Tagged: strip

Mike Gold: Phantom Survivor

While we’re all busy celebrating the 49th anniversary of Doctor Who and the 50th anniversary of both Spider-Man and the James Bond movies, the daddy of heroic fantasy characters quietly turned 76 way back in February. Or, depending upon how you look at it, he turned 476.

The Phantom was the very first masked, costumed hero in comics, debuting in the pages of the many Hearst papers February 17, 1936. He wore a dark outfit – when the feature added a Sunday page, an unthinking engraver made the costume purple for some unknown reason and the color stuck. He fought piracy and other crimes and handed down his clothes, his weapons, his Skull Cave, his fortune and, most important, his legacy to his son. The current guy – most have been named Kit Walker – is the 21st. This cool concept predated Doctor Who by a generation.

One would think the locals were pretty stupid to believe this dude has been the same guy all these many years. Indeed, given the fact that the base for the Phantom’s stories is in Africa (originally, it was sort of India-ish), one might even think this concept was kind of racist. Creator Lee Falk’s liberal street-cred was impeccable and he built the myth on local folk-lore and the unimpeachable fact that criminals are a superstitious, cowardly lot.

As time progressed we saw African civilization modernize as we continued to see its treasures and its history plundered by contemporary pirates and opportunist Europeans. Nonetheless, about 30 years ago I was having a conversation with the features editor of the Chicago Tribune who expressed astonishment that The Phantom polled highest among its black male readership. I told him he wasn’t reading the strip very closely.

What’s remarkable – astonishing, really – is the fact that The Phantom remains in the newspapers to this very day. This is a feat unmatched by Terry and The Pirates, Little Orphan Annie, Li’l Abner, Buck Rogers, Flash Gordon, and just about every other continuity newspaper comic strip except Dick Tracy and Mandrake The Magician.

I should point out that Mandrake the Magician was created by Lee Falk as well… two years before The Phantom.

The original artist was Ray Moore; subsequent talent on the strip and on the comic books reads like a Who’s Who of comics: Carmine Infantino, Bill Lignante, Sy Barry, Joe Orlando, Luke McDonnell, Dave Gibbons, Dick Giordano, Don Newton, Jim Aparo, Alex Saviuk, Graham Nolan, Alex Ross, Paul Ryan, Eduardo Barreto, and Terry Beatty… to name but a few. Writers include Peter David, Mark Verheiden, Scott Beatty, Tom DeFalco, and Tony Bedard. Tony DePaul has been writing the strip for the past twelve years; he’s also written many of the comic book adventures as well. Nearly every major American comic book publisher had a turn in creating new adventures, and it remains a top-seller in Australia, Sweden, India and many other nations.

Currently, the dailies are being drawn by Paul Ryan and Terry Beatty – perhaps best known for his work on Ms. Tree – is the Sunday artist. Terry had the awesome responsibility of stepping into Eduardo Barreto’s shoes after Ed’s sudden death last year. He’s doing quite an admirable job.

I continue to be amazed by The Phantom’s enduring appeal. If your local paper isn’t carrying the feature (assuming you still have a local paper) you can read it at King Features’ excellent Daily Ink site, where they carry all of the current KFS strips, including Mandrake, as well as reprints of many of their classics, including The Phantom, Mandrake, Flash Gordon, Buz Sawyer, and about a zillion others. It costs $19.99 a year to subscribe to the whole thing, and I doubt you can spend the same amount on a better mix of comics material.

Every time we read a costumed hero comic of any sort, we owe a debt of gratitude to Lee Falk, an amazingly gifted and singularly interesting man.

THURSDAY: Dennis O’Neil

 

TITAN BOOKS CELEBRATES 100 YEARS OF TARZAN

Titan Books has released Tarzan The Centennial Celebration by author Scott Tracy Griffin. The hardcover edition also features an introduction by TV’s Tarzan, Ron Ely.

Press Release:

Celebrating one hundred years of Tarzan, Titan Books presents the only official commemorative illustrated history of this worldwide phenomenon. To celebrate the Lord of the Jungle’s 100th birthday, internationally-acclaimed Edgar Rice Burroughs expert Scott Tracy Griffin presents the ultimate review of a century of Tarzan. Lavishly illustrated and with fascinating insight into every element of Burroughs’ extraordinary legacy – from his first writings to the latest stage musical – this is a visual treasure trove of classic comic strip, cover art, movie stills, and rare ephemera.

