Tagged: Supergirl

Martha Thomases: The Living Supergirl

When I’m lonely, I read.

I read at other times, of course. But books, unlike humans, are always there for me. Books don’t move away, die, or vote for Trump.

I bring this up because it’s part of my New Year’s resolution.

All of us, no matter who we might be, occasionally feel like we don’t fit in. We aren’t cool enough, or we have a funny name. We might be too fat or too thin, too tall or too short, too rich or too poor. We could be too dark or too fair. We might speak differently than other people. We might be too butch or too femme, too queer or too straight, too old or too young. We might be too nerdy or too much of a jock. We might feel so different from everybody else that we don’t even have the words to describe all the ways in which we feel different.

There is no doubt in my mind that this has been true throughout recorded human history. However, modern technology makes it easier to track this phenomenon and quantify its dangers.

At the same time, there are ever newer and more technologically advanced ways to bully the kids who are most vulnerable.

When I was a girl, I often felt like the odd person out. I was too much in my head, worrying about how I appeared to other people, if they could see through me and knew what a sham I really was. At the same time, I felt like no one saw the real me, and I might go through life without ever being loved or accepted.

Naturally, I loved Supergirl.

The Supergirl of my youth was not the glamorous character you see on The CW every week. She was a girl with mousy brown braids (like mine!) who lived in an orphanage, with no one to confide in but her cat and her robot double hidden in a tree. When her cousin, Superman, finally revealed her existence to the world and she was applauded, I felt like that applause was a little bit for me.

Later, I would find other comics and books that seemed to understand what I was going through. Whether it was J. D. Salinger or Ray Bradbury or Will Eisner or Trina Robbins or David Sedaris or Caitlan Moran – among many others – I found company in books.

Still, it was Supergirl who really understood me.

Teaching children the value of reading is a wonderful thing. It’s a tool they can use to get them through their entire lives.

I don’t mean “value” in terms of money or career potential, although I am in favor of both cash and jobs. I mean that the entertainment, comfort and contentment that curling up with a book is even more valuable than dollars. Somewhere in the world, there is a novel or a series of personal essays that articulates how we feel. When we find that book, we feel understood.

I resolve to share my love of reading with kids who really need it.

So, how will I carry out this resolution? It would be lovely if each of us had the time and resources to reach out to as many young people as possible and teach them how much pleasure they can get from reading. Alas, that is not always true. Still, there are lots of other things we can do.

Do you have a few free hours? You could volunteer at your local library. What better way to share a love of reading than by directly modeling it in your own community.

Pressed for time and space? You can give your old books to charities that will distribute them to where they are most needed.

For better or worse, the books that are the most comforting to children and young adults are most likely to be the ones targeted by free speech antagonists. If I were the kind of person to believe in convoluted conspiracies, I might think that those in charge don’t want a citizenry that is self-confident, engaged and able to think for themselves. In any case, it is important for people all over the world to find those books that speak to them. Therefore, I’m going to continue to support the Comic Book Legal Defense Fund. They’ve done good work for decades, but in the past few years, they’ve really upped their game in terms of making graphic novels available for schools.

In 2017, I resolve to do more of this. I urge you to consider doing the same.

Dennis O’Neil: The CW’s Adventure In Time and Space

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The big honkin’ four-part crossover on the CW is past and I guess we have no particularly interesting reactions to it. If I were in a mood to pick nits, I might raise an eyebrow, chuckle in the manner of one who knows he is not one of the little people, and observe that it was really only a three-part crossover. Oh sure, The Flash and his friend Cisco did pop into Supergirl’s turf at the very end of the first episode, but by then the Maid of Might and her crew had solved their difficulties and all was (temporarily) well. All The Flash and Cisco did was ask for help dealing with some of their problems.

This is a crossover? Maybe by your definition (I sneer, cocking an eyebrow). Anyway, it seems that some alien invaders were causing woe on the neighboring universe, where The Flash and company hang, and so Supergirl joins The Flash in a brief migration through – here we guess – some kind of rent in the space-time continuum and for the next three hours of programming good guys from The Flash, Arrow, and DC’s Legends of Tomorrow smite the baddies, who look like something Alberto Giacometti might have dashed off after a particularly bad night.

I’m oversimplifying the story, which I kind of enjoyed. But if I were inclined to further quibble, while not rising to the level of complaint, I might ask since when did Earth – our Earth in our dimension – become a way station for extraterrestrials? I gather, from recent Supergirl episodes, that our good old terra firma is teeming with ETs, Hordes of them: Hundreds? Thousands? Hundreds of thousands? And if this is the case, Supergirl’s reality sure as heck isn’t our reality, and if that’s the case, shouldn’t there be some sort of signifiers? At least something as simple as irising doors. I mean, a few aliens, sure, but armies of them?

