Tagged: Static Shock

Dwayne McDuffie and Earl Kress to Receive WGAW Animation Writing Awards

Dwayne McDuffie and Earl Kress to Receive WGAW Animation Writing Awards

Dwayne McDuffie by Glen Muramaki & Andrew PepoyI guess the write-in campaign worked. Applause to the Writers Guild for honoring these guys.

Dwayne McDuffie and Earl Kress are set to receive the Writers Guild of America, West Animation Writers Caucus’ 14th annual Animation Writing Award posthumously. The honor recognizes their animation writing work and their efforts to organize animation for the guild.

“This year, animation lost two talented, hard-working people who have given much of themselves and their talent to our field,” said AWC chair Craig Miller. “Dwayne McDuffie was a talented writer and creator of comics and animation who worked hard for others, particularly for minority writers. Earl Kress was a writer whose career included both feature and TV animation and hard work on behalf of all animation writers as a member of the WGA Animation Writers Caucus and the Animation Guild Board of Directors. Both were people I was glad to call friend and colleague, and whose efforts, it can truthfully be said, made all of us the better for them.”

via Dwayne McDuffie and Earl Kress to Receive WGAW Animation Writing Award – Hollywood Reporter.

MICHAEL DAVIS: Who To Blame… Part 1

I’ve had a very interesting career in comics.

I’ve done some pretty interesting things in my career. Co-founded Milestone Media, created The Action Files, the only line of comics taught as a curriculum in the school system and created another universe, The Guardian Line, for African-American churches and Christian book stores.

When DC comics launched Piranha Press in 1987 I was the artist chosen to illustrate the first series for the line. The Black Panel, a comics and entertainment forum I started over a decade ago, is now in development as a TV show as is The Littlest Bitch (TLB) a book I co-wrote with David Quinn.

David and I first conceived TLB as a graphic novel on the New Jersey turnpike almost 20 years ago. We were driving home from The Kubert School where I was teaching a master illustration class and David was my guest speaker that day.

Speaking of TV, Static Shock, based on the character I co-created, can still be seen on a Disney channel, which cracks me up because Disney turned it down quick, fast and in a hurry when we pitched it there 10 years ago.

I’ve done some other pretty note worthy things (I think) in comics but I’m most proud of my mentor program. Some of the biggest names in comics have come through my program. I won’t bore you with the names but I will say that because of my self-funded mentor program I have four city proclamations and a school auditorium named in my honor.

I’ve also managed to carve out a bad boy type of reputation in the industry. That reputation has many origins, depending on whom you get the story from but that story is for another time. I will tell you this: when it comes to getting that bad boy rep, I have no one to blame but myself.

I don’t tell you some of what I’ve accomplished in comics to impress you but rather to impress upon you that is there is plenty of blame and help to go around and there lies within a tale, which just may help someone who’s trying to break in now. Sooo…

In 1987 I was offered and was right about to accept a position overseeing the art department at a very prestigious prep school. This was a dream job. They were going to pay me a fat salary, give me an on-campus apartment as part of my compensation package and all my meals were free. The only thing I had to pay for was my phone bill as there was also a clothing stipend.

That was a dream job, so why didn’t I take it? Those of you who hate me are thinking ‘Oh why, oh why, did that loud mouth mofo not take that job?’

In fact, I was going to take it. I had started packing my bags when Denys Cowan talked me into going to the Mid-Ohio con with him. As fate would have it I went to the Mid-Ohio Con to attend a very small but very cool comics convention.

It was clear when we got there, Denys knew everyone and everyone knew Denys. I did not know a soul there. Denys would often leave me alone to go and talk to some one, which left me to wander aimlessly around the convention. It was during one of these aimless walks that I met John Ostrander.

Wait a sec-before I go on I should let you know that I was (still am) a comic’s geek. Although I had a very good career going as an illustrator it was my dream to somehow work in comics.

John and I hit it off very well and before I knew it he was inviting me to Mike Grell’s room to watch the Sable pilot. I thought I had died and gone to Comic Book Heaven. I adored Mike Grell’s work. At the time he was my favorite artist on the planet! Later when Denys arrived I causally mention that I was going to Mike Grell’s room to watch the premier of his new TV show.

The look on Denys’ face was priceless. It said “how the hell did you manage that?” We still had some time (I told Denys he could come as my guest; you should have seen that look) so we decided to browse the convention floor.

If you know me, you are well aware I talk to everyone. I mean everyone. I’m just wired that way. Standing at an artist’s table looking at their work without uttering a sound is just freakin crazy to me.

Little did I know the two guys I was now chatting with would go on to change the industry in a huge way!

End of part 1.

