Tagged: The Shadow

RADIO ARCHIVES KEEPS POUNDING OUT CLASSIC AUDIO PULP!


May 27, 2011

It’s the Latest Newsletter from RadioArchives.com!

* New in Old Time Radio: Joe Palooka
* New in Pulp Fiction: Doc Savage Volume 48 and The Shadow Volume 49
* A Pirate’s Booty in Our Treasure Chest
* Also New in Old Time Radio: The Jimmy Durante Show, Volume 2
* Letters, We Get Letters…

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New in Old Time Radio: Joe Palooka During radio’s heyday, it was common to adapt stories and characters from the comic strips into shows for radio listeners to enjoy. In some cases, the results were extraordinarily successful; Harold Gray’s Little Orphan Annie, sponsored by Ovaltine, became a radio legend, while both Jungle Jim and Flash Gordon enjoyed weekly success. But, surprisingly, some of the biggest names in the comics failed to click with listeners – and, in 1945, one of those big names was that of the popular prizefighter of the funny papers, Joe Palooka.

Created by cartoonist Ham Fisher, Joe Palooka had made his newspaper debut in 1930. Since that time, his popularity had grown to the point that his exploits were being carried in 900 newspapers throughout the country – helped, no doubt, by the fact that the pugilist had spent the war years serving in the United States Army. One of the earliest characters to enlist, Joe joined the military in 1940 and spent the next five years fighting the Axis forces in both his daily and Sunday comic strips. Not surprisingly, he was a big hit with GI’s, his adventures printed in both Stars and Stripes and Yank, two newspapers printed exclusively for military personnel.

Realizing that the war had brought fame and respect to the character far beyond his expectations, in 1945, Ham Fisher decided that it was time to bring Joe Palooka back to radio in a new series of peacetime adventures. To bring his comic strip to life, Fisher first contacted Harold Conrad, a former Broadway columnist who had lately turned to press agentry and free-lance writing. There was no question that Conrad had knowledge of the boxing world and Fisher felt that his fascination with the eccentrics and rogues that populated the sport would infuse the radio version with an authentic ringside flavor. Conrad agreed to write a couple of radio scripts for a syndicated series to be produced by Graphic Radio Productions, Inc. Two audition shows were quickly produced by the NBC Radio-Recording Division in their Chicago Merchandise Mart studios, but the series failed to sell.

Undaunted by this, Ham Fisher then took the concept to John Boler, the President of the North Central Broadcasting System, which supplied programming to a number of midsized radio stations. Boler, in conjunction with Fisher’s partners, agreed to produce a five-a-week radio series to be recorded in the studios of the L. S. Toogood Recording Company in Chicago. Recording began in the fall of 1945 and, over the next few months, a total of 130 fifteen-minute episodes were produced – 26 weeks worth of daily shows. As it turned out, however, 1946 was not a good year for North Central Broadcasting; in the summer, the company filed for bankruptcy and, by the end of the year, it was no more. With all of the financial complications, “Joe Palooka” failed to get the publicity and salesmanship that it deserved and, unfortunately, the series never aired outside of a few small local markets.

Though disappointed by the way things turned out, Ham Fisher remained enthusiastic about Joe Palooka’s potential for broadcasting – but radio, it seemed, was not to be his medium. Fisher turned his attention to television and, by 1953, “The Story of Joe Palooka” made its video bow in a syndicated series produced by Guild Films. The radio series, having been heard by very few people, fell into obscurity and has been almost completely forgotten by radio historians – but luckily, a few months ago, Radio Archives acquired twenty episodes of the series, as well as the 1945 audition recordings made by NBC. The result is a brand new five-hour collection containing twenty episodes of “Joe Palooka”, as well as the two NBC auditions. For fans of comic strips, as well as those who grew up with Joe Palooka in the movies and on television, it’s a rare chance to hear this iconic American hero on the air in his own radio series.

