Tagged: Star Trek

Hall of Fame, Mystery as a Hobby, Dr. Death Returns, and More From Radio Archives!

 
March 23, 2012
 
 

 
From the earliest days of broadcasting, radio audiences always loved a “really big show”. In December of 1943, a musical variety series that would quickly become one of the most distinguished – and expensive – radio shows on the air debuted on the then newly formed Blue Network. Titled the Radio Hall of Fame, this hour-long Sunday evening offering presented itself as a weekly tribute to the best entertainment then available on stage, in radio, on recordings, and in motion pictures.
 
Sponsored by the Philco Corporation, makers of refrigerators and the largest radio manufacturer in the country, Radio Hall of Fame featured entertainers considered the best of the best then, many still remembered today, including Fred Allen, Bing Crosby, Orson Welles, and many more!
 
Heard today, the Radio Hall of Fame remains outstanding entertainment, reflecting the tastes of the general public during the latter years of World War II. There’s never any shortage of talent on hand. And today, in a time when the once-common variety show has completely disappeared from the airwaves, it’s fun to return to an era when listeners could literally expect to hear anyone or anything presented in a sixty-minute line-up.
 
The nine broadcasts in Radio Hall of Fame, Volume 2 have been fully and beautifully restored to the best sparkling audio quality possible. These programs are truly a piece of history as well as examples of some of the finest entertainers of the Twentieth Century and belong in any Pop Culture enthusiast’s collection! Get yours today, Nine Audio CDs for $26.98!
 
 
Bob Elliott will celebrate his 89th birthday on Monday the 26th. Ray Goulding would have celebrated his 90th birthday on March 20th.
 
You can send Bob a Happy Birthday greeting by sending an email to bob@bobandray.com
 
 
 
 

One way to tell a radio show is truly great is when it stands out above its own format, which in today’s terms may be overdone and clichéd. Mystery is My Hobby, by that definition is a truly great show.
 

 
Aired originally from 1945 to 1947, this fantastic, albeit formulaic program featured Barton Drake, as played by Glenn Langan. A mystery writer by trade, Drake spends much of his time solving mysteries that seem to occur naturally all around him, plying his ‘hobby’ on a regular basis with his sidekick, Policeman Noah Danton. Usually the crime is committed, either while Drake and Danton are around or just prior to their arrival on the scene. Drake then, in the style of The Falcon or The Saint, works his way through the clues given and danger offered and solves the mystery, using the last few minutes to explain just how he did it to the slightly obtuse Danton.
 
On first listen, “Mystery is My Hobby” sounds like several other radio shows of the same format and you can definitely tell that it was one of the precursors to television shows like “Murder, She Wrote’, ‘Diagnosis Murder’ and others. What makes this light mystery program stand out, however, are the two lead characters – Drake and Danton. There’s most definitely a typical ‘Lead and sidekick’ relationship between them, but there’s something more. The two characters interact with each other with a humor and relaxed ease that not only makes the listener grin, but serves to ingratiate and involve them in the plot. The banter between Danton and Drake engages you to the point that you’re wrapped up in the mystery almost immediately and even though you have the general idea of how it’s going to play out, you’re fully invested and enjoy the entire episode.
 
Although most of the mysteries that Drake finds himself engaged in do end up in murder, another intriguing aspect of the show is that all the crimes aren’t always centered on something so fatal. Blackmail, theft, and other interesting crimes pop their head up throughout this collection. Mystery is My Hobby is a good example of a well established light formulaic mystery program, but even more so it’s a hoot to listen to because of the bickering between Drake and Danton. And you can enjoy ten hours of this wonderfully fun amateur detective show for only $29.98 on Audio CDs from Radio Archives!
 

 
Doctor Death is back for second clash with supernatural detective, Jimmy Holm, and his team. When a Zombi strangles a wealthy and influencial Egyptian in his New York apartment, Holm and Police Inspector Ricks knows it signals that Doctor Death is opening up a strange new front on his sworn war against modern man. Master of many forbidden sciences, servant of Satan, Death—in reality disgraced Yale psychologist Rance Mandarin—has assembled a legion of living dead and unclean elementals to do this wicked bidding. But Death wants more. Much more.
 
