SPOILER ALERT: This week’s topic is Doctor Who. If you don’t watch the show, you probably won’t like the column. Also, if you’re saving this season to binge watch and haven’t seen any of the episodes yet, there may be some spoilers. Fair warning.
We’re several weeks now into the new season of Doctor Who featuring the latest incarnation of the Doctor as played by Peter Capaldi. While our own Vinnie Bartilucci has been doing splendid recaps/reviews here on ComicMix, I’d like to look at Capaldi’s Doctor overall and weigh in.
He’s not like the past several incarnations. Capaldi said he wanted his Doctor to be more of an alien and he’s succeeded. This Doctor also has something of an empathy problem and his social skills are rather lacking. David Tennant, the Tenth Doctor, was famous for telling people, “I’m sorry. I’m so so sorry.” Especially when something terrible was going to happen or did happen to them that he couldn’t prevent. I can’t imagine those words even occurring to Capaldi’s incarnation.
However, what distinguishes this Doctor most to me is – he’s cranky. He’s Doctor McCrankypants.
Start with the eyes. Our first glimpse of him showed an almost angry glare and fierce, fierce eyebrows. He scowls more than he smiles. Suffer fools gladly? This Doctor doesn’t suffer them at all. He doesn’t like being hugged and, when his companion insisted, did it very awkwardly. He almost looked as if he was in pain.
He is ruthlessly pragmatic. On “Mummy on the Orient Express,” the mummy appears only to those it is about to kill. They have 66 seconds to live. The Doctor insistently pumps one of the victims before their death for a description and any other information in an effort to learn what they are dealing with. He knows there is no chance of saving the terrified man and doesn’t try.
In the first of the new episodes, the Doctor and his companion, Clara, are fleeing automatons. A door comes down between them with only a porthole in it. “No sense in both of us getting caught,” says the Doctor and runs off, leaving Clara to survive as best she can. You can see her sense of betrayal. The Doctor does return with help and does later rescue Clara but his actions are very atypical of the Doctor.
There can also be amusing side-effects to the Doctor’s crankiness. He offers to take Clara anywhere she wants to meet anyone she wants and she asks to meet Robin Hood whom the Doctor insists never existed. They go anyway and, of course, the first person the Doctor sees is Robin Hood. Refusing to admit he’s wrong, the Doctor insists this is an imposter or a robot or a hologram or something but definitely not Robin Hood. Caught and thrown into a dungeon, the Doctor and Robin have a hysterical bickering session.
In a later episode, the Doctor goes “undercover” as a caretaker at the school where Clara teaches when she is not off traipsing through all of time and space. He pretends to be human and thinks he can get away with it. He is so tone deaf to his social ineptness that it really is very funny.
All of this makes him different from his immediate predecessors. He lacks the puppy dog verbosity of Matt Smith or the emo boyishness of David Tennant or the mannish, blunt charms of Christopher Eccleston. In fact, the only Doctor I can think of who has been as cranky was the first Doctor, William Hartnell. Maybe not even him.
I wonder how the fans who have only joined the show since Eccleston and Tennant will react to Capaldi’s Doctor? He’s older and, well, crankier. Myself – I like him. A lot. In many ways, I relate to him more. As I get older, I get – well – crankier. “Hey, you kids – get away from my TARDIS!”
So – here’s to Doctor McCrankypants. Long may he travel through space and time, alienating friends and enemies alike. Go get em, Doctor.
My friend Connie went to see the cherry blossoms at the Brooklyn Botanical Garden last weekend. She couldn’t wait to tell me about it. Apparently, it is common for people of Japanese heritage – or people who admire Japanese heritage – to wear traditional dress for this occasion, and she had looked forward to seeing some fabulous kimonos.
Only this time, there were cosplayers. Lots of cosplayers. No one was selling any comics or movies or video games or collectibles, but still there were cosplayers.
Is this a thing now? Are we cosplaying all the time?
