Tagged: Star Wars

Happy birthday, Harlan Ellison

Happy birthday, Harlan Ellison

Seventy -three years ago today, as was foretold in prophecy, a child was born, a child destined to answer the question of what happens to an enfant terrible when he’s no longer an enfant.

Happy birthday, Cousin Harlan. (Yes, we’re cousins, at least, as is Neil Gaiman. Ariel David calls him Unky Harlan and calls me Unky Glenn, therefore we’re cousins-in-law at least.) Now if we could only figure out what to get you for your birthday… you wouldn’t want these extra tickets to the Star Wars convention, do you?

(Check out the ComicMix interview with Cousin Harlan – part one and part two.)

Geek Holidays

Geek Holidays

Yes, today’s the 30th Anniversary of Star Wars, or as some folks have suggested, Universal Day of the Jedi. It’s also the 24th Anniversary of the release of Return of the Jedi. But did you know it’s also Towel Day?

Towel Day was created to commemorate the passing of that hoopy frood Douglas Adams, who passed away on May 11th, 2001, and it was the fastest date that people could agree on. A towel, of course, is about the most massively useful thing an interstellar hitch hiker can have. Partly it has great practical value — you can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapours; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a mini raft down the slow heavy river Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mindboggingly stupid animal, it assumes that if you can’t see it, it can’t see you – daft as a bush, but very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough. Anyone who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still know where his towel is, is clearly a man to be reckoned with.

It’s also, of course, the start of a three day weekend — always a cause for celebration — and I understand there’s some pirate movie that’s opening today. So go forth and enjoy. But make sure you bring a towel.

Vader under arrest

Vader under arrest

Via Forbidden Planet: A Star Wars fan Down Under "was making his way to a 30th anniversary photo shoot earlier today ‘dressed in black and carrying a backpack with a replica laser blaster poking out the side’ when he ‘alarmed diners at a food court in central Melbourne.’ According to Reuters, the 32-year-old was quickly "surrounded by armed police, forced to the ground, and handcuffed,’ and will now be charged with possessing an unregistered firearm."  Emphasis ours. More from the Herald Sun.

Oh, and here’s the Beeb’s video take on the American celebrations for SW‘s 30th.

Happy anniversary, Star Wars!

Happy anniversary, Star Wars!

A long time ago (30 years ago today) in a galaxy far, far away… actually, for me it was the old Fox Theater on Route 347 in Setauket, on a screen the size of a battleship… a little film called Star Wars was released.

Worlds lived, worlds died, and the cinematic universe would never be the same again.

As for us, we here at ComicMix will be pulling up all sorts of personal memories all day, along with other Star Wars oddities we find on the net, and John Ostrander is already out at Celebration IV in Los Angeles signing copies of the new Star Wars: Legacy trade paperback at the Dark Horse booth with Jan Duursema, so if there’s any breaking news, he’ll let us know.

But really, how could we be bigger fanboys than Steve Sansweet? He literally wrote the book on the matter.

In the meantime, to kick things off, here’s a little bit of what we love about it.

Congrats, George. Love It. So when’s Clone Wars coming out?

JOHN OSTRANDER: That’s A (TV) Wrap Part 1

It’s May which means, out in TV-land, it’s the final sweeps period of the season. Yeah, a few of the final shows have yet to air but I might as well look back on what I liked/disliked over the past season. This may not be what you watched, liked or disliked but, hey, it’s my column.

Battlestar Galactica. I finally succumbed and started looking in on the series. I’d been afraid that it would be too dense at this point, that there was too much backstory, to be accessible to late viewers like myself but I found I was able to pick things up as I went. Yes, it would be better if I knew more of the backstory and I plan on picking up the DVDs but I’ve gotten into the series. I’m not certain why finding Earth is such a good idea for these people or why so much of their culture seems to be very post-1940’s American culture but I’m willing to hang in and find out. Yes, I liked it overall.

Boston Legal. A tip of the hat to ComicMix head inmate Mike Gold for getting me to watch this series. Mary and I started watching late last season and it’s become one of our favorites. I was resistant because I’m not really a big David E. Kelley fan but this show causes me to laugh out loud. It makes brilliant use of some old pros – James Spader, Rene Aubenjois, Candace Bergen, and the simply amazing William Shatner – as it talks about current issues, goes consistently over the top, touches the heart and simply entertains me more than almost any other show in a given week.