The trail of dead and undead alike leads to Egypt, land of a million mystical mysteries. There, lies the tomb of Anubis, the jackal-headed Lord of the Underworld. Thought to have been a god, in reality he was once a wizard. And in his sarcophagus rests the long-lost secret of reanimating an unstoppable new army to do Death’s bidding. For Doctor Death will not rest until he has resurrected all of Egypt’s entombed mummies!
 

Only Jimmy Holm and the strange alliance of power political leaders and Underworld kingpins known collectively as the Secret Twelve possess the will to stand against Death and his Undead things. But to win, Holm must ally himself with the mysterious Egyptian ruler known as Queen Charmion. Can she be trusted? More importantly, how do you defeat a human monster who can implant his soul in the body of any living person at will? Can anyone be trusted if they might be in reality…Doctor Death? Buy the second audiobook of one of our most popular titles for only $17.98 on Audio CDs from Radio Archives.

Audiobook Reader Profile: An Interview with Joey D’Auria
 

A Scientist driven mad by his own desires and evil depravity! Zombies, giants, and horrible powers of the mind at his disposal! The world on its knees! And a stalwart group of Twelve led by an intrepid Police Detective stand as the only thing between this lunatic and world domination! All of this and more is what readers of Pulps in the early 20th Century thrilled and chilled to in stories written by Harold Ward under the mysterious nom de guerre Zorro! These were the tales of Doctor Death!
 
Listeners today will find just as much horror and adventure in Doctor Death as they are presented as audiobooks as a part of Will Murray’s Pulp Classics! Brought to chilling life by the fantastic reading provided by Joey D’Auria, the heroic adventure of Jimmy Holm and his team as well as the true horror of the mad Doctor Death keeps listeners coming back for more and leaves goosebumps at the end of every chapter.
 
Translating a classic Pulp Tale to a modern Audiobook is exciting enough. That challenge becomes even greater when the lead character in the story is not the dashing hero rushing into save the day, but instead the insane villain of the piece. This sort of story requires a special talent, someone who can easily move back and forth between the cruel machinations of Doctor Death and the desperate do-gooding of Jimmy Holm. Joey D’Auria is exactly the voice talent to do just that and much more.
 
“I have always been a huge fan of radio drama,” D’Auria stated. “In fact, back in the mid 1970’s in Los Angeles, my very good friend Roger Rittner and I created the Variety Arts Radio Theater, performing recreations of classic radio shows from the 30’s, 40’s and 50’s on stage for a live audience. Our sound effects man did all our sound effects live and without recordings. We even recreated classic period radio commercials.”
 
Even when life pushed Joey other directions, he made his way back to audio. “When I was offered the job as WGN-TV’s Bozo the Clown in 1984, my family and I left L. A. for Chicago, and while there, in addition to working as Bozo the Clown, I also worked in stage productions and in TV and radio commercials. When the Bozo Show ended in 2001, my wife and I moved back to California, and in Hollywood, I returned to working in voice over and animation. One of my first jobs back in L. A. in 2002 was for the anime series Daigunder, in which I played Commissioner Spinklestarber.
 
In 2003,” D’Auria continued, “I was in Great Britain as the principle writer and show coordinator on Star Trek the Experience For See Entertainment in Hyde Park, London. Returning to the States, I became head writer and did occasional voices for Betsy’s Kindergarten Adventures on PBS. And I also supplied assorted voices for Universal/Imagine’s “Curious George” (The Movie). From there I worked on War of the Worlds: Goliath for Tripod Entertainment and most recently was the voice of General Alister Azimuth for Insomniac Games Ratchet & Clank Future – A Crack in Time. Today most of my work is for video games.”
 
Signing on as one of the voices of Will Murray’s Pulp Classics, Joey brought his own knowledge and experience with Pulp to the table. “When I was a kid,” he related, “a friend’s father had a huge pulp collection stashed inside the family’s fallout shelter in the back yard. My friend and I would spend lazy summer days sequestered down there eating peanut butter and jelly sandwiches and reading Amazing Stories, Captain Future, Man of Tomorrow and several other collections whose names I don’t remember. However, the thing that really drew me into “The Pulps” was the fantastic artwork on the covers.”
 