I mean, next month at Book Expo America, a trade show for the publishing industry, is having a “Book Con” for people who like books enough to go to the Javits Center on a nice weekend in the spring just for the fun of it. Are we going to see people dressed like their favorite Jane Austen characters? Or Moby Dick?
Once we expand cosplay to the world of traditional (i.e. non-illustrated) literature, then the cosplay opportunities can be expanded infinitely. Perhaps your boss isn’t a plutocrat with no imagination, but is instead performing an homage to The Man in the Gray Flannel Suit. Your mother-in-law hasn’t let herself go, she’s just a big fan of Stephen King. And your niece, the little princess? She dresses that way on purpose.
Actually, I already see a lot of kids dressed as princesses or Buzz Lightyear at local playgrounds. It’s possible they are coming from costume parties, which in the new kids’ culture now happen randomly all week long. And the hipster boys, with their artisanal beards, their vintage hats, and their flannel shirts, could just as easily be extras in a John Ford western.
I’m not going to do cosplay, at least not on purpose. I’ve already expressed a personal uneasiness with drawing attention to myself via spandex, and I don’t think that’s going to change as I get older. Having worn a uniform in high school, I am much too self-conscious about the message I send out when I put on clothes of my own choosing. Perhaps there would be some advantage to going to work dressed as Wonder Woman on the day of my performance review. Perhaps I could use a magic lasso to get rid of the creeps on the subway.
Still, the event in Brooklyn inspired this story
in which a snappy dressed African-American gentleman was swamped with fans who thought he was dressed as The Doctor. The writer of the story in the link observed that the random people at the cherry blossom festival were more open-minded than the people at New York Comic-Con six months before. As comics fans, we should be ashamed of ourselves. As Americans, maybe we can be encouraged by the progress we’ve made in six months.
In any case, if you’re looking for investment opportunities, I would recommend bow ties.
No man stands so tall as when he stoops to ask a child dressed as a Dalek if he can be The Doctor.
There’s lots of cool moments in <a href=”
target=”_blank” rel=”noopener”>this video of Doctor Who filming at Mermaid Quay, like the first scenes by new recurring castmember Samuel Anderson as Danny Pink.
But right at the end, there’s is a moment of new Doctor Peter Capaldi talking with a little girl who came all the way from Aberdeen to see the shoot. While security tried to get him to keep moving, he took the time (along with signing endless autographs) to make her feel better about what is surely her first case of New Doctor Angst.
I’m not crying; I’m smiling so hard the corners of my mouth are squeezing my tear ducts…
Having had a few days to process The Doctor’s regeneration, The Tweeks share a recap heavily peppered with opinions. Do you think Maddy will help Anya move past the pain of losing Her Doctor?
With Matt Smith’s final episode (well, until the hundredth anniversary, anyway) imminent, the cast (and showrunner Steven Moffat) sat down to talk about their thoughts about the Christmas adventure. Guest Orla Brady (Tasha Lem) also discusses her experience with the show, and her experience with new Doctor, Peter Capaldi. Read on for the juicy details.
Yes, I know, they already released a trailer for The Time of the Doctor, but this is the BBC, they run on the tears of their viewers.
This new trailers features a look at Clara‘s family, more villains in action, and the return of an old acquaintance of The Doctor that we’ve never met.
Also…how do you only have a phone OUTSIDE the TARDIS? That’s shoddy design, that.
After nearly a year of what showrunner Steven Moffat described as “lying through my teeth”, the prequel to the Doctor Who anniversary episode “The Day of the Doctor” reveals that the one fact that upset people the most is the one that was the biggest lie.
Announced at the climax of a globally-broadcast special, The BBC introduced the twelfth actor to play The Doctor, Peter Capaldi.
He’s a BAFTA-winning actor, winning for the role of Malcolm Tucker in The Thick of It. He’s appeared twice on Who-related series, he played Caecilius in The Fires of Pompeii, and John Frobisher in Torchwood: Children of Earth. In Neil Gaiman’s Neverwhere, he played the angel Islington. He is currently filming the BBC adaptation of the Three Musketeers, in which he plays Cardinal Richelieu.
