SAN FRANCISCO, Calif.(August 15, 2012)– The cinematic classic that introduced the world to Indiana Jones is ready to embark on a new adventure when director Steven Spielberg and executive producer George Lucas’ unforgettable Raiders of the Lost Ark is released for an exclusive one-week engagement in select IMAX® theatres beginning September 7, 2012. The film has undergone a complete restoration for the IMAX exclusive one-week release and subsequent debut on Blu-ray. Tickets and a list of participating theatres are available starting today at www.imax.com.
“When I saw the stunning quality of the picture and heard the enhanced sound in an IMAX theatre, I was quite literally blown away and hope that audiences will enjoy the experience as much as I did,” said Spielberg.
“We are honored to present all the excitement of Indiana Jones in a way it’s never been experienced before – IMAX,” said Greg Foster, Chairman & President, IMAX Filmed Entertainment. “We look forward to celebrating this iconic film with longtime fans as well as a new generation of moviegoers.”
The IMAX release of Raiders of the Lost Ark will be digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology. The crystal-clear images coupled with IMAX’s customized theatre geometry and powerful digital audio create a unique environment that will make audiences feel as if they are in the movie.
Under the supervision of Spielberg and renowned sound designer Ben Burtt, Raiders of the Lost Ark has been meticulously restored with careful attention to preserving the original look, sound and feel of the iconic film for its highly-anticipated release on Blu-ray as part of INDIANA JONES: The Complete Adventures. Every extraordinary exploit of world-renowned, globetrotting hero Indiana Jones finally comes home in sparkling high definition on September 18, 2012 from Lucasfilm Ltd. and Paramount Home Media Distribution. In addition to all of the thrilling adventures, the set features seven hours of fascinating bonus material, including a brand new two-part documentary entitled “On Set with Raiders of the Lost Ark – From Jungle to Desert and From Adventure to Legend.” Featuring nearly an hour of rarely seen footage from the set of the film and archival interviews with Steven Spielberg, George Lucas and Harrison Ford, this captivating piece transports fans back to where the legend began.
Starting in February 2013 I will have the honor of curating what I hope will be a wonderful exhibit of African American comic art and related pop culture. The show will run for a year at the Geppi Entertainment Museum and the Reginald Lewis African American Museum. I’m at a lost for words for just how proud and overwhelmed I am for being asked.
Helping me with the show will be many people and chief upon them will be Tatiana El-Khouri, John Jennings and the wonderful Missy Geppi. I wrote some thoughts down in advance of the show to try and give myself a reason and a scope from which to work from. What follows in my next series of ComicMix articles are those thoughts, reasons and insight as to why I think this is important, with the occasional rant so you don’t forget my boyish charm…
In 1956 the two-year old Comics Code Authority (CCA) tried its best to stop EC Comics from publishing a particularly offensive comic book. Founded in 1954, as part of the Comics Magazine Association Of America the CCA was created in answer to an uneasy American public fed up with gruesome, shocking images and stories in comics.
Simply know as “the code” within the field, the CCA took to the task of cleaning up the comic industry like the new sheriff in town taking to the task of ridding said town of whore houses so decent people could live in peace. The Comics Code just would not stand for America’s sons being subjected to the evils of comic books. EC Comics was among the top targets the moment the code was formed.
Pushing the limits of what at the time was considered obscene was nothing new to the publisher of explicit horror books. The mainstay content of EC was carnage, viciousness, crime and a productive heaping of gore thrown in for good measure.
To some, an above-reproach case could be made even today that EC was glorifying criminals and their actions as well as violence for the sake of such. This, years before we see the same argument being used against Rock and Roll and decades before we see it used against Rap and Hip Hop music. Crime and violence aside, the Comics Code also took great offense at sex. To be fair, what would the 1950s be without someone objecting to sex?