Joey sees Pulp today as just as attractive for modern readers and listeners today as it was for him as a child. When asked what appeal Pulp tales like ‘Doctor Death’ might have for fans today, he stated, “The same things that no doubt appealed to the audiences of the 1930’s, ’40’s and ’50’s! Action, adventure, thrills! Momentary escapism into a fantastic world where anything is possible!”
 
That escapism is something that D’Auria definitely enjoys about his work on Doctor Death. “The Doctor Death stories are marvelous period melodrama. For starters, you have tough talking 1930’s detectives and they are coming up against a world of mad scientists and occult creatures. Here the heroes are 100% patriotic, noble and forthright – even the notorious uncrowned king of the underworld Tony Caminetti steps up and puts all criminal activity in the USA on hold for the good of the country.”
 
The cast that D’Auria has to work with in his reading of this Pulp series is definitely varied and interesting. He explained, “It’s true the stories are all centered on Doctor Death and his insane schemes, but we also have a lot of wonderful characters who are integral to each Doctor Death plot. I approach my reading by not just telling the story – but by attempting to breathe life into all the assorted characters that people this world.”
 
Joey admits, however, that even as grand as the heroes are, he finds just as much amusement in playing the lead role. “The madly deranged Doctor Death,” D’Auria added, “brings to the party a delightfully unrepentant mad scientist who wants to take over the world and doesn’t care how many people he has to kill to do it! Doctor Death is a wonderful villain . . . and I must confess that I really miss him when he doesn’t show up in a chapter to spread his special brand of whimsical malevolence. So, I guess you could say the most fun for me in reading these stories is playing Doctor Death!”
 
D’Auria believes that listeners to the Will Murray Pulp Classics audiobooks will be drawn to the same aspects of the stories as fans of the original Pulp tales were, particularly the action. “The beauty of the pulps is that they don’t short-change the reader on action and excitement. And it’s that same action and excitement that also makes them such wonderful material for us readers. All of the other readers (many of whom are old friends of mine) are fine actors and each brings his or her own special talents to each of their stories.”
 
Joey D’Auria definitely plans to keep going with Doctor Death as long as the dastardly doctor is a part of the Will Murray Pulp Classics line up, but he also wouldn’t mind reliving some of his childhood Pulp favorites as a reader as well. “I would love to continue with the series. However, if I were to head into another direction – I guess I would have to confess to a desire for some old fashioned science fiction that harkens back to those days so long ago when I was reading stories like Captain Future, Man of Tomorrow down in my friend Peter’s fallout shelter.”
 
Will Murray’s Pulp Classics is proud to present Two Volumes of Doctor Death as read by the spectacularly talented Joey D’Auria. Get ’12 Must Die’ for $14.98 and the latest audibook “The Gray Creatures’ for $17.98! If you’re looking for the best in Audiobook and Pulp entertainment and a good villain to boot, then Doctor Death as performed by Joey D’Auria and presented by Will Murray’s Pulp Classics is exactly what you’re after!
 
by Derrick Ferguson
 

People are forever asking me what do I see in this Pulp stuff anyway? “It’s old” they’ll say or “That stuff is corny”
 
Maybe so, but if a crime fighting Buddhist monk is corny, then give me more of it because that’s the kind of corn I love to eat. Up until now my knowledge of The Green Lama has only been limited to the prose anthologies and novels I’ve read. The thing that grabbed me about The Green Lama is that it’s a concept I’d have bet good money on wouldn’t work in the pulps but I’m switched if it doesn’t. Which actually is a good thing. The Green Lama is a refreshing change of pace from guys like The Shadow and The Spider who usually leave several dump trucks full of dead bad guys at the end of their adventures. Not The Green Lama. He relies on his trusty prayer scarf and his knowledge of human anatomy to incapacitate his foes. After listening to “The Case of The Crimson Hand” and “Croesus of Murder” I wonder if Gene Roddenberry got the idea for the Vulcan nerve pinch from The Green Lama.
 