And on a similar note: if we humans actually made contact with beings of another dimension, without wrecking the cosmos in the process, it would be the biggest of big deals – easily the most significant event in history. Questions would get answered and some of those answers would alter our reality and perhaps finally take us where we’ve never been able to go. This would be big. Maybe even bigger than the Kardashians. So would we treat it casually, even if we were superbeings? Sure, you might not want to reveal something that would risk your secret identity, but… to hell with your secret identity and excuse me, please!

At the end of the final scene in the crossover, someone gives Supergirl a gadget that would fit in her purse and that lets her travel between dimensions as casually as I travel to get the mail. Even though – yes! – we know it’s fiction, this kind of story might diminish, ever so slightly, our sense of awe and wonder and lessens our reverence for the universe and that would be a shame.

 

Dennis O’Neil: Crossing Over

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There you are, somewhen on the far side of one of these bedeviling time gaps, at least four days in the future from when I’m typing this and – I don’t really know – you just might be squirming with anticipation because in a few hours or less – your hours – you’ll be watching the final part of the season’s megaevent, the four-part television crossover featuring Supergirl, The Flash, Green Arrow and the members of DC’s Legends of Tomorrow.

Is your breath taken?

Me, I’m sitting here in Monday afternoon, not knowing what the crossover is even about. (Of course, it’ll be in some way about the heroes mentioned in the previous 81 word! paragraph.)

So, again, tv is following behind comic books. Not a knock on the video guys: comics got there first because high speed printing was invented before video transmission – the first steam driven press debuted way back in 1825 and there’s your trivia of the day – and although television technology and print technology are vastly different, they are both what Stephen King calls story delivery systems and in that capacity deal with some of the same problems.

Among those problems: making lots of money from fictional characters. One answer occurred to mass audience storytellers when very few people had ever seen a television set and comics were in their infancy: have characters from one popular publication appear in another publication. A publisher could hope that the crossover stunt would expose readers of one magazine to the other magazine and the newbies would become regulars. So went the hope.

The ancestors of today’s two biggest comics companies were the first publishers to do the big crossover thing. (I’ll call that a coincidence if you will.) What became DC comics gave us All-Star Comics, which featured the company’s most popular heroes, and some maybe not so popular, joining together to solve various humdingers of crises and what became Marvel Comics put their Submariner in the same adventure with their Human Torch. All this in 1940, just before World War Two.

And so crossovers joined comics publishing’s tool kit and they’ve been appearing ever since.

In 1927 – yeah, that early – television was presented to the world but it took another 20 years, give or take, for the tube to start being a household fixture. Television, like comics before it, had to deliver exciting entertainment every week using the same set of characters while being careful not to kill them. Like comics. I’d like to say that it was inevitable that screen drama would start crossing over, especially since a lot of the material began as comics stories. But what do I know from inevitable? It happened and thus it’s reality and reality always trumps everything else.

Ooops!

Did I just use a naughty word?

 

Ed Catto: Nerd is the New Normal

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Geek culture has come a long way. Half the time, I still don’t think that many of us can quite believe it.

I can’t believe that for Monday night television, I can choose between CW’s Supergirl and a young Batman in Fox’s Gotham. After that choice is made, I can’t believe I can then watch a Vertigo comic, Lucifer come to life the next hour.

And I can’t believe that in the groceries my wife brought home, I just unpacked Avengers cheese sticks.

avengers-hero-twistsGeek Culture is everywhere.

Back In the old days, professing to the world your love of Geek Culture, be it comics, Star Trek, science fiction or any other flavor of nerdom, meant that you’d be subject to ridicule, derision and scorn. The world at large didn’t respect your hobby. Instead they just quietly put you into that “nut” or “weirdo” category and tried hard to forget about you.

I’m one of those comic fans who never took a break from it. Weekly trips for comics have been part of my life as long as I remember. However, that presented some difficulties for me in the late 70s during my high school/college/post college year dating years. In fact, I recall more than a few relationships, usually the third or fourth date, where I’d have skewer my courage and come clean. The conversations would typically go like this:

Me: “I have to tell you something about me that you don’t know.”

Her” What’s the matter, are you a serial killer or something?”

Me: “No, it’s much worse. I read and collect comic books.”

Her: “Oh dear, God….NOOOOOOOO!!!!”

tpautosBut things have changed now.

As I recently related, my family gives out comics for Halloween and that propels us into the “cool house” category. I was recently was invited to be a part of the Marketing Executives Mentoring Program, a conference at Cornell’s School of Business. I was honored to be part of a very impressive assembly of marketing professionals.

Remember that moment in the Star Trek episode when Spock gets married, and Kirk and McCoy remark, in awe, that that the legendary T’Pau is part of the gathering? That’s what this event was like for me – about 40 times over.

