Tagged: Super Bowl

Mindy Newell: Have A Coke And A Snark

I watched the second episode of Riverdale mainly because there wasn’t anything else on that interested me, and secondly because I wanted to give it another chance. I admit to having a negative disposition towards the show – the premiere, if you recall, elicited an unenthusiastic response from me. So let me start with what I liked…


Nope. Sorry. Aside from the twisting of an American icon into something dark and twisted – hey, did Zack Snyder have anything to do with the production? – small things just kept aggravating me. Like Archie’s hair bothers me. Hey, for 76 years (the first appearance of Archie, Betty, and Veronica was in Pep Comics, cover-dated December 1941) the guy has been a true “carrot-top,” his coloring closer to Damien Lewis (Homeland, Billions), but Mr. Apa’s hair – and I grant you, the kid has some terrific head of hair on him – is a dark chestnut, as if a henna rinse was applied to his brunette locks… and not all of it took.

Am I being silly? Yeah, perhaps. After all, the original Barry Allen, a.k.a., the Flash, has blonde hair and blue eyes, and Grant Gustin, who plays him on TV, has light brown hair and eyes. But Mr. Gustin and his supporting characters are so well written, the show is so engaging, that holding fast and true to their comic book driver license pictures and ID’s becomes secondary to the viewer – at least this viewer.

And although Lili Reinhart and Camilla Mendes do honor the looks of their four-color progenitors (Betty Cooper and Veronica Lodge, respectively), I’m not feeling them. In my mind, I keep substituting Kristen Bell and Charisma Carpenter (as they were back in the day on those other teenagers-in-high-school-hell) for Ms. Reinhart and Ms. Mendes. This is not to impugn the talent of either of the later two; there just hasn’t been any there yet to separate them from any other starlet.

As for Case Cott’s Kevin Keller – can he do anything else besides drool over some other male character? Sheesh, how one-dimensional can you get? Okay, we get it, he’s gay. Jesus, enough already with the tokenism. (Tell us how you really feel, Mindy.)

The only character I find intriguing at all is Forsyth Pendleton Jones, a.k.a. Jughead, which is ironic, because he has always been the least interesting character to me in the comics. Played by Cole Sprouse, Jughead is the guy just standing off from the center of activity, the one who marches to the beat of a different drum, the neo-beatnik, the observer. He’s the type girls’ parents really warn them about (as opposed to Betty’s mother cautioning her about Archie). Im-not-so-ho, if the show is to succeed, it needs to hitch its wagon to Jughead Jones.

Right now, the Super Bowl pregame show is on. I am really, really, really rootin’ for the Atlanta Falcons, if only to wipe that smug smile off of Tom Brady. I know the guy is one of the best quarterbacks to ever play the game, but there’s always been something about him that irks me, and always has. And it doesn’t have anything to do with Deflate-gate, or even Brady’s support of Il Trumpci. (Yeah, “Make America Great Again,” you poor, poor multi-millionaire.) So, Go, Falcons!!!

Great commercial on right now with “Oh, My!” George Takei. (I think it was for Pizza Hut.) The other commercial I want to see is the Stranger Things Season 2 teaser trailer.

There’s another premiere following tonight’s game. I read the New York Times review, and here’s piece of it, by Neil Genzlinger:

“Until the Trump presidency became a reality, the main order of business in any review of  24: Legacy would have been to assess whether the franchise is still viable without Jack Bauer, Kiefer Sutherland’s memorable counterterrorism operative, as its lead character. Now, though, and especially given the events of the past week, it’s the show’s chosen villains, not its hero, who demand attention.

“That’s because a good number of them speak in foreign accents, and some embody President Trump’s bogyman of the moment, the radical Muslim terrorist.

The premiere was filmed back when it seemed unlikely that Mr. Trump would be elected – it was screened in New York on November 7 – but the opening moments play as if they were scripted to support the immigration restrictions he imposed last week. The series grows considerably more layered as it goes along, with the panoply of villains encompassing a variety of demographics, yet the choice of a bin Laden surrogate as the starting point is sure to reignite the debate over the demonization of Muslims that “24” has encountered before.”

And Coca-Cola just had a beautiful commercial – men, women, and children of different ethnicities, religions, and colors singing America the Beautiful.

If that bastard in the White House and his band of malevolent goons are watching –

Have a Coke on me.