Showrunner Steven Moffat says he’d considered Capaldi when he was casting the eleventh Doctor, though he decided it wasn’t quite the time.
This wasn’t his first time traveling in time, either – He played Doug Hatton in the recurring sketch “Drunk in Time” on The All new Alexei Sayle Show.
No details have been yet shared as to how much a part he will played in the final two episodes of the year. Though it’s traditional for the new Doctor to only appear in the last moments of the last episode, the Christmas episode has not been filmed, and David Tennant made his first full appearance in the first Christmas episode, “The Christmas Invasion”.
Mr. Capaldi’s movements will likely be closely followed, and any appearance he makes in the Christmas episode will likely be widely reported. The Management awaits his work with extreme interest.
Initially reported by UK tabloid The Sun and quickly verified by the BBC, the 50th anniversary special episode of Doctor Who will be broadcast simultaneously across the world, touted as the largest simulcast of a drama ever.
The special has been sold to approximately 200 countries, so the amount of timing and cooperation required will be quite high. Sources say the move was done to eliminate any chance of spoilers for people in countries who traditionally receive the episodes after the initial broadcast in the UK.
This would put the broadcast spread across four hours of the early afternoon (depending on time zone) in the United States, and in the early hours of the 24th of November on the far side of the world like Australia and New Zealand.
The special will be broadcast in both 2D and 3D. Complete details have not been released on which version will be broadcast in which markets. The special features the return of David Tennant and Billie Piper as The Doctor and Rose Tyler, as well as classic villains The Daleks and Zygons. At San Diego Comic-Con, showrunner Steven Moffat claims he’s been “lying through his teeth” about what and who is in the episode, resulting in the resurgence of rumors of other unreported cameos, including Paul McGann as the Eighth Doctor, making only one on-screen appearance, in the Fox-produced TV movie.
When the 20th anniversary episode The Five Doctors was produced in 1983, it did not receive a similarly-coordinated release. Indeed, American fans got to see the special BEFORE the UK. The network of public television stations who were broadcasting the series got permission to show the special on November 23 exactly, which was a Wednesday. The BBC didn’t show it in the UK till that Saturday, the traditional day of broadcast for the series in England. By a wonderful coincidence, November 23rd falls on Saturday this year, allowing the anniversary to take place on the day it originally aired with no schedule-juggling.
This plan is not only a huge PR coup for the BBC, it’s also a wonderful example of life imitating art. In Last of the Time Lords, Martha Jones walked the Earth for nearly a year, spreading the tale of The Doctor, in preparation for everyone on the planet to think about him and chant his name at a precise day and moment, the resulting wave of psychic energy intended to give the Time Lord the power to undo the actions of The Master and save the day. With the BBC setting up to do the very same thing, one can only wonder what the real-world wave of power might do.
Personally, I’m hoping it’ll provide the power to jump-start the working TARDIS that the BBC Radiophonics Workshop has secretly been working on for years.
Not since Kiss Meets the Phantom of the Park has the an amusement park been made the center of a thriller so perfectly. The return (and re-threatening) of a classic villain, a heck of a guest cast and a script by Neil Gaiman. Seems like a dream, but mix it all together and it’s a…
NIGHTMARE IN SILVER
by Neil Gaiman
Directed by Stephen Woolfenden
After last week’s last-minute extortion, Clara’s charges Angie and Artie are granted a trip on the TARDIS to Hedgewick’s World, the greatest amusement park ever. But hidden beneath it is a dangerous secret – A vast sleeping army of Cybermen, under repair and improvement for a thousand years…and they are ready to return.
GUEST STAR REPORT
Warwick Davis (Porridge) has a list of genre longer than … OK, it’s long. Starting off with Wicket in Return of the Jedi and Willow Ufgood in the film of the same name, he’s been the star of an amazing list of sci-fi and horro films. He’s been featured in the Harry Potter films, and was Marvin in the film adaptation of The Hitchhiker’s Guide to the Galaxy. Most recently he was the star of Ricky Gervais’ latest project Life’s Too Short, where he played an over the to version of himself.