WEDNESDAY: Mike Gold

MICHAEL DAVIS: Back To The Future

“Just when I thought I was out, they drag me back in.”
Michael Corleone

“This is a moment of history.”
Jim Lee

“ I told you so.”
Michael Davis

“Bitch better have my money.”
Fly Guy

Michael Corleone was talking about not being able to escape the Mafia.

Jim Lee was talking about the DC Comics Reboot.

I’m taking about my return to ComicMix.

Fly guy was talking about a bitch having his money.

Don’t waste anytime trying to figure out why I used the Fly Guy quote. I’ll just tell you, I simply like saying, “Bitch better have my money.”

I’m told there are a lot more ComicMix users now then when I was writing here. Because of that I’m going to write a brief bio of myself in case you never heard of me.

My name is Michael Davis and I’m Master Of The Universe. I’m also a writer, TV producer artist and dealmaker. I work in mainstream publishing, comics, television and the music industry, yada, yada, blah, blah. When ComicMix started I wrote a wildly popular column called “Straight No Chaser”.  I was fired from ComicMix because I was black.

OK, the black thing is just what I told girls at comic conventions when I wanted them to feel bad for me. Now I’ll tell them ComicMix brought me back because of pressure from the NAACP and President Obama.

My column WAS wildly popular. If you hear differently remember that’s the white man trying to keep me down.

As I mentioned my column was called Straight No Chaser. I can’t call my return to ComicMix that because I continue my weekly rants under that title at my WILDLY popular website, www.michaeldavisworld.com.

If anyone tells you it’s not wildly popular, remember,

White man.

Down.

Me.

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McDuffie Memento Mori

Dwayne McDuffie Milestone Funeral

We’ve found more things to point to in the wake of the passing of Dwayne McDuffie. First, we have the artwork above by James Mason on Dwayne’s passing. And Michael Davis, Dwayne’s co-founder of Milestone Media, presents what may be the last photo of the Milestone creative founders from the 2010 San Diego Comic-Con. From left to right: Denys Cowan, Dwayne McDuffie, Michael Davis.

Michael also writes about Dwayne:

‘Motherfucker’ was part of the way I used to describe Dwayne. The full description was, Dwayne McDuffie is the smartest motherfucker I’ve ever met.

I’m a smart guy, I’ve been to Ivy League schools and I have a PhD. Dwayne could destroy me without breaking a sweat on any subject.

ANY subject.

How in the world can we go on?

I mean it.

A world without that smartass motherfucker is a world I do not want to think about.  Denys Cowan told me that there is now a giant, GIANT hole in the industry not to mention the hole in our hearts, which we both mentioned because as badass as we act, we are really pussies.

How do we go on?

My best guess is we go on by honoring Dwayne for what he was, a fantastic writer a great friend and one badass motherfucker.

Dwayne McDuffie

Dwayne McDuffie: 1962-2011

Dwayne McDuffieNoted comics and animation writer Dwayne McDuffie died Monday evening, reportedly from complications due to a surgical procedure.

Dwayne joined the comics industry in the 80s working for Marvel Comics editorial and special projects. He quickly made his name as a writer creating series such as Damage Control, helping to redefine Deathlok for the nineties, and having She-Hulk break razors while trying to shave her legs– a throwaway gag which became notorious. He soon left the staff job to become a full-time freelance writer.

This led to Dwayne’s co-founding of Milestone Media in 1992, with creators Denys Cowan, Michael Davis and businessman Derek T. Dingle, which expanded the role of minorities in comics both on the page and off, launching a line of comics in 1993 that included Hardware, Blood Syndicate, Static, Icon, Kobalt, Xombi, and the Shadow Cabinet, all of which McDuffie had a hand in creating or co-creating.

Dwayne moved to animation when Static was turned into Static Shock for KidsWB, which led to becoming story editor for the Justice League Unlimited, Ben 10: Alien Force and Ben 10: Ultimate Alien animated series and writing a number of DC’s recent direct-to-DVD animated projects– his latest work was the script for the All-Star Superman animated adaptation, which went on sale today.

He wrote damn fine comics, most recently on Justice League of America, Fantastic Four, and Firestorm. He was a giant in just about every aspect you care to mention, including size.

Dwayne was a major talent and will be greatly missed.

UPDATES: Apparently Dwayne’s death was due to a heart issue. More details as we get them.

And Heidi found this great interview with Dwayne, to show you a bit of what he was like:

[youtube]http://www.youtube.com/watch?v=u16sKK-1oLQ[/youtube]

UPDATE 6:40 EST: AP now has the first obit.

