Tagged: Top Shelf

Disney Schedules ‘The Surrogates’ For September

Disney Schedules ‘The Surrogates’ For September

The Surrogates, the movie based on the Top Shelf miniseries, starring Bruce Willis, Ving Rhames and Radha Mitchell has been given a September 25, 2009 release date by Disney. 

The movie is based on the miniseries by Robert Venditti and Brett Weldele which was released in 2005 and is a “science fiction thriller set in a future society in which robot doppelganger’s can live out the lives of the humans in whose likenesses they were fashioned, so that the humans can experience life safely (though vicariously)” according to ICv2.

The film is being directed by Jonathan Mostow (Terminator 3) from a script by Michael Ferris and John Brancato.

A sequel, The Surrogates 2.0: Flesh and Bone, is scheduled for release in 2009.
 

More Awards For Jeff Lemire’s “Essex County” Trilogy

More Awards For Jeff Lemire’s “Essex County” Trilogy

With final third of his "Essex County" trilogy of graphic novels set to hit shelves later this year, creator Jeff Lemire has already had a pretty good 2008. The first two projects in the trilogy, Tales From the Farm and Ghost Stories, have been celebrated by critics and nominated for multiple awards (and won quite a few of ’em, too). On Friday, Lemire added another award to his list of accolades, taking home the Doug Wright Award for "Best Emerging Talent," a prestigious Canadian cartooning award.

The last graphic novel in the trilogy, The Country Nurse, is scheduled for release in October from Top Shelf Productions. The trilogy is described as follows:

Lemire’s ESSEX COUNTY trilogy is an intimate portrait of one small-town community through the years, charged with themes of family, memory, grief, secrets, and reconciliation.

You can find out more about Lemire’s "Essex County" trilogy on the Top Shelf website. You can also read a review of Ghost Stories here on ComicMix, as well as an early review of The Country Nurse.

 

Review: ‘Swallow Me Whole” by Nate Powell

Review: ‘Swallow Me Whole” by Nate Powell

Swallow Me Whole
By Nate Powell
Top Shelf, September 2008, $19.95

Ruth and Perry are stepsiblings, somewhere in the South – people say “shoore” for “sure,” biology teachers can’t even say the word “evolution,” and the kids’ slowly-dying, live-in grandmother is called “Memaw.” It also seems to be sometime in the late ‘80s, from the clothes and the music and the hair.

And they’re both – how should I put this? Oh, let’s use the jargon – both are very far from neurotypical. Perry hallucinates a tiny wizard who makes him draw incessantly for “missions.” And Ruth may even be schizophrenic: she hears voices and feels patterns in everything around her, particularly with insect swarms. She has a huge collection of insects in jars in her room; she’s stolen at least some of them from school, but it’s not clear where they all came from. When she finally has a break at school and is taken to the nurse’s office, the school cop immediately assumes she’s high and starts loudly questioning her about drugs – she doesn’t get diagnosed has obsessive-compulsive for several days.

[[[Swallow Me Whole]]] is a slow, swirling, uneasy book, centered mostly on Ruth and her efforts to live in the world – talking to her Memaw, getting a work-study job at the museum, trying not to be swallowed up by the massive swarms of insects that comfort her and that may, or may not, be real. (Don’t decide either way until you get to the end.) It begins with a few short scenes set about five years earlier, when Ruth and Perry are both pre-teens and Memaw’s hospitalization ends with her moving in with them and their parents. From there, it’s hard to say how much time Swallow Me Whole covers, since there are no external markers. They go to school but we don’t see school begin or end for the summer. We don’t see the seasons change. Scenes could be separated by a day or three months. It’s all now; it’s all happening, like life, one thing after another after another.

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Review: ‘How to Love’ from Actus Comics

Review: ‘How to Love’ from Actus Comics

How to Love
By Batia Kolton, David Polonsky, Mira Friedmann, Itzik Rennert, Rutu Modan, and Yirmi Pinkus; translated by Ishai Mishory
Actus/distributed by Top Shelf, August 2008, $29.95

Actus is an Israeli comics collective that publishes one joint project annually; their members are the six contributors to this book. This book was published in Israel by Actus, but is being distributed on this side of the Atlantic by Top Shelf Comics. (And was translated by Ishai Mishory, implying that there was a prior edition in Hebrew.) It’s officially publishing in August, but I can’t find it on any of the US online booksellers, and I got my copy several months ago – so it’s anyone’s guess when it will show up in your local comics shop (if ever). Top Shelf is selling it directly, so there’s at least that way to get it.