The Point Radio: John McGinley – No Doctor Cox No More

You loved John McGinley in SCRUBS and now he’s part of the TBS comedy, GROUND FLOOR. John talks about his fairytale start in movies and why his GROUND FLOOR character couldn’t be more different that Doctor Cox on SCRUBS. Then, THE BLACKLIST is back for the second part of their sophomore season, and it kicks off with a choice time slot right after NBC’s broadcast of The Super Bowl. Star Megan Boone and EPs Jon Bokenkamp and John Eisendrath tell us why this is a great place to jump into the series.

On Friday, we celebrate the return of KING OF THE NERDS on TBS. They’ve really upped the game this year, and we’ll tell you what’s coming up.  Be sure to follow us on Twitter @ThePointRadio.

Mindy Newell: For The Love Of The Game

Newell Art 140103As I write this, the Super Bowl XLVIII kick-off is still 36 minutes away.

I’ve been thinking a lot about football the last couple of weeks. It’s a showdown between the best offensive team, the AFC Denver Broncos, led by Peyton Manning, who has had what may be the greatest quarterback season ever while breaking numerous statistical records, and the NFC Seattle Seahawks, whose cornerback Russell Wilson is the *ahem* cornerstone of the best defensive team of the 2013 season.

It’s also the first Super Bowl in which the physical dangers and complications of the sport on its players have been as discussed and picked over as much as any debate about the game and who is going to win.

This season also saw the NFL going over the top in its security efforts, this year dictating what size pocketbook a woman may carry into an arena – and also offering “official NFL team logo clear plastic tote bags at all club merchandise outlets for only $9.95.” In other words… a baggie! Also in 2013: the wide-spread discovery (I didn’t know, did you?) that the NFL is considered a non-profit organization by the IRS (!!) and efforts to end this status, including numerous on-line petitions and the Properly Reducing Overexemptions for Sports Act – or PRO Sports Act – bill by Senator Tom Coburn (OK, R) and Senator Angus King (MA, I)

I love football.

I love football because of its personal memories for me. My dad taking me to Yankee Stadium for the first time to see the Giants play the Colts because my mom had to stay home to take care of my sick brother and him explaining the intricacies of the game and coming home to discover that I was even sicker than Glenn, with a 103° temperature. My father pointing out Richard Nixon (pre-Presidency) sitting only a few rows behind us. The family driving down to Princeton to watch the annual Jaycee pre-season game between the Giants and the Eagles. Being jealous of Glenn because he shook Hubert Humphrey’s hand as the Vice-President walked into Yankees stadium to watch the Giants take on the Redskins. Driving up to Yale for the games while Giants Stadium was being built. Tailgating with my brother on a frozen day to rival this year’s winter, when we were almost alone in the stadium’s parking lot, which was an icy, snow-swept tundra with gale-force winds, and determinedly grilling steaks and hot dogs anyway. Taking Alixandra to her first Giants game and having to stand in the tunnel because she was afraid of the rain. Being at the 1986 Giants-Niners NFC championship game with Glenn, watching Mark Bavaro continuing to step forward with five or six Niners on his back. Harry Carson running for his first defensive touchdown and Lawrence Taylor covering him, and after the game, listening to the post-game report, Taylor replying, when asked by Giants sportscaster Bob Papa what Taylor said to Carson as the two ran downfield, “Harry, you sure do run slow for a black man.” (Please, no letters.) The Giants winning their first Super Bowl against the Broncos under Bill Parcells.

So many memories. I could go on and on and have enough for another month of columns.

I love football for the game itself. The beauty of the running backs sprinting downfield, evading the secondary. The splendor of catches made in three or even four man coverage. The excitement of 4th and goals. And yes, for the sheer physicality of it.

And, yes, I love football for the sheer physicality of it.

When I heard that Junior Seau had committed suicide, I was shocked, as was every sports fan. Listening to the news, I flashed back to the first issue of NFL Pro Action, which I had edited for Marvel. That issue included an article, entitled “Pumped!” featured the San Diego linebacker demonstrating some of his upper body workouts. The last paragraph read:

“Lifting weights helps your confidence – knowing that you went to the weight room, sacrificed your time, and concentrated on your strength. When you’ve done this, you have an edge. When I hit the field, I feel confident that if there is a big guy coming after me, I’ll be equipped to take him on. It’s a mental edge, but it helps me gain leverage. If you don’t have that confidence on the field you should be there.”

He started the Junior Seau Foundation in 1992. Its mission is “to educate and empower young people through the support of child abuse prevention, drug and alcohol awareness, recreational opportunities, anti-juvenile delinquency efforts and complimentary educational programs.”