For over fifty years, Joe Palooka, his colorful manager Knobby Walsh, his girlfriend Ann Howe, and the many other characters that populated the comic strip brought enjoyment to millions of devoted readers. In this five CD set, priced at just $14.98, you’ll enjoy five full hours of his radio adventures, made available here for the very first time since 1945. It’s a fascinating glimpse into the history of an American icon who entertained and inspired American youth – and it’s now available from RadioArchives.com.New in Pulp Fiction: Doc Savage Volume 48 and The Shadow Volume 49Back in the 1930s, it was common to find teenagers and grown men alike gathering around their neighborhood newsstand, anxiously awaiting the arrival of the latest adventures of their favorite pulp heroes. Nowadays, however, it’s far easier for fans of Doc Savage and The Shadow to get the latest tales of these two timeless adventure favorites: just stop by RadioArchives.com and you’ll find two brand new and just released reprints featuring the Man of Bronze and the Knight of Darkness waiting for you!

In “Doc Savage Volume 48”, priced at just $14.95, you’ll thrill to the classic adventures of the Man of Bronze in two original novels by Lester Dent, writing as Kenneth Robeson. First, what is the bizarre connection between the appearance of “Red Snow” and the disappearance of a United States senator? Our national security may depend on Doc Savage’s discovery of the sinister secret! Then, in “Death Had Yellow Eyes”, Monk Mayfair is abducted while the Man of Bronze is framed for bank robbery and murder. This classic pulp reprint is available in two editions: one features the original color pulp covers by Walter M. Baumhofer and Modest Stein, while the alternate edition features an impressive painting by Bantam artist James Bama. Both feature Paul Orban’s classic interior illustrations and historical commentary by Will Murray, writer of seven Doc Savage novels which are soon to be released as audiobooks by RadioArchives.com. (For more information on these exciting new releases, click here: Audiobooks from RadioArchives.com)

Next, the radio origins of the Knight of Darkness are showcased in “The Shadow Volume 49”, priced at just $14.95 and featuring two classic pulp novels by Walter Gibson, writing as Maxwell Grant. First, the Dark Avenger teams with Secret Service agent Vic Marquette to investigate a far-reaching counterfeiting ring in “The Shadow Laughs!”, the landmark novel that introduced the real Lamont Cranston. Then, how can The Shadow prove that an innocent man is not a murderer when several witnesses have identified the young man as the “Voice of Death”? This instant collector’s item features the original color pulp covers by Jerome Rozen and Graves Gladney, classic interior illustrations by Tom Lovell and Edd Cartier, and commentary by popular-culture historians Will Murray and Anthony Tollin.

Both of these collectable publications are now available at RadioArchives.com – and, to get one or both, you’ll pay just $3.00 flat rate shipping, delivered anywhere in the United States. If you just can’t get enough of these two exciting heroes – as well as The Spider, The Avenger, and The Whisperer – stop by RadioArchives.com and place your order right away.A Pirate’s Booty in Our Treasure Chest
If you keep up with the movie business, you know that pirates have once again returned to the silver screen in another big-budget blockbuster. Hoisting the Jolly Roger and setting sail for adventure on the high seas, these bloodthirsty characters have been a part of film history since the days when Douglas Fairbanks drew his sword and slid down the mainsail in “The Black Pirate”.

One of the motivations of any good buccaneer has always been the pursuit of buried treasure – legendary mother lodes of gold doubloons, jewels, and untold riches, hidden away and just waiting to be plundered. But if you’re a regular Radio Archives customer, you know that you don’t need to find a hidden map or sail the seven seas to uncover that treasure chest; you’ll find one waiting for you every time you visit our home page at RadioArchives.com. Just see the booty that’s coming your way this week:

* Today through Monday May 30th, you can get our newest CD set – “Joe Palooka”, a $14.98 value – for Just 99 Cents when you submit an order of $35.00 or more.

* On Tuesday May 31st, pulp fiction’s legendary super-sleuth returns in “The Shadow Volume 5”, featuring two classic stories by Walter Gibson. In “The Black Falcon”, Lamont Cranston is abducted by a kidnapper who unearths secrets from The Shadow’s mysterious past. Then, the Knight of Darkness must defeat a Dragon of Fire before the city becomes a blazing inferno in an action-packed thriller titled “The Salamanders”. This instant collector’s item also features the original pulp covers by George Rozen, interior illustrations by Tom Lovell, and “The Island of Ancient Death,” a bonus Shadow story adapted from the Mutual Broadcasting System radio program by scriptwriter Gibson Scott Fox. This beautifully reformatted double-novel reprint is normally priced at $12.95 – but you can enjoy these two exciting adventures for Just 99 Cents when you submit an order of $35.00 or more.

