Tagged: Star Trek

MARTHA THOMASES: Space Oddity

MARTHA THOMASES: Space Oddity

Jerome Bixby’s Man From Earth is a profoundly unfashionable film. Written by Bixby before he died and directed by Richard Schenkman, it’s a science fiction movie with no aliens, no space ships, not even any explosions. It’s a thoughtful movie, intimate, with adult actors dealing with complex philosophical ideas.

When I was first reading science fiction, I liked the books with lots of talking and big ideas. I liked Isaac Asimov’s Foundation trilogy and the robot books, where scientists explained large concepts and the societies these concepts would inspire. I liked it so much that I could often overlook inane plots and cardboard characters. When the books were more literate, that was even better.

Jerome Bixby is a science fiction writer from the old school. He wrote episodes of Twilight Zone and Star Trek, including “Mirror, Mirror.” He wrote screenplays, including Fanatastic Voyage, which was based on his short story. Just before he died, he wrote the screenplay to The Man From Earth.

It’s a small film, produced on a shoestring budget of $200,000. The closest thing to a celebrity in the cast is William Katt, formerly the star of The Greatest American Hero. Also in the cast is Richard Riehle, a character actor you’ve seen in a zillion movies, Annika Peterson, Ellen Crawford, John Billingsley, Tony Todd, Alexis Thorpe and David Lee Smith as the central character, John Oldman.

There is only one set, a cabin in the woods, and the entire story takes place over the course of a single day. John Oldman is a university professor packing his belongings to leave for a new job. His friends, other professors and a student, have come with food and drink to wish him well. Over the course of the day, he tells them that, to the best of his knowledge, he’s 14,000 years old.

For the rest of the film, these highly educated, polite people argue with each other about whether or not such a thing is possible, or is Oldman pulling some kind of cerebral practical joke. They consider religion, anthropology, history, and the other fields in which they are expert. No one attacks Oldman for a DNA sample to run tests, no one pulls out an old photograph or other evidence. The devout Christian character feels threatened, but does not condemn Oldman to Hell, nor does she stone him. They talk from mid-afternoon until night, when the last few people at the party go out to look at the stars.

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Overheard at San Diego, part 3

Overheard at San Diego, part 3

The most quotable things that have been said in public and overheard in private. Onward!

Overheard on the trolley, while looking at the guy to the right: "Is he getting off at the Imperial Transfer station to go to the Con or does he work at the Imperial Transfer Station?"

At the IDW panel, commenting on John Byrne’s art on the upcoming Star Trek: Romulans: "Everybody looks like Namor…"

DC’s new House of Mystery turns the old barn into a bar and restaurant where patrons sit around telling strange stories. Funny, but it seems like we’ve seen that in comics before… Something called Munden’s

Mike Grell and Mark Ryan (Bumblebee in Transformers) announced a new project called The Pilgrim. Grell starts working on it after he finishes his latest Jon Sable Freelance graphic novel.

Len Wein: "When I first met Hugh Jackman, he said ‘I apologize for being so tall.’ [Jackman is 6’3"; Wolverine, which Len created, is 5’1".] And I said, ‘It’s okay — you play short.’ "

And finally, a special hat tip to Mark Evanier, who mentioned the most heard phrase from Wednesday night.

Contributing writer: Mike Gold

Oh, My! More Book Reviews!

Oh, My! More Book Reviews!

Graeme’s Fantasy Book Review looks at Harry Potter and the Deathly Hallows.

The Guardian reviews Scarlett Thomas’s The End of Mr. Y.

OF Blog of the Fallen reviews Daniel Wallace’s Mr. Sebastian and the Negro Magician.

Blogcritics reviews Warren Hammond’s KOP.

The Kansas City Star reviews The Dark River by the secretive and mysterious John Twelve Hawks.

In the Washington Post, Jeff VanderMeer reviews Ian McDonald’s Brasyl, Kay Kenyon’s Bright of the Sky, Susan Palwick’s Shelter, and more.

Book Fetish reviews Yasmine Galenorn’s Changeling.

CA Reviews looks at Kristin Landon’s The Hidden Worlds.

Powells Books Blog reviews Matt Ruff’s new novel, Bad Monkeys.

Kate Nepveu reviews  Vernor Vinge’s Hugo-nominated novel Rainbows End.

Visions of Paradise reviews C.J. Cherryh’s Inheritor.

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Is Sylar Spock?

Is Sylar Spock?

The Chicago Tribune‘s Maureen Ryan reports Paramount is "close" to signing Zachary Quinto to play young Spock in the next Star Trek movie. Right now, Quinto is playing bad-guy Sylar on Heroes.

If this comes to pass, a few changes might be in store for one of the few successful teevee shows launched last season, as Sylar was expected to play a major role. Quinto’s Trek shooting schedule might disrupt those plans.

An announcement is "expected" to be made at the San Diego Comic Con.