With the moral backdrop of the 50s and the onslaught on standards deemed obscene by mostly old white men regarding everything from juvenile delinquency to portraying married couples in the same bed on TV its no surprise there were senate hearings on comic books. Those hearings, spurred on in no small measure by Dr. Fredric Wertham’s book, Seduction of the Innocent, took place April 21, April 22 and again on June 4, 1954.
Wertham’s book said in effect that comics would lead America’s kids down a path ripe with crime, violence, homosexuality and a hated for all things patriotic. It was clear to Wertham and he made it clear to the rest of America, if your kids read comics they would most certainly end up anti-American queer murderous criminals.
Because of Wertham, his book and the Senate investigations less than three months after the hearings ended the comics industry decided to regulate itself in advance of Congress doing it.
So, enter the code.
What’s completely overlooked in the sanctification of the 1954 Senate hearings on comic books is how they dealt with race. The thunderous judgment most people took away from the hearings was the focus on sex, crime and violence.
Almost hidden in the interim report on Comic Books and Juvenile Delinquency was a passage on racial stereotypes.
The following passage from the Comics and Juvenile Delinquency interim report of the committee on the judiciary/ a part investigation of Juvenile Delinquency in the United States:
One example of racial antagonism resulting from the distribution of American-style comic books in Asia is cited by the former United States Ambassador to India, Chester Bowles, in his recent book, Ambassador’s Report. He reports on page 297 the horrified reaction of an Indian friend whose son had come into possession of an American comic book entitled the Mongol Blood-Suckers. Ambassador Bowles describes the comic book as depicting a-superman character struggling against half-human colored Mongolian tribesmen who has been recruited by the Communists to raid American hospitals in Korea and drink the plasma in the blood banks. In every picture they were portrayed with yellow skins, slanted eyes, hideous faces, and dripping jaws.
At the climax of the story, their leader summoned his followers to and attack on American troops. “Follow me, blood drinkers of Mongolia,” he cried. “Tonight we dine well of red nectar.” A few panels later he is shown leaping on an American soldier with the shout, “One rip at the throat, red blood spills over white skins. And we drink deep.”
Ambassador Bowles commented: The Communist propagandists themselves could not possibly devise a more persuasive way to convince color sensitive Indians that American believe in the superior civilization of people with white skins, and that we are indoctrinating our children with bitter racial prejudice from the time they learn to read.
13 Bowles, Chester, Ambassador’s Report, New York, 1954, p. 297.
It’s refreshing to see that some American lawmakers in the 50s were concerned about racial stereotypes, at least in principal if not in practice.
Ambassador Bowles statement really underscored that as Americans we would not tolerate any sort of racial bigotry. Yes, his remarks were hidden in the body of a report that focused on crime, sex and violence but they were there nevertheless.
Because of the public outcry caused by the hearings the CCA was enjoying major influence over the comics industry. When they began calling the moral shots in the comics business most publishers bent like a weed in the wind under the pressure. Some publishers simply adapted some cancelled books and a few went out of business altogether.
Above all else the CCA was intended to be a moral angel sent from above. The task made easier as this was that America after World War II, a country faced with many ethical dilemmas. The youth of America had returned from war but no longer were they young.
They were a hardened group of men and women who were determined to steer their children in the right direction in the choice between rather America would be a Heaven or a Hell for their children.
Heaven was the America they just fought for.
Baseball, Hot Dogs, Apple Pie and Chevrolet.
Hell was the impending darkness of the Communist menace.
By 1954 the Red Scare was firmly in the mind of the American psyche. The Red Scare with its focus (mostly imagined) on the United States of America being infiltrated and ultimately taken over by Communism. These were the issues that kept the good citizens of this great nation up at night. If they were not kept up all night dreading the coming apocalyptic death of the American Dream they would be as soon as they heard Senator Joe McCarthy.
McCarthy’s crusade against subversion and espionage within the United States government made him at one point arguably the most powerful man in America. Certainly the most feared.
