Tagged: Strange Fruit

Mindy Newell: Late Sunday Night Ramblings

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Went out to dinner tonight – that’s last night now – with Editor Mike, where I discovered that Mr. Gold does not like broccoli rabe. It’s a case of false advertising, people – Mikey, it turns out, does not eat anything. Personally, I think he’s nuts. Give me a plate of broccoli rabe, a loaf of fresh-out-of-the oven crusty Italian bread, a nice Merlot or Pinot Noir, and that’s what I call a meal!

Watched the trailer for Trumbo over the weekend, starring Bryan Cranston (Breaking Bad), Ellie Fanning, John Goodman, Diane Lane, Alan Tudyk, Louis C.K., and Helen Mirren, which is hitting theatres in October. One of Hollywood’s greatest screenwriters, Dalton Trumbo’s early credits included Thirty Seconds Over Tokyo and Kitty Foyle. He also wrote the classic anti-war novel, Johnny Got His Gun. In 1947, Trumbo was one of the Hollywood Ten who refused to testify before the House of Un-American Activities Committee (HUAC), and so was blacklisted from the movie industry – although he “unofficially” won two Academy Awards – for The Brave One and Roman Holiday – during this period, the first under the pseudonym of Robert Rich, the second through a “front.” It wasn’t until 1960, when Kirk Douglas publicly announced that he had hired Dalton Trumbo to write the screenplay for Spartacus and Otto Preminger went public in revealing that Dalton Trumbo was the true writer of Exodus, that the blacklist started to crack.

When President John F. Kennedy crossed the American Legion picket lines protesting Trumbo’s involvement with Spartacus and entered the theatre to watch the film, the blacklist was over. But it wasn’t until 1993, after the screenwriter had died, that the Academy awarded him an Oscar for Roman Holiday, and it took until 2011 that the Writers Guild of America gave Trumbo full credit for the screenplay.

Bottom line, guys – go see this movie.

Regarding comics, I’m currently reading two with the same title: Strange Fruit. Yes, one of them is the comic that caused all the “hub-bub” a few weeks ago, even though that particular comic was not about Waid and Jones’s work but about political correctness and how I find that offensive, although I admit that got lost in the translation of my thoughts to the keyboard. The other is a graphic collection of, as the sub-title says, Uncelebrated Narratives from Black History. It’s by Joel Christian Gill. Stay tuned for my thoughts about both – political correctness will not be required, nor, do I need to say, should not be expected.

Listening to a soundtrack titled Doctor Who Epic Soundtrack 50th Anniversary Music Mix, which I found on YouTube and was complied by Juan Sam. Big Shout Out!!!!! to this guy. Running two hours and change, it is absolutely fantastic… as the Ninth Doctor would say. I heartily, strongly, robustly urge you to seek this out. Not only is it fabulous to write to – along with a nice buzz from that nice dinner Merlot – but also a tremendous means to get your Whovian mojo up and running for the September 19th premiere of Capaldi’s second season as our favorite Time Lord. And btw, just “Who” is Maisie Williams playing?

The Doctor: You

Maise Williams’s Character: What took you so long, old man?

Is it possible that she is Susan, the Galifreyan’s granddaughter?

Opinions are welcomed and valued.

I haven’t gotten into any political rants lately, unless you count the “hub-bub” column, and I do have a lot to say about Mr. Trump and Ms. Clinton and Mr. Biden, et. al. But like the title of this column says, it’s late Sunday night and my buzz is wearing off, so it’ll have to wait. Not to worry. I’m sure the shenanigans that we call our elective process will continue to give me lots of fodder in the coming weeks.

See ya!

 

 

Mindy Newell: Politically Incorrect

Strange FruitSaturday, I met a very nice young man named Moses in my local comic books shop. We got into a conversation about *duh!* comics and he was very frank in stating that he was not buying many DC comics because – and I’m paraphrasing here, since I didn’t happen to have a tape recorder on me – everybody in the office is white so it’s impossible for them to understand the black experience. I told him that I didn’t agree with any part of that, but that is Moses’ perception, and perception is everything. Isn’t it?