With this in mind, you can imagine that I found their reactions to Geek Culture all the more validating. Maybe they were all just being polite, but the executives and the business students were fascinated when I discussed my business and marketing efforts in Geek Culture as co-founder of The Bonfire Agency. They wanted to hear more, not less.

the-caped-crusade-batman-and-the-rise-of-nerd-culture-150x225-6793839And last weekend, it was invigorating to again be the go-to person when the world at large had questions and comments about the newest super hero movie, Doctor Strange.

Like so many Geeks, I enjoy the spotlight and the elevation from outcast to valued expert. It’s a refreshing change.

I just finished an engaging book called The Caped Crusade: Batman and the Rise of Nerd Culture by Glen Weldon. He outlines the many changes of the character, and franchise, called Batman. In particular, he chronicles this story alongside the rise of geek culture.

Weldon writes quite a bit about the relationships between nerds and normals. But that dynamic is rapidly changing. Nerds used to occupy a place in society below the “normal” population. But not anymore. Passionate fans of Geek Culture are now perched in a unique spot in the social structure’s hierarchy. Not necessarily above but certainly not below. And so often they are positioned as experts. It’s a long time in coming, but it’s a nice spot to be in.

Now it’s time for to nibble on one of those cheese sticks.

John Ostrander: Making a Better Superman

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As of last Monday night, Warner Bros grew a Superman problem. That’s the night that Supergirl started its second season on its new home, the CW… where one could argue that it always belonged anyway. The show guest starred Supergirl’s cousin, Superman, embodied on TV by Tyler Hoechlin.

tyler-hoechlin-supermanIf you don’t already know, DC – unlike Marvel – does not link its movie universe and its TV universe. Since DC Comics is currently in the Multiple Universe concept once more, it might help to think of their TV and movie universes as alternate dimensions. So we can have two Flashes, two Wonder Women – and two versions of Superman.

The DC movie version of Superman, as shown in Man of Steel and Superman vs. Batman: Dawn of Justice Whaddee Do Dah, is played by Henry Cavill and is a darker, more brooding, somewhat more Batman-ish Superman. His costume is also darker, almost a blue-black. He is, we are told, a more “realistic” Superman. And that’s where I think the trouble is going to lie.

Supergirl’s Superman is a more traditional Man of Steel. He’s a brighter, more confident, more hopeful vision. And, not to slam Henry Cavill, Tyler Hoechlin is a better actor. As a kid he held his own with Tom Hanks, Paul Newman, Jude Law, and Daniel Craig in Road to Perdition where Hoechlin played a starring role as Michael Sullivan, Jr. (Sidenote: not everyone realizes that Road to Perdition is also a “comic book movie” based on the graphic novel by Max Allan Collins and Richard Piers Rayner. Work that little factoid into your conversations. Amaze your friends. Go out and get a copy. Great read. End of plug.)

The Superman appearing on Supergirl is more my idea of who Superman is – confident, capable, friendly, powerful and, according to one character on the show, smells good. When he walks into the DEO, the government facility where Lara’s adopted sister Alex works, people just stop and stare. Superman works the crowd, smiling, shaking hands, setting people at ease not like a politician or even a celebrity but like a nice guy from Kansas which, for all his powers, he is.

Hoechlin also does a great Clark Kent, reminiscent of Christopher Reeve’s great turn, having a deft sense of humor to the portrayal and making the bumbling aspect work. When his cousin secretly congratulates Clark on a well executed file fumble in the elevator, he tells her it wasn’t an act. That’s endearing.

Also, in the TV aspect of the DCU, there isn’t the underlying mistrust that the DC movie universe has for this strange person from another world. Batman wants to kill Superman because the Kryptonian could be a threat; one of the arguments leading to the creation of the Suicide Squad was who could stop Superman if he decided to burst through the roof of the White House and grab the President? On Supergirl, people trust the Man of Steel. Seeing him, or his cousin, inspires hope. While the darker portrayal may be more “realistic,” it’s not what the character is about.

I’m not looking for a return to the Superman of the Fifties as seen in either the comics or the TV show. To be honest, that one bored me even as a kid. The movies, however, makes him more angsty, more dour, and less Super. Hoechlin is only scheduled to appear as a guest star on the TV show for right now but he wears the tights and the cape – and Clark Kent’s glasses – quite well.

I know that in BvS: DoJ (spoiler alert, I guess) Superman dies at the end of the film but we all know he’s coming back for the Justice League movie. I, for one, wouldn’t mind if the movie Superman uses the grave as a chrysalis and pops out as Tyler Hoechlin. Or maybe they can have Tyler spin off into a series as Superman. I’d watch it. And I bet lots of others would as well.

And that’s going to be WB’s problem – the better Superman isn’t on the big screen; it’s on the small one.