At the height of the Red Scare, Julius and Ethel Rosenberg, a couple which at that moment in time were more hated than Adolf Hitler, were executed for selling the secrets of the atomic bomb to the Russians. If nothing else, the electrocution of two people who looked like your next-door neighbors certainly brought the message home. The event, based upon evidence many (but not all) find dubious, made the Communist menace a clear indication of impending disaster.
America had its hands full with impending doom, sex, crime and violence. They had to protect the kids by any means necessary.
Makes you glad that the 1954 is light years, and real decades from the what 2012 brings us. I mean who would cast that sort of McCarthy like crazy shit out there now a days eh?
Michele out of her fucking mind Bachman that’s who, but I digress.
See? There’s that occasional rant.
In 1954 this concentration on moral outrage did not leave a whole lot of time or interest to focus what many thought were second-class American citizens, African Americans. Funny, considering that treatment of African Americans was exceedingly immoral.
Yeah, I managed to use funny and immoral in the same sentence… and this is just part one.
When Jadavpur University professor Ambikesh Mahapatra e-mailed a cartoon mocking an Indian politician to friends, he probably didn’t expect to be arrested by local police in a midnight raid. Appallingly, Mahapatra and neighbor Subrata Sengupta were arrested in such a raid in April, and their case comes to trial in September. In response to the arrests, the West Bengal Human Rights Commission has asked authorities to take disciplinary action against the arresting officers and to compensate the men for their discomfort.
The duo got bail the next day, but the uproar caused by the arrests led to the WBHRC taking up the case on its own. The recommendations, which came on Monday, are, however, not binding on the government. Neither will they have any bearing on the ongoing case, which will come up for hearing at Alipore court on September 27. The three-member WBHRC is headed by Justice (retd) Asok Kumar Ganguly, who was part of the two-judge Supreme Court bench that delivered the 2G verdict earlier this year. Its other members are Justice (retd) N C Sil and S N Roy.
Quoting Jawaharlal Nehru, the commission said, “Nehru once said ‘it is good to have the veil of our conceit torn occasionally’. Referring to veteran cartoonist Shankar, Nehru also said, ‘Don’t spare me’”. Wondering why Mahapatra and Sengupta were victimized when “even during Emergency, when pre-censorship of the press was imposed, pre-censorship on cartoons was lifted after the first the first three months”, it found additional officer-in-charge Milan Das and sub-inspector Sanjay Biswas of East Jadavpur police station guilty of wrongful detention.
The Times further described the “crime” the men were accused of:
“At the time of their arrest, only allegations… were that they circulated by email a cartoon which was derogatory to hon’ble chief minister… Our constitution protects every citizen’s fundamental right of free speech and expression… No law in our country prevents criticism against ministers of chief minister however popular they may be or even a door-to-door critical campaign against ministers,” the WBHRC order said.
The commission found nothing wrong with the spoof. “This cartoon obviously referred to the recent political events in the aftermath of removal of Mr Dinesh Trivedi … and the appointment of Mr Mukul Roy. No one can attribute even remotely any suggestion which is lewd or indecent and slang … in respect of the subject. Therefore the case against those persons under Section 509 IPC prima facie does not lie,” it observed, questioning the grounds for framing of charges.
Mahapatra believes the arrests were retaliation ordered by someone superior to the arresting policemen and is protesting the arrest to prevent future harassment by officials. For more details on the case, visit The Times of India website here.
Few countries protect Free Speech as adamantly as the United States does, and censorship has a chilling effect worldwide.Please help support CBLDF’s important First Amendment work and reporting on issues such as this bymaking a donation or becoming a memberof the CBLDF!
The Comic Book Legal Defense Fund is pleased to announce that thanks to the support of its contributors, the organization has disbursed an additional $10,000 to Ryan Matheson to help pay off the $75,000 legal defense costs that he incurred defending himself against false charges brought by Canada Customs in a case involving manga comics on his laptop computer.