Jason Watkins (Webley) is a very busy comedic actor in Britain with quite a resume in genre work. He played Herrick on the British version of Being Human and DI Gilks in Dirk Gently. He was featured in Psychoville, the latest production of Sheersmith and Pemberton from The League of Gentlemen, and just worked twice with the delightful Miranda hart on Call the Midwife and her own show Miranda.
Since Neil Gaiman (writer) last wrote a Doctor Who script (last year’s The Doctor’s Wife, he’s written four of five new books (including children’s books [[[Chu’s Day]]] and [[[Fortunately, the Milk]]]), his novel [[[Neverwhere]]] was adapted for BBC Radio, and he’s probably won a few more awards (including the Hugo for the aforementioned Doctor Who script). He’s in the middle of what he calls his last book signing tour, and is still quite happily married with the musician and internet-enrager Amanda Palmer.
THE MONSTER FILES – The Cybermen are certainly The Doctor’s greatest enemy after The Daleks. Originally from the tenth planet in our solar system, Mondas, the planet left the sun’s orbit, and to survive, the denizens of the planet began to replace their body parts with mechanical replacements, eventually becoming more machine than humanoid. They fought The Doctor though many eras, taking many forms as their systems adapted and improved.
In the parallel universe known as “Pete’s world”, the Cybermen were created on Earth, by over-reaching scientist John Lumic as an improvement to the human race. Things went bad quickly, and soon the world faced a global war with the Cybermen, one they believed they won. They eventually crossed over to our world a few times, presumably meeting and allying (alloying?) with their Mondasian counterparts, eventually forming the version we see in this episode.
BACKGROUND BITS AND BOBS – Trivia and production details
This episode owes a debt to several past Cybermen adventures. Neil Gaiman noted that he found the Troughton episode Tomb of the Cybermen to be the most scary of the cyber-adventures, and this story parallels it in many ways. Both are set many years after the Cybermen were believed destroyed forever, and both feature a massive armory of Cybermen in suspension, awaiting awakening.
A chess-playing Cyberman was the center of one of Mark Platt’s Big Finish Audio adventures, The Silver Turk. Both Platt and Gaiman’s reference the original (fake) chess-playing automaton, also known as The Turk, run by a chess master hidden within, as Porridge did here. One of Platt’s plots was used as the base of the first new series adventure, Rise of the Cybermen / The Age of Steel. Russell T. Davies made sure Platt was paid in full as if he’d written the TV script, and he received a “Thanks to” line in the credits. The Turk was also the inspiration for the Clockwork Droids in The Girl in the Fireplace.
“Or don’t you have the processing power?” Even the last trick is a classic Sci-Fi move – give the computer an impossible problem to solve and it applies more and more power to solve it. Spock told the ship’s computer to solve for Pi on Star Trek, and Arthur Dent almost killed everyone on the Heart of Gold when it asked the Nutrimatic machine if it knew why he wanted to drink dried leaves in a cup, boiled. As is true of all literature, it’s not what tools you choose to use, but how well you use them, and Neil uses them expertly.
UPGRADE COMPLETE – More than a few science-fiction fans have drawn parallels between the Cybermen and the Borg from Star Trek: The Next Generation. The similarity was brought into te light in the recent Doctor Who / ST:TNG crossover in IDW comics, where the Borg and the Cybermen formed a brief alliance. Here, we see the Cybermen take a bit more of a page from the Borg playbook, with the rapid adaptation and instantaneous assimilation of human beings.
TAKE MY ARMS, I’LL NEVER USE THEM… – Matt Smith’s portrayal of the battle in his head was dramatic and well-done, but the ever so slightly over the top portrayal of the Cyber-planner made me think of Steve Martin playing half of Lily Tomlin in All of Me. And comic fans will note a parallel evolution in Dan Slott’s current run of Superior Spider-Man, with Peter Parker fighting for control of his mind and body, right down to trying to write messages on nearby pads.