What Mindy Newell Is Watching…

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Well, the fall television season has begun, which means I’ve been watching the return of my favorite series and the premiere of new shows that have tickled my interest. Here’s a rundown.

Timeless (Mondays, 10 P.M., NBC)

Everyone who reads this column regularly knows that I’m a nut for alternate history and time-travel stories, so of course I was going to check out Timeless, which premiered last week, October 3… and, of course, I missed it. So on Saturday I logged onto Hulu and caught up.

The premise is a familiar one to science fiction geeks like me – what happens to our present if someone goes back and either deliberately or accidentally changes the history we know? This is best illustrated, at least for me, by Ray Bradbury’s classic and beautifully written “A Sound of Thunder,” in which a big game hunter travels back to the Jurassic era to stalk a Tyrannosaurus Rex, accidentally kills a butterfly, and returns to his present to find the world he knew has changed, both in subtle and overt ways. Although the term was not coined by physicists and other scientists until the 1960s by chaos theory pioneer Edward Norton Lorenz – when he noted that small changes in the initial conditions of hurricane formation would change the outcome of that hurricane, i.e., time of formation, wind speed, path – this has become known as the butterfly effect, which essentially states that even an infinitesimal alteration in primary conditions will change the outcome. (This leads me to believe that Lorenz read “A Sound of Thunder” at some time in his life; if he hadn’t – one small change – the phenomenon might be called something else.)

When a secret government-funded time travel machine is stolen by a “bad guy,” a misaligned team is assigned to follow him and stop his nefarious plans to alter the time line: a historian, a Delta Force soldier, and a computer coder. But how can they follow him? Turns out that there is an earlier, less sophisticated time machine, an alpha model, that has been kept in mothballs “just in case” [a rescue was needed]. This more primitive device can take the team to the same time period, but can’t lock on to the exact coordinates of the newer version.

Yes, it’s a big “coincidence.” But what the hell – without this, uh, contrivance, there would be no show, right?

There is a lot in Timeless that we have seen before. The facility where the time machine is kept looks like every secret government facility ever seen on The X-Files; the machine itself sits isolated in front of a bank of monitors and computers manned by technicians as in Stargate (and Stargate-SG1); and the gears of the apparatus turn and spin around the command pod as it warms up for its leap, reminding me of the “worm-hole opener” in Contact. Oh, and speaking of leaps, I kept thinking of Quantum Leap, too. But by now, if you’re any sort of fan of science fiction, it’s not so much the ingredients. To misquote another time traveler by the name of Clara Osborne, the soufflé is the soufflé.

The first jump is to May 6, 1937, the day of the Hindenburg explosion. ‘Nuff said, for those of you who haven’t seen Timeless, yet; although I will add a little spice by saying that the “bad guy” may not be so bad after all.

Also, Timeless plays with butterflies.

All in all, I enjoyed it, but like I said, I’m an easy mark for time-travel stories.

Designated Survivor (Wednesdays, 10 P.M., ABC)

From Wikipedia: In the United States, a designated survivor (or designated successor) is an individual in the presidential line of succession, usually a member of the United States Cabinet, who is arranged to be at a physically distant, secure, and undisclosed location when the President and the country’s other top leaders (e.g., Vice President and Cabinet members) are gathered at a single location, such as during State of the Union and presidential inaugurations. This is intended to guarantee continuity of government in the event of a catastrophic occurrence that kills the President and many officials in the presidential line of succession. If such an event occurred, killing both the President and Vice President, the surviving official highest in the line, possibly the designated survivor, would become the Acting President of the United States under the Presidential Succession Act.”

Tom Kirkland, U.S. Secretary of Housing and Urban Development, is watching the President deliver the State of the Union on television when an explosion rips through the Capitol building, destroying it and killing everyone inside it. Tom Kirkland, the designated survivor, is now the President of the United States.

Designated Survivor star Kiefer Sutherland is no stranger to political thrillers; as Counter Terrorist Unit agent Jack Bauer on the seminal 24, he always knew what to do and when to do it; “squeamish” was most definitely not a word in Bauer’s dictionary. But this show isn’t about President Jack Bauer; Tom Kirkland is a not a natural-born hero – far from it. Instead of immediately “manning up” and taking charge, Kirkland is overwhelmed; in the White House, excusing himself from a rambunctious and loud meeting where everyone is yelling over each other, Kirkland excuses himself, ducks into a bathroom, and throws his guts up.

