Tagged: Star Trek

Next Trek Script Finished

Next Trek Script Finished

Roberto Orci told SCI FI Wire that he and writing partner Alex Kurtzman have finished the script to the 11th Star Trek movie, which director J.J. Abrams will start filming in November. "We’re still casting," Orci said, and there will be "some kind of Kirk" in the movie. One recalls Star Trek OS featured "some kind of Captain Pike" in the episode "The Menagerie."

Orci also acknowledged he is "sure" CBS is thinking about using the new movie as a kick-off for a new teevee series, but his only concern is the upcoming movie.

Photograph copyright Paramount

They are not Spock

They are not Spock

This week’s award for best weird blog site — the new Bad Spock Drawings, which invites bad drawings of the popular Star Trek character from the general public (here are their guidelines).

In keeping with Leonard Nimoy’s current interests, I’m looking forward to seeing an appropriately bad Spock done up as a fat nude (NSFW) Jewish woman (also pretty much NSFW).

The Stars Fall On San Diego

The Stars Fall On San Diego

 

The huge San Diego Comic-Con International has lined up an astonishing number of movie and teevee previews this year. The partial list includes Alien vs. Predator 2: No Peace on Earth; American Gangster; Babylon AD; Balls of Fury; Battlestar Galactica; Beowulf; The Bourne Ultimatum; Coraline; Fred Claus; Get Smart; The Golden Compass; Hellboy 2: The Golden Army; Heroes; I Am Legend; The Incredible Hulk; Indiana Jones 4; Invasion; Iron Man; Lost; National Treasure 2; Resident Evil: Extinction; Speed Racer; The Strangers; Stardust; Star Trek XI; Sunshine; Sweeney Todd; 30 Days of Night; Trick ‘r Treat; Wanted; Where the Wild Things Are and White Out.

Don’t be surprised if many of the actors and creative personnel are there to hawk their efforts. Good grief; I remember all the way back when the San Diego show was actually focused on comic books.

This year’s show will be held at the San Diego Convention Center July 26 through 29. If you don’t already have hotel reservations, make certain you take your passport or birth certificate.

 

MIKE GOLD: Nostalgia’s just another word for nuthin’ left to read

MIKE GOLD: Nostalgia’s just another word for nuthin’ left to read

We’re in another cycle of teevee tie-in comic books. Right now we’ve got Transformers, Battlestar Galactica, several Star Treks (or is that Treks Star?), Xena, Stargate whatever, lots of Simpsons titles, Tek Jansen, and a whole lot more.

This happens every once in a while, starting from the time publishers didn’t know what to do when the superheroes stopped selling back in the late 1940s. It’s a bit of a role of the dice for them, as the licensing fees they pay are on top of their regular costs for talent, production, promotion, printing, and distribution. Generally speaking, you’ve got to sell a lot more copies to clear a profit and, on its best day, comic book publishing is not for the faint of heart.

I’m not at all critical of this. Whereas reaching for the licensed material might have been an act of desperation back in the 1950s – I mean, Marvel’s Pinky Lee comic did not fare well, running a mere five issues – today such ventures seem to work when nostalgia based: publishers are reaching for teevee properties that their readers enjoyed before, or at the same time as, they discovered comics.

Now as we all know, the Baby Boomers have a deathlock on our culture. “It was the greatest, it was the best, you people don’t have squat, your music sucks and there hasn’t been a good movie since The Godfather Part 2.” If you’re a GenXer, you’ve heard this way too much. If you’re a Baby Boomer, you’re probably a parent so please give your kids a break. Besides, they’re beginning to think The Who’s “Won’t Get Fooled Again” is about the Bush Administration.

So where are the Baby Boomer’s nostalgic teevee comics? The Man From U.N.C.L.E. is about to get the DVD box set treatment. I know at least two-dozen writers (and I’m not kidding) who would give their eyeteeth to do that comic book.

What about Rocky and Bullwinkle? Oh, wait. That’s funny stuff. And we can’t do funny comic books, despite the irony of that statement.

How about Perry Mason? He’s been around forever. Books, stories, a soap opera and movies – and that was even before the teevee show that starred that guy from Godzilla.

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Doohan, Cooper found at last

Doohan, Cooper found at last

The ashes of astronaut Gordon Cooper and Star Trek actor James "Scotty" Doohan were recovered today in New Mexico in the designated recovery zone, 20 days after they were shot into space for their brief post-mortum flight. Generally speaking, UP Aerospace of Connecticut doesn’t have such a hard time finding the payload, but, generally speaking, the payload is rarely this ironic. It’s not quite like losing the car keys.

Nonetheless, it’s good to have these two heroes back on Earth.

 

 

Star Trek’s Scotty back on Earth…

Star Trek’s Scotty back on Earth…

As Montgomery Scott could tell you, things don’t always work out the way they were intended.

Some of the ashes of actor James Doohan, who played Chief Engineer in the classic Star Trek teevee series and movies, were launced into outer space on April 29th. Some of the late astronaut Gordon Cooper accompanied Doohan on the ride.

The capsule was scheduled to return to Earth, and so it did, in the New Mexico desert. Where it has yet to be found.

Space Services Inc. spokeswoman Susan Schonfeld told Reuters news service "The terrain is very mountainous; it’s not somewhere that you can walk or drive to. My understanding is that it will take some time to get up into there."