Yesterday, I read Marc Alan Fishman’s latest column here at ComicMix, Affirmatively Actionable Comic Equality, in which he referenced J.A. Micheline’s August 4th piece over at Comics Alliance titled Why I’m Boycotting Marvel Comics, which I linked to and read. In her own words:

Marvel, you and I are taking a break. It’s not me; it’s you – and you made the decision really easy. In the past two to three weeks, I have watched you disrespect and disregard marginalized voices and I’ve had enough.”

Then I Googled “diversity of comics creators” and found an article by Laura Hudson published over at Wired on July 25th of this year: “It’s Time To Get Real About Racial Diversity In Comics.” She writes:

July in particular has been an interesting month to ponder that question, thanks to a series of recent events that offered a prismatic lens on the complex friction between race and representation in the field. Not only did the Marvel variants spark discussion, but this month, DC Comics announced that Milestone Media – an imprint created by black creators and focusing on black superheroes – would be returning to the larger DC Comics fold, along with most of the black artists and writers who had created it. Meanwhile, Boom! Studios released Strange Fruit, a comic made by a white creative team that dealt with racism in the American South, prompting discussions about when works by white creators are erasing the voices of the people they’re writing about.”

Jon Stewart asked us to do something on his last show: “If you smell something, say something.”

Okay, Jon, I will.

It’s about fucking time that people stopped creating these stupid fucking artificial lines.

To be brutally forthright – and quite politically incorrect – I don’t give a damn what color, what religion, what ethnicity, what nationality, or what sex a creator is.

The only thing I care about when I’m reading a story, the only reason I’m reading it, the only reason I continue to read it, be it comics or prose, is that I’m enjoying it, that I’m sucked in, that I can’t put the goddamn thing down, whether that means reading it at work while on a break, or at home while eating dinner, or reading it on the toilet wherever that toilet may be.

So Strange Fruit, a series about racism in the South, was written and drawn by Mark Waid and J.G. Jones, two white guys. So what? I think they should be applauded for writing about it. I think the premise, about a super-powered alien who looks like a black man in 1927 Mississippi, is great, and I’m putting it on my list to buy. And by the way, Quantum Leap did an episode in the very first season in which Sam jumped into the body of an elderly black man in the pre-Civil Rights South (“The Color of Truth”). Nobody objected that it was produced by a white man and starred two more white men.  

And if a story about racism was so important to you, African-American creators, why didn’t you go out and create it?

Oh, wait. You did.

Maya Angelou. James Baldwin. Octavia Butler. Amiri Baraka. Toni Morrison. Ralph Ellison. Zora Neale Hurston. Lorraine Hansbury. Langston Hughes. Richard Wright. Alice Walker. Alan Paton.

Oh, you mean comics?

Christopher Priest. Michael Davis. Damion Knight. Matt Baker. Reginald Hudlin. Darryl Banks. Denys Cowan. ChrisCross. Kyle Baker. Jamal Igle, Malcom Jones III, Mark (M.D.) Bright. Billy Graham. Keith Pollard. Brian Stelfreeze. Ron Wilson. Larry Stroman.

Dwayne McDuffie.

Okay, what’s wrong with this list?

No women.

But they do exist.

Charlie “Spike” Trotman. Carol Burrell. Barbara Brandon-Croft. Afua (Lakota Sioux) Richardson. Alitha Martinez. Cheryl Lynn Eaton.

Yes, I admit, these women were a little harder to find. And that’s bullshit, too.

Still, obviously, I managed.

You could, too, if you wanted to.

I could write a whole column about that. But then I might be accused of being a white Jewish woman who has no business writing about the black woman comics creator, because, you know, that’s not politically correct.

But if any of these women would like to have a dialogue with me on these pages, you’re very welcome to get in touch with me. In fact, I’ll ask Editor Mike to be our liaison (mike@comicmix.com).

See, I think making it in a profession that is your passion takes talent, sweat, blood, tears, aggravation, patience, aggressiveness, stick-to-it-iveness, and luck.

A whole lot of luck.

The truth is that luck is the goddamnest wild card.

And that’s a truth that is politically incorrect to say out loud.