Tagged: Super Bowl

MARC ALAN FISHMAN: You Better Think

I don’t own a single Spider-Man comic. Wait, scratch that. I own some painted comic released in the mid-aughts… Secret War. Didn’t care for it.

That being said, I love Spider-Man. I loved his cartoon in the 90s. I loved the Sensational Spider-Man cartoon even more. I owned Maximum Carnage for the Super Nintendo. I played about 8000 hours worth of Spider-Man 2 for the original Xbox. So, with all the love I have for the character, why don’t I subscribe to a single web-headed book? Well, consider it a barrier to entry. Never found the right jumping on point.

Until now. Dan Slott’s upcoming in-book epic “Ends of the Earth” looks to be as good a point as ever to jump on. Given my recent love affair with the Fantastic Four… I figure why not roll the dice on the House of Mouse one more time. You see, deep down my love of the character stems from the fact that he’s generally been written to think his way out of problems – and that’s something I’m finding more and more keeps me reading comics.

“With great power comes great responsibility.” This we know. When I think of other classic (and current) comic book heroes… their books always come down to the best use of a super power. It’s akin to the ‘85 Bears victory in the Super Bowl: it’s all about brute strength. In Blackest Night? It was collection of rainbow raiders and a deus ex machina in the form of “It was Black Hand all along! Now shoot him!” In Fear Itself? Solved by a ton of punching, and Odin getting off his ass. Even in the non-epic books, I see too many stories solving their problems with mindless fighting, and sheer force-of yelling. Hell, Avengers Vs. X-Men is essentially based on that entire 13-year-old wet dream of a concept. And frankly… it’s really old hat.

When I was first getting into comics, no doubt it was all about the fighting, and punching, and super powers. A grand excuse for violence and gratuitous action sequences. And the books at that time gave in to the gluttony. Spawn was belched out of the machine that demanded insane amounts of gore, and detail, and splash pages… And the reason why his stock (and its four-barreled-thigh-pouch kin) sits somewhere a thimble above “wait, that’s still a thing?” is because the book never grasped for more than a climax built on banality.

When a movie, a book, even a song reaches for the middle, our brains turn off. The reason why Karate Kid is better than Sidekicks (aside from the obvious….)? Because Danny Larusso defeats Johnny with his mind more than his body. Yes it was about perseverance, but I contest that it was that moment when he realized the crane kick could win him the match… we as an audience collectively feel like the win is earned. It’s the reason why Batman is always better than Superman. Because nine times out of ten, Batman saves the day because he figures a way out to do so. Superman, nine times out of ten, uses one of his 1,000,000 powers.

I recently reviewed Blue Beetle #6 over on MichaelDavisWorld. In said review I was elated by the book’s choice to have their azure-hued bug boy save the day not by commanding his alien armor to make a bigger-better-bug-zapper… but by out thinking his opponent. The whole reason I’m looking forward to this Sinister Six arc in Spider-Man is because my first thought is “in this modern take on Spidey, how is he going to think his way out of being pummeled by sextet of sinister sleeze-bags?” Don’t get me wrong, I want to see plenty of quips, punches, web-shooty-balls-of-justice, and kicks-to-the-mush – I just want the day to be saved by Peter Parker’s greatest power… his mind.

In comics, we build up an antagonist – an alien race, a long lost angry god, a crazy man with a gun and a diaper – and pit our titular heroes in combat with them. Whether the Avengers are fighting the Kree, the Skrulls, Ultron, Enron, or the X-Men… only those with a short attention span and a “most-posted” badge on a message board are truly salivating on just the outcome of a fight. As a reader, I genuinely feel like the best stories give us an arc that introduces us to something we didn’t think of in the first place. When the only thing that stands in the way of a happy ending is a well placed punch we end up with Michael Bay’s Transformers… pretty to look at, and not much else.

That being said, I’m going to go look at my script for the Samurnauts. My original page of notes for the climax literally says “use some mega-super move… lots of photoshoppery.” Looks like I better get thinking…

SUNDAY: John Ostrander 

 

MARC ALAN FISHMAN: Fantastic Flop – How I’d Reboot Marvel’s First Family

So I found myself with a bit of time to kill while my wife and mother-in-law went out and about for lunch. My week-old son and I decided it was time to enjoy a bit of cable TV goodness. A quick surf left with me few options. Food Network was showing yet-another cupcake show… USA was playing that episode of Everybody Loves Raymond where his wife is a shrew and his mother annoys him, and TBS was on Tyler Perry’s Black People Watch Everything I Put Out, Not That It’s Good. And FX? Callooh-Callay! They had on the Fantastic Four movie from a few years back. Given that I was still sporting half a nerd-boner for the Super Bowl Avengers spot, and the recent web-release of The Amazing Spider-Man trailer, FF seemed like the perfect way to wet my whistle for a bit of comic goodness.

