Tagged: Teen Titans

Big ComicMix Radio Contest Rolls On!

Big ComicMix Radio Contest Rolls On!

Your First Chance To Win…..

That little piece of art to the right is your BIG hint on how you can WIN an Exclusive Graham Crackers Comics variant comic – FREE – right now with ComicMix Radio. Listen to the trivia question and you’ll figure it all out – then get us an e-mail quick!
 
And, on today’s ComicMix Radio podcast, we cover:
• Sean McKeever talks about leaving Birds of Prey, but amping things up on Teen Titans
• Fall Out Boy jumps into comics
•  A Captain Marvel #3 2nd print – are you surprised? 
• CBS starts working on the 2008-2009 TV season
• Ringo remembers doing that historic Ed Sullivan appearance
 
You know you can’t win the comic unless you Press The Button, right?
 

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Happy Birthday, Geoff Johns!

Happy Birthday, Geoff Johns!

Geoff Johns was born today in 1973 in Michigan where the writer himself admits, it is "damn cold." Like so many of us, Geoff had a passion for the creative (screenwriting, graphic design, storytelling, your basic artist jack-of-all-trades stuff) but he got lucky in Los Angeles when after a phonecall, he became an intern to someone fancy schmancy. This in turn led him to a fruitful career as a contributing writer to DC comics, among others. You’ve probably read a couple of issues of The Flash by Johns, he was responsible for reviving Teen Titans, plus he’s got some fun TV credits sprinkled here and there (Robot Chicken!). We’re glad LA was kind to you Geoff Johns and glad that you have return your karma with some pretty fun storylines. Happy Birthday!

Jamal Igle Talks Teen Titans

Jamal Igle Talks Teen Titans

No stranger to drawing the up-and-coming among DC’s superheroes, Jamal Igle takes a turn on the publisher’s premiere teen team with Teen Titans #55.

In this interview with The Pulse, Igle discusses how to avoid playing favorites when you’re working on an ensemble book, but still names the characters he looks forward to drawing and the characters he’s, well… "still getting a handle on."

He also provides some insight about the ways in which the characters resemble ladies he once dated.

I have to admit out of the current roster my two favorite characters to draw are Ravager and Kid Devil. KD has a great visual look but as far as character traits, Rose Wilson is such a wild card type character. She reminds me of girls I dated in the past, someone who is searching for her place in the world. She was raised in a brothel until Slade Wilson found her, and then he used her and abandoned her. So she tries to hard to be difficult and provocative. I’ve seen it so many times.

Seriously, though… Who hasn’t dated a girl or two who grew up in a brothel, was rescued by a deadly mercenary, trained to become his heir, gouged out her own eye as a form of tribute and eventually decided to reform and become one of the good (albeit somewhat psychopathic) guys?

Teen Titans’ Jamal Igle Speaks!

Teen Titans’ Jamal Igle Speaks!

Who’s your hero?

Starting today, that’s a question ComicMix is posing to a number of folks inside the comics industry and then sharing the results with you.

DC mainstay Jamal Igle steps up for the first crack at the query with some interesting results. Here’s a hint – his fave isn’t on this Teen Titans cover, but he is INSIDE.

Plus:

  • IDW unleashes their Second Stage for Star Trek!
  • Archie upgrades their web presence in a big way!
  • What comics were big sellers for the holidays? We’ve got your list!

All that and more is just a Button Press away!

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MIKE GOLD: Look Who’s Writing Comics Now!

MIKE GOLD: Look Who’s Writing Comics Now!

There’s an exciting new trend in comics these days. Comic book writers are actually being hired to write comic books.

Recently, we’ve seen guys like Jim Shooter taking on The Legion of Super-Heroes, Marv Wolfman on sundry Teen Titans and the newer-still Vigilante, Tony Isabella told me he’s got a full schedule of assignments and our own John Ostrander is writing the new Suicide Squad mini-series. Go figure.

We’ve gone through a fad of hiring novelists and movie writers and directors. Some of these folks have turned in some great stuff. Others, not so great. Most, not so on-time. There’s nothing wrong with this. In fact, back in 1981 I brought on a playwright named John Ostrander under the belief that his training and background would inure to the benefit of the medium. In all modesty, that was one of my better decisions, I think.

Since then, John’s gone on to become one of the top writers in the medium. I know this because he’s writing three or four major projects for ComicMix while juggling his Star Wars and DC commitments. That’s because John devoted his full resources to the craft of writing comic books. It shows.