And it works. Jack Bauer, as mesmerizing as he was, was a toy soldier, an antidote to an American public still reeling in shock from 9/11 (although the show was already on Fox’s schedule before that horrible day) and in need of a G.I. Joe who would take our collective revenge upon the bad guys. Tom Kirkland is an ordinary government bureaucrat, perhaps a bit more idealistic, earnest and dedicated than most, who doesn’t really fit into the cut-throat world of Washington politics; in fact, early in the first hour we learn that he’s been “shifted” from the office of HUD – read “fired” – and offered a job as Ambassador to the Canadian Coast Guard (or something like that – Kirkland wants to know if there really is a Canadian Coast Guard.) Kirkland reacts the way most of us really would, as in “What the fuck?” and “Stop the world, I want to get off!” Simply put, Jack Bauer is the fantasy; Tom Kirkland is the real deal.

Kai Penn, late of House and the real West Wing – quit acting for a time to work for the Obama administration as Associate Director of the White House Office of Public Engagement – plays Seth Wright, a junior speechwriter for the late President whom Kirkland hires as chief speechwriter after their embarrassing meeting in the bathroom where Kirkland was puking in one stall while Wright opined on the inadequacies of the new President in another.

But Wright isn’t the only one wary of Kirkland’s aptitude for the office. Just about everyone is questioning his ability, to the point of ad nauesum, if you ask me. (Is there no one – except his family, of course – who wants to help Kirkland step up to the job?) But the biggest fly in the ointment – im-not-so-ho – of what could be an absolutely terrific series is the “General Angryman” (as Entertainment Weekly writer Ray Rahman calls him), who, at least right now, is the caricatured hawk to Kirkland’s (supposed) dove. “General Angryman” wants to display American certitude and force by bombing the shit out of anyone and everyone who has ever name-called America – specifically Iran, whose Navy is apparently making forays into the Strait of Hormuz, threatening the world’s oil supply.

Seriously, I am really hoping that the writers are throwing us for a loop, because this guy is beyond Dr. Strangelove.

I’ve seen all three episodes of Designated Survivor, and while I’m liking it, there are problems, the most important one being – again, im-not-so-ho – that there doesn’t really seem to be anyone interested in putting country before politics (well, except for Kai Penn’s character) in helping President Kirkland establish the “continuity of government” that the role of “designated survivor” is meant to do. But considering the way we were bamboozled into Iraq by a real administration that put politics before country, and the way the two current leaders of the Republican party are refusing to disavow their current Presidential candidate, again putting politics ahead of country – well, perhaps the fictional roadblocks facing the fictional President Kirkland aren’t all that, well, fictional.

Law & Order: Special Victims Unit (Wednesdays, 9 P.M., NBC)

SVU is now in its 18th season, and while some may say that the show has seen better days, I would argue that it has matured like fine wine. I can’t say exactly what it is about that show that makes me addicted to its current incarnation as well as all its reruns on USA network and other channels, but I am hooked on it like a patient with chronic back pain is hooked on Oycondone.

Supergirl (Mondays, 8 P.M., CW)

The Girl of Steel premieres tonight on its new network home, but who hasn’t seen the “sneak peek” on YouTube (or other web sites) featuring Kara and her cuz’?

Like so many others, I was surprised when Supergirl was announced as a CBS show; it was such an outlier for that network. Like so many others, I was, well, relieved when I heard that the CW had picked it up; not only because it wasn’t cancelled permanently from our screens, but because the CW has become a natural home for a show based on a comic book, and do I really need to specify that statement?

Here are some quotes from Entertainment Weekly’s interview with Executive Producer Andrew Kreisberg on the future of Supergirl, with my opinions thrown in for good measure:

There is going to be a change in the show that I think is a natural progression in a show that’s growing up. We were really blessed with The Flash – The Flash came out fully formed; that show knew what it was very early on. The experience of Supergirl is more akin to the experience we had on Arrow, where we knew there was a great show in there, and every once in a while we made a great one, but it wasn’t until the back half of that first season – and certainly the beginning of season 2 – that we really felt like we had a handle of what that show was creatively. That’s how we feel about Supergirl, that towards the end of last year, the characters were really coming to life and we were really starting to tell the right stories.”

Me: No PR bullshit here, Kreisberg is absolutely right about the second half of the series.

“Now with season 2, we really feel like this show has gotten, I always say, bigger and smaller; it’s gotten bigger in terms of what we’re able to accomplish in terms of the scope of the show, but it’s also gotten smaller in terms of the characters. We are able to go to deeper places, richer places, and to some places that I think are unexpected.”

Me: Oh, boy, do I really hope that this is absolutely not PR bullshit!

“Because it was the first female superhero on TV in a long time, and then the first female superhero especially in the current explosion of comic book properties, the show had expectations to it and the show had preconceived notions, and the show had I don’t want to say limitations, but everybody had an opinion on what a female superhero should do and be and say. I think all of us collectively as a studio, as a network, as showrunners [sic], as cast, we all got locked into answering that question a lot at the early stages. 