The Radio Archives audiobook is voiced by Michael McConnohie who is my favorite voice talent when it comes to Radio Archives audiobooks. Not to take away from the others because I honestly haven’t yet listened to an audiobook of theirs I didn’t like. But Mr. McConnohie’s ability to do different voices never fails to amaze me. Mr. Connohie is absolutely terrific in his dramatic reading that conveys the excitement of the stories.
 
Once again Radio Archives filled one of my slow Sunday afternoons with a wonderful production that kept me glued to my seat. My intention was to do some household chores while listening to “The Case of The Crimson Hand” and “Croesus of Murder” but that quickly went out the window as I simply did not want to get up. Another worthy addition to any pulp fan’s audio drama library. And it can be a part of yours for only $17.98 from Radio Archives!
 
 

The best of timeless Pulp now available as cutting edge Ebooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your E-Reader! Presenting Pulp Icons such as the Spider and Operator 5 as well as wonderfully obscure characters like Doctor Death and more, Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 
Five new golden age Pulp tales exquisitely reformatted into visually stunning E-books!

 
In the heart of New York’s Chinatown, on his imperial throne, guarded by swordsmen and gunmen and a labyrinth of death traps, sat the Arch-Criminal of all time. Master of life and death, of disease, of horrible, crawling things — the Emperor of Vermin released destruction over city and nation. The Spider, Master of Men, champion of humanity, fought with every ounce of his cunning, against the monster who personified evil incarnate — while one faithful servant gave his life in this, the Spider’s most bitter, hopeless battle, and Nita herself was faced with a doom more ghastly than any criminal mind had conceived before! Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
 
Sere, ghastly, the Severed Hand brought its grisly warning to New York. Its citizens must pay the extortioner’s price or die, their living bodies slowly, agonizingly transformed into rigid mummies! The police were helpless, and only Richard Wentworth, in the Spider’s weird garb, could wage battle — against the master murder-chemist who killed to corral a fortune! Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
 

Walking cadavers! Blood-thirsty, nauseous gray creatures! In the dank tombs of Egypt where he seeks the secret of resurrection, Doctor Death strikes at his pursuers with the terrible inventions of his warped brain. This gripping account of a brave detective’s struggle against a scientific fiend is packed with thrills and horror. The maddest of the Mad Scientists — Doctor Death — starred in his own bizarre pulp magazine in early 1935. He consorted with demons, elementals, zombies, disinterred mummies, and other unclean denizens of Hell. Standing against him were the Secret Twelve, a band of the top U. S. civil and business leaders, headed by Jimmy Holm, a millionaire criminologist and occultist. One of the rare unabashedly supernatural series the pulps ever produced, Doctor Death returns in vintage pulp tales, reissued for today’s readers in electronic format.

 
One moment good-will bound the United States and the great Power across the sea… the next, shells screamed their death wails into Coast homes and factories. No citizen was safe from the bloody holocaust when the Yellow Empire struck without warning from the Pacific. With fiendish artifice the world was turned against us. And somewhere in this country, covertly completing the terrifying work of wholesale destruction, lurked the ruthless agent of the invading hordes. Operator 5 alone guessed the dread secret and matched his individual might against a million war-drunk terrorists — while the nation trembled on the brink of red wreckage! As a special Bonus, Will Murray has written an introduction especially for this series of Operator #5 eBooks.
 

From Earth, Venus and Mercury, three Musketeers of Space, accompanied by a female D’Artagnan, rocket out in a grim battle against the League of the Cold Worlds! From the blistering surface of Mercury to Pluto’s frosty icefields, their fame had spread. John Thorn, Sual Av and Gunner Welk—better known as The Three Planeteers! Are they heroes, or outlaws? Could they be both? No more knew. When the tyrannical League of the Cold Worlds devises a super-weapon capable of annihilating the defenses of the democratic Alliance of Inner Planets, The Three Planeteers go undercover to choke off Dictator Haskell Trask’s critical power supply of radite. But the mission brings them into the realm of the D’Artagnan of space, Lana Cain, legendary leader of the most brazen band of buccaneers ever to ply the space lanes. In the year 2952, the fate of the Solar System rests on a trio of hired ray-guns who dare the pirate-infested asteroid wilderness known as the Zone…from which few return…
 
When you purchase these beautifully reformatted eBooks from RadioArchives.com you receive all three formats in one ZIP file: PDF for PC or Mac computer; Mobi for Kindle and ePub for iPad/IPhone, Android, Sony eReader, and Nook. When you upgrade to a new eReader, you can transfer your eBook novels to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, available in the Kindle store and coming very soon to the iBook Store! The best Pulp eBooks now available for only $2.99 each from Radio Archives!
 