Review: ‘Batman Beyond the Complete Series’

Review: ‘Batman Beyond the Complete Series’

I admit to being leery when Warner Animation announced their plans to follow the  amazing [[[Batman the Animated Adventures]]] with a next generation hero called [[[Batman Beyond]]]. After all, it was a clear departure from the source material and there was no knowing how this would work.

As it turns out, there was little to fear. The series, which ran from January 1999 through December 2001, honored the past and showed us a future Gotham City that still needed a Dark Knight. Rather than just add wrinkles and gray hair to all the familiar figures, things have changed. Dick Grayson seems to be gone, Alfred and Jim Gordon are dead with Barbara Gordon now the police commissioner. And sitting in the gloom of Wayne Mansion is a still-angry, infirm Bruce Wayne.

He knows there’s work to be done and in time, targets teenager Terry McGuinness as his successor. The youth has just lost his father to violence and Wayne’s appeal sounds logical so he signs on to don a high-tech cowl, sans cape. With Wayne barking orders in his ear, Terry is the new Batman, instilling fear in the hearts of 21st century criminals.

The series lasted a strong 52 episodes plus spawned a direct-to-video film and the character wound up on other series such as [[[Static Shock]]] and was given an epilogue in episodes of [[[Justice League Unlimited]]]. There was even the tangentially-related spinoff [[[The Zeta Project]]].

Obviously the brain trust that included Bruce Timm, Alan Burnett, Paul Dini, Dwayne McDuffie, and Glen Murakami rose to the occasion, taking everything they learned from their previous efforts and poured it into this series. The future was recognizable with sleeker architecture that cast new shadows on the city’s streets. The miniaturization and sophistication of the gear was not stretching the imagination and the new sorts of threats owe a nod to the rogues of the past but were fresh menaces.

Today, Warner Home Video has released the long–awaited [[[Batman Beyond the Complete Series]]] in a nifty box set. You get all three seasons of the series and the original extras plus a bonus disc. Tucked within the box is a nice 24-page booklet with character and set designs and some glimpses into the process. The box is slipped inside a plastic wrap that approximates animation cels and makes this a lovely package, perfect for the holiday season.

The episodes look great on DVD and the stories hold up after all these years.

There are three new featurettes all running about five minutes each, which looks back at the show’s origins and the thinking that went into the series’ design and architecture. You don’t learn a lot that’s new but the creators’ affection for Terry and his world is clear. There is also the 75th anniversary documentary [[[Secret Origin]]], which is nice but it would have been nicer to have the episodes and movie that Terry’s Batman appeared in, making this a real complete set.

Review: ‘Superman: The Complete Animated Series’ on DVD

Review: ‘Superman: The Complete Animated Series’ on DVD

Once Batman the Animated Series became a huge success, a follow-up featuring the Man of Steel seemed inevitable. That it took until 1996, four years later, was the only crime in the process. The equally successful adaptation from the comics lasted four seasons and 54 episodes, helping set the stage for the bets adaptation yet: Justice League/JL Unlimited.

On Tuesday, Warner Home Video releases a seven-disc Superman: The Complete Animated Series
. Much like the just-released complete JLU series, this merely takes the existing season set discs and repackages them in a nice foil box along with a bonus seventh disc. The companion booklet, therefore, makes the same numbering error by not reflecting the actual discs.

All the love and attention lavished on the Dark Knight was poured into this show, which was brighter and shinier, the villains larger in scope and giving the animators a chance to bust loose. Superman works great in animation and after the lackluster efforts from Filmation, Hanna-Barbera and Ruby-Spears, this one clearly shows the potential fulfilled.

As usual, the voice casting is fairly top-notch with Tim Daly alternating nicely between Superman and Clark Kent, sparring playfully with Dana Delany’s Lois Lane. Clancy Brown is wonderfully malevolent as Luthor and his ever-present menace is well handled, matching the reboot version launched a decade earlier.

The series winks at the fans in many, many ways which shows the love and affection they hold for the source material and their core audience. The largest change they made to the mythos was inserting Brainiac into Kal-El’s origins and it just doesn’t work for me. In fact, the use of Brainiac here may be a weak spot throughout the series, only paying off at the conclusion of the Project Cadmus arc in JLU season one.

Yes, the continuity links between the series also rewards fans and allows the production team the opportunity to plant seeds or wrap up threads they could do otherwise. It’s a shame, therefore, that the Superman appearances in Static Shock are not included here.

Wisely, the series got pretty cosmic pretty quickly and the first season ends with the introduction of Darkseid.  By bringing in the Fourth World characters, the show takes on a scope befitting the World’s Greatest Super-Hero and giving him a host of new opponents that would truly tax him. The seventh disc has some trailers but the highlight is “The Despot Darkseid: A Villain Worthy of Superman” which gathers the producers to reflect on how this really opened things up for them. The 17 minute discussion is filled with tributes to creator Jack Kirby and shows how important he became to the series.