[[[How to Love]]] has six stories, one by each of the contributors, each about twenty pages long. (The subtitle calls them “graphic novellas,” which stretches a bit too far for my taste – is there anything wrong with short stories?)

It opens with Batia Kolton’s “Summer Story,” in which pre-teen Dorit watches her nameless older neighbor kissing a boyfriend on the street, then has the neighbor accompany her family on a trip to the beach. It’s a very slice-of-life story; Dorit is clearly learning about relationships through the neighbor, but the story doesn’t get inside her head; we see everything from outside, so we don’t know what Dorit thinks about any of it. The art is a clean-line style, very reminiscent of Actus’s most famous member, Rutu Modan.

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Webcomic News Roundup: Anders Loves Maria, Wigu, Octopus Pie…

Webcomic News Roundup: Anders Loves Maria, Wigu, Octopus Pie…

Confession time: I’ve been remiss in my attention to the webcomics scene lately, as evidenced by my failure to note a few news items from the world of digital comics. In no meaningful order, you should be aware of the following:

After a brief hiatus, Rene Engström resumed work on her wonderful webcomic Anders Loves Maria last week. From the first batch of episodes following the break, I think it’s safe to assume that Engström spent some portion of her time off reacquainting herself with Mario, Princess Peach and the Nintendo family.

Yesterday marked the return of Wigu, Jeffrey Rowland’s fantasy webcomic that provides a great complement to Overcompensating, the personal journal-style webcomic he’s produced for quite some time now. Rowland mentioned that he’d be returning to Wigu in my interview with him a few months back, so it’s nice to see the plan come together. Oh, and it was also Rowland’s birthday yesterday, so belated wishes from the crew here at ComicMix, Jeffrey.

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Top Shelf’s Eisner Awards Campaign

A small rectangular box, wrapped in brown paper and stamped "Super Spy," appeared in my mail box over the weekend. I opened it to find an Arturo Fuente cigar box.

Inside that, no cigars, but instead a weird little collection of items put together from Top Shelf to celebrate the Eisner Award nominations of two of its books, Matt Kindt’s Super Spy and Jeff Lemire’s Ghost Stories.

There’s a paper gun, a piece of original art signed by Kindt, some "cyanide" tablets, a pictorial treasure hunt, a pack of 1991 hockey cards (gum included) and an Essex County postcard.

What it reminded me of most are the packages sent out by college football teams to promote their players for the Heisman and other awards. The only problem with Top Shelf’s effort is that comics journalists don’t vote on the Eisners. Still, it’s pretty cool stuff.

Review: ‘Too Cool To Be Forgotten’ by Alex Robinson

Review: ‘Too Cool To Be Forgotten’ by Alex Robinson

We’ve all occasionally wanted to go back in time — to fix something we screwed up the first time, to relive some particular time in our lives, or just to do something differently. But would we be able to do better the second time around? Alex Robinson’s new graphic novel — coming up in July from Top Shelf — asks exactly those questions.

Too Cool To Be Forgotten
By Alex Robinson
Top Shelf, July 2008, $14,95

In 2010, Andy Wicks is coming up on his fortieth birthday — he’s married with two daughters and working as a computer technician. And, to finally stop smoking, he agrees to his wife’s suggestion to get himself hypnotized.

He closes his eyes, listens to the doctor…and wakes up in his 15-year-old body, back in 1985. He soon decides that some kind of hypnotic construct — though he never internalizes that thought, or really acts as if it’s true — and that the whole scenario is designed to make him decide not to have his first cigarette, and thus stop smoking back up in his own time.

Now, I am a former science fiction editor, so I probably think about this stuff more than most people, but Andy never seems to really think through his situation, or quite decide how old he is. He never really thinks of himself as a 15-year-old; his self-image stays solidly middle-aged. But he also doesn’t think through the consequences of that — he thinks of other high-school students, who are exactly the same age he is, as “kids.”

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Review: ‘That Salty Air’ by Tim Sievert

Review: ‘That Salty Air’ by Tim Sievert

That Salty Air
Tim Sievert
Top Shelf, 2008, $10.00

For a book about the sea, [[[That Salty Ai]]]r feels awfully Minnesotan. (Or maybe I’m just reacting to the underlying Norwegian-ness of both Minnesota and Sievert’s story – but there is something hard and dour and northern about That Salty Air.)