Shore Leave report

Shore Leave report

I spent the past weekend at Shore Leave, a wonderfully relaxing convention with a heavy emphasis on Star Trek and other media. I was a last minute addition to the guest roster, taking the place of fellow Mixer Bob Greenberger who had a sudden family emergency.

Among other things, this meant that I took over Bob’s traditional "Trailer Park" panel, giving a rundown of various upcoming movies. The roster of films (and one TV show) in more or less chronological order:

I also got to see the masquerade, where writer of stuff Peter David, wife Kathleen, daughter Ariel, and friend Marina Olsen won best of show for the above presentation, "Beauty and the Beast(s)". I got to spend time with a number of writers and enthusiastic fans. And I capped off the convention by appearing with Peter and Keith DeCandido in the infamous "Mystery Trekkie Theater 3000" where we proceeded to dissect the TNG episode "Conspiracy".

All in all, a very enjoyable convention, right up until the point Sunday night when my hard drive directory got erased, and I spent the next 36 hours recovering it– which is why this recap is two days after I expected it to be done. The gods just don’t want me to really relax…

New Star Trek ‘toon feature debuts at Convention

New Star Trek ‘toon feature debuts at Convention

Geoffrey James made a feature-length animated film by reprogramming computer games.  The result, the Star Trek film Borg War, with Patrick Stewart, Tim Russ and Brock Peters, will debut at the Official Star Trek Convention 2007 at the Las Vegas Hilton August 10.

According to the press release, Borg War clips have received more than a million downloads online.  If you want to see the trailer for the feature, check out http://www.creationent.com/cal/stlv.htm.

Vegas expects more than 12,000 Trekkies, and a guest list that includes William Shatner, Leonard Nimoy, Avery Brooks, Kate Mulgrew, Brett Spiner and damn near everybody else who’s been associated with the franchise and remains alive.  Also on the schedule — a Star Trek concert with members of the Las Vegas Philharmonic.

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Science Fiction/Fantasy Book Reviews

Science Fiction/Fantasy Book Reviews

I should warn you about these link-lists: Mondays tend to be longer than usual (since there’s a lot of content that goes up on the weekend, or early on Monday), and the beginning of the month tends to be longer than usual. Since we’re just past both of those things, this is going to be a really long one…

Pat’s Fantasy Hotlist reviews Dragons of the Highlord Skies by Margaret Weis and Tracy Hickman.

A.N. Wilson reviews Kazuo Ishiguro’s novel Never Let Me Go in the Telegraph.

SF Crowsnest reviews a whole bunch of things this week:

  • first, here’s a review for Paranormal Borderlands of Science, edited by Kendrick Frazier – a collection of essays by scientists about the plausibility of and evidence for various paranormal claims.
  • and there’s a review of Cory Doctorow’s new short story collection, Overclocked
  • another review covers Kay Kenyon’s new science fantasy novel Bright of the Sky
  • a review of Ian McDonald’s Brasyl
  • a review of Eliot Fintushel’s Breakfast With the Ones You Love
  • a review of Kage Baker’s new “Company” short story collection, Gods and Pawns
  • a review of David Deveraux’s Hunter’s Moon
  • a review of a new art book – James Bama: American Realist – about the cover artist best known for his ‘70s Doc Savage series
  • a review of Charles de Lint’s Memory & Dream
  • a review of Chris Moriarty’s Spin Control
  • a review  of David Anthony Durham’s first fantasy novel, the epic Acacia
  • and several other reviews, too, but my fingers are getting tired.

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TV Cult Guide

TV Cult Guide

According to TV Guide Online, here’s their latest top 30 cult teevee shows of all time.

I would scoff at this, but it turns out I really like at least a dozen of ’em.

30) Strangers with Candy (1999-2000)*

29) Absolutely Fabulous (1994-2003)

28) Stargate SG-1 (1997-2007)*

27) H.R. Pufnstuf (1969-1971)

26) Mary Hartman, Mary Hartman (1975-1978)

25) Firefly (2002-2003)*

24) Twin Peaks (1990-1991)

23) Dark Shadows (1966-1971)

22) Doctor Who (1963-present)

21) Freaks and Geeks (1999-2000)

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RIC MEYERS: Miami Sand Fox

RIC MEYERS: Miami Sand Fox

A few weeks back I was waxing enthusiastic about Sony Home Entertainment’’s line of Columbia Classics Collector’s Editions, especially The Guns of Navarone two-disc set. Well, it turns out that 20th Century Fox wasn’t going to take that lying down, so they started peppering me with flicks young and old for the old ultra-violence (yes, that’’s A Clockwork Orange reference, what of it?).

Starting with the young (and time-relevant): out this week is Reno 911!: Miami: The Movie (Unrated),– a fittingly jaunty title for a fitfully hilarious film. In the spirit of complete disclosure, I’’ve been a fan of this group’’s creative core (Ben Garant, Thomas Lennon, and Kerri Kenney-Silver) since seeing them on MTV’s The State, and have been appreciating their work through their abortive CBS/Disney stint, Viva Variety, and their contributions to the screenplays of The Pacifist, Herbie Fully Loaded, and A Night at the Museum.