Earlier this year, charges against Matheson were dropped in a case where Canada Customs illegally detained and wrongly charged the American with importation of child pornography for humor and fantasy manga on his laptop. The CBLDF came to Ryan’s aid in 2011, providing substantive and financial support for his case, including arranging expert testimony that contributed to the charges being dropped. With this most recent disbursal, the CBLDF has provided $30,000 to Ryan’s $75,000 legal defense costs. Last year, Canada’s Comic Legends Legal Defense Fund contributed $11,000 towards Ryan’s defense. CBLDF seeks contributions to help pay off Ryan’s remaining $34,000 in legal expenses.
In a message to CBLDF supporters, Matheson says, “Thank you so much to everyone who contributed to the CBLDF! The donations raised so far have given me enough financial stability to finally get back on my feet and live my life normally instead of worrying about money so much. It’s really encouraging to know that there are so many people out there that want to help stand up for comics and manga. I used to feel so isolated and alone but now I’ve realized that the comics and manga community is definitely one that cares about the things we love and is willing to stand up for our rights. Your donations really do help a lot and I am so grateful for all the support I’ve received so far. Thank you!”
After a search of his laptop in 2010, Canada Customs wrongfully accused Ryan of possessing and importing child pornography because of constitutionally protected comic book images on that device. This case represented a severe disruption in his life, including a two-year period during which he was unable to use computers or the internet outside of his job, severely limiting opportunities to advance his employment and education. Ryan suffered extreme mistreatment at the hands of Canadian authorities, and was subjected to abusive treatment by police. Matheson’s cruel and unusual punishment included being denied food and blankets, and not being allowed to contact the American Embassy. Matheson was even told by police transporting him to prison that “if you get raped in here, it doesn’t count!” The defense detailed these and other abuses and outlined that the comics at issue are constitutionally protected in the United States, the client’s home country, contributing to the charges being dropped earlier this year.
This summer, Matheson will be appearing on panels at San Diego Comic-Con and Otakon to discuss his case, where CBLDF will also be distributing literature advising convention goers of their rights.
CBLDF Executive Director Charles Brownstein says, “The CBLDF is elated that our efforts have made a difference in Ryan’s case, and we’re grateful that our supporters have generously contributed to our efforts to pay off expenses tied to his legal defense. We are moved by Ryan’s courage in speaking out on his case, and look forward to working with him this summer as we go on the road to help raise awareness of how comics and manga are still being targeted by the authorities. We’re glad that his case had a positive outcome, but comics are still vulnerable to attack. It is our hope that our efforts will help prevent others from suffering the same fate that befell Ryan and his family.”
Please make a donation to CBLDF to help the organization continue to pay off Matheson’s legal defense costs and to support their important work raising awareness of the rights facing comics and manga readers. To learn more about Ryan’s case, please visit the CBLDF Case File R. v. Matheson, which includes the original defense documents, and special advisories for travelers crossing borders with comics books.
After last year’s success with the remake of Clash of the Titans, a sequel seemed inevitable. Now, Warner Home Video is releasing Wrath of the Titans, starring Sam Worthington, Ralph Fiennes and Liam Neeson on Tuesday, June 26. We have partnered with WHV to host a contest with one copy of the Blu-ray combo pack to be given away. Please note, we are not able to ship to PO Box addresses and winners must be within the United States.
A decade after his heroic defeat of the monstrous Kaken, Perseus (Worthington) the demigod son of Zeus (Neeson) is attempting to live a quieter life as a village fisherman and the sole parent to his 10-year old son, Helius. Meanwhile, a struggle for supremacy rages between the gods and the Titans. Dangerously weakened by humanity’s lack of devotion, the gods are losing control of the imprisoned Titans and their ferocious leader, Kronos, father of the long-ruling brothers Zeus, Hades (Fiennes) and Poseidon (Danny Huston). The triumvirate had overthrown their powerful father long ago, leaving him to rot in the gloomy abyss of Tartarus, a dungeon that lies deep within the cavernous underworld. Perseus cannot ignore his true calling when Hades, along with Zeus’ godly son, Ares (Edgar Ramrez), switch loyalties and make a deal, with Kronos to capture Zeus. The Titans’ strength grows stronger as Zeus’ remaining godly powers are siphoned, and hell is unleashed on earth. Enlisting the help of the warrior Queen Andromeda (Rosamund Pike), Poseidon’s demigod son, Argenor (Toby Kebbell), and fallen god Hephaestus (Bill Nighy), Perseus bravely embarks on a treacherous quest into the underworld to rescue Zeus, overthrow the Titans and save mankind.
