Tagged: Teen Titans

Interview: TwoMorrow’s John Morrow

Interview: TwoMorrow’s John Morrow

  • News
  • November 21, 2008

Once upon a time, these would have been faznines produced using Xerox machines or newfangled offset presses.  But, today, Alter Ego, Back Issue, Write Now!, Draw! and the Jack Kirby Collector are all legitimate magaines from TwoMorrows. The company has expanded to include books such as their Modern Masters series along with their welcome Companion books exploring facets of DC Comics history.  We sat with founder with John Morrow to see what was new.

ComicMix: Did you ever imagine this being a fulltime gig?
 
John Morrow: Initially, no; furthest thing from my mind. Back in 1994, my wife and I were in the early stages of building our graphic design business, and had just gotten over those first few years where you’re killing yourself pulling all-nighters to service your clients. Just as things slowed down to a reasonable level, Jack Kirby died. I’d been out of comics for several years, but I felt compelled to produce a (albeit fairly slick) fanzine about Kirby, just to re-experience what drew me to his work originally. This led to lots more all-nighters getting the Jack Kirby Collector off the ground, but I envisioned it lasting no more than maybe six or seven issues, having some fun, then calling it a day.
 
CMix: What has surprised you the most about running TwoMorrows?
 
JM: Other than the fact that we’ve been at it for 15 years, it’d have to be the staying power of Kirby’s work and influence. I was really naïve to have ever thought Jack’s hold on the industry would wane over time; if anything, it’s probably as strong now as it ever was, with all the reissues of his work, and revamps of his characters. I don’t think I could still be doing an ongoing magazine about anyone else in comics, 50-plus issues and 15 years later.

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‘The Avengers’ get Assembled & Animated

‘The Avengers’ get Assembled & Animated

  • News
  • October 8, 2008

Marvel Comics sent out a press release this morning announcing that production has begun on a new animated series, The Avengers: Earth’s Mightiest Heroes. 

Film Roman (King of the Hill) has begun working on the 26 30-minute episodes which will air on television in 2011, in the wake of The First Avenger: Captain America and The Avengers live-action films scheduled for that summer. Ciro Nieli will produce the show for the studio.  He’s no stranger to action considering his work on Super Robot Monkey Team Hyper Force Go! and Teen Titans. Christopher Yost will be script editor and his credits include Iron Man Armored Adventures and Fantastic Four: World’s Greatest Heroes.

As a result, there’s little surprise that the line-up resembles the film properties and the very first line-up of the team from 1963: Iron Man, Thor, Ant-Man (called Giant Man in the release but clearyl wearing the cybernetic helmet), Wasp, and Hulk. Captain America joined the team with the fourth issue but will be here from the outset.

"The addition of The Avengers: Earth’s Mightiest Heroes to our quickly expanding animation slate continues our plan to complement each of our tentpole live action features with an animated series," said Eric Rollman, President of Animation.  "This new ensemble series tracks perfectly with our highly anticipated ‘road to the Avengers’ strategy which includes some of Marvel’s biggest and most beloved characters, and which kicks off with two Avengers’ themed feature films in summer 2011.”

While the super-team has been seen on countless Marvel-related series in the past, this will be the first series they can call their own.  Previously, Lionsgate released two animated direct-to-DVD releases based on The Ultimates although branded as Avengers.

Marvel is making major inroads into animation after years of little production. BET will have the Black Panther in early 2009 while later that year Nicktoons will air Wolverine and the X-Men and Iron Man: Armored Adventures. Also coming is Marvel Super Hero Squad, whatever that is.
 

Baltimore: DC Q & A

Baltimore: DC Q & A

  • News
  • September 29, 2008

Saturday morning at Baltimore Comic-Con, DC Comics held their usual DC Nation panel featuring Jimmy Palmiotti, Geoff Johns, Sterling Gates, James Robinson, Sean Mckeever and Ian Sattler. The panel was hosted by Dan Didio who actually invited a mustached fan named Brian onto the panel after he praised the weekly series Trinity. Geoff Johns complimented the same fan for being able to “rock the ‘stache.” When the same fan referred to the Green Lantern Corps as “NYPD Green”, Johns stated he would be stealing this title.

After fan Brian spoke highly of Trinity, Didio added that the main focus of the series is the great influence of the three heroes and how important they have been not only to the DCU but to the multiverse as a whole. He commented that this made the series a complete counterpoint to 52, which explored the mainstream DC Earth spending a year without the three icons. In the same vein, he clarified that the current Batman R.I.P. storyline is exploring whether or not Bruce would still operate as Batman "if you took everything away", as well as showing how his absence affects many, not just the Gotham-centric characters but also people like the Outsiders.