Me: See my first column about the show. Oh, the girl was just so adorably perky. Gagged me with a spoon. If I hadn’t loved the character so much my whole life I would never had stuck with it.

Kara will be traveling from her dimension to our dimension, ‘our’ being the world that The Flash, Arrow, and Legends lives in.”

Me: The Flash episode totally rocked!!!! Probably responsible for saving the series, and also probably responsible for the realization that Supergirl belonged on the CW. But it’s Supergirl. Not Supergirl and… Please remember that. Please don’t forget that. Please, please, please let Kara stand on her own two feet.

“…we come into season 2 and she feels like she’s got a handle on being Supergirl – it’s everybody else in her life that she feels like, ‘How can I be a girlfriend? What am I supposed to do with my career? How can I be there for my sister?’ So it’s all the Kara stuff that’s really the tough stuff early on, and that’s where Clark comes in. We say it’s like becoming a parent, where when you were a kid, your parents knew everything and then you become an adult and you’re like, ‘I’m lost, I don’t know what to do.’ You realize that neither did your parents; they were making it up as they went, they just presented themselves as knowing it all even if they were dying inside. That’s one of things that Kara says, like, ‘I know how to be Supergirl, but I don’t know how to do any of this other stuff. But Clark, he makes it look easy, he’s Superman, he’s a great reporter, he’s a great boyfriend. How does he do it?’ And Clark says, ‘I’m making it up as I go, too. It’s all about balancing it and it’s all a day-to-day thing. Just because I make it look easy, doesn’t mean that it is.’ So Kara is really growing up this season, that’s really her journey.

Me: Superman is cool. The trailer was cool. But, again, just remember that this is Supergirl. Not Supergirl and Her Cousin, Superman. There really is a lot there to explore, lots of great story possibilities. Don’t fuck this up.

“Alex is struggling with Clark being in town. It sets up this interesting dynamic where she has been everything to Kara; she’s her family, and she has a little bit of a chip on her shoulder about Clark. She loves him, he’s family and she knows he loves them, but he left Kara on their doorstep. Kara is so excited to see Clark and so excited to be with him, but it’s almost a little bit like Alex feels taken for granted, because she’s the family member who’s put in the time. It sets up an interesting conflict between her and Kara in the first couple of episodes.”

Me: This is great. But it sounds like it’s going to be resolved by the end of the second episode. No, no, no! Played right (like not focusing on it constantly, spreading it out over 22 episodes), it would make a great full-season arc.

“Really this year is about coming into one’s own and becoming who you are. In a way, all of the characters are dealing with that. Kara is certainly dealing with that at work; Winn is becoming who he is by working at the DEO; J’onn is stepping out and embracing more being the Manhunter, which is something that he spent 300 years hiding, but now he doesn’t have to hide that anymore.”

Me: But where’s Cat Grant? Oh, no! She’s been reduced to a recurring character! That totally sucks! (And I still think she knows that Kara Danvers is Supergirl.)

sgsat_ac281_3One story I would love to see – selfishly because it’s a favorite of mine – brought to the series is “Supergirl’s Secret Enemy,” by Jerry Siegel and Jim Mooney, and which ran from Action Comics #279, August 1961 to Action Comics #281, October 1961.

Lesla-Lar is a low-level scientist who lives in the bottle city of Kandor (Okay, we haven’t established Kandor on the show, but that could be worked around.) Already on the emotional edge, being forced to live in Kandor while watching Kara live a life not defined by the walls of a bottle drives her over the cliff; she figures out a way to switch places with her. (I forgot to mention that she looks exactly like Kara.) The process robs Kara of her memory; she believes she is Lesla-Lar while the real Lesla-Lar lives her life on Earth, assuming the role of Supergirl so successfully that everyone, including her cousin, is unaware of the old switcheroo. How will Kara escape?

The budget would probably be way too much for the show to handle, and I would hate for it to have the bare-bottom look of the adaptation of “For the Man Who Has Everything.” But it would still be a great story to run, especially during the “sweeps” ratings months.

Im-not-so-ho, of course.

 

Mike Gold: Our Greatest Ape

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You’ve probably seen the second Superhero Fight Club by now; if you haven’t and you’ve got four minutes to spare, go give this a click. It’s great fun, not necessarly part of The DC-CW continuity, and it brings Supergirl in to play with the boys. And Felicity, of course.

SPOILER ALERT! (I’ve always wanted to say that!) From this point forward, I’m going to write stuff that presumes you’ve seen Superhero Fight Club 2, although as spoilers go, I’ve already spoiled it with my choice of graphics and my headline. Sue me.

grodd-cwEasily, the coolest part of the short is the “surprise” appearance of Gorilla Grodd, who already has been established in The Flash teevee series. But, let’s face it, Gorilla Grodd usually is the coolest part of damn near everything he’s ever appeared in, dating back to his introduction in early 1959. I’m sure you’re aware of the common belief that, at least in the 1950s and 1960s, putting a gorilla on the cover of a comic book guaranteed higher sales. I’m sure you’re aware of this because I’m one of the wags who has spent the past several decades sharing that observation at every possible opportunity.