Comic book writing is not a part-time job. It requires discipline, experience and skill. In order to make a career out of it and remain fresh and innovative, comic book writing requires thought and enormous effort. Novelists and movie folks do not have the time to prioritize this medium. Movie folks in particular have to turn down stupid money to write for this medium which, by the way, pays pretty well if you’re fully employed.

Stan Lee, bless him, made it sound so easy. Back in the day, he frequently said anybody could write comics. That’s true… if you happen to be Stan Lee. A great many writers of the 1950s went the other way, from comics to “Hollywood” (movies and teevee), seeking what was then greater stability, better compensation, and a stronger sense of legitimacy during a time when society put comics creators on par with child pornographers. By and large, most found their storytelling skills inhibited by the commercial demands of these media, and they returned to the comics world.

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COMICS REVIEW: Amazons Attack

COMICS REVIEW: Amazons Attack

At Heroes Con in Charlotte this past June, one convention goer asked DC EIC Dan DiDio what was the point of Amazons Attack. “What’s the point of any comic?” DiDio quipped back, leaving me to believe that the point was in fact simply to separate me from eighteen dollars and eat up ten minutes of my life for each of six months.

It’s been a couple of shaky years in the world of [[[Wonder Woman]]] fandom; turning her into a killer, handing the mantle off to Donna Troy – which you would have missed if you blinked, the “who is Wonder Woman?” plotline which I’m not even sure has started but was touted as ”next” at the end of issue #4, which then begs the mention of the sporatic publication of the book itself mere months into the re-launch of the series.

After all that, “the first major comics event of 2007,” as the house ads touted, should have given us six action packed issues that could not be contained in the regular monthly title. Instead, [[[Amazons Attack]]] was confusing, boring and left me month after month echoing that Charlotte fan’s question.

Why was this a mini-series? This story could have easily been told in the pages of the monthly [[[Wonder Woman]]] book, and then perhaps they wouldn’t have replicated numerous scenes in multiple publications across one month, while leaving questions up in the air because it was so easy to not pick up a tie-in or read them out of order. Was the project ill-conceived or just poorly managed?

The art was amazingly varied from the main AA book to the tie-ins, it was sometimes hard to see where they tied in since there visual cues were often non-existent. Sadly, the art in the main title fell short: there was something lacking in what Pete Woods did that left the characters looking very flat and ill-defined facially.

It only being a few hours since I finished the series, it hasn’t sunk in yet that the whole thing served only one purpose: to set up Jim Starlin’s The Death of the New Gods.

***Spoiler Alert (but I see it as saving you the trouble of reading this mess)**

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Big News From San Diego

Big News From San Diego

A few news items of note from the various panels and such at the San Diego Comic-Con:

•    Marv Wolfman and George Pérez will be reunited to do Teen Titans issue #50.

•    Warren Ellis will be taking over for Joss Whedon on Astonishing X-Men next year. The title will change to Astonishing X-men: Second Stage.

•    And per some confused mumbling of Dan DiDio at a panel on Thursday: there is a new All Star Squadron project in the works. However, it will not be tales of WWII, because as Mike Carlin summed up: “Um, Hitler lost.”

In movie/teevee news, the DVD Sneak Peek panel offered up some details on upcoming DVD packages but started off with Javier Soto describing next year’s Hellboy 2: The Golden Army as “Hellboy plus Pan’s Labyrinth on steroids.”

It seemed that the opinion of the panelists was that there isn’t much new left to do in the world of special features and they are all working finding a way to provide content on DVDs that goes beyond deleted scenes. And rather want to bring audiences a more than what they got in the theater (or on TV) in the feature.

With The 4400 Season 4 DVD, we’ll also be getting the season finale director’s cut.

Twin Peaks: The Definitive Collection (out October 30th) will have both pilots, the complete series, “tons of extras including deleted scenes” and a new documentary featuring interviews with the cast today in a roundtable discussion with David Lynch. In the clip that was shared with Comic-Con attendees, Lynch came off more than a little creepy-old-man-ish when discussing a kissing scene with actress Madchen Amick, Kyle MacLachlan mutely sitting to her right all the while.

The biggest treat of the panel was learning about what will be in the box for December 18th Blade Runner: The Final Cut.  The 5-disc box set will have five versions of the film:

•    The new cut Final Cut version, which includes a CGI correction of the scene where Zhora goes through the plate glass, Joanna Cassidy came back and refilmed for it.

•    The international cut, which was described as "with extra violence."

•    The Original 1982 version

•    The 1992 Director’s Cut

•    Work print

All will feature 16 x 9 aspect ratio and 5:1 audio.