Seau played 13 seasons for the Chargers, later playing for the Miami Dolphins and the New England Patriots. He retired in 2009. He was All-Pro ten times, played 12 times in the Pro Bowl, and made the NFL 1990’s All-Decade Team, and the Chargers inducted Seau into their own Hall of Fame.

And on September 16th, 2012, three months after his death, the Chargers retired Number 55, Junior Seau’s number, in an opening game ceremony.

The words I quoted above were spoken by a man who loved his profession, loved the game, loved being able to play, and loved being able to give back. And later, when it was announced that the cause of Seau’s death was really the chronic traumatic encephalitis (CTE) brought on by his years of playing football, I wondered if, given the choice, if Seau had known the danger and what lay before him, if he would have chosen to play the game for the love of it anyway.

Not the money.

Not the fame.

For the love of the game.

I wonder if it’s worth it.

The two-minute warning for the first half has just gone off. Seattle leads by 22 to Denver’s big, fat donut hole.

And I wonder if all players down on that field and watching in the stadium or at home or at a local sports bar, are wondering, will wonder, if it’s been worth it.

Worth it for the love of the game.





Need for Speed One-Sheet Unveiled

NFS_1-Sht_v5_LgGenre:                          Action

Rating:                          TBD

U.S. Release date:        March 14, 2014

Running time:                TBD

Cast:                            Aaron Paul, Dominic Cooper, Imogen Poots, Ramon Rodriguez, Rami Malek, Scott Mescudi, Dakota Johnson, Harrison Gilbertson and Michael Keaton

Director:                       Scott Waugh

Producers:                    Patrick O’Brien, John Gatins, Mark Sourian

Executive Producers:    Stuart Besser, Scott Waugh, Max Leitman, Frank Gibeau, Patrick Soderlund,

Tim Moore

Screenplay by:              George Gatins

Story by:                      George Gatins & John Gatins

Based on the video game series created by: Electronic Arts

DreamWorks Pictures’ Need for Speed marks an exciting return to the great car culture films of the 1960s and ’70s, when the authenticity of the world brought a new level of intensity to the action on-screen. Tapping into what makes the American myth of the open road so appealing, the story chronicles a near-impossible cross-country journey for our heroes — one that begins as a mission for revenge, but proves to be one of redemption. Based on the most successful racing video game franchise ever with over 140 million copies sold, “Need for Speed” captures the freedom and excitement of the game in a real-world setting, while bringing to life the passion for the road that has made our love of cars so timeless.

The film centers around Tobey Marshall (Aaron Paul), a blue-collar mechanic who races muscle cars on the side in an unsanctioned street-racing circuit. Struggling to keep his family-owned garage afloat, he reluctantly partners with the wealthy and arrogant ex-NASCAR driver Dino Brewster (Dominic Cooper). But just as a major sale to car broker Julia Maddon (Imogen Poots) looks like it will save Tobey’s shop, a disastrous race allows Dino to frame Tobey for a crime he didn’t commit, and sending Tobey to prison while Dino expands his business out West.

Two years later, Tobey is released and set on revenge — but he knows his only chance to take down his rival Dino is to defeat him in the high-stakes race known as De Leon — the Super Bowl of underground racing. However to get there in time, Tobey will have to run a high-octane, action-packed gauntlet that includes dodging pursuing cops coast-to-coast as well as contending with a dangerous bounty Dino has put out on his car. With the help of his loyal crew and the surprisingly resourceful Julia, Tobey defies odds at every turn and proves that even in the flashy world of exotic supercars, the underdog can still finish first.

In an exciting return to the great car culture films of the 1960s and ’70s that tap into what makes the American myth of the open road so enticing, “Need for Speed” chronicles a near-impossible cross-country race against time — one that begins as a mission for revenge, but proves to be one of redemption

Catch the 2nd Iron Man 3 TV Spot

Catch the 2nd Iron Man 3 TV Spot

In case you fast-forward through the commercials, here’s the first television spot since the Super Bowl teaser for May’s Iron Man 3.


For those still unfamiliar with the first installment in Phase two of the Marvel Cinema Universe, here’s the official statement from Walt Disney:

Marvel’s Iron Man 3 pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?

Starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley, Marvel’s Iron Man 3 is directed by Shane Black from a screenplay by Drew Pearce & Shane Black and is based on Marvel’s iconic Super Hero Iron Man, who first appeared on the pages of Tales of Suspense #39 in 1963 and had his solo comic book debut with The Invincible Iron Man #1 in May of 1968.

