

Ingelsby sold his first screenplay, Low Dweller, to Relativity Media just this March. They then hired Ridley Scott to direct and cast Leonardo DiCaprio to star which, if the cameras actually roll, will bring the scribe a cool million dollar payday.

Sleeper is about Holden Carver, nicknamed The Conductor, who is fused with an alien artifact that makes Carver impervious to pain. Instead, he can store the pain and transfer it to others, a rather nifty skill. He is then sent undercover to infiltrate a criminal organization. When his contact (in the comics, Tao’s John Lynch) is killed, Carver is left with no allies.

According to Variety, the film adaptation, without continuity ties, will be produced by the very busy Sam Raimi with Star Road Entertainment partner Josh Donen.

Brubaker and Phillips enjoyed working so much together that they now produce Criminal for Marvel’s Icon imprint.

Warner Takes a ‘Headshot’

Warner Takes a ‘Headshot’

Variety reports that Warner Bros. has acquired screen rights to Headshot, a three-book graphic novel series from Alexis Nolent. Alessandro Camon will write the script based on the French novel, with Alexandra Milchan and Smallville creators Alfred Gough and Miles Millar on board to produce.

Headshot focuses on "an unlikely alliance between a cop and a hitman … after each watches his partner die. The new partners seek revenge and discover they have a shared enemy and much in common despite being on opposite sides of the law."

Nolent has written several comic books under the pen name Matz. In 2004, Headshot won Best Story Prix Saint-Michel comic awards in Brussels. Another of his comics, The Killer, was nominated for an Eagle Award for Favorite European Comic in 2007 and an Eisner for Best U.S. Edition of International Material in 2008. The Killer is also slated for a film release at Paramount with David Fincher (Fight Club) attached to direct. Nolent’s Cyclops is in development at Warner Bros. as a directing vehicle for James Mangold (3:10 to Yuma).

New ‘Watchmen’ Motion Comic Released

watchmenWith the release of the first chapter of Watchmen in July, things have quieted down for Warner Premiere and Warner Bros. Digital Distribution. With an initial promise of bi-weekly episodes of Watchmen and Batman: Mad Love back in the summer, that was inevitably altered due to the ongoing legal battle revolving around the film, and the insurmountable success of Dark Knight. Finally, after four months of waiting, a second chapter for Watchmen has been released on such platforms as iTunes, Amazon Video On Demand, Xbox 360, and Playstation 3 for a small price. Warner Premiere also recently announced additions to their Motion Comic projects. Premiere has now stated that Mad Love will be attached as a DVD extra for the Dark Knight DVD later this year and that the Watchmen motion comic will be released every two weeks, continuing with chapter 3 on October 20.

Sadly, the hiatus didn’t effect the production of the comics, and all characters will still be voiced by narrator Tom Stechschulte, and this includes even the female roles. Those who haven’t caught the first chapter, the illustrations are taken directly from the book, with the characters’ joints and movements animated slightly to act as a hybrid of Audio Book and Flash Animation. It’s worth a watch for anybody who was a fan of the book and needs something to hold them over until the film gets released next May (or not).

You can purchase Chapter 2 from the iTunes Store here.

Sequel and Prequels in the News

Sequel and Prequels in the News

There’s a lot of prequel/sequel talk in the air this week.  First, rumors have it that Jennifer Aniston is being offered tons of cash to reprise her character in a follow-up to The Break-Up, opposite Vince Vaughn.

On the other hand, Corey Haim says he’s up for a Lost Boys film; one he claims will be a prequel to the first film and not a follow-up to the direct-to-DVD sequel that was released in July. He told Bloody Disgusting, “I’ve seen the whole movie; I don’t like it, to be honest with you. I don’t like it, I’m not gonna lie to you. I don’t like it as much as the first one.”

No official word has come from Warner Bros. or any of the Lost Boys participants so Haim could be drumming up work for himself. Still, he clearly had his own vision of how the next film should be done. “[The] direction [will be] more so like the first one…" Haim described. "As far as I heard, it will be thrown back into the proper genre it was when Joel [Schumacher] executed it.”

Warner Bros. announced yesterday that they have signed a three-year first-look deal with The Office’s Steve Carell. The deal, according to Variety, has led to the formation of Carousel Productions to be overseen by Vance DeGeneres and Charlie Hartsock.

The new deal does not guarantee a sequel to the television spin-off, but given its $230 million success around the world, the gears have started to turn.  Anne Hathaway, his co-star, already told the press she was up for a second film.

"My idea was to partner with friends of mine, people I trusted, with whom I share a certain sensibility," Carell told Variety. "I have some ideas for films, but I’ve gotten to know so many people who are funny, talented and fertile with ideas that I’m confident this very strong base of friendships will lead to projects."

After the fifth season of the NBC hit, he will co-star with Tina Fey as spouses in Date Night for 20th Century-Fox and director Shawn Levy.
 

Review: ‘Toupydoops’

Review: ‘Toupydoops’

A large portion of America is all about Hollywood. Who’s the new big star? What new movie is coming out? Which director will blow us away this year? Understandably, we have so many struggling artists – actors, singers, writers, directors all trying to find their big break – that it’s become cliche.