* On Wednesday June 1st, lovers of both pulp and radio adventure will thrill to “Adventures by Morse, Volume 1”, a ten-CD collection featuring two bloodcurdling multi-part tales from the pen of radio’s renaissance man, Carlton E. Morse: “The City of the Dead” and “The Cobra King Strikes Back”. Transferred from the original one-of-kind test pressings and fully restored for sparkling audio fidelity, this exciting set offers the finest sounding and most complete versions of these two suspenseful tales ever made available. This timeless compact disc collection normally sells for $29.98 – but, for one day only, it can be yours for Just 99 Cents when you submit an order of $35.00 or more. But wait! There’s more pulpy excitement to come!

* In the 1930s, writer George Harmon Coxe introduced a new character to the pages of “Black Mask Magazine”: a hardboiled newspaper photojournalist named Casey. Instantly popular with readers, in 1943, CBS brought his pulp exploits to radio in “Casey, Crime Photographer”, a series of lighthearted mystery tales that combined solid plots, eccentric characters, and the off-center dialogue that could only come from a series set in The Blue Note Bar. Adapted for radio by Alonzo Deen Cole (“The Witch’s Tale”), the series is a true radio classic – and on Thursday June 2nd, you can get “Casey, Crime Photographer, Volume 1”, a 10-CD set featuring twenty original broadcasts, for Just 99 Cents when you submit an order of $35.00 or more. This collection normally sells for $29.98

We’re sorry but, at these low prices, multiple orders cannot be combined into single shipments. Each separate order must be placed on the days on which the specials are offered and no early or late orders will be accepted.

So don’t wait until you’ve seen the latest pirate movie. Stop by RadioArchives.com today and stake your own claim to the Treasure Chest that’s waiting for you. It’s a simple and affordable way to add something special to each and every one of your orders with us – and you’ll never even have to leave port to get it!

Letters…We Get Letters…

Listen to this Newsletter!


The releases we’ve described in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s pulp fiction classics, colorful and exciting books from Moonstone, timeless movies and televisi on shows on DVD, or the over 150 compact disc collections containing thousands of sparkling and fully restored classic radio shows, we hope you’ll make RadioArchives.com your source for the best in entertainment.
We’d love to hear from you! Send an e-mail to Service@RadioArchives.com or call us toll free at 800-886-0551 with your comments, questions, or suggestions.

Sit back, relax, and enjoy this newsletter as an Audio Podcast! Click anywhere in the colorful banner at the top and you’ll automatically hear the Radio Archives Newsletter, enhanced with narration, music, and clips from our latest compact disc collections! This audio version of our regular newsletter is a pleasant and convenient way to hear all about our latest CD sets, as well as the newest pulp fiction reprints, special offers, and much, much more!

A lot of companies complain about the amount of mail they receive each day – but here at RadioArchives.com, we love to read the letters we get from our customers. It’s wonderful to see how many of you appreciate and enjoy the many products we have to offer, as well as our low-cost shipping and world-class customer service. Here are a few of the e-mails we’ve received recently, with many thanks to the nice folks who sent them to us.

Bill Downs listens to “The Lives of Harry Lime” and writes:
The quality of t
he recordings is outstanding. Orson Welles is Harry Lime as he was created to be. Thanks again for preserving an important part of our history.

Tom Kokenge writes:
I find the audio version of your newsletter and it’s production values to be of the same high caliber as the newsletter and the website. Frankly you don’t get any better than your website so, trust me, that is high praise indeed. You have a great voice for radio, as the saying goes, and it sounds like you are really enjoying yourself as you do them. The hard work to write and produce the newsletter really shows in the finished product.