Granted, I’ve seen the movie a few times. Saw it opening weekend, and didn’t hate it. Didn’t love it either, but somehow, it was one of those guilty “Hey, if it’s on, it’s really not that bad is it?” pleasures. A few hours later, my favorite ladies returned to a house with both their boys rife with a case of the cranky pants. I’m pretty sure my son Bennett had pooped himself. I didn’t have a mess in my trousers, but I had a tear in my eye. Seems I crossed that threshold where the movie stopped being “worth” the free cable viewing, and slid right into “Good lord, people paid money for this crap?” zone.

I could spend the remainder of this column dissecting how putrid the FF movie ended up being. But it’s old-hat, right? So, why not make this a turn for the positive. I’d like to outline four things Marvel can do to reboot the familial franchise into something… dare I say… more fantastic.

1. Explore the emotional origins as well as the basic plot points. We all know the bullet points by now, don’t we? On an outer space adventure… they got hit by cosmic rays. And that moment changed forever… in the most fantastic ways. No need to fear, their here… just call the four! Sorry, it was a damn catchy theme song. Suffice to say, the rocket ride with Kirby dots isn’t ALL that the origin of the FF is. You have romance between Sue and Reed. You have Ben, the stalwart pilot. Johnny, the joker, and comic relief. While these points were hit on in the last iteration, we miss the history. Use flashbacks (ala Batman Begins) to enhance our emotional ties to the characters. It’s not a race to the whiz-bang-special effects, when you have solid characterization. And each of the Four present a solid opportunity for fun beats.

2. Ditch the “We’re learning to use our powers until it matters at the end” montage. Face it. What killed Green Lantern (OK, one of the things that killed it…) was the age-old power development plot line. A solid 45 minutes of the last FF movie spent time building the revolvers it would later shoot at the movie’s climax. It’s just not needed. When you cross over into the sci-fi, plausibility takes a backseat to adventure. If we took time to dissect the fact that Luke Skywalker was able to get a shot into a teeny hole on a battle station that decimated nearly all of his backup (who were all far more experienced fighter pilots)… we’d go mad. Once you accept that “Comic Rays” can turn one man into a walking pilot light, and another into silly putty, you don’t need to spend an hour back-peddling to make us “believe” they’ll know what to do when it’s clobbering time.

3. The big villain? Mole Man. Follow me down the rabbit hole if you will. Batman Begins took a venerable B-Lister in Ra’s Al Ghul as its first antagonist. It was a smart choice. As Nolan said in countless interviews, the villain suits the arc the hero takes across the movie. In Spider-Man 2 (easily the best of Raimi’s Marvel contributions), we got a brilliant update on a pretty mort-worthy villain. And because Peter was learning to have balance in his life during the course of the movie, Doc Oc was a perfect foil. The Fantastic Four have a pretty decent rogues gallery. It’s easy to want to jump immediately to Doom or Galactus. But the first in a franchise needn’t aim so high. In both cases, those villains would outshine the stars of the film. First and foremost, it’s the FF that people should be ooohing and aaahing over. With Mole Man you have an obvious foe who will test the Four and their ability to become this odd family unit of world-savers. The villain fits the arc, as it were. Plus, it gives us a chance to recreate that iconic first issue cover on the big screen. And you know that’d be the bee’s knees.

4. Casting. Most every comic book film lands an amazing cast… even if they don’t get utilized properly. I didn’t hate anyone in the last FF iteration per say, but let’s be honest – Ioan Gruffudd looked OK but lacked the cockiness-by-way-of-supreme-intelligence. Jessica Alba was there for eye-candy only. Chris Evans stole the show, Michael Chiklis looked the part, but had no Yancy Street swagger. Ole’ Blue Eyes needs have a definitive balance between boisterous banter and tragic pathos. Some of this could easily be the scripting, but let’s say I was a casting agent? I’d cast accordingly: Jon Hamm as Mr. Fantastic. Uma Thurman as Sue Storm. Breaking Bad’s Aaron Paul as Johnny Storm. And Brendan Fraser as Ben Grimm. Hamm can pull off “the smartest man in the room, with ease. Thurman is equally weighted when on screen (and can pull off shorter hair, and heroic). Paul can sling insults, and certainly could look the part… And Fraser, who I know most would say is a stretch, is built big, can pull off a New York accent, and has more potential than most nerds give him credit for. And as my Mole Man? Paul Giamatti. He’s damn good in everything.