DC had several things to announce in terms of upcoming projects.

A few years ago, DC did a fifth-week event called "New Year’s Evil" involving several one-shots that did not relate to each other but all centered villain-centric stories. Operating on a similar note, DC will be release "Faces of Evil", a month-long project launching next spring. Each issue will be a one-shot focusing on a particular villain and the covers will be done in the same style as the recent “anti-inspirational posters” ads. Johns announced that he and artist Scott Collins would be working on a one-shot focused on Solomon Grundy. Other villains who would be focused on include Parasite and Despero. When a fan asked if any of the Rogues (from Flash) were going to have a one-shot, Johns simply said that the future of the Rogues will be set-out at the conclusion of the miniseries Final Crisis: Rogues Revenge.

Geoff Johns also added that Solomon Grundy would become a Black Lantern, though he also said the same thing of any other character mentioned during the panel who is deceased. Concerning the upcoming "war of light" stories in Green Lantern and Green Lantern Corps, Johns again spoke about Agent Orange, the leader of the Orange Corps dedicated to Avarice, as a major villain. He also said that the Orange oath was his favorite. Throughout the remainder of the panel, questions about seemingly dead characters usually involved Johns saying , "(Fill-in-the-Blank)’s a Black Lantern."

 

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Review: ‘[[[Next Avengers]]]: Heroes of Tomorrow’

Right off the bat, to put to rest an already angry legion of fans who want to know why this movie exists instead of Allan Heinberg’s [[[Young Avengers]]] or even Tom DeFalco’s [[[Avengers]]] Next as a series or movie, know that this animated film is a great self-contained story done in the vein of Marvel’s other animated DVDs, and deserves a close look from anyone who can call themselves a Marvel–or even an animation fan. With that said, this story is not for any fan who cannot take themselves out of the grown-up world of [[[Skrulls]]] and [[[Hulk Wars]]]. In order for an adult to enjoy this, you need strip down to your inner child (metaphorically speaking) and watch the movie with a purely childlike mindset.Next Avengers

The plot takes place in the future of an alternate reality where five of the original eight Avengers have been killed off by Ultron, but not before most of them produced offspring that Tony Stark whisks to a secluded location, safe from the arms of evil. They are raised by the aging [[[Iron Man]]] and trained to use their powers, as James Rogers, son of [[[Captain America]]] and Black Widow; Pym, son of Giant-Man and Wasp; Azari, the son of Black Panther and Storm; and Torunn, the daughter of [[[Thor]]], who didn’t die, but just left Earth one day. Each of them posess an amalgam of their parents’ powers, and even some of their personality quirks as well. Their hideout becomes compromised, Iron Man gets kidnapped, and the kids must then go for the rescue, running into fellow heroes like an elder Hulk and Clint Barton’s son, Francis, taking the helm of Hawkeye.

The great thing about movie is the way they depict the “age of heroes” in the beginning of the film as a bedtime story to the children. The mythos is described almost biblically by referring to the Avengers with names like the Soldier, the Knight, and the Ghost (Cap, Iron Man, and Vision respectively). There are certainly enough wacky “kid” moments and bright colors to keep anybody under the age of 13 interested, but that stays balanced by the amount of mature themes throughout the film, such as abandonment issues, and a rite of passage subplot. The film touches on the subject of death and heroism that most kids would understand, but is clearly meant for adults.

The animation is the same used for Marvel’s [[[Ultimate Avengers]]] films, like a Japanese/American animation hybrid. The strongest element here is  BBC composer Guy Cichelmore’s (Ultimate Avengers) score. This sold the entire film in its epic interpretation. The voice work is mostly done with Marvel and Lionsgate’s in-house talent. Going in the opposite route that DC Animation had gone, the company uses mostly unknown actors and professional voice actors rather than pull in celebrity names. Much like the other Marvel animated films; this was the weakest element in the film, leaving us with a poor-sounding [[[Hulk]]] and Iron Man.

Overall, the film may borderline puerile at times, but makes for a nice competitor for DC’s leading animated series [[[Teen Titans]]]. There is certainly potential for a franchise here, and will most definitely do as well, if not better than the aforementioned show. It should also be mentioned how “ironic” it is that the only two established heroes that are alive and kicking throughout the film are the only two that had a major motion picture this year.There is certainly plenty of action and violence for us adults, and more than enough geek-fodder for the die-hards. A clear recommendation for any true Marvel fan. RATING: 8/10

‘Mortal Kombat Vs. DC Universe’ Joker: “Want to see a magic trick?”