From the first publication of the smash hit Tarzan of the Apes, Burroughs’ ape man captured the hearts and the imaginations of adults and children across the globe, whether by written word, moving image, comic strip or radio. Each of the 24 original novels and the many varied appearances on stage, screen and in print receive a detailed commentary, illustrated with some of the most evocative and beautiful artworks, illustrations and photographs, many rarely seen in print before.

With features on Korak, Jane, Tantor and Cheetah, plus their innumerable friends, foes and exotic adventures, this is an amazing collection of all things Tarzan and a vital addition to any Tarzan-lover’s library.

Scott Tracy Griffin is considered one of the foremost Edgar Rice Burroughs experts in the world, with 30 years of articles appearing in magazines, journals, academia and fanzines, Griffin lives within swinging distance of Tarzana.

Also available at Amazon.

Learn more about Tarzan The Centennial Celebration at the Titan Books Blog.

Click on images for a larger view.

TARZAN GOES ON THE AUCTION BLOCK [UPDATED WITH HI-RES ART]

As part of the upcoming November 29th sale of Pop Culture merchandise at Christie’s Auctions are two pieces of original artwork for the syndicated Tarzan comic strip from the series Tarzan Against Dagga Ramba and Tarzan And The Barbarians by legendary Tarzan artist Burne Hogarth.

PRESS RELEASE:

POP CULTURE
London, South Kensington
Nov 29, 2012
Sale 7401

Art: Burne Hogarth

Lot 27
Tarzan, 1942
Burne Hogarth (1911-1996)
Original art work for the syndicated Tarzan comic strip from the series Tarzan Against Dagga Ramba, watercolour, pen and ink on paper, the story titled Beseiged, published 15 March, 1942, the artwork signed and dated 575 3-15-42, Hogarth, additionally signed and inscribed For Danton Burroughs – warm regards, Burne Hogarth, July, 4, 94, the reverse of the frame also signed and inscribed For Dan Burroughs, A nice turn of story on this page with modern military accents putting TARZAN into a different focus, All best! July 4, 1994, HOGARTH
28½x21¾in. (72.5×55.5cm.)
Estimate 10,000 – 12,000 British pounds
  

Art: Burne Hogarth

Lot 28
Tarzan, 1943
Burne Hogarth (1911-1996)
Original art work for the syndicated Tarzan comic strip from the series Tarzan And The Barbarians, watercolour, pen and ink on paper, the story titled The Foe Aroused, published 10 January, 1943, the artwork signed and dated 618 1-10-43, Hogarth, additionally signed and inscribed For Danton Burroughs – best thoughts, Burne Hogarth, July 1, 94, the reverse of the frame also signed and inscribed Dan, Compositionally, an interesting page – The ‘design flow’ moves in angular verticals and horizontals thrusting through the panel grid. The setting is mostly rocks and stone and makes a wonderful consistency of concatenating forms. Do you like it? all best, Burne Hogarth, July 1-94, HOGARTH
28×21½in. (71×54.5cm.)
Estimate 10,000 – 12,000 British pounds

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NEW TARZAN COMIC STRIP DEBUTS!

All New Tarzan Comic Strips created exclusively for www.edgarriceburroughs.com/comics, the first new Tarzan comic strips in over a decade, are available when you subscribe for only $1.99/month. Login any time to see the Newest Tarzan Comic Strip [with Bonus Material included] and also all previous New Tarzan Strips.

Edgar Rice Burroughs Comic Service is here. By signing up for the new Edgar Rice Burroughs Comic Service, you will be able to view New and Coming Tarzan comics as soon as they leave our artist’s desk!

Read the recent All Pulp interviews with Tarzan 2012 comic strip writer Roy Thomas and artist Tom Grindberg.

FORTIER TAKES ON ‘TARGET LANCER’!