To win, tell us about your favorite Greek god or goddess and why. Your post has to be received by 11:59 p.m., Saturday, June 30. The judgment of ComicMix will be final.
Few films were as atmospheric and downright scary as Deliverance when it was released in 1972. Director John Boorman made an indelible mark on film history with this film which features amazing performances by Jon Voight, Burt Reynolds, Ned Beatty, Ronny Cox, and James Dickey. Four city men on a weekend canoe trip pit their nerve and muscle against the churning waters of a wild Georgia river — where only three are “delivered” from the heart-pounding experience. These days, most remember the terrific music but forget just how tension-filled the rest of the film was.
A new Blu-ray edition of this seminal film is being released by Warner Home Video on June 26. We have partnered with WHV to host a contest with one copy of the disc to be given away. Please note, we are not able to ship to PO Box addresses and winners must be within the United States.
[youtube]http://youtu.be/qdi4msopIBw[/youtube]
In 2008, Deliverance was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.” Pick one of these three qualities and tell us why the film deserves these accolades. Post your comment by 11:59 p.m. Friday, June 29. The judgment of ComicMix will be final.
Swedish news outlet The Local reports that their Supreme Court has overturned the conviction of manga translator Simon Lundström on child pornography charges relating to manga files on his computer. The court’s decision reflects the viewpoint of free speech advocates, including the CBLDF, that sexually explicit manga images are protected artistic expression and not child pornography. The court stated, “The criminalization of possession of the drawings would otherwise exceed what is necessary with regard to the purpose which has led to the restriction on freedom of expression and freedom of information.”
The Local reports:
Lundström, described by Swedish media as a top manga expert, was found guilty by two lower courts of having 39 drawings portraying figures in sexual poses stored on the hard drive of his computer.
In his initial trial, he explained that he had retrieved the pictures in order to stay up to date with the latest developments in the Japanese comic genre.
A district court fined him 25,000 kronor ($3,500) but an appeals court lowered the sum to 5,600 kronor.
CBLDF Executive Director Charles Brownstein welcomed the ruling, stating, “This is an important victory for free expression and for manga. The Swedish Supreme Court has correctly drawn the boundary that governments have a compelling interest in prosecuting criminal behavior, not ideas or expression. Child pornography is an abhorrent crime because real people are harmed, and the creation, distribution and possession of that content are criminal behaviors that contribute to creating victims. Today’s ruling that drawings of an imaginative nature where no victim is created cannot be child pornography is clear-minded and will hopefully provide guidance here in the United States and around the world when similar cases arise in the future. We congratulate Mr. Lundström and his attorney Leif Silbersky for their courageous efforts in reaching this important decision.”
In time for Father’s Day, Warner Home Video is releasing Blu-ray editions of three overlooked films by some of our favorite performers – Clint Eastwood, Tommy Lee, Jones, and Robert Downey, Jr. To celebrate these films, being released on Tuesday, we have one (1) Blu-ray copy of each of the following movies: Blood Work, U.S Marshals, and A Perfect World to give away.
Here’s how you can enter the contest: tell us what, in 300 words or less, Father’s Day means to you. You can write from any perspective you wish, without profanity please, and post your entry no later than 11:59 p.m. Wednesday, June 13, 2012.
Three winners will be selected but you must live in the United States and P.O. Box addresses will not be accepted. The judgment of ComicMix‘s panel of experts will be final.