‘Mortal Kombat Vs. DC Universe’ Joker: “Want to see a magic trick?”

  • News
  • August 23, 2008

At the Liepzig Games Convention, Midway had revealed the latest characters to appear in Mortal Kombat Vs. DC Universe. And is cool as it was to hear that Deathstroke the Terminator will be getting his videogame debut (we’re not counting the animated Teen Titans game), nothing beats game producer Hector Sanchez demonstrating the Joker’s fighting moves for the Game Trailers television show.

Proving once and for all that some DC characters will have finishing moves, the Joker shows how to end a fight with style. See for yourself below. (Warning: It’s rated “M” for a reason.)
 
 

Interview: Neil Kleid on ‘Worlds of Dungeons and Dragons’

Interview: Neil Kleid on ‘Worlds of Dungeons and Dragons’

  • News
  • June 24, 2008

Writer and Xeric Grant winner Neil Kleid has come a long way since he wrote his award-winning improvised comic Ninety Candles. Since that time, he’s managed to have a diverse and interesting writing career tackling various comic book titles such as G.I. Joe and X-Men Unlimited.

Recently, he’s signed on to help bring Devil’s Due Publishing’s upcoming series The Worlds of Dungeons & Dragons to eager comics fans. ComicMix caught up with the busy author to get the latest info on Worlds of Dungeons & Dragons, his other upcoming projects and his love of axes.

COMICMIX: How much did you know about Dungeons & Dragons before you started writing the comic book? Did you ever play the game growing up?

NEIL KLEID: Once or twice, as a kid. I was mostly into the Bard’s Tale videogame and the early Dragonlance books. When I did play, I was always a dwarf. I liked the axes.

I’d stopped reading the DL books years ago, but my pal Andrew Dabb’s been adapting them for Devil’s Due for a while now and so, to check out his work, I’d flip through them at the store and I kind of got hooked again. I’m mostly into the books that focus on the characters from the War of the Lance.

CMix: What attracts you to a project like Worlds of Dungeons & Dragons in the first place?

NK: Intriguing characters, creepy monsters, short, condensed stories. Also, free rein and choice. Good editors. Stories I liked when I was younger that strike a chord inside.

CMix: How did this project first come about and how did you get involved?

NK: I’d been talking to the folks at Devil’s Due for a while now, trying to set something up with them – specifically with the G.I. Joe license. I had a meeting with former editor Mark Powers a few years
back and then traded several emails with current editor Mike O’ Sullivan. We always talked about the possibility of doing something together.

Then, Dabb mentioned they were looking for new D&D writers just as Mike emailed asking if it was something I’d be interested in. He hooked me up with editor James Lowder and we ran through the types of stories I wanted to do, narrowing it down to "The Legacy." It’s been a lot of fun so far.

CMix: This is your first time doing something in the sword-and-sorcery genre, right? This comic seems like new territory for you based on your previous work.

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The Weekly Haul: Reviews for May 1, 2008

War is the topic du jour in comics this week, with battles breaking out or warming up in darn near every issue. But instead of mindless battling, most of this week’s comics gave a deeper look into the costs and reality of violence. A reflection of our times, perhaps?

Book of the Week: DC Universe #0 — A very good issue, though not on par with Countdown to Infinite Crisis, which was a more lucid preamble to a big event. But that’s to be expected with Grant Morrison, who sets up Final Crisis with a series of vignettes that introduce the personal hell in store for many heroes.

The narration — leading to a very well done reveal that I won’t spoil — is appropriately vague and ominous, letting us know that storm clouds are brewing (though without falling into such cliché). The issue appropriately establishes the seriousness of the war on the horizon, though the elements of that war remain opaque.

While DC still has a lot to make up for after the painful Countdown, this issue goes a long way toward that end, not so much picking up from Countdown #1 as hitting "reset" on it.

The best scene is that with Batman and Joker, a meeting that starts out almost exactly like all of their interactions at Arkham, then twists in a new, foreboding direction. The layouts, which are extremely creative if not consistent, offer another highlight.

In the long run, though, this issue is only as good as the event that follows it.

Runners Up:

Elephantmen: War Toys #3 — In what could be just an excuse to draw some cool human-animal hybrids fighting with big guns, this series has offered a very solemn look at war. The Elephantmen are next-gen Hessians in a war between humans, and their animal instincts lead to atrocities.

It’s a gruesome reflection on how people wage war, that in battle humans become as ferocious and bloodthirsty as animals. A female guerilla soldier opposing the Elephantmen, Yvette, serves as the point of reason in this tragedy, her life in exchange for the animals gaining some humanity.