ALL PULP REVIEWS- By Ron Fortier
TARGET LANCER
By Max Allan Collins
Forge Books
305 pages
Available Nov.2012

John F. Kennedy was the first American Catholic to become president back in 1960.  That was a big deal for this reviewer who was Catholic, 13 years old and entering his freshmen year at St. Thomas Aquinas High School, a parochial school in Southern New Hampshire.  Three years later, while sitting in a study hall as a junior, we were interrupted by the announcement over the public address speakers that President Kennedy had been shot while riding in a motorcade through the streets of Dallas, Texas.
As much as that news was a tragedy for the entire country, those of us too young to realize the consequences of such a murder watched the transition of power take affect just as we’d been taught in our civic classes and found comfort in that process.  Five years later, while serving in army in Vietnam, the news of Bobby Kennedy’s assignation during his own campaign for the presidency had a much deeper impact. Here we were in a strange, foreign country supposedly fighting for freedom and democracy while back home the nation’s future was being decided by an insane gunman’s bullet.  The world seemed to have gone completely mad.
The Twentieth Century certainly had its defining moments, many of them acts of violence forever imprinted on our national consciousness.  Naturally the public wanted answers and within week’s of the President’s death a government investigation was launched and came to be known as the Warren Commission.  At its conclusion, it declared that Kennedy had been slain by one lone, crazed gunman named Lee Harvey Oswald.  As all of you are well aware, Oswald was gunned down in front of the Dallas jail within days of his capture and died before ever going to trial.  His killer was the owner of a local strip joint with mob connections named Jack Ruby.
Ruby swore he acted on his own until his death in prison of cancer.  Yet to many people his silencing of Oswald seemed to be a cleverly staged killing orchestrated by Machiavellian forces that wanted the truth kept hidden; the same cabal that was actually responsible for Kennedy’s death.  As years passed, many investigators, both private and public, began to uncover mountains of damning evidence that in the end turned the Warren Commission’s finding upside down and definitively proved them to be one massive cover up foisted on the American people.
When we learned that Max Allan Collins’ newest Nathan Heller historical thriller would involve the Kennedy assassination we were naturally intrigued.  What new light could the talented Collins and his phenomenal research partner, George Hagenauer, shed on one of the most overexposed criminal events in all of history?  Having just finished reading “Target Lancer,” the answer to that question provides the basis for one of the most gripping mystery plots ever put to paper.  As usual, Collins sets a historically accurate background then superimposes his own thoughts and beliefs about its scenario via his fictional hero, Nate Heller; the owner of the A-1 Detective Agency of Chicago.  At the book’s opening, Heller is recruited by the Chicago branch of the Secret Service to help with security measures for the president’s planned visit to the Windy City.  Apparently during the Fall of 1963, Kennedy’s people had begun to organize his re-election campaign via several big city visits to include Tampa, Chicago and then Dallas.  With only one year remaining in his term, it was time to start politicking once more.
Within days of agreeing to help the local authorities, Heller is sent to interview a Chicago detective who he has come in contact with an irrational ex-marine who might pose a genuine threat.  From this slim lead, Heller and his partner, a black Secret Service agent named Eben Boldt, learn of a professional hit squad made of two Americans and two Cuban refugees apparently surveying the proposed route of the president’s motorcade through the city.  As each new element is uncovered, Heller starts mentally assembling a jigsaw puzzle that perfectly defines a clandestine military operation.  By the books end, he has unraveled a murderous conspiracy made up of gangland figures and corrupted government agents to eliminate Lance; the Secret Service code name for President Kennedy.
What “Target Lancer” exposes is that the there were three identical hit squads, and their duped patsies, established in all three cities prior to that fateful November in 1963.  As with all Heller books, the historical afterward Collins provides is just as informative as his fiction is captivating.  Upon finishing the book, this reviewer couldn’t help but wonder, now that most of the real principles have all died and gone to their eternal court of judgment, what it is we, as a nation can learn from such history?  Evil men do exist and that we must be ever vigilant to assure they do not usurp the rights of the many by their insidious acts of violence. 
For both students of history and lovers of suspense mysteries, “Target Lancer” is a masterful work not to be missed. Collins just keeps getting better and better.

xkcd “Click and Drag” the biggest comic panel ever

Today’s xkcd comic, unless someone can convince me otherwise, now holds the record for the biggest comic panel ever. Fittingly, the strip is called “Click and drag” and you’ll have to do a LOT of it to read the entire thing.

At 165888 x 79872 pixels, or 1.3 terapixels, the image would fill the screens of 4212 iPads with retina displays in an 81 x 52 grid. The grayscale image is 12.3 gigabytes in size. If it was printed at a size big enough that you could see the people, it would cover a football end zone. And as you might expect in a Randall Munroe comic, there are little treasures to be discovered all over the place. I don’t want to spoil the fun, but yes, Waldo’s in there too.