The yoks start in earnest at the menu page where Kerri, in character as passive-aggressive Deputy Trudy Wiegel, lets you know in no uncertain terms that this is the unrated version by unleashing the kind of words you didn’’t hear in the rated edition. Then there’’s the film itself, which benefits from its unratedness with elaborately salty vernacular, not to mention some of the finest looking natural breasts recently put on video (as well as some of the unfinest [Kerri was quick to point out on one audio commentary that she had just had a baby at the time of filming]).

The Reno 911 squad is not through with you yet, however. There are three audio commentaries: an entertainingly informative one with director Garant and writers Lennon and Kenney-Silver, and then two more with the cast in character as the hapless Nevada cops they play on TV. It’’s like watching three different takes of the same movie. The group then go on to make it clear that they probably could’’ve actually made three different movies, or more, with the extended deleted/alternate scenes, which, as is their wont, last fifteen minutes or more, until the improv runs out or the cameraman drops from exhaustion.

The disc also includes the Fox Movie Channel’s special, covering the film’s premiere, but probably my favorite extra is the series of Public Service Announcements in which the characters address various problems plaguing today’’s cineplexes (as Kenney-Silver so succinctly puts it: “shut up or I’’ll shoot you and blame it on a crack addict”). This DVD will give you hours o’’ cringey fun.

Speaking of favorite, now starts our coverage of the Fox Cinema Classics Collection with one of the best DVDs I’’ve ever seen in terms of this column’’s theme. The Sand Pebbles two-disc special edition looks innocuous enough on the shelf. The only hint of the riches within comes with its weight and heft. No wonder: the package is literally bulging with stuff: illuminating liner notes, a recreation of the release’s original souvenir book, and even an envelope of postcard-sized, full-color, lobby cards.

Then there’s the discs: three sides containing the 183 minute theatrical version, the 196 minute “Roadshow” version, and so many new featurettes (nine in all), as well as six original docs from the Fox vault, that I wish I could roll around in them. Back in the department of full disclosure, I’’ll admit I’m a big fan of star Steve McQueen, but especially underrated director Robert Wise, who could, and did, do everything.

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JOHN OSTRANDER: Backing Into The Future

The new Suicide Squad miniseries got announced this last weekend and noted by many, including here on ComicMix. The series was always a cross between Mission: Impossible and The Dirty Dozen and will be again. I’ve always tried to give it a “real world” feel, even going back to its origin. And sometimes the “real world” pulls a fast one.

When I proposed the Squad, there was some concern that the premise – that the U.S. government would hire bad guys to undertake missions considered to be “in the national interest” but needed deniability – seemed a little “out there.” In between the time that the proposal was accepted and we got our first issue out, Irangate broke – where the government was using bad guys etc etc – and made us look like pikers. It looked like we were cashing in on the story rather than inventing an edgy and daring scenario.

That continued through the Squad’s run. I would read the papers and try to extrapolate events from them, concoct possible and likely scenarios and try to fit the Squad around them, and the real world would get there around the same time the issue came out. I was successful enough at one point that a friend contacted me one January wanting to know where I was setting the Squad that summer. She was preparing her summer vacation plans and wherever I was sending the Squad she wanted to avoid.

In truth, I’m not much of a seer. I simply apply what I know from writing plots – formulating a sequence of events that would lead to a given event/moment and then extrapolating the most feasible series of events that might follow from said event. I apply this method to what I see in the world. Very useful in plotting or dealing with characters; a little scarier when dealing with real-life situations.

For example, a couple of weeks ago I did it in a column concerning the sudden death of bees. Others, such as Al Gore, are doing an admirably scary job looking at climate change (a.k.a. global warming). I remember once when I was teaching a writing class at the Joe Kubert School – yes, I was teaching writing to artists – I gave an assignment on scanning the future. We started from a given factoid: oil is not a renewable resource. At some point we will cross the line where we will have taken more oil out of the ground than there is left in it. Some speculate we either already have or will within the next ten years. At that point, oil has to start becoming a scarcer commodity. Given our current rate of consumption, there are some who think the oil will give out around 2030.

We started to explore what that would mean. Not just higher costs for driving your car or heating your home but what the impact would be in other areas. For example, as the cost of transporting goods goes up so does the cost of bringing in food outside the local area. Everything then costs more from the clothes you wear to the food you eat.

Plastics are made from petroleum and as petroleum becomes scarcer, the cost of plastics goes up. Think of everything – EVERYTHING – you use that depends on plastic use – on CHEAP plastic use. The cost, of course, gets passed on to the consumer. That’s a given.

With all this, I asked them to contemplate what happens geopolitically. As oil becomes scarcer and control of it literally dictates what happens to a country’s economy, who will do what in order to control access to the oil? I don’t mean just this country; there are up and coming players as well. Hungry players.

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