We pick up the story a few months after my parents pulled me out of Quinnipiac and sent me off to work to “learn the value of a dollar.”
I joined the drones commuting to lackluster jobs on Wall Street. Got a job as a receptionist. Had my first experience with sexual harassment from the big boss, though it wasn’t called that back then and zero-tolerance policies were still twenty years in the future. Didn’t crumble. Called the guy an asshole and quit. A good feeling. Went home. Worried about what the parents would say. Told them I got laid off. Said I would start looking for a new job “tomorrow.” Picked up my battered copy of Exodus (by Leon Uris) and started reading. Started crying instead. (Failure). Coincidentally the movie version of Exodus was on television that night. I watched it. Paul Newman as Ari Ben Canaan. Oscar-winning score.
Went to sleep. With the soundtrack of Exodus and Paul Newman’ blue eyes – hell, just everything Paul Newman – keeping me company in my dreams.
The next day I told my parents I needed a little time, I’d start looking for a new job on Monday. Went to the laundromat, and while my clothes were spinning in the washer I finished Exodus. Also decided that I was going to go to Israel. Live on a kibbutz. Meet my own version of Ari Ben Canaan and marry him. Raise a bunch of sabras. (Look it up.)
I was still just along for the ride.
Now my family was never especially “Zionist.” Supportive of Israel? Of course. But I once asked my grandmother – whom family legend says walked from Poland to Germany with two little kids in tow (my Aunt Ida and Uncle Philly) and hiring herself out as a laundress, cook, whatever, to make money for the journey to Hamburg, where they took passage to America – why she didn’t go to Palestine instead. “Why would I go from a country where the Poles shot at Jews to a country where the Arabs shot at Jews just to live in tents and dirt?” she scoffed. “Here you can live like a mensch.” And when my dad, who was a fighter pilot in WWII – flew Mustangs in the CBI for you WWII history buffs out there – was approached by the fledgling – well, basically non-existent back then – Israeli Air Force to train pilots, he and my mother were not willing to give up their American citizenship, which was a real possibility at the time.
So when I announced that I was going to go to Israel for six months, live on a kibbutz, study Hebrew – no one in the family was exactly jumping for joy. Especially Grandma. But they knew I was unhappy – hell, they knew I was “lost” before I did – and were questioning their decision to pull me out of school, so, well, being good and loving parents, they said okay.
I hated Israel.
Yes, I must be the only Jew in America that hated her visit to the land of her forefathers.
Well, let me rephrase that a little. I didn’t hate Israel itself. I couldn’t stand the Israelis I met. The kibbutz I landed on was Shefayim, one of the original kibbutzim (which was cool), founded by Russian Jews imbued with Theodore Herzl’s dream, sitting on the Mediterranean coast. It was beautiful, but the kibbutzniks were another matter. I found them incredibly arrogant and judgmental towards America and the Americans. They were always saying really nasty things about the United States to me and the other Americans in my group of starry-eyed wanderers. And at the same time, they were trying to recruit us to move permanently to Israel. All they ever said to us Americans was that we were Jews who happened to be American and we belonged in Israel. All I ever said back to them was “No, I’m an American who happens to be a Jew, thank you very much.” Okay, so that didn’t exactly endear me to them, but c’mon. I wasn’t going around telling them that I thought the way they treated the Palestinians was shitty. I just wanted to learn some Hebrew, pick oranges in the orchards and milk the cows in the barn, and take side trips to Jerusalem and Haifa and Tel Aviv and the Sea of Galilee, explore the country of my ancestors.
I wanted to belong somewhere. I hadn’t belonged at Quinnipiac. I sure as hell didn’t belong at that job on Wall Street. I had wanted to belong in Israel.
But I didn’t.
After two months I called my parents and told them I was coming home. My father said, “Don’t come home. Fly to Paris or Rome or London or Madrid, instead. Call me when you land, I’ll send you money through American Express. Take advantage of being there. See Europe.”
An incredibly generous – and loving – offer.