Deadwood. Big fan of this show and I can’t tell you how pissed off I am that HBO didn’t let it continue. Yeah, they talked about two movies to finish it up but a) that’s not the same and b) I haven’t heard that those are actually going forward. Creator David Milch had said that the concept was the advance of civilization as seen through the focus of the town of Deadwood, South Dakota, originally a boom camp for the gold found in the hills nearby. Real historical figures intermingled with totally fictional creations much the same way real history was mingled with a lot of inventive writing (and serious profanity). It’s not a technique unknown to me; I did the much the same thing when I wrote my historical graphic novel The Kents. The show boasted some fine performances topped by Ian McShane’s incendiary Al Swearingen.

All that said, I have to confess that Season 3 turned out to be a disappointment to me. The through line was the gradual take-over of the town by George Hearst (given a dynamite performance by Gerald McRaney). Hearst was an actual historical figure, the farther of William Randolph Hearst who, in turn, was a model for Orson Welles’ Citizen Kane, and that was both the attraction and the problem. The actual Hearst himself never visited Deadwood, so far as my researches showed, although he did wind up owning several big mines there.

The problem in Season 3, for me, was that it was headed for an almost apocalyptic showdown between Hearst and his men versus the citizens of the town who, although usually at violent odds with one another, were brought together by a common threat. The season built in tension to what should have been a staggering climax and then – Hearst simply decides to leave town. Go on to his next location. The tension dribbles away.

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JOHN OSTRANDER: Boomshine Zen

I prefer not to tell my editors – including ComicMix’s own Mike Gold – how I spend my workday. They’re generally happier thinking my nose is always to the grindstone but, as the ever delightful Elayne Riggs has pointed out in her column this week, you can’t be writing 24/7 and that, sometimes, playing a video game helps clear and even focus the mind.

My Mary recently turned me on to a web-based game called Boomshine and I play it usually once a day. It’s a simple game: on the screen bounce a number of colored dots, like the ball in the old Pong game. They randomly float around, bounce off the borders, come back. There are twelve levels in the game and the number of dots bouncing around vary from five in the first level to sixty in the last one.

At each level, you can click only once and this creates an explosion – a boom, a circle of light. Boomshine. Any dot hitting that circle also becomes a circle of light and so on, often in a chain reaction fashion. You have a goal pre-set for you at each level of how many dots you must change, from one at level one to fifty-five at level twelve, before you can go on to the next level or complete the game. The goal is the minimum amount of dots that must change; you actually want as many changed as you can get to increase your final score. Your final score determines where – and if – you place on the list of daily/weekly/monthly high scores.

Music accompanies all this. There’s a vaguely New Age piano playing under the game or you can click the speaker icon at the start of the game and a single random piano note plays every time a dot changes, which is what I prefer.

The motion and speed of the colored dots are random and the “explosions” where they change to circles of light appear to affect this. It’s not really predictable and, outside of when and where you place your initial explosion, you have no control on what happens next. It just happens.

Like life.

I’ve found myself doing a form of meditation while playing Boomshine. I don’t do well with meditations that ask me to sit quietly and let my mind go blank and just open myself to the Universe. My mind has to be tricked. It has to think I’m doing something. There’s a whole series of meditations that are like that; I know them as “moving meditations.” My church has a labyrinth pattern where you walk a pattern in to the center and then out; the repetitive act of walking as I follow the pattern frees my mind. Same thing happens when I follow my walk around the block – at some point, my monkey brain shuts off and allows other thoughts to come. I’ve sorted out plots this way sometimes. Almost any repetitive act will do that.

As I’ve played Boomshine recently, some observations – perhaps insights – occurred to me.

You can try to plan when and where is the best spot to make the first “boom,” but the little dots don’t always do what you expect them to do. They slow down; the boom seems to send them away; they skirt the edge of the circle of light without actually touching it, without transforming, and escape. Control is an illusion. That thought touched another in my mind and – boom – another little explosion. That’s Iraq. Those who brought us into the situation thought they had it under control; they had a clear vision of how things were going to be. They still think they can make it what they will. However, there are all kinds of random elements at work and there is no control over those elements.

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Pros name 50 most  influential visual effects film

Pros name 50 most influential visual effects film

On Friday, the Visual Effects Society announced the results of a membership poll, naming the 50 most influential films of all time in terms of special effects.  According to VES Executive Director Eric Roth, hese films have had a significant, lasting impact on the practice and appreciation of visual effects as an integral, artistic element of cinematic expression and the storytelling process."