Of course I found Grodd amazing at the time of his introduction, in the second issue of the silver-age Flash, #106 (DC Comics didn’t have the auto-renumbering algorithm built into their reboot program way back in 1959). I was eight years old. The fact that John Broome and Carmine Infantino did one hell of a great comic book story helped a lot, and to put it in context Grodd came as a complete surprise to us at the time because he was not cover featured! It was the Pied Piper who on the cover. I realize this flies in the face of the “putting a gorilla on the cover of a comic book guaranteed higher sales” theory, but damn, you open the comic book and there’s this big gorilla frying The Flash with “deadly thought waves.” By the time I got to the Pied Piper story, that villain was – please forgive me – an also-ran.

Editor Julius Schwartz knew he was on to something. He usually was those days, but on page 15 of “The Menace of the Super-Gorilla” he captioned “In the next issue of The Flash – another Super-Gorilla thriller!”

However…

Grodd was not on the cover of that second appearance, either. The cover was all about some guy who could outrun The Flash by running backwards. Where’s the damn super-gorilla?

Right there on page one. On the final story page, Barry Allen is reading the newspaper and hoping he never sees Grodd again. Fat chance, Barry. Julie ratted it out in the last caption, stating the smart ape would return “in a forthcoming issue.”

And there Grodd was. In the very next issue, #108. And, for the third time in three issues, he was not on the cover. After that I’d have an attitude problem too!

flashgrodd1For the record, our great ape didn’t return for another seven issues. The Mirror Master came back in the following issue, and Wally West was introduced in the issue after that. Grodd didn’t make it back into The Flash until #115, September 1960…

… and he wasn’t on the cover of that issue either!

Gorilla Grodd didn’t make it to the cover until #127. By that point, Jay Garrick had been brought back, the Elongated Man, Captain Cold, Captain Boomerang, the Trickster and several other important rogues were introduced, and The Flash clearly was the most exciting comic book on the racks at the time.

Although by then The Flash was in for a run for the money. A few months earlier we saw the debut of the Marvel Universe. The Fantastic Four encountered their first ape villain – three of them, in fact – in 1963.

And they didn’t appear on the cover, either.

Dennis O’Neil: Defy! We Dare Ya!

 

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Done any daring to defy lately?

If you’re a fan of the television versions of superheroes, you know what I’m talking/typing about. The network that calls itself The CW has, for a while now, been advocating such daring and this is the very same the go-to corporate entity that has made itself the go-to bandwidth for costumed do-gooders. They already have, in Arrow and The Flash, a couple of established hits (provided your definition of “hit” is modest) and in Legends of Tomorrow a show that has at least enough watchers to warrant renewal for another season. And the biggie…Supergirl has, with much hype, migrated from the kind of old-folkish CBS to the youthier CW and we Maid of Might mavens are allowed a happy sigh.

But about that youthiness and that “daring to defy” business: Really? Can they possibly mean it? Since they don’t specify exactly what they want us to defy, I have to guess that what we’re asked to defy is what we children of the Sixties might refer to as “the Man.” You know – the Establishment. The necktie wearers. Wall Street. Politics. Corporate America. The military-industrial complex (a term coined by no less an Establishment icon than President Dwight D. Eisenhower.)

Well, okay, but…where to begin? A logical answer: Consumerism. A denial of, or least a vigorous questioning of, t shirt wisdom, something like Whoever Has the Most Toys When He Dies Wins. So, all you wannabe defiers, stop buying stuff you don’t need. Stop discarding clothing just because some Seventh Avenue pooh-bah has declared it unfashionable which, I think, means whatever the pooh-bahs say it means. (And rest in peace, Noah Webster.) And if this means buying clothing that’s durable instead of merely new, amen. While you’re at it, extend that policy to motor vehicles, appliances, furniture, housing, vacation sites, playthings. If you’re killing time waiting for Supergirl to come on, you can make your own list.

But whoa. Subtract the money wasted on the unnecessary and suddenly those bandwidth-borne heroes aren’t there anymore. The money we spend (waste?) on frivolities pays for the programs we enjoy. No wasted cash = no Supergirl (who, it might be said, is herself a frivolity, but we could be flirting with blasphemy here, so let’s not.)

Okay, we exempt consumerism from the list of things we defy. What else? School? Hey, I am the husband of a teacher and the father of a professor and have been known to stand at the front of classrooms myself, so you aren’t going to catch me knocking education, though some varieties of it might deserve a knock or two. Besides – big secret a’comin’ – it’s fun to know stuff.