So there you have it. I know a new FF movie is already in the works… here’s hoping someone over at Marvel is trolling my articles, and a few of my hopes and dreams gets swept into the pre-production fracas. What do you think? Voice your opinion below, true believers!

SUNDAY: John Ostrander

DENNIS O’NEIL: Patron Superheroes?

Got a concept for you. Ready?

Patron superheroes.

You’re lovin’ it already, aren’t you?

For those of you who have never been Catholic, here’s a quick definition of patron saint, via the invaluable Wikipedia: “A patron saint is a saint who is regarded as the intercessor and advocate in heaven of a nation, place, craft, activity, class, clan, family, or person…(They) are believed to be able to intercede for the needs of heir special charges.”

I mean, when you think about it superheroes and patron saints have a lot in common. Both are dedicated to helping the good guys (though the definition of “good guys” is liable to change) and both have powers that help the aforementioned good guys. You’re Lois Lane falling from a window, you yell and here comes Superman to prevent you from splatting. You’re a Giants fan, you want your team too win the Super Bowl, you pray to the appropriate saint and – yay Giants.

Okay, maybe your saint didn’t affect the game directly – though who knows? – but he or she obviously had some influence on the final score. I mean, saints obviously have a lot of clout. And these things are, by their very nature, mysterious.

Now, I don’t know if there is actually a patron saint of football, or a patron saint of the Giants, or of the New England Patriots, but if not, these surely are blanks easily filed in. If we can put a man on the moon, we can give he Patriots a patron! And by the way, there is a patron saint of athletes: St. Sebastian. So what if a Giants fan and a Patriots fan both prayed to Sebastian? Gee, another darn mystery…Maybe whoever prayed loudest?

We’re going to ignore “pagan” deities, who had a lot in common with both saints and superheroes because…well, this is a Christian country! (I believe I heard a guy wearing a suit on television say that, so I know it has to be straight.)

And that brings us to patron superheroes, though there really isn’t much to say about them, once you acknowledge the similarities between saints and superdoers. It’s just a matter of dotting the I’s and crossing the t’s, and you can manage that on your own.

But to help you get started, here’s a brief, off-the-top-of-my-head list of heroes and what they might be patron of.

Superman – immigrants.

Plastic Man – politicians.

Spider-Man – entomologists.

Green Arrow – acupuncturists.

The Human Torch – arsonists.

Invisible Scarlett O’Neil – wallflowers. (No relation, in case you’re wondering.)

The Flash – athletic shoe manufacturers

Captain Marvel – electricians.

Captain Marvel Junior – electricians’ assistants.

Hoppy the Marvel Bunny – fertility.

The Shadow – sundials.

And to make it an even dozen –

Blue Beetle – unhappy rock stars.

FRIDAY: Martha Thomases

Watch the “Avengers” Super Bowl Commercial Teaser

Watch the “Avengers” Super Bowl Commercial Teaser

Here’s a 10-second peek at the Game Day spot for Marvel’s “The Avengers”. You can watch the commercial during Super Bowl XLVI this Sunday as a break from watching the Patriots get pounded on. (Ahem.)

[youtube]http://www.youtube.com/watch?v=fZsu3sbWnAU[/youtube]

‘Chuck’ gets 3-D, Super Bowl Boost

‘Chuck’ gets 3-D, Super Bowl Boost

We love NBC’s Chuck. It’s a fresh take on spies and nerds that is appealingly cast and produced. The show has a great ensemble headed by Zachary Levi, Yvonne Strahovski, and Adam Baldwin.  That it continues to perform well in a television season that most call tepid is a good thing.

NBC agrees and continues to support the series.  Most recently it has announced an episode would be shot in 3-D but now creator Josh Schwartz tells Comic Book Resources the show will also receive a push via the Super Bowl, Sunday February 1.

 “It was NBC,” Schwartz, said, crediting the network. “They were doing this big promotion inside of the Super Bowl and handing out 150 million 3-D glasses, so we are the beneficiaries of that. Initially their plan was to have a bunch of shows do it, but it was logistically complicated, so Chuck seemed like the best fit for that type of thing.