Comics fans will be arguing about the placement of Sin City (43) and Superman (44).  No other comic book-inspired films made the list.

The films will be the backdrop of the 2007 VES Festival of Visual Effects, which those of you in Los Angeles can enjoy at the Writers Guild Theater in Beverly Hills from June 7 through June 10.  There, a panel that includes Douglas Trumbull, Richard Edlund, Dennis Murren and maybe John Dykstra (he’s tentative as we write this) will discuss the list. 

After the jump, the whole list.

 

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Lucas: Spidey silly, more Star Wars not

Lucas: Spidey silly, more Star Wars not

Okay, let me get this straight — the Spider-Man movies are silly, but Jar-Jar Binks is a nifty idea?

Ohh-kay.  Glad we cleared that one up.

George Lucas tells Fox News‘ Roger Friedman, regarding Spidey, "It’s a silly movie. There just isn’t much there. Once you take it all apart, there’s not much story, is there? People thought Star Wars was silly, too. But it wasn’t." 

Oh, and he’s making two more live-action Star Wars films for TV, which he tells Friedman should be about an hour each, "but they won’t have members of the Skywalker family as characters. They will be other people of that milieu." 

Are Tag and Bink too much to hope for, or are they just too silly?

JOHN OSTRANDER: The Secret Death of Bees

Okay, I’m officially getting freaked out now.

It started with a small remark from the redoubtable Bill Moyers when he appeared on Bill Maher’s Real Time show on HBO. I started to do some research based on his remarks and it came to a head recently with an MSNBC report on their website. It’s a real life event called “Colony Collapse Syndrome.” What’s it about?

The sudden death of honeybees.

“And this affects me – how?” you might ask. “I don’t use honey. I’m strictly a Splenda man. (Or woman.)” The fact is, a lot of food crops need to be cross-pollinated to come to maturity and the principle way of doing it is with the honeybee. About one-third of the American diet depends on cross-pollination and the honeybees that do the job are dying out and nobody really knows why.

According to the MSNBC article, 80% of the cotton crop is pollinated by commercial honeybees. Same for 50% of the soybean crop. Use cotton or soybeans much? 60% of the alfalfa crop is pollinated the same way. Alfalfa hay is a staple for cows – low cost, good nutrition for the bovines. Drink milk? Having a Big Mac attack? Scarcity of an item increases its price and you can bet a jump in the price of alfalfa hay will be passed on to the consumer. Same for cotton or anything made with soybeans. How much do you feel like paying for your jeans? I haven’t even gotten into the fruit and nut cross-pollination done by bees – almonds, for example, are 100% dependent on bee pollination.

Cereal grains aren’t affected so we wouldn’t starve. We’d have to do without a number of items, though, or pay a heck of a lot more for them. Oranges, grapefruit, and tangerines, for example, are all 90% dependent on commercial honeybees for the cross-pollination. You could have your Cheerios in the morning but having milk to put on them or an OJ to go with it might be tougher to get or a lot more expensive to use.

As my Mary, a farmer’s daughter, also pointed out to me, alfalfa, soybean and clover crops (clover is also cross-pollinated) put nitrogen back into the soil. Very important in crop rotation. If you just plant corn all the time, you deplete the soil and – wham! – you’re headed for a dust bowl situation. There are indirect as well as direct effects from the death of honeybees.

What’s really weird is what’s happening with the hives. The onset is sudden. The beekeepers, after a few days, find that a hive suddenly is empty except for the queen and some very young workers. Bees don’t do that. They protect the hive at all costs. In the case of hives afflicted with CCD, the workers just disappeared.

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Spider-Man 3 cures world hunger!

Spider-Man 3 cures world hunger!

It’s even more ridiculous, folks.

Nikki Finke updates the running tally with the global numbers: Spider-Man 3 has produced the biggest worldwide opening ever with $375 million, upsetting the previous record of $254 mil by Star Wars Episode 3. The overseas estimates from 107 countries total $225 mil; pic was the biggest film debut ever in at least 26 countries including Russia, China, Italy, South Korea, Japan.

SM3 also shattered all the North American records (U.S. and Canada) for biggest opening day ever, biggest second day of release and biggest third day of release. Though SM3 fell -14% Saturday compared to Friday, that number without the midnight shows is actually +4%. This means that, comparatively, the threequel almost did in two days what the original Spidey did in three days back in 2002.