Also in the set is the all new three and a half-hour long documentary “Dangerous Days.” And, yes, they got Harrison Ford to do it.

There will be a theatrical release of The Final Cut version in October in New York and Los Angeles, which might put something or other in contention for 2007 Oscars. Maybe.

ELAYNE RIGGS: Baseball, comics and all that jazz

ELAYNE RIGGS: Baseball, comics and all that jazz

It’s said that there are only a few established art and entertainment forms that America can truly call its own — baseball, jazz music and comic books.  It’s a bit of a hubristic statement, not surprising coming from a country as relatively young yet as vast as our own.  It almost sounds as if we’re trying to convince ourselves of our own cultural relevance — even more so because we realize that each of these things has its roots elsewhere.  But hey, so do most of us.  And just as this "nation of immigrants" has brought disparate peoples into a "melting pot" atmosphere wherein their contributions have mixed to form a melange all its own, so have jazz, comics and baseball taken previously existing elements and turned them into something new and unique.

Now, I don’t know much about jazz, so I leave that topic for someone more savvy than me to tackle. But speaking of tackling, George Carlin has a famous monologue where he contrasts the essential natures of baseball and (American) football, so I thought it would be interesting to compare baseball to "mainstream" (i.e., primarily "Big Two") comics. I believe the two have more things in common than many people may realize. Both are team efforts in which individuals can excel and stand out, but which have the best outcome when everyone involved is working toward the same goal (in baseball, winning the game; in comics, telling the story). Both have bullpens and wacky nicknames (as Stan Lee well knew), and both have equally enthusiastic fan bases. And while the split between baseball fans and comics fans has always been presented as a "jocks versus nerds" scenario, both of those stereotypes have been pretty well dismantled in recent years. Despite American baseball still not being gender integrated (but hey, it only took a century from its inception to integrate the game racially) it boasts male and female aficionados of a wide age range. Despite American mainstream comics being largely created by and targeted to straight white post-adolescent males, they too have drawn in male and female readers and admirers of all ages.

There’s something quintessentially welcoming about the game, and the literature, of amazing visual possibilities and poetry – something that can’t be squelched by all the talk about contracts and exclusives and all the business stuff that’s extraneous to spectators, that’s beside the point of what happens between the white lines or the black borders. We all know it’s there, and admit it has its place, but that it’s more the realm of the voracious media who need their daily dose of sensationalist copy and crave the breaking story even when it’s a non-story. Mountains are made from minutiae – is this pitcher healthy? What about that book’s lateness? Did he really sign a 2-year contract for that much money, and will it include his creator-owned work? Was he on steroids when he drew that or what?

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Verheiden + Teen Titans = Big Time Movie

Verheiden + Teen Titans = Big Time Movie

Writer/producer Mark Verheiden (Smallville, Battlestar Galactica,Timecop, The Mask, My Name Is Bruce) who’s also been known to write more than a few major comic books (Superman/Batman, Aliens, The Phantom, The American), will be handling the script for the new Teen Titans motion picture.

According to The Hollywood Reporter, the movie is being produced by Akiva Goldsman and Kerry Foster, who are also handling the upcoming movie adaptations of The Doom Patrol and The Losers. All these films will be released by Warner Bros, parent company to DC Comics, which publishes all this stuff. Warners also has The Dark Knight and Watchmen coming up, along with a Justice League film and a sequel to Superman Returns.

It has yet to be determined exactly which members of the Teen Titans will be in the movie, other than everybody’s favorite ex-Robin, Nightwing.

Gee, you’d think these superhero movies are making money or something.

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Barbarella taken under James Bond’s wing

Barbarella taken under James Bond’s wing

The classic French science-fiction comic book character Barbarella will make her return to the big screen, according to Variety. Casino Royale writers Neal Purvis and Robert Wade have signed on to write the feature. Occassional comic book writer Jean-Marc Lofficier (Teen Titans) brokered the deal.

The creation of Jean-Claude Forest, Barbarella turned heads in this country by being one of the first “legitimately” published comics to feature nudity and sexual themes. It was serialized in the United States in the avant-garde magazine Evergreen and collected in both hard cover and trade paperback graphic novels back in the 1960s.

In 1968, Barbarella was made into a movie directed by Roger Vadim and starring his wife, Jane Fonda. She was surrounded by a stellar cast, including John Phillip Law, Anita Pallenberg, David Hemmings, and Milo O’Shea as the original Duran Duran.