Martha Thomases Sees Super Bowl Spots

Thomases Art 130208This is going to be old news by the time you’re reading this, but as a card-carrying DFH I am still obsessing over the gender and racial politics of the Super Bowl. And also the nerd politics.

First, a disclaimer: I’ve never been able to figure out football. Even when my son played it in high school, I couldn’t understand the rules. I know there are two teams fighting over a ball. I know there “downs,” and they matter. I know it isn’t soccer, which I do understand. So I’m only watching for the commercials, and because every other television station has surrendered and is running reruns.

(And even then, I switched to the Law & Order marathon on TNT occasionally, especially during the black-out.)

The commercials were depressing.

And they were depressing for a lot of reasons. For one, they weren’t very good. I get that, for the most part, they aren’t aimed at me, an older woman who isn’t into beer and lives in a city where she doesn’t have to own a car.

(I should say, however, that if anyone could manipulate me into buying a car, it’s Jon Hamm and Willem Dafoe.)

So, yeah, there were commercials that tugged our heartstrings, with tear-jerking odes to soldiers and farmers and horses.

There were celebrities making unexpected appearances, like Oprah and Seth Rogan and Kelly Cuoco and Tracy Morgan and Paul Rudd. And, most surprising, dead Paul Harvey.

There were ads for summer movies, which are fun to see when it’s cold out.

There was the gross Go Daddy ad, which I believe is deliberately bad so we’ll talk about it, and therefore I’m going to stop now.

On average, the ads celebrate bros. The people in the ads are men who drink beer and eat chips and drive around. If there are women, they are either unobtainable sex objects (who are obtainable if you use Axe body spray or drink Budweiser) or affectionate scolds. It is as if to be a woman is to be the responsible adult, and that is to be avoided at all costs. A real man has no impulse control, and if he’s successful, women will take care of him.

If this is what men want, that’s really sad. I would be more inclined to believe that it’s what the advertisers want men to want, and so they try to sell this attitude along with their product. Or maybe the lowest common denominator is lower than I thought.

As a palate cleanser, you might enjoy this. I can’t say the men in the ad are particularly my type (big pecs don’t do it for me), but the ad is funny, to the point, and assumes a certain amount of intelligence in the target audience.

The other thing I learned from the Super Bowl this year is that, even though my initial reaction was that making this movie was a stupid idea, I desperately need to see The Lone Ranger.

SATURDAY: Marc Alan Fishman and the Comic Book Industry of the Future!



Mindy Newell: Pro Action

Newell Art 130204No, this is not a column about that. Get your minds out of the gutter, people!

I was working in the Special Projects department at Marvel Comics as an assistant editor when my boss, Executive Editor Bob Budiansky, called me into his office.

“I have something for you that will be absolutely perfect,” he said, “because you’re the only one in the department who will really appreciate it. I talked about it with Tom (DeFalco) and he agrees with me.”

“Okay,” I said, a bit apprehensive and yes, curious.

“The NFL approached us about doing a magazine aimed at kids who love football.”

“Okay,” I said, getting excited.

“It’s going to be like Sports Illustrated For Kids, only concentrating on football, of course.”

“Okay,” I said, trying stay dignified and professional.

“Each issue will also feature a full comic, plus news, articles and tidbits about Marvel.” “Okay,” I said, really trying to stay dignified.

“You’re going to be the editor.”

“O-KAY!!!!” I said, totally forgetting about dignity and professionalism and giving Bob a hug.

NFL Pro Action had its debut at Super Bowl XXVIII, January 30, 1993, where the Dallas Cowboys met the Buffalo Bills in Atlanta’s Georgia Dome for the right to claim the Vince Lombardi Trophy (Dallas won, 30 – 13). More than 71,000 fans found a copy of the magazine waiting for them in their gift seat cushions packs. Wolverine and Cyclops also distributed copies of NFL Pro Action at the inaugural NFL Experience, a celebration of football that has now become an annual four-day event, starting on the Thursday before the game and ending after the game on Super Bowl Sunday.

It was a true labor of love for me, for, as regular readers of this column know, I am a die-hard Big Blue fan and lover of football, having grown up in a family in which every Sunday during the season revolved around going to the game. My Dad got tickets to the Giants from a buddy of his who worked at the now-defunct Jersey City Herald-Tribune newspaper when he returned stateside from World War II.