Gary Kalin reads his copy of “Doc Savage Volume 7” and writes:
“The Lost Oasis” is one of my favorite Doc Savage novels, with “The Sargasso Ogre” a close second. “The Lost Oasis” has everything that make this a first class story: zeppelins, vampire bats, diamond mines, and poor souls in trouble. Mr. Dent had a true talent for writing about flying and airships. Where “Oasis” left off, “The Sargasso Ogre” picks up as Doc and his crew make their way back to New York. “Ogre” is interesting that Doc goes up against a bad guy just about as strong as he is. If you have never read a Doc Savage, this would be a good book and two stories to start with.

We appreciate both your thoughts and your letters. If you’d like to see your comments and reviews in our newsletter, just send an e-mail to Service@RadioArchives.com. We’ll be happy to hear from you.

Shadow Magazine #1

Happy 80th Anniversary to ‘The Shadow’ Magazine!

Shadow Magazine #1Eighty years ago, on March 6th, 1931, the first issue of The Shadow Magazine appeared on American newsstands. The Shadow Magazine was the first modern character/hero magazine, reviving a heroic fiction format that had disappeared decades earlier with the demise of dime novels.

In the pages of The Shadow Magazine, magician-turned-journalist Walter B. Gibson refashioned the sinister narrator of CBS-Radio’s Detective Story Magazine Hour into fiction’s first Dark Hero, creating a crimebusting supersleuth who embodied the iconic power of classic melodrama villains like Dracula. Gibson’s novels introduced the concept of super-crooks and super-crime, and became the template for hero pulps and scores of future comic book superheroes, many of which were created by devoted readers of The Shadow Magazine including Jerry Siegel, Jack Kirby, Bill Finger and Bob Kane. In fact, the 1936 Shadow pulp novel “Partners of Peril” was adapted scene-by-scene and character-for-character, as the first Batman story in Detective Comics #27.

In honor of this anniversary, Sanctum Books has just reprinted “The Living Shadow,” the debut Shadow novel, and for the first time has restored the original text as it originally appeared in 1931 in the first issue of The Shadow Magazine. (The text was revised/updated when it was reprinted in a 1934 hardcover which became the source for future annual and paperback reprints.)

The Shadow Volume 47, reprinting “The Living Shadow” and “The Black Hush” with historical articles by Will Murray and Anthony Tollin, will arrive at comic book specialty shops on March 16th.

The Point Radio: Explaining WEEDS To A Ten Year Old?

The Point Radio: Explaining WEEDS To A Ten Year Old?

Alexander Gould (Shane) is one of the biggest parts of the Showtime series WEEDS. Over the last five se4asons, his character has been embroiled in some pretty heavy storylines. So, how did this all work for Alex who was only ten when he started the series? He explains what is was like growing up on cable, plus GL makes it to 3-D, MASS EFFECT is headed to the troops and somebody is still interested in THE SHADOW.


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Moustache Wax, by Dennis O’Neil

Moustache Wax, by Dennis O’Neil

My brother had a Sportsman McCain sticker on his car, but I wasn’t worried. The night before, a nice young man in a bookstore, a complete stranger, gave me a big peace button and with that pinned to my vest, I was pretty sure I was safe from the McCain vibes, even though we were in a red state.

I watched Sarah Palin on Saturday Night Live a few hours later, and although I thought she handled the comedy okay, and my dirty old man merit badge glowed just a tiny bit, I was and am not tempted to vote for her, no siree, and so I guess the peace button was potent even indoors.

Who might that nice young man have been? Merlin? Galahad? The ghost of Thomas Jefferson? Or, given that I was in St. Louis, land of the mighty arch and my childhood, the ghost of my own naïve, youthful dreams?

Ah well. No matter. What’s important is that the peace button/amulet did its stuff.

As a shield against the dark enchantments of McCain and Palin, it did its stuff. In other areas…not so good. At this moment, our luggage is somewhere between White Plains Airport and Dulles, or between Dulles and Lambert Field, or in a terminal or storage facility in one of those three terminals. This provides me with an absolutely unnecessary reminder of one of several reasons why I hate commercial flying. Or – could it be? – our bags are in a sub-basement of the Republican National Headquarters where Palin herself is squirting my moustache wax from the little tube, seeking the secret of how I resisted her SNL appearance. (Rest easy: she won’t find it. The peace button was in my carryon.)