Yes, there are people who have started stitching the full image together, but we’d like to warn you that the full image is not safe for work. Not that there are any naughty bits, but the full-size image is so large it will crash most computers if you try to open it.

Somewhere, Scott McCloud is smiling contentedly to himself, seeing that someone else has tried the infinite canvas. I wonder where Randall Munroe will float next…

STRIP TEASE

Art: James Burns

Here’s a sneak peek at the upcoming Lance Star: Sky Ranger weekly web strip from New Pulp creators Bobby Nash and James Burns, the same team that brought you the Lance Star: Sky Ranger comic book “One Shot!” “We’re still early in the process of creating the strips so it’s not quite ready to show off,” says writer Bobby Nash. Nash also added that he couldn’t resist a good tease when he released the image above.

Keep watching All Pulp and www.lance-star.com for more details as they become available.

ROY THOMAS RETURNS FOR TARZAN’S NEXT BIG ADVENTURE!

All Pulp sat down with Roy Thomas, writer of the upcoming Tarzan Sunday Strips about the project as well as his legendary comic book career.

AP: Tell us a little about yourself and your pulp and comic book interests.

RT: Loved the comics medium since I discovered them at around age 4 1/2, starting with things like Superman and Batman, but nowadays don’t follow the field at all… I just collect comics from the Golden and Silver Ages, plus a few other things. At age 10 or so I read a few pulps like PLANET STORIES (have already read PLANET COMICS); only pulp I have now are a complete-but-for-one collection of the magazine appearances of Conan, plus the complete Adam Link stories of Eando Binder and a couple of others.

AP: How did you get your start as a comic book writer?

RT: Wrote to letters to comics editors, esp. Julius Schwartz–and one day in early 1965 Mort Weisinger, with whom I’d never exchanged more than one or two letters, offered me a job as editorial assistant on the Superman books. I threw over a foreign relations fellowship and went to work for DC… two weeks later, for Marvel.

AP: With Tarzan’s 100th anniversary in full swing, you’ve landed the writing duties on a new Tarzan Sunday web strip along with artist Tom Grindberg. What can we expect from this new strip?

RT: Beautiful artwork from Tom and our attempt to tell stories which will be true to the classic spirit of Tarzan.

AP: Will the Tarzan strip be an on-going project?

RT: We hope so. We have to be able to make a minimum of money from it after a little while, but mostly we’re doing it for the love of it.

AP: Anything you can tease about the new Tarzan strips?

RT: The story involves the disappearance of Jane, and Tarzan’s involvement with La, who’d like to take her place. Tom had drawn several of the La sequence strips before I came aboard, so I figured we’d find a way to make everything fit as a story. At this writing, we’ve done nine “weeks,” I guess… the equivalent of nine Sunday strips, if they were appearing in newspapers… which they ought to be.

AP: Do you, as a writer, approach doing a web comic such as Tarzan any differently than if you were doing it for a newspaper or comic book?

RT: Yes, you have to write in little bursts… a climax of sorts every few panels. But you quickly get into the rhythm, and I know that whatever I come up with, Tom will draw beautifully. He, as much as Tarzan, is the reason I’m doing this, even though we really hardly know each other. But I’ve always loved his work… and the fact that he isn’t too busy right now with comic book work to even consider such a project is as damning of the present-day field as anything I could think to say about it.

AP: There seem to be many different opinions about what can be defined as pulp. How do you define pulp and what do you look for in a pulp story as a writer and a reader? Do you consider Tarzan a pulp hero?

RT: Sure. Tarzan started in a pulp, albeit a higher-class one than some… and he and ERB almost definite pulp, at least at the high end.

AP: Tarzan is not your first time stepping into the world of pulp. How does working on Tarzan compare and contrast to working on Conan?

RT: We’ll have to see. They’re quite different characters… both men of action, but Tarzan is probably more introspective than Conan. When I did the TARZAN comics for Marvel, I tried too hard to keep ERB’s prose when I was adapting the novel TARZAN, LORD OF THE JUNGLE. You can’t do that as easily or as well as you can with REH and Conan, because ERB doesn’t write purple and/or poetic prose the way Howard does. ERB just tells the story… so I should’ve thrown away most of those captions I wrote for TARZAN, or severely shortened then. I don’t feel the same way about CONAN.