“We are shooting the 3-D episode with Dominic Monahan and he’s loving it and loving his leather pants. Zach is the biggest Lost fan, so they talk Lord of the Rings and Lost and it’s huge for him.”

Among the promised three-dimensional images will be Nerd Herder “Jeff eating a urinal cake in 3-D.”

Schwartz says the support from the peacock network has been nothing short of incredible. “NBC has been an incredible partner for the show. I don’t want to sound like a corporate suck-up, but it’s true. They have believed in the show from the get-go. They supported the show by putting us on Mondays at 8:00 p.m. so we would have the Heroes connection and a better shot. They picked us up for the second season knowing the Strike was coming but still believing in us. Obviously, picking up the show for 22 episodes before it even airs is an incredible show of faith. They’ve also given us this 3-D episode that is going to air the night after the Super Bowl, so they’ve been as supportive as I could hope.

“We’ve been recovering from this post-Strike hangover,” Schwartz admitted. “We were doing pretty well before the Strike: every week was building and the numbers were pretty good. It was very encouraging, and then we went off the air for eight months and are in an incredibly competitive timeslot. Forget Gossip Girl or Dancing With the Stars, you’ve still got the CBS comedies and Monday Night Football, which is huge, and also Terminator: The Sarah Connor Chronicles. (Fox moves Sarah Connor to Fridays in mid-February.)
 

JOHN OSTRANDER: Fighting Words

JOHN OSTRANDER: Fighting Words

Well, crap.

Just when I think there’s nothing more coming from the Mess in Iraq that can appall me, they find a new spoonful of shit to shove down my throat. Here. Go read this link from MSNBC.

Blood boiling yet? Quick summary for those of you who didn’t click the link: those people, the whistleblowers, who have spoken up about the corruption and the fraud, the outright diversion and theft of funds going into Iraq – our tax dollars! – are being vilified, harassed, fired, detained, tortured and, in general, getting their lives ruined. And our government – surprise! – is a big part of it.

There’s a purpose to all this: discourage anyone else who might think about speaking out. What makes the folks perpetrating this travesty think they can get away with it? The fact that they are getting away with it! Small companies to large and by large, I do mean Halliburton and its subsidiary KBR which got the lion’s share of money going to Iraq to “rebuild” it.

You remember Halliburton – the corporation Dick Cheney headed before going into public service as President – whoops, Vice-President. It’s no longer an American company; it’s now a United Arab Emirates company. I thought you weren’t supposed to be working for the government if you’re also going to be a company’s lobbyist but either I’m misinformed or Cheney is uninformed on this point. The amount of no competition contracts Halliburton or its KBR subsidiary received for the rebuilding on Iraq is staggering as was the price gouging and corruption. Here follows the testimony of one whistleblower:

“Julie McBride testified last year that as a ‘morale, welfare and recreation coordinator’ at Camp Fallujah, she saw KBR exaggerate costs by double- and triple-counting the number of soldiers who used recreational facilities.

“She also said the company took supplies destined for a Super Bowl party for U.S. troops and instead used them to stage a celebration for themselves.” — Iraq corruption whistleblowers face penalties,” Associated Press Aug 25, 2007

That last bit was just crooked, petty, and arrogant. Done because they could. Why could they? Because one political party controlled both the White House and both houses of Congress. I don’t care if it’s Republican or Democrat – to me, that’s just looking for trouble. And this Administration has worked hand in glove with certain Big Business to the point we’ve become a government Of the Corporation, By the Corporation, and For the Corporation.

What has happened to Ms. McBride? Let her tell it. “After I voiced my concerns about what I believed to be accounting fraud, Halliburton placed me under guard and kept me in seclusion,” she told the committee. “My property was searched, and I was specifically told that I was not allowed to speak to any member of the U.S. military. I remained under guard until I was flown out of the country [Iraq].”

(more…)

ComicMix gets YOU to the Super Bowl?

ComicMix gets YOU to the Super Bowl?

Middle of the week blues got you down?  Our perky li’l Big ComicMix Broadcast will fix that as we roll out our summer reading series with a look at a great comic series you probably missed, plus news on the Hundred Dollar Quarter and how to get Super Bowl and World Series tickets already! We pack up for the huge New York City Book Expo and we take a trip back to Sunday Night TV of three decades ago!

If you just Press The Button, Friday will be here that much quicker!