And what, the inquisitive among you might be asking, has any of this to do with comics, popular culture, or even real politics, for it seems to be less concerned with any of those things than an Andy Rooney kvetch about how expensive goods are nowadays has to do with the Gross National Product. Fair question. Answer? Let me see…Okay, try this.

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Smoke Gets In Your Brain, by Dennis O’Neil

Smoke Gets In Your Brain, by Dennis O’Neil

 

Smoke, smoke, smoke that cigarette / Puff, puff, puff until you smoke yourself to death. / Tell St. Peter at the Golden Gate / That you hate to make him wait, / but you just gotta have another cigarette. – Merle Travis 

I was getting ready to leave the office and walk over to NBC, where I planned to tape a reply to someone who had accused Batman of being in league with the Big Tobacco. It seems that in one panel Batman is standing on a roof, and in the background, on another roof, there was a billboard with a fragment of what might have been a cigarette ad visible. Our accuser said that putting Batman proximate to a cigarette image amounted to Batman – and his creators – endorsing tobacco products and advocating their use to children.

Well, no. Had I kept my rendezvous with the microphones and cameras, I would have probably observed that we agreed that smoking was bad and none of our characters ever actually smoked – Bruce Wayne abandoned his pipe early in his career – and, in fact, we had just done a pro bono anti-smoking ad for the American Heart Association. I might have taken my screed just a bit further and argued that we had always presented Batman’s turf as a realistic American city and – sorry! – urban areas are full of cigarette ads.

I didn’t have to do any of that. At the last moment, cooler heads prevailed and said that if I went on the air, our accuser would answer my answer and prolong the story’s life, whereas if we simply ignored it, the story would not survive into the next news cycle, which is exactly what happened.

One might ask why I allowed the billboard to appear in the first place. For the sake of realism? Or did I just miss it when I edited the artwork? Or did I see it and decide it wasn’t worth the hassle of a change? Humbling answer to all of the above: I don’t remember.

But this pretty inconsequential incident does raise another question: Where do the obligations of good citizenship and moral behavior end and the obligations to storytelling begin? Some kinds of people smoke and drink and take drugs and they’re not all hideous monsters, and some kids are influenced by what they experience through the media. I’ve heard recovering alcoholics say that the movie images of glamorous, witty sophisticates swilling booze prompted them to emulate the swillers and led, eventually, to badly damaged lives. But people do drink, and in a fictional world that mirrors the real one, shouldn’t drinkers – and smokers and druggies – be presented? Or does the potential harm of these behaviors outweigh aesthetic and narrative considerations?

I don’t know.

Sometimes, the coexistence of storytelling and responsible citizenship is painfully troubled, and sometimes I’m glad I no longer sit in an editor’s chair.

RECOMMENDED READING: The Courtier and the Heretic: Leibniz, Spinoza, and the Fate of God in the Modern World, By Matthew Stewart. 

Dennis O’Neil is an award-winning editor and writer of Batman, The Question, Iron Man, Green Lantern, Green Arrow, and The Shadow– among others – as well as many novels, stories and articles. The Question: Epitaph For A Hero, reprinting the third six issues of his classic series with artists Denys Cowan and Rick Magyar, will be on sale any minute now, and his novelization of the movie The Dark Knight is on sale right now. He’ll be taking another shot at the ol’ Bat in an upcoming story-arc, too.  

Artwork by Kim Roberson, from Underworld

Power, by Dennis O’Neil

Power, by Dennis O’Neil

For a while now, I’ve been thinking that maybe Jonathan Lethem is the best writer of his generation. What prevents me from just coming out with it… Dammit, Lethem is the king! – is that I haven’t read many other writers of Lethem’s (and my son’s) generation. Maybe the Elvis Presley of prosemeisters is lurking out there someplace, with a birthday that puts him somewhere between 40 and 50, and I just haven’t heard of him. So let me be content with stating the obvious, that Lethem does his job well.