Maryann and Hugh are a young couple who live in a lonely cabin by the sea, and whose main source of income seems to be fishing. One day, the postman delivers two letters from the local doctor – it’s immediately clear that Maryann’s letter has told her that she’s pregnant, but we get a couple of montages of sea life (red in tooth and claw, for some immediate symbolism) before Hugh gets his letter.

From it, he learns that his mother has drowned, and he immediately turns against the sea, blaming it for her death. Really, he curses the sea and throws a rock, beaning an important squid far below (which action will be important later). Hugh curses his life, runs off to town to get drunk, and generally behaves badly through the middle of the book, while Maryann sits at home, trying to keep things together.

She also hasn’t gotten a chance to tell Hugh she’s pregnant yet, since he flew off the handle so quickly and so completely. He eventually does come back, and they reconcile, with each other and with the sea…more or less.

That Salty Air is an exceptionally symbolic story, very obviously so. Sievert is clearly young and energetic, and I expect he’ll be someone to reckon with once he settles down a bit. This particular book has a lot of strong points – the particulars of characterization, the evocation of a particular landscape, the inky blacks and assured panel-to-panel transitions – but its story made this reader roll his eyes more than once. It’s a bit much to swallow.

But, on the other hand, it’s only ten bucks for over a hundred pages of comics by a real talent. It’s hard to beat that. And I expect Sievert’s next book will add some subtlety to the already impressive strengths of That Salty Air. He’s definitely a talent to watch.



Andrew Wheeler has been a publishing professional for nearly twenty years, with a long stint as a Senior Editor at the Science Fiction Book Club and a current position at John Wiley & Sons. He’s been reading comics for longer than he cares to mention, and maintains a personal, mostly book-oriented blog at antickmusings.blogspot.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Andrew Wheeler directly at acwheele (at) optonline (dot) net.

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Matt Kindt Reveals Two New Projects

The writer and artist behind my favorite graphic novel of last year, Top Shelf’s Super Spy, just announced the two projects he’ll be working on this year.

On his Web site, Matt Kindt just revealed he’s currently putting together a book titled 3 Story: The History of the Giant Man for Dark Horse. Kindt writes the story "is all about a guy that keeps growing and growing until he’s three stories tall. It’s told from the point of view of his mom, wife and then daughter and spans the 1940 through the 60s."

In the same post, Kindt includes the artwork seen at right, a typical mix for him of watercolor and ink. That page comes from Kindt’s next project at Top Shelf, a book titled Super Natural. The only description of the project given is "Houdini under water!"

Speaking of Top Shelf books, Alex Robinson just posted an entry on his blog (look for the Feb. 24 post) that reveals a swath of easter eggs from his book Box Office Poison. On page 215 of that book, the main character hears a spate of stupid questions from customers at the book store where he works.

Robinson explains that all the questioners were based on indie comics creators and characters, and Robinson gives sources for each.

 

GRAPHIC NOVEL REVIEW: View From the Top Shelf

GRAPHIC NOVEL REVIEW: View From the Top Shelf

Top Shelf was kind enough to send me a big box of their books (which also included Super Spy), so let me dive right into it.

First was a cute little book (about the size of those “impulse purchase” books you sometimes see in Hallmark stores by the cash register) called Micrographica by Renee French. According to the front flap, this originally appeared online, and each of the drawings (one to a page) was originally drawn at about one centimeter square, which French did to keep the drawing loose by not allowing any redrawing. The story follows three small rodents of some kind (maybe guinea pigs?) who discover a “crapball” and then have odder adventures. It reads a bit like a black and white, colloquial version of a Jim Woodring story – weird things happen in an entertaining way, but the voices of the rodents is very modern-American, unlike Woodring. The story also features a much larger rodent-thing, unexplained facial swelling, a giant mountain of crap, an abandoned sandwich, and more. Hey, it’s only ten bucks – how can you go wrong?

Jeremy Tinder’s Black Ghost Apple Factory is more like a normal comics pamphlet (despite being only about four inches by six); it’s stapled, 48 pages, and contains a number of different stories. The seven stories here are all pretty clearly “indy” – they feature odd characters doing twisted versions of real-world activities, and usually have something to do with interpersonal relationships. (Also, in time-honored indy-comics fashion, those relationships are sad, depressing and unfulfilling.)  Only two of the stories are overtly autobiographical — and one of those features Tinder befriending a bear, so you know it’s metaphorical at best — which is a nice change. Some of these stories are funny and some are touching; all work well and strike true. And that’s darn good a for a five-buck comics pamphlet.

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