Tagged: Walt Simonson

JOHN OSTRANDER: Pro Advice – Hit By a Bus

From time to time I’m going to use this space to talk about professional concerns gleaned from my experiences of the past twenty-five plus years in the industry and pass on words of advice that I got in that time.

For example – if you go to a Convention and you’re a pro, you’re probably going to be asked to autograph copies of your work. Here’s something I didn’t know when I began and was taught by another pro: keep your autograph separate and different from your legal signature (the thing you sign checks and binding contracts with). Walt Simonson, for example, has a great autograph – looks like a dinosaur. I doubt he signs his checks that way. It makes sense. If your autograph is the same as your legal signature, it makes it easier for someone to forge that signature and that’s not good.

Here’s another bit of advice. I was once negotiating a contract at one of the major companies and I had a question about something in the contract that no one could answer. I was told, “Oh, John. Just go ahead and sign it. We’re all family here.”

My answer was – no, we’re not. I know who and what my family is and the company isn’t it. I applied my “Hit By A Bus” theory which goes as follows: if everyone I knew (and liked) at a given company all went out to lunch together and they were all hit by a bus and killed, all I would have would be the contract as written.

I have lots of friends at lots of different companies in lots of different positions ranging from editorial to management to production to the business end. They’re all personnel and can be promoted, demoted, fired, leave, and so on. The company itself can merge with another, change divisions, be sold, be bought, and more than one has gone out of business out from under me. Businesses will make business decisions that are usually based on financial reasons. The famous line from the Godfather, “it’s not personal; it’s just business” remains true.

I don’t fault businesses for that. It’s what they are. I may have friends at a certain business and, yes, I often depend on them to be friends. I never expect a corporation to be my friend. I don’t care what a commercial that’s trying to sell you something tells you to the contrary. A business is not your friend and certainly isn’t your family. They are a corporate entity and they will act like one. Don’t expect anything different.

Short form: read the contract, any contract, and know what you’re getting into. If you need a lawyer to explain it to you, get one. Don’t take the word of anyone working for the company as to what it means; make sure it’s someone who is not part of the corporation. That’s true outside of comics as well as in. If it isn’t in the contract, it doesn’t exist legally. There is no “understanding,” there’s only what’s on paper. Know that before you put your legal signature – not your autograph – on the dotted line. You and your family will be happier as a result.

And watch out for killer buses.

MONDAY: Mindy Newell

‘Thor’ Movie Annotations

walt-simonson-louise-simonson-ralph-macchio-thor-268x450-7099929With [[[Thor]]] taking the number one spot in box office receipts for the second week in a row, we must consider one of two options:

  1. There are a lot of people going back to stare at Chris Hemsworth, Kat Dennings, and Jaimie Alexander, or…
  2. People are hunting for all the Easter eggs and hidden bits in the film.

And so verily, we come to you, ComicMixers, with this list of notes, eggs of Easter, and bits of magic you may have missed when you were recently gazing upon the God of Thunder! Have at thee! Here is the Odin-list of annotations from the recent film released by the Studios of Marvel, of the humble Midgard. Did you catch of these visages, mortal? Let us find out! Huzzah!

Warning: spoilers from this point forward. You’ve been warned.

ComicMix Six: Stories We Thought Were April Fool’s Jokes But Weren’t

Another April Fool’s Day has come and gone, leaving in its wake a trail of confusion as comics news sites posted fake news article after fake news article in an attempt to hoax their audiences into believing things that couldn’t possibly be true.

Naturally, ComicMix condemns all such shenanigans as juvenile and unworthy.

All the same, now that we’ve had a day or two to process, there have been six recent happenings in the comics world that stood out as so weird, so unlikely, that we were completely floored when they turned out to be true. But don’t take our word for it, take a look below.

Stan Lee and Arnold Schwarzenegger are teaming up for The Governator, a comic and TV show detailing the adventures of the ex-Governor of California, ex-King of Aquilonia as he teams up with a precocious pre-teen hacker to fight crime. This is a thing that’s going to happen. Not a joke. We couldn’t believe it either. You’d think after Peter Paul and the Clintons Stan would stay clear of politicians.

‘Liberty Comics’ 2nd Printing Coming December 3

‘Liberty Comics’ 2nd Printing Coming December 3

ICv2 reports that Image Comics’ Liberty Comics, an anthology benefiting the Comic Book Legal Defense Fund, has raised nearly $27,000 for the charity.  The comic, which shipped in July and sold nearly 17,000 copies its first month, was a joint effort of Image, the creators involved, and Diamond Comic Distributors, all of whom donated their revenues.

Liberty Comics, edited and conceived by current IDW editor Scott Dunbier, included top properties and creators:  Hellboy by Mike Mignola, Danger Girl by J. Scott Campbell, The Boys by Garth Ennis and Darick Robertson, Criminal by Ed Brubaker and Sean Phillips, plus shorts by Mark Millar, Darwyn Cooke, John Paul Leon, Art Adams, Rick Veitch, Sergio Aragones, and Mark Evanier. 

A second printing, featuring a Thor cover by Walt Simonson, will be in store December 3. 

Image Publisher Eric Stephenson explained the company’s involvement.  “We couldn’t be more proud to support the CBLDF and their never-ending battle to defend our medium’s first amendment rights,” he said.  “Considering Image’s place in the industry as a bastion of independent, creator-owned comics, we feel they’re one of the most important institutions in the industry and look to support them at every chance we get.”