He writes novels and essays and, lately, comic books. But what I want to call your attention to and, incidentally, dub this week’s Recommended Reading, is his op-ed piece in last Sunday’s New York Times. It discusses the latest Batman movie and relates the film to what’s happening in our tortured nation. It’s a pretty gloomy bit of superb writing. But how could it not be gloomy? I said it was about what’s happening to the good old U. S. of A., didn’t I? Where could cheer come from? Maybe Johnny Mac’s flacks?

Yeah, the market imploded and some of it received a bailout from the Feds and who will eventually foot the bill? Ol’ tax payin’ you and me, that’s who. But that’s not what’s eating my lunch. I mean… economics! Finance! Who understands that stuff? Certainly not me. (I used to think that those boring old guys in suits, whose job it is to understand that stuff, did, in fact, understand it. Guess not, though.) But what bothers me for the next five minutes, or until I see another newspaper or watch CNN some more, is that according to one poll, 54 percent of the pollees think Sarah Palin is qualified to be president.

This gives me sadness, and a profound feeling of alienation, because nothing in Ms. Palin’s record, nor anything I’m aware she’s said since being anointed Johnny Mac’s running mate, indicates that she is even qualified for the governance jobs she’s already had, much less the biggest of the big leagues, and I wonder what they’re seeing that I’m not, my fellow Americans. Or do they want a leader who apparently believes the First Amendment has no more importance than the slip of paper in a fortune cookie? That denies the validity of evolution? That thinks the current military debacle is a mission from God… ? No point in continuing the catalogue… If my fellows know of these things and they don’t care about them, then the system is broken. If they don’t know… well. how could they not?

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Waiting For The Phone To Ring, by Dennis O’Neil

Waiting For The Phone To Ring, by Dennis O’Neil

So here we were, writer/editor Jack C. Harris and myself, caught in a warp of eternity. Had we committed some hideous transgression to be doomed to this Purgatory? Well, no. What we’d done is agree to be guests on a radio call-in program about 30 years ago. Subject, of course: comic books.

We arrived at the small, shadowy studio early, earlier than the host, who breezed in a minute or so before air time and then, without notes, he was speaking into a microphone, introducing Jack and me, urging listeners to ask us questions and giving a phone number they could call if they wanted to speak to one or both of us.

We waited for that ol’ switchboard to light up. And waited. And waited. And waited. It seemed that nobody was interested in comic books, not that night in that city. We waited, and tried to make small talk, which I do not include in my skill set, and waited and waited.

Then there was a call! Hallelujah! Oh joy, oh happiness – a call! For us? Unfortunately, no. Some guy wanted to tout a community event of some sort, and fine, say I – more power to him.

There may have been one or two more calls – as noted, this was 30 years ago and I had no reason to cherish the memories – but basically, Jack, Mr. Radio Man, and I sat in that studio for two hours and then Jack and I left and I got on a train back to New York.

Got on the Amtrak, did I, little knowing that Jack, Radio Man and I were pioneers. What we’d done was fill up airtime without imparting any information, without saying anything anyone wanted or needed to hear

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Turning Comics Into Manga, By Dennis O’Neil

Turning Comics Into Manga, By Dennis O’Neil

If you’re a student, or a teacher, you may not be reading this when Mike Gold posts it. Unless there’s a glitch he’ll be doing digital voodoo-hoodoo that I don’t understand – me and Johnny Mac, Luddites and proud of it – and making these words available to interested parties, if any, on Tuesday morning. The reason you’re not reading this on Tuesday morning, if you’re a teacher or student, may be that you’re in school and presumably putting your laptop to other uses. (I didn’t say “better.” I said other. Let’s not be judgmental.) Here in Rockland County New York, school begins early this year and unless the unforeseen happens, Marifran is, on the Tuesday-to-come, down the hill, beginning her forty-seventh year of teaching and I’m… oh, eating breakfast. Reading the paper. Sleeping. Something. I hope Mari didn’t wake me when she left.

For comics professionals, these fine, crisp September days are often a lull – an easy interval between the frantic, convention-going days of summer and the rush to finish and get to press the upscale books that publishers hope will be under a whole lot of trees on Christmas morning. Not much happening. The only items of interest that have come to my attention recently are the demise of one of the new comics publishers and Marvel’s announcement that it will tailor its superheroes for the Japanese market.