New Avengers #40 — The latest Skrullapalooza prequel that actually came out after Secret Invasion #1is a very worthwhile read, and manages to overcome its tardiness. In Mighty Avengers #12 and now this, Brian Michael Bendis has illuminated some of the anciliary issues to the big war between Skrulls and Earth, with this issue focusing on the Skrulls.

Giving motivation to villains is key to making a great comics event, and the plight of the Skrulls becomes very relatable, as does their turn toward religious extremism and their hatred of earth’s heroes. He loves you indeed.

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Happy Birthday: Donna Troy

Happy Birthday: Donna Troy

  • News
  • April 26, 2008

Donna Hinckley Stacey Troy has had as many different origins as any other DC hero, but unlike the rest she currently remembers all of them.

In her original origin, Donna was an orphan (her parents were killed in a fire) who had been saved by Wonder Woman and taken to Paradise Island, where the Amazons used the mysterious Purple Ray to grant her Amazonian powers. Donna then joined several other junior heroes to form their own super-team, the Teen Titans—she took the name "Wonder Girl," which until she adopted the alias “Donna Troy,” was her only name.

As Wonder Girl, Donna became a well-known figure in the DC Universe. Many years later, she was recast as Troia, champion of the mythic Titans. She later gave up her powers to become human, marry, and have a son, but years later (and after losing her husband and son in a car accident), regretted her decision. When the Titans refused to take her back, Donna became a Darkstar instead.

After leaving that group, Donna discovered she was actually a magical duplicate of Diana, the true Wonder Woman, and regained her powers before being acknowledged by Queen Hippolyta as a true Amazon princess. Since then Donna has discovered the existence of the Multiverse and the fact that she is the only person to remember all of her changing origins. As such, she has become the key to nurturing and protecting the new Multiverse.

On This Day: Garth (a.k.a. ‘Tempest’)

On This Day: Garth (a.k.a. ‘Tempest’)

  • News
  • March 6, 2008

Born on March 6, Garth had a difficult childhood. The son of King Thar and Queen Bera of the Idyllists (a colony of Atlantis, located in the Hidden Valley), Garth was exiled and sentenced to death at birth because of a mystic prophecy. Somehow he survived and lived alone for many years beneath the waves before finally meeting Aquaman.

Garth became the underwater hero’s sidekick, Aqualad, and later joined the Teen Titans. Years later, after the two had a falling out, Garth was trained by Aquaman’s father Atlan, who unleashed Garth’s full mystic potential. Garth renamed himself "Tempest" and defeated his necromancer uncle, Slizzath, in an attempt to transform the Hidden Valley into a necropolis.

Since then, Garth has been an ambassador to the United Nations, a husband (to the heroine Dolphin), a father, and a Teen Titan, and has reconciled with Aquaman. Currently, Garth is powerless and searching for his family—here’s hoping he finds them before his next birthday!

Review: Teen Titans Year One

The other day I was talking to James Kochalka, creator of Superf*ckers and the upcoming Johnny Boo children’s books, and he mentioned how difficult it is to find superhero books for his kids. Such offerings are mostly limited to comic book adaptations of cartoon series that were adapted from comics, he said, and “they’ve been pretty bad.”

For DC, the lifeline to younger readers has long been the Teen Titans, most recently through the TV spinoff Teen Titans Go! and Tiny Titans, which is almost too innocent for its own good. Now we also have Teen Titans Year One (issue #3 is out tomorrow), the “origin” story from writer Amy Wolfram.

The book succeeds on a number of levels, primarily in how it manages to be appropriate for kids without dumbing down. There are serious threats and the group faces violence and danger and interpersonal hangups. The art also perfectly fits the tone.

While I’ve enjoyed the series thus far, I doubt it’ll serve as a jumping-on point for any kid looking to get into comics. Another thing Kochalka complained about was how the youth-oriented Marvel and DC comics rely on readers coming into the book to have a firm understanding of the mythos, and that’s certainly the case with [[[Teen Titans Year One]]]. New comics readers will be fairly lost, if not out and out discouraged by the lack of exposition.

The Year One tag also only hampers the series, forcing it into a ridiculously incongruous existence amid decades-old comics. For instance, these Titans use cell phones and instant messaging, devices that weren’t around when the Teen Titans debuted. That’s nit-picking, to be sure, but when an editor’s note tells me this storyline happened right after [[[The Brave and the Bold]]] #54, I can’t help but be yanked out of the plot.

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) gmail (dot) com.

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