Likewise, we comic fans have similar feelings towards our books. Who’s the new big writer? What artist is going to knock or socks off with photo-realistic work? What new title is going to give us a new reason to love comics? How many more teams will Wolverine join before people realize there must be at least three of him?

But what if … what if these two paradigms were merged? What if strange beings with exotic looks and super-human abilities made their way to California and waited on tables while they auditioned to star in a comic book? What if a lad who was born with blue-skin and antennae was able to be an extra in an Image comic while he dreamt of one day starring in his own on-going series?

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Robin in Media

Robin in Media

So if you checked our site yesterday faithful readers, you know that the CW has given the green light to a new live action series to replace Smallville (or join it if it continues for a ninth season). This series, The Graysons, woud focus on the life of young Richard John Grayson (called DJ in the show), who many of us know will grow up to become the first hero called Robin.

Whether you think such a show can work or not, it’s undeniable that Robin is a household name, partly due to his contant appearances in various media.  And that’s not even considering the fact that he’s gone through quite an evolution in comics, uniquely so compared to many other super-heroes.

In DC Comics, Richard John Grayson, known to everyone as "Dick", was a circus acrobat along with his parents. The Flying Graysons were a famous act in the traveling Haley Circus. But during a stay in Gotham City, a protection racket organized by mobster Tony Zucco tried to get money out of the circus owner. When he refused, the trapeze was sabotaged and Dick’s parents fell to their deaths in front of a live audience. The audience included Bruce Wayne, secretly the Batman, who took in the adolescent boy and aided him in bringing Zucco to justice.

Dick was a natural due to his inherent talen and years of training in athletics and acrobatics. This, along with his heart and determination, allowed him to pursuade the Batman that he was worthy of staying on as a full-time apprentice and, later, a partner. Wearing a costume that emulated his old circus outfit, Dick called himself "Robin." Originally, it was said this was because he was styling himself on Robin Hood. In later years, it would be said that "Robin" had actually been his mother’s nickname for him, either because he was born on the first day of spring or because as a child he never sat still and was constantly  "bop-bop-boppin’ around." Part of the reason he was called Robin and not given a serious super-hero name was because back in the 1940s, sidekicks were only given nicknames so that the writers would be able to save any cooler titles only for more serious super-heroes.

Over the years, Dick proved himself to be a formidable hero and a gifted detective, becoming leader of the original Teen Titans. As he entered adulthood, he was no longer satisfied being viewed as Batman’s kid sidekick and believing that the Dark Knight did not give him enough credit, he left Gotham to carve out his own life. Eventually, inspired by a story Superman had told him of a Kryptonian hero, Dick returned to his super-hero role under the new name of "Nightwing", an identity he has kept for nearly twenty five years now. He is well-respected in the hero community and was even made leader of the Justice League for a short time. And whenever Batman needs him, this black-clad acrobatic avenger is willing to return to Gotham to help out.

That’s the comics. What about his appearances in film and television?

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Another Look at the ‘Batman’ Series DVD Issue

Another Look at the ‘Batman’ Series DVD Issue

A lot has been speculated this week after Rich Johnston reported in Lying in the Gutters that the real reason 20th-Century Fox sued Warner Bros. over Watchmen was so they could settle and gain the rights once and for all to release the Batman television series on DVD.

Many casual readers nodded their heads and muttered, “sure, that makes sense.”

TV Shows on DVD does a nice analysis on all the rights issues surrounding the 1966-1968 series and its 120 episodes.  In addition to DC Comics and 20th, they review that musicians, costumers and even Batmobile designer George Barris may be entitled to shares that the studios are loath to pay out.  We recommend the article.
 

‘Karma Coalition’ Bought by Warners

‘Karma Coalition’ Bought by Warners

Shawn Christensen, lead singer for stellastarr*, has sold a science fiction screenplay to Warner Bros. in a pre-emptive deal.  The studio, according to Variety, is fast tracking the project which they have assigned to producer Dan Lin.

Karma Coalition
is said to be about a falsely accused fugitive who embarks on a quest to uncover the truth behind his wife’s death before the world comes to an end. Christensen is said to have written this while recording the band’s forthcoming third album.

Lin is also producing several comic book-related projects such as the stalled Justice League film and the adaptation of Image’s Hiding in Time. Lin is also a listed executive producer on the studio’s Terminator Salvation.
 

Mark Millar Wants to Write Superman Movie

Mark Millar Wants to Write Superman Movie

Mark Millar is heating up in the eyes of Hollywood in the wake of Wanted‘s success so it’s no surprise to see him interviewed all over the place, including, most recently, G4. Mark is also given to shameless self-promotion and has discussed his business dealings so the news media has repeatedly pick up on his claims and treat them us news.  As is often the case, it’s Mark shilling for himself and making noise. Such may be the case with his latest interview where he spitballed his ideas for a Superman film. 

Now, Mark has clearly indicated his desire to write a Superman movie for several years now and he’s trying to stake his claim now that Warner Bros. has essentially apologized for Superman Returns by going in a different direction, without Bryan Singer attached.

He told Blair Butler, "I’ve had this plan for like 10 years for a big three-picture Superman thing, like a Lord of the Rings epic, starting over from scratch again with a seven-hour Superman story. One to be released each year."

Until Warner Bros. issues a confirming press release, take Mark’s comments with a grain of salt.