But what I heard was “Don’t come home.”
Feeling like I didn’t belong anywhere.
Feeling like an utter failure.
To be continued…
TUESDAY MORNING: Michael Davis, black in back
TUESDAY AFTERNOON: Emily S. Whitten discusses creativity and togetherness
Nothing like a good book to get the rabble-rousers going.
In Field Of Dreams, Ray Kinsella’s wife, played by Amy Madigan, successfully shuts down the effort to ban Terence Mann’s books from the local Iowa school system. Terence Mann – played by James Earl Jones – was based on J.D. Salinger, the reclusive author of Catcher In The Rye.
Catcher was published in 1951, and has pretty much stayed on “attempts to ban it” lists since its publication. In fact, it was the most censored book in America from 1961 to 1982, even though, according to Wikipedia, it was the “second most taught book in United States public schools.” It most recently reappeared on the “most challenged books” list, published by American Library Association, in 2009.
These are some of the books I remember being on the curriculum when I was in school, along some that I missed because I was already out of school by the time they made the list of required reading, courtesy of my co-workers, although I have read them all:
The Adventures of Huckleberry Finn
The Adventures of Tom Sawyer
Animal Farm
Antigone
Brave New World
Beloved
Call of the Wild
Catcher in the Rye
The Color Purple
The Crucible
Death of a Salesman
The Diary of Anne Frank
Fahrenheit 451
The Glass Menagerie
The Grapes of Wrath
Great Expectations
The Great Gatsby
Hamlet
Invisible Man
Johnny Tremain
The Light in the Forest
Lord of the Flies
Macbeth
The Miracle Worker
1984
The Odyssesy
Oedipus
Of Mice and Men Othello
One Flew Over the Cuckoo’s Nest
Othello
Our Town
The Outsiders
The Pearl
The Pigman
Pygmalion
The Red Badge of Courage
The Red
Romeo and Juliet
The Scarlet Letter
A Separate Peace
Shane
A Tale of Two Cities
To Kill a Mockingbird
Where the Red Fern Grows
Wuthering Heights
And here are the books on that list that have been banned at one time or another – or on which attempts have been made ban, courtesy of the American Library Association (ALA):
The Great Gatsby
The Catcher in the Rye
The Grapes of Wrath
To Kill a Mockingbird
The Color Purple
Beloved
The Lord of the Flies
1984
Of Mice and Men
Catch-22
Brave New World
Animal Farm
Invisible Man
One Flew Over the Cuckoo’s Nest
The Call of the Wild
A Separate Peace
The Diary of Anne Frank
The Outsiders
Call Of The Wild?
Are you fucking kidding me?
Other books on the list I found from the ALA include the Goosebumps series; the Earth’s Children series; Gone With The Wind (but not anywhere in the South – oh, for those good old antebellum days!); The Handmaid’s Tale (in the South, I bet!); the Harry Potter series; Slaughterhouse Five; Native Son; Cujo, Carrie, and The Dead Zone (someone really doesn’t like Stephen King); Are You There God? It’s Me, Margaret, Forever, Tiger Eyes, and Deenie, (they don’t like Judy Blume, either); A Wrinkle In Time; Flowers For Algernon; James And The Giant Peach (but Charlie And The Chocolate Factory is okay?); The House Of Spirits; The Bluest Eye and Song Of Solomon (or Toni Morrison); and That Was Then, This Is Now (ditto for S.E. Hines).
SAN FRANCISCO, Calif. (August 15, 2012) – The cinematic classic that introduced the world to Indiana Jones is ready to embark on a new adventure when director Steven Spielberg and executive producer George Lucas’ unforgettable Raiders of the Lost Ark is released for an exclusive one-week engagement in select IMAX® theatres beginning September 7, 2012. The film has undergone a complete restoration for the IMAX exclusive one-week release and subsequent debut on Blu-ray. Tickets and a list of participating theatres are available starting today at www.imax.com.
The 