Now, a true story. At my high school graduation the school’s principal told my mother that the good Christian Brothers never wanted to see me again. Maybe if you wore a funny collar you could spot a defier from a mile away and if they said Joe O’Neil’s offspring was a defier, well, they were the authorities. But that offspring didn’t know he was a defier.

You don’t believe me?

Tweeks: Supergirl Cast Interviews at SDCC Part 2!

In Part 2 of our Supergirl San Diego Comic Con Roundtable interview, we chat with Supergirl herself (Melissa Benoit), Chryler Leigh (Alex Danvers) & Superman (Tyler Hoechlin).

If you haven’t watched Part One yet — now’s an excellent time to watch it.

Martha Thomases’ School Daze

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The week after Labor Day is the traditional beginning of the school year. Yes, #NotAllSchools, but enough.

When I was in elementary school, the first day was a big deal. My mom and I had spent a lot of time over the summer selecting my new clothes, usually an activity that included lots of arguments. (I hated wearing uniforms at boarding school, but it did reduce the fighting at home.) On that first day I wanted to show off my favorite selections, so I usually spent all of my class time sweating through my lovely winter jumper with coordinating turtleneck sweater.

Naturally, I wondered how superheroes would fare. I don’t mean those lucky enough to have classes that catered to their specific mutations or skills, but regular school, with tiny milk cartons in the cafeteria and bullies at recess.

I remember Superboy and Supergirl stories from my youth where they would be stuck in class while their super-hearing picked up some disaster that needed their attention. They had robots available for such occasions, although I do not remember any stories in which those robots had to take tests or get punched in the face. Today, we can read about Moon Girl and her issues with being smarter than her classmates (as well as trying to keep a dinosaur secret). Her powers are the least of her problems.

As usual, I wonder about superheroes with more esoteric powers. Mind-readers like Saturn Girl could cheat on tests simply by barging into the thoughts of the teacher. She could also get completely icked-out simply by walking past the boys locker room… but that also happens to girls who aren’t telepathic.

Matt Murdock could avoid bullies by sensing when they were planning to punch him out. He could probably also tell when the lunch lady lost a hair (or worse) in his food. Matter-Eater Lad could avoid cafeteria problems altogether. He’d have no reason to fear  mystery meat when the tray would be a satisfying substitute lunch.

Truly, there are few situations in which it is not amusing to imagine Matter-Eater Lad.

Individual problems and opportunities for individual students might present story opportunities, but the conditions of our schools, physically and structurally, are the real outrage. Public schools are constantly forced to do more with less. No matter how much money any particular municipality might budget towards them, an insufficient percentage trickles down to individual teachers in individual classrooms.

Even worse, there is increasing pressure on students to pass specific kinds of tests that purport to measure their learning but are more likely to measure their ability to take tests. Some groups want to eliminate arts education to focus on science, math and technology, as if math and science don’t benefit from people with artistic imaginations.

Children, even those without super-powers, are each unique. I know there are those who don’t like it when someone points out that everyone is special, but they are wrong. I learn at a different pace and in a different way than you do. Schools should take this into account. No, we shouldn’t lower standards and pass kids from one grade to the next purely for social reasons. Diplomas should indicate a level of accomplishment, and we should have a nondiscriminatory way to measure this… although I don’t know what this would be.

I was always good at taking standardized tests, usually placing in the 99th percentile. This helped my parents with their bragging rights but did nothing to indicate that, for example, I was terrible at memorizing, especially foreign language vocabulary words. If there had been a way to catch that earlier, I might be able to spend more time in Paris.

My point (and I do have one) is that schools don’t have to be places of boredom and terror. We could treat our kids with more love and respect, appreciating their differences in a way that celebrates their victories and nurtures them when they fail.

I thought of this while listening to Dean Haspiel give the keynote address at the Harvey Awards last weekend. Dean talked about the challenges of being a freelance artist in a culture that values neither art nor freelancers. After a lifetime in New York working with colleagues in a studio in a building with loads of other artists, Dean admitted that he is considering leaving.

New York City drew me here because it was a place where one could meet artists and writers and rock stars and poets and radical activists. It was a great place to raise my kid, who went to public school with kids who spoke Spanish, Russian, Chinese and lots of other languages at home, and who might live in shelters or brownstones, projects or penthouses.

That doesn’t happen anymore.

Those of us who value each other’s special abilities should consider finding a town in decline and moving in en masse. We could work together to provide the services we want, and we could live close enough to each other so we could ease the trauma of moving. We could volunteer at libraries and schools and summer camps so all the kids who feel like mutants would know we think that’s a good thing.

And we could install air-conditioning in the schools so that, if I show up on the first day, I can wear my best new outfit.