The magazine had a broad mix of pop culture, trends, NFL and Marvel-related topics, including a comic. The kick-off issue of NFL Pro Action featured Troy Aikman about to get sacked by Wolverine, who was tearing through the cover. (Yeah, Wolvie hates the ‘Boys, like any good Giants fan.)  In addition to an Aikman profile and trading card inserts of NFL superstars and Marvel’s super heroes, the magazine also included a look at the “little people” (5’9” and under) of the NFL, including the great Cowboy running back Emmit Smith at 5’9” and Barry Saunders of the Detroit Lions at 5’8”, an article about the Punt, Pass & Kick program which had been recently revived and spotlighted NFL players who had participated in PP&K as kids, an opening day photo shoot of Niners rookie Ted Kelly and – especially poignant yesterday – strength tips from the late, great, 10-time All-Pro, 12-time Pro-Bowler and member of the NFL 1990s All-Decade Team Junior Seau – yes, I met him, too, and he was also a wonderful, wonderful man.

Each issue of NFL Pro Action also included a 16-page custom comic and the premier issue starred the X-Men and Howie Long – who held up a copy of NFL Pro Action on FOX NFL Sunday, got a ribbing from Terry Bradshaw, and said that his kids were more impressed with his appearing with the X-Men than anything else he had done. The story, by Ralph Macchio, Chris Maarinin, and Keith Williams, with lettering by Dave Sharpe and colors by Ed Lazzerlli, featured Wolverine getting his ass whooped by Long in the Danger Room – the X-Men’s holographic “gym” – and then, humbled yet inspired by this encounter with the NFL star, Wolverine used what he learned from Long against the evil mutants called Morlocks, who live beneath New York City in forgotten subway tunnels.

It also featured Rogue’s Tailgating Tips. Turns out Rogue “favors baby back ribs smothered in barbecue sauce fresh from San Antonio, dim sum, shrimp dumplings, and sticky sesame rolls from Hong Kong, foot-long hot dogs smothered in ‘craut, peppers, onions, ketchup and mustard from Coney Island, and Cajun crawfish, crab legs, and roast pork from the best restaurants in N’Orleans.” Of course, it helps if you can fly to all these places on the morning of the game.

It was a fun gig, and, yeah, there were perks besides going to Super Bowl XXVIII to make any football fan drool. Going to an absolutely scrumptious 12-course dinner with the guys from NFL Properties on the Friday night before the game at a five-star Atlanta restaurant where waiters in white gloves and tuxedos stood behind you and gave you fresh silverware – and I mean sterling silver – for each new plate, and poured a fresh bottle of wine especially picked to match the new cuisine on each new plate, which included a fine champagne to go with the sherbet offered between the lobster and the filet mignon to “wash my palate” – yeah, I got drunk, and it was fun – while sitting next to and yakking with Peter King from Sports Illustrated, meeting Troy Aikman and Steve Young and Emmit Smith (again) and Sam Huff and Junior Seau (as mentioned) and Alex Karras and Dan Reeves and John Elway…

And then there were the not-so-much-fun things that happened, like missing the bus back to the hotel after the Super Bowl and getting lost in Atlanta on a Sunday night after the game…yes, and getting back to the hotel was an adventure, let me tell you. I wandered into a hotel, where a snooty hotel clerk wouldn’t let me use the phone to call a cab, for one thing. I got back to the hotel about two hours after the game, finally having hailed a cab out in front of the hotel – and a big thank you to those folks from California who let me share that cab with them.

And the big wing-ding, ultra-faaaaabulous Saturday night Super Bowl party, at which I met a member of the Atlanta’s city council, and had an interesting conversation, which went like this:

“So, how y’all like HOTlanta?”

“It’s a beautiful city.”

“Y’know, y’all think we’re a bunch of rednecks, down hyah, but let me tell, sugah, we’all treat our niggers down hyah a hell of a lot bettah than y’all do up there in Hymietown.”

“Thank you, I’ll be sure to tell my rabbi that.”

And the guy who thought I was a hooker, and followed me back to my room expecting to get action.

PRO action.


That kind of action.




Watch the Snitch Super Bowl Ad Now

Snitch_c19_tsr1ht_fin4Brev2Summit Entertainment is getting in on the Super Bowl fun with an ad for their film, Snitch, opening in a few weeks.