JUST GIVE US ALL YOUR… – Gold has been a steadily growing threat to the Cybermen even since first mention of it as a weakness in the Tom Baker adventure Revenge of the Cybermen. Originally it coated their respiration systems, causing asphyxiation. As time passed, gold seemed to affect them as badly as silver did a werewolf. Here, even in this advanced form, the weakness to gold survived, still in a physical fashion, allowing The Doctor to use it on the exposed circuitry to short out the Cyber-Planner’s control of his mind.
“The Biggest and best Amusement park there will ever be” – Considering the amusement parks that have been mentioned on the series, that’s saying quite a bit. Disneyland Clom featured the Warpspeed Death Ride, as mentioned in The Girl Who Waited. There’s been more than a few mentions of Disneyland in the series – a bunch of alien tourists were trying to go to Disneyland and ended up in Wales in Delta and the Bannermen. The seventh Doctor and Ace visited The Greatest Show in the Galaxy.
“Let me show you my collection” – They raided the prop closet to fill the sets of Hedgewick’s world – there’s a slightly refitted version of the Doctor’s spacesuit from The Doctor, The Widow and the Wardrobe, a ventriloquist dummy from The God Complex, and various aliens from Rings of Akhaten. There’s a few Sarah Jane Adventures and Torchwood alumni as well, including a Shansheeth, a Uvdoni, and a Blowfish.
“Do any of you play Chess?” – The Doctor certainly does. He claims the Time Lords invented Chess; it’s not impossible as one of the traps in The Five Doctors resembled a giant chessboard. He’s played regular games with K-9, and a high-stakes (and voltage) game against Gantok, an agent of The Silence in The Wedding of River Song.
“You are beautiful” – The Doctor has made a bit of a habit of complimenting particularly well-built enemies. He similarly admired the Clockwork Droids in Girl in the Fireplace, and the werewolves in Tooth and Claw.
“See You Next Wednesday” – Fans of John Landis perked up at that line – it’s a running gag from his films. Originally a line from the video call in 2001: A Space Odyssey, it’s been a movie poster, a film shown in Feelaround, dialogue in a horror movie, and more than a few other things in his various films.
“The Cyberiad” – As well as having a lovely Roman sound, mimicking several other terms the Cybermen use like Legion, it’s also a deliberate tip of the hat to the classic Stanislaw Lem novel.
“You’re deleting yourself from history. You realize you can be reconstructed from the holes you left?” – Somewhat verifying the theme that’s been coming up most of the season, following up from The Doctor’s desire to “step back into the shadows”. But it’s important to note that the first place that was done was in the Dalek database, and it was done by…Oswin Oswald.
BIG BAD REPORT /CLEVER THEORY DEPARTMENT –
“I feel like a monster sometimes” – Warwick Davis delivers a solid performance in this episode, referring to the actions of The Emperor in the third person, and really getting across the heaviness of the crown. And once again we get a reference to the term “Monster”, that we’ve heard in several episodes. And once again, his actions could easily parallel the way The Doctor feels about himself.
“She’s not our mother” – I can’t help but notice somewhat of a similarity between Angie and young Mels, as played by Maya Glace-Green in Let’s Kill Hitler. The sass, the overuse of the word “stupid”, but yet the interest in seeing the TARDIS. And when Clara describes her as being “full of surprises” one has to wonder if there’s not one more coming…
“You’re the boss” – And in this episode…she is. She’s given charge of the Imperial platoon, and does a VERY good job of taking charge.
“You’re the impossible girl” – While it’s not the first time she learned about The Doctor’s fascination with her, it’s the first one she remembers, presuming she indeed doesn’t recall the events of Journey to the Centre of the TARDIS. And with the finale only days away, we clearly haven’t got long to wait to learn more.
NEXT TIME ON DOCTOR WHO – The Question is asked. Who will hear the answer? The Name of the Doctor, this weekend.
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Yes, I know, they 
Announced at the climax of a globally-broadcast special, The 