AP: Where do you see the comic book industry in the future?

RT: Online, probably. That’s another reason I’m less interested in it. I can get interested in writing an online strip… because it’s basically the same as writing a strip for newspapers, and I already do that by working with Stan, for over a dozen years now, on the SPIDER-MAN strip… and of course I wrote two years of a CONAN strip 30 years ago. But I’m personally less interested in READING an online strip, because I want to hold the paper in my hands, etc. I hope and trust many other readers nowadays do not feel the same, and we’ll do the best we can to deliver the kind of strip they’d like if they read it once a week in the Sunday papers, surrounded by “Dilbert” and “Classic Peanuts.”

AP: And how can we get the millions of fans that enjoy movies based on comic books to pick up the source material?

RT: If I knew that, I’d be rich. I’m not rich…but I’m comfortable.

AP: Is there a particular character out there you haven’t had the chance to work on that you would love to take a crack at writing?

RT: No characters I haven’t written that I can think of that I’m wild about writing… though I’d like to write AGAIN some of those I wrote before: Conan… the Invaders… All-Star Squadron… Infinity, Inc… Arak, Son of Thunder… Captain Carrot… Jonni Thunder… hey, even Starr the Slayer. Couldn’t do worse than THAT Marvel mini-series of a couple of years ago. It made my skin crawl. Or would have, if I’d bought it and taken it home with me instead of just skimming it at the store and putting it firmly back on the shelf. Still, somebody there was trying to be creative… I just wish they’d done it with (and TO) their own character, and not one I co-created.

AP: Where can readers find information on you and your work?

RT: In general, I can be Googled, like everybody else… but I eschew Facebook and the like, though Tom Grindberg will keep me apprised of what readers say to him on Facebook. They can reach me at roydann@ntinet.com or write me a letter at the address that’s in every issue of ALTER EGO, my heroic-comics-history magazine.

AP: What upcoming projects do you have coming up that you can tell us about at this time?

RT: No comics besides TARZAN and the ongoing SPIDER-MAN strip I work on with Stan Lee. I have a couple of comics projects, esp. One, that’s near to making a deal on…but it’s hard to find time for it, because I’ve signed a contract to write a biiiggg book about Stan’s life for Taschen, the German company that published that big DC book by Paul Levitz last year. Similar format and size… so it’ll be big and expensive, and is about to start taking up a huge percentage of my time. I’ll be lucky to keep everything else minimally afloat till I finish it, months from now!

AP: Do you have any shows, signings, or conventions coming up where your fans can meet you?

RT: Not till Heroes Con in Charlotte, NC, next June. Well, actually, there’s another big con coming up late this winter… but they’ve asked me not to mention it till they announce it, so… like I said, I’m gonna be busy with this book and my previous commitments.

AP: And finally, what does Roy Thomas do when he’s not writing?

RT: I read (though hard to find time these days)… watch a lot of TV (Netflix and Canadian, mostly) with Dann… and spend time exercising (not rigorously) and playing with our eight dogs, feeding the capybaras, etc., etc. Always something to do when you’ve got a 40-acre spread and a couple of houses… I even have to help clean up the swimming pool, though that season is about over right now.

AP: Thanks, Roy. We’re looking forward to following the new adventures of Tarzan.

You can learn more about Tarzan and the Sunday Strips at www.edgarriceburroughs.com

Also, check out All Pulp’s interview with Tarzan Sunday Strip artist Tom Grindberg at http://allpulp.blogspot.com/2012/08/artist-tom-grindberg-takes-all-pulp-on.html

Joe Staton kills Aquaman in Dick Tracy

Aquaman killed — in Dick Tracy?

Joe Staton kills Aquaman in Dick TracyR.I.P. Arthur Curry– better known to the rest of the comics reading world as Aquaman.

In today’s Dick Tracy comic strip, by DC Comics veteran Joe Staton and Mike Curtis, aquarium director Arthur Curry is revealed to have been murdered. Arthur Curry is the secret identity of Aquaman. Even miscolored, you’ll notice the resemblence, right down to the scales on his shirt.

Curry was killed by a villain named Phishface a few strips earlier. We look forward to Dick Tracy bringing the killer to justice in the days and weeks ahead– and we are even more amazed that the killer wasn’t Geoff Johns.