Darkseid wasn’t the only threat and the Man of Steel’s rogues ‘ galleries is nicely introduced one at a time and then recur, varying the tone of the show. And was there any villain better suited to animation than Mr. Mxyzptlk, whose arrival always meant a nice change of pace episode was in the offing.

The stories hold up nicely, the animation fluid and the affection for the hero that started it all is clear in every frame.

MICHAEL DAVIS: Do Over

MICHAEL DAVIS: Do Over

The other day I met a young lady at an airport. She looked around 16 or so. I noticed her looking at the comic book I was reading. When I was done I gave it to her. We started talking. She is a young artist who is struggling with her weight. She is being picked on at school and has one real friend. She wants to be a comic artist and is a big fan of Static Shock. She rarely goes outside and says that she sometimes wishes she were not born. She also has a family, which is a little odd. I told her that her family does not define her and that one day what is happening to her will help her. She wished she could start over. Before I could tell her anything else her father noticed we were talking and told her to “Get the **** over here.’

I never got her name, but I hope she remembers the ComicMix information I gave her so she can read this. This is for her…

When I was in grade school I had a terrible reputation. I was known as a punk kid who could not fight. When I was very young I was raised by my mom, my sister and my grandmother. Being raised by three women you tend to get a lot of advice like this,

“You are better than that.”

“Just walk away.”

“Sticks and stones.”

From time to time, my sister would have a different slant on things. Her advice really depended on how she felt that day. I would get, ‘Who cares what he said?’ Or ‘I can’t believe you did not kick his ass!’ That kind of mixed advice is enough to land any kid in therapy.

Living in the projects the last thing you want to known as is a punk. If you are then you better hook up with a group of friends or a gang who can look after you. Either that or you need a family member who was crazy so people would leave you alone for fear of that crazy relative of yours. I actually have a crazy cousin. He murdered four people in a drug-induced state. He was my favorite cousin until he did that. I have not spoken to him in more than 30 years; that’s how long he’s been in jail. I am not one of those people who think that blood is thicker than water.

Nope. Not me, I’m not that guy.

I don’t care who you are, you murder four innocent people to support your drug habit, then you are out of my life, period. Before I get all kinds of comments saying that I am heartless and that family is everything consider this: you may stick by a family member no matter what and I respect that, but I’m not you. As loud as I can get sometimes I am a real simple guy. My simplicity is almost comical to my family and friends. I only need one thing to make me content, that one thing is piece of mind.

If he ever gets out of jail then do I really want him around me? Do I really want to hear him explain why he did it? Do I really want to share holidays with this stranger? Make no mistake, the moment he killed four people he was no longer my favorite cousin, he was a stranger because the cousin I knew would not have done that. Yes, I have forgiven him, but that’s not even the point because the people he needs to forgive him is the family of those kids (yes, kids) he killed.

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MICHAEL DAVIS: Not What You Think

MICHAEL DAVIS: Not What You Think

Years ago I wrote a column for Comics Buyers Guide (CBG) called Picture This. I actually started writing that column even before Peter David started writing his. Being the professional he is, Peter has been able to sustain his column But I Digress for well over a decade. I lasted a few months before I simply stopped writing it. Demands on my time and personal life caused me to abandon what truly was a great gig for an even greater magazine.

Now I’m writing this column and have managed to keep my deadlines (except for one little itsy bitsy time when I got my column in late and it had to run on Saturday instead of Friday) for twenty weeks and I am having a great time.

There are some people who still remember my Picture This column. If you think I am a raving manic now you should have seen me then. I pissed off more people than Katharine Harris did during the 2000 election. In my career I have also written guest columns in a few magazines as well as a few editorials over the years in various outlets. Those people who know me know that I am a shameless self-promoter. That said, in all of the hundreds of articles I have written I have never plugged a current deal that I was involved in. I may have mentioned what I was working on but never with any eye towards getting people to go out and watch what I was doing on TV or buy what I was publishing in the comic stores. In fact in all my ranting over the years I have only written about one subject more than once.

That subject was rumors.

I just heard a recent rumor that has compelled me to write about a current project I’m involved in, The Guardian Line (TGL)

I was recently talking to Lovern Kindzierski on the phone. Lovern is one of my best friends and we are working together on TGL. I have a book open and I’m looking for an artist and asked Lovern if he knew of anyone. He then mentioned that there is a creator in a comic book chat room saying that UMI (TGL’s parent company) does not pay their creators.

At this point I would usually launch into a tirade and make a few cleaver attacks on the unnamed creator.

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