The studio describes the film, starring the odd combination of the Rock and Susan Sarandon, this way: In this fast-paced action thriller inspired by true events, Dwayne Johnson stars as a father whose teenage son is wrongly accused of a drug distribution crime and is looking at a mandatory minimum prison sentence of 10 years.  Desperate and determined to rescue his son at all costs, he makes a deal with the U.S. attorney to work as an undercover informant and infiltrate a drug cartel on a dangerous mission — risking everything, including his family and his own life.

For those of you not inclined to watch, we have the spot below.

Studio: Summit Entertainment

Genre: Action/Thriller

Rating: PG-13

Release date: February 22, 2013

Director: Ric Roman Waugh

Writers: Justin Haythe and Ric Roman Waugh

Cast: Dwayne Johnson, Susan Sarandon, Benjamin Bratt and Barry Pepper


Iron Man 3 Spot to Air During Super Bowl

IRON3_BusShelter_Falling_v7Phase 2 of Marvel’s Cinematic Universe kicks off in May with Iron Man 3, to be followed in November with the second Thor film. There will be a new commercial for the feature to be aired during the Super Bowl. Here is Disney’s teaser for those who can’t wait. The studio is betting heavily on the audience for the Ravens-49ers contest (we’re rooting for the Ravens) with spots of Oz the Great and Powerful, The Lone Ranger, and Iron Man 3.

IRON MAN 3  (in Digital 3D and RealD)


Website and Mobile site: IronManMovie3.com

Like us on Facebook: Facebook.com/ironman

Follow us on Twitter: Twitter.com/Iron_Man

Genre:                          Action-adventure


U.S. Release date:        May 3, 2013

Running time:

Cast:                            Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley

Director:                       Shane Black

Producer:                      Kevin Feige

Executive Producers:    Jon Favreau, Louis D’Esposito, Charles Newirth, Victoria Alonso, Stephen Broussard, Alan Fine, Stan Lee, Dan Mintz

Screenplay by:              Drew Pearce & Shane Black


Marvel’s “Iron Man 3” pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?

Starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley, Marvel’s “Iron Man 3” is directed by Shane Black from a screenplay by Drew Pearce & Shane Black and is based on Marvel’s iconic Super Hero Iron Man, who first appeared on the pages of “Tales of Suspense” (#39) in 1963 and had his solo comic book debut with “The Invincible Iron Man” (#1) in May of 1968. 

In Marvel’s “Iron Man 3,” Tony Stark/Iron Man finds his world reduced to rubble by a malevolent enemy and must use his ingenuity and instincts to protect those closest to him as he seeks to destroy the enemy and his cohorts.

Disney Teases Two Films

EVANORA_DARK_GENERICWalt Disney announced today that the hotly rumored 1952 project is officially titled Tomorrowland. Written by Damon Lindelof and Brad Bird from a concept by Lindelof and Jeff Jensen. Lindelof (Star Trek, LostPrometheus) will produce and Bird (The IncrediblesMission: Impossible – Ghost Protocol) will produce and direct. Jensen, a longtime contirbutor to Entertainment Weekly and one-time Teen Titans writer, is making the jump to the big leagues with this one. George Clooney is signed to star in the film which is scheduled for released December 19, 2014.

Coming out far sooner is Sam Raimi’s Oz the Great and Powerful. The studio released this teaser for the Super Bowl ad set to air on Sunday. Apparently, once the spot airs, the Disney website will be taken over by one of the witches. Willit be a good witch or a bad witch remains to be seen.

DARK_GLINDA_GENERICDisney’s fantastical adventure “Oz The Great and Powerful,” directed by Sam Raimi, imagines the origins of L. Frank Baum’s beloved wizard character. When Oscar Diggs (James Franco), a small-time circus magician with dubious ethics, is hurled away from dusty Kansas to the vibrant Land of Oz, he thinks he’s hit the jackpot—fame and fortune are his for the taking—that is until he meets three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz) and Glinda (Michelle Williams), who are not convinced he is the great wizard everyone’s been expecting. Reluctantly drawn into the epic problems facing the Land of Oz and its inhabitants, Oscar must find out who is good and who is evil before it is too late. Putting his magical arts to use through illusion, ingenuity—and even a bit of wizardry—Oscar transforms himself not only into the great wizard but into a better man as well.

Oz The Great and Powerful is produced by Joe Roth, with screen story by Mitchell Kapner and screenplay by Mitchell Kapner and David Lindsay-Abaire. Grant Curtis, Palak Patel, Josh Donen and Philip Steuer are serving as executive producers. Oz The Great and Powerful opens in U.S. theaters on March 8, 2013.