Blaming the problem on "horrendous" weather, Schonfeld concluded "they know the general location, and we have the utmost confidence that they will recover it."

Today’s odd photos

Today’s odd photos

When every little bit of hope is gone, sad songs and photos say so much.

This is being advertised on lots of UK sites at the moment, and reportedly being used not only by people gearing up for the convention in Bristol but by Labour Party sources looking for a replacement for Tony Blair. And speaking of politics:

Don’t ask, do tell. From Feminists for Colbert.

Lastly, anyone following the lolcat phenomenon (more about that here ) doesn’t need to be told what this is.  I cannot believe there’s a whole subset of sites out there dedicated to Dr. Who lolcats. This one’s from the Blog of Boe. And as many of you doubtless know, there’s also a truncated and much-beloved Star Trek episode done in lolcat-speak. Could I make this stuff up? Not before my morning tea.

ELAYNE RIGGS: The Golden Age of ComicFest

ELAYNE RIGGS: The Golden Age of ComicFest

The crazier my responsibilities get (yes, I’ve missed posting here as well) and the more I lurch toward the Big 5-0, which I will now commemorate near year’s end without a father and without a best friend, the more I yearn for simpler times. Of course, "simpler" is as relative and subjective a term as they come. In political parlance, it usually means "a time in the hazy past whose values were clearly espoused on fictional TV shows that we can no longer distinguish from reality because they either filmed before we were born or they encompass the way we wish things were or should have been," which explains a lot about our current administration because it’s never a good idea to consciously try to fit reality to fiction, whether you’re talking about Father Knows Best or 1984 or even Star Trek.

In a personal sense, "simpler" usually means "before my life had as much heartache and difficulty, and when there were supportive pillars that I always thought would be there." And it’s weird, because "always" isn’t always as permanent as we seem to think it is.

Take my Golden Age of Comics. A writer once opined that everyone’s Golden Age of Comics is 12. Not for me. For me it began in my mid-20s when my first husband, Steve Chaput, got me hooked for good on indies and, thanks to Crisis on Infinite Earths, the new streamlined DC Universe. (My best friend in college, the late great Bill-Dale Marcinko, tried mightily to get me interested in late-70s Marvel fare, but it was all too soap-opera’y for me back then. In those days I hated the idea of soaps. Nowadays I can’t wait for the next episode of Ugly Betty. Go figure.) By 1993 Steve and I had discovered online fandom, which still consisted mostly of folks in the CompuServe Comics and Animation Forum (yep, this was pre-Usenet; I wouldn’t make my first tentative posts to those comic groups until 1994), and we were making plans to help out our friend Vinnie Bartilucci (who had actually introduced us to the wonders of email and suchlike) with the running of the Greatest Comic Convention Ever.

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ROBERT GREENBERGER: On continuity

ROBERT GREENBERGER: On continuity

I like continuity. Always have, always will. It enriches serialized fiction as found in pulp magazines, comic books, movies and television.  In an ideal world, things would be consistent from the beginning of any new creation, but it rarely is.

Johnston McCulley altered his own reality after one Zorro novel because he decided more people saw the Douglas Fairbanks silent film than read his book and anyone coming to the second book should recognize elements.

Gene Roddenberry was building his worldview for Star Trek so details such as the name of Starfleet and the United Federation of Planets evolved over the course of the first season. Unlike many of its peers, it actually had more episode to episode continuity than the majority of prime time in the 1960s.

In comic books, after 60+ years of publishing, even I recognize that it’s impossible for a singular continuity to exist for long-running characters from Captain America to Superman. What editors need to strive for, today, is consistency so the reader isn’t left scratching his head week after week.

During my tenure at Marvel, I pointed out to the editorial team that three different titles released the same week gave Henry Peter Gyrich three different jobs. That serves no one well and meant no one was paying attention at a company that prided itself on its shared universe.

More recently, DC Comics released, a week apart, a Nightwing Annual and an Outsiders Annual. Both were solid stories that wrapped up some long-standing threads and filled in gaps left by the time between Infinite Crisis’s conclusion and the “One Year Later” re-set. Read separately, they were fine, but read against the largest context of the DC Universe they massively contradicted one another.

At the conclusion of Infinite Crisis, Nightwing was completely zapped and left for dead. In his own annual, we’re told he was in a coma for three weeks and then so badly banged up he needed additional time to recover and retrain his body.  Finally, when he was deemed ready, he left Gotham City with Batman and Robin for what we know to be six months of bonding. And from there, he returned in time to meet the new Batwoman in the pages of 52.

A week later, though, we get the Outsiders Annual where Nightwing is running around with his teammates to break Black Lightning out of Iron Heights prison and once that’s done, he goes with the team for an underground mission that lasts the better part of a year.

OK, so what is the reader to accept as the actual sequence of events? He cannot be in two places at once, yet these annuals ask us to believe exactly that.

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Free Comics Day hits The Big ComicMix Broadcast

Free Comics Day hits The Big ComicMix Broadcast

Primed for Free Comic Book Day? Pumped up or punked out At Spider-Man 3? We cover it all on the Big ComicMix Weekend Broadcast, including news on Casper”s return, the next Superman Movie, More Star Trek in comics, and a quick drive by from Flo & Eddie! Plus we conclude our Comic Book Masters Series with a visit from an Oscar winning cartoonist who helped bring back The Golden Age Of Comics!

Press The Button – or no free comics for you!