Tagged: Super Friends

Happy 35th birthday, Schoolhouse Rock!

Happy 35th birthday, Schoolhouse Rock!

On a Saturday in 1973 at about 8:56 in the morning, right after Super Friends on ABC, kids were introduced to a new hero, Zero.

This was the first appearance of Multiplication Rock, brought to you by Nabisco ("You’ll find quality in our corner"). It was the beginning of Schoolhouse Rock, which taught millions of kids across the country multiplication, grammar, history, science, and finances.

So let’s all take a few minutes and watch the video for the first song written for the project, and give thanks for all those lessons learned– it’s okay to sing along, you know how it goes:

The Super Powers Myth, by Ric Meyers

The Super Powers Myth, by Ric Meyers

The last time I’ve spoke to Jackie Chan he said to me: “I’ve done everything three times” – meaning that he’s finding less and less ways, and reasons, to top himself. Unfortunately that also results in schizo, ultimately unsatisfying, films, further hampered by his unwillingness to mature his screen persona. Even so, he keeps looking for ways to challenge himself and keep busy, despite the repetition of his movie and charity work.

But Jackie’s last great film was Legend of Drunken Master (HK: Drunken Master 2) in 1994. He’s made two dozen movies since then – all which included some exceptional sequences, but none which held together anywhere close to his classics of the mid-1980s. Clearly his best films are the ones which showcase his kung-fu, but as he grows older, he keeps trying to avoid that by dwelling on vehicular stunts or repeated attempts to balance his physicality with cgi.

Even so, Sony Entertainment has taken on the task of selling his most recent productions to the American DVD market. Their latest release, and one of Chan’s most creatively bold conceptions, is The Myth, hitting stores on October 30th. It’s also one of the most expensive films in Hong Kong history, and is, if nothing else, a visually splendid treat. Sadly, the film’s central flaw is showcased by Jackie’s admonition that he wasn’t brave enough to make what his director/co-writer Stanley Tong originally wanted: an entire film about a Qin Dynasty general.

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