That market has been something of an enigma. The Japanese are, as a nation, the world’s largest comics consumers and have been for decades. Why? One theory is that experiencing narrative through the medium of pictures is natural to many Asians because their written language is pictorial – it may have begun as actual drawings and has evolved into a series of highly stylized glyphs. Neither a new idea, nor one restricted to comics: the great Russian director and theorist Sergei Eisenstein offered a similar explanation for Asia’s quick adoption of movies.

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Heroic Gloom, by Dennis O’Neil

Heroic Gloom, by Dennis O’Neil

Tuesday, August 26: 146 days.

They continue to dwindle down, the days, but maybe not fast enough. If Dennis Kucinich is right in a New York Times interview, Georgie just might launch an attack on Iran sometime between now and the election because…well, we don’t want to switch leadership in the middle of a military crisis and we have to be tough on terrorism, et cetera. And lest we think that this is lefty paranoia from a vegan who is, after all, a friend of Shirley MacLaine’s, just look at the last eight years…

But enough gloom on this fine pre-autumn day, at least enough political gloom. Let’s switch to some nice television gloom. This is not a good week for Okay, I’m gonna bust in here. In case we haven’t met before, I’m Randy Hyper, a fictional character that dweeb O’Neil made up ‘cause he hasn’t got the cojones to tell you about the stuff he’s doing that he wants you to know about. (And if there’s a bigger loser in comics, don’t tell me ‘cause I don’t feel like crying.) Anyway…what el dweebo wants me to tell you is that he’s again teaching a course in writing comics and graphic novels at New York University, beginning next month, September 24, and running until December 3 on Wednesdays from 6:20 till 8:40. Course number is X32.9372. Phone is 212-998-7171. I can tell that he’s looking forward to this gig ‘cause last semester’s group were what he might call “cool” which just goes to prove that even he isn’t wrong all the time. Now back to our regularly scheduled blather. so if you like sports, this is your week. The last gasp of the Olympics, preseason football, the big tennis matches, plus the usual baseball action – lots to keep you sports fans amused. As for the rest of us…not wonderful.

And if you’re a Lois Lane – a superhero lover – the season beyond this week isn’t awfully promising, either. As far as I can tell, there are no new superdoers on the television schedule and one of last year’s, the revamped Bionic Woman, won’t be returning. This despite the fact that the summer movie schedule was pretty superhero-intensive and two of the entries do for this kind of fantasy-melodrama what the films of John Ford, Howard Hawks and maybe John Huston did for westerns: mature them. No longer are the cape-and-tights crowd fit only to provide the airiest of light entertainment; they now have a claim on art, of maybe even Art.

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Oh, by Dennis O’Neil

Oh, by Dennis O’Neil

Sunday, August 17: 155 days left.

Our man the brush clearer is back in Crawford, taking it easy. Having already set a record for presidential vacation days, he’s obviously trying for a record that no future chief executive can possibly hope to break. This may not be how everyone would like to be remembered.

Back when I occupied the celestial throne that is the sinecure of all those noble beings known – here you may genuflect – as editors … make that Editors – this was the time of year when life got calmer. Big travel was done – no trips to distant cities to attend conventions – and the increased summer publishing load completed. We put out fewer issues in the fall because, conventional wisdom had it, the kids were too busy with school concerns to bother with funny books. The same logic dictated that during the summer we cram the newsstands because, presumably, the nation’s youth had nothing better to do with their long, humid days than to laze around getting massive four-color fixes and, besides, since they didn’t have to buy crayons or switchblades or whatever school kids bought, they had disposable income to spend on our productions. Which, of course, was why late spring and early summer demanded industriousness from editorial types. Those printing presses out there in the Midwest were maws…

All that was probably true once. But because the ways comics are marketed, and to some extent read, I doubt that it is true now. But I don’t know. Any editors – working editors, that is – care to enlighten the old man?

The point is, though I was a comics editor at the two major companies for about 23 years… I don’t know. I have a sense that the business has changed a lot in the seven years since I occupied the celestial throne mentioned three paragraphs ago (seven years already?). My skills might be more-or-less okay (though I’m not even sure of that), but my attitudes and assumptions would need work.

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