 

by Kendell Foster Crossen, introduction by Will Murray
Om! Ma-ni pad-me Hum! The first of its kind, the complete adventures of the Green Lama follows the adventures of Buddhist Jethro Dumont and his aides as they battle the forces of evil in the western world. Written by Kendell Foster Crossen, it’s non-stop action in the vein of The Shadow! Never completely reprinted before, the series is collected in three volumes. Each volume contains an all-new introduction, focusing on a different aspect of the character’s life across several forms of popular media. Volume 1 contains in introduction by Will Murray and features the first five stories. Only $34.95 in the Pulp Book Store!
 

by Henry Kuttner, introduction by Will Murray
Available for the first time… the complete saga of Thunder Jim Wade! Written by fantasy legend Henry Kuttner, this collection reprints all five adventures of Thunder Jim Wade from 1941. Long discounted as a Doc Savage clone, Thunder Jim Wade: The Complete Series brings to life this classic pulp hero and shows him to be much more than a knock-off! Ride along with Wade and his two stalwart companions, Dirk Marat and Red Argyle, as they battle evil across the globe! Thrill along with them as they traverse the world in The Thunderbug, Jim’s multifunctional transforming vehicle! Includes an all-new introduction by pulp historian Will Murray! Now available in the Pulp Book Store for $29.95!
 

Who knows what evil lurks in the hearts of men? The Shadow knows! The Shadow’s underworld agents Hawkeye and Cliff Marsland take center stage in two thrilling pulp novels by Walter Gibson writing as “Maxwell Grant.” First, what is the strange secret of “The Green Box” that is worth human life? The Shadow seeks the deadly secret in a masterpiece of misdirection that introduced aides Hawkeye and Tapper. Then, the Master of Darkness and his underworld operatives investigate “The Getaway Ring,” a racket that helps mobsters evade capture via a modern-day “underground railway.” BONUS: “The Crawling Death,” a lost thriller scripted by radio Shadow Bret Morrison! This instant collector’s item reprints the classic color cover paintings by George Rozen and Graves Gladney and the original interior illustrations by Tom Lovell and Edd Cartier, with historical articles by Anthony Tollin and Will Murray. Buy it today for $14.95.
 
TRIPLE NOVEL SPECIAL Tarzan’s influence on the Man of Bronze is examined in three action-packed adventures by Lester Dent writing as “Kenneth Robeson.” First, a giant “Dagger in the Sky” materializes from thin air and disappears after bizarre murders, leading Doc Savage to a South American war started by Earth’s wealthiest men. Then, the Man of Bronze is asked to locate an heiress who disappeared into the Brazilian jungles years earlier. Finally, while attempting to license one of Monk’s chemical inventions, Henry Jones comes into possession of “The Monkey Suit” that leads into a strange adventure, narrated in the first person. This triple-novel collector’s edition showcases the original color pulp covers by Emery Clarke and Walter Swenson, the classic interior illustrations by Paul Orban and Edd Cartier and historical commentary by Will Murray, writer of nine Doc Savage novels. Priced at only $14.95.
 
The Pulp Era’s strangest mystery man returns in two more epic adventures by Paul Ernst writing as “Kenneth Robeson.” First, can Justice, Inc. prevent secrets of an ancient civilization buried for centuries in The River of Ice from destroying the modern world? Then, scientists in Paris, Berlin and Montreal exhale fire as they die, setting The Avenger on the trail of The Flame Breathers and a deadly secret that threatens to plunge the world into a fiery infernal! BONUS: a thrilling adventure of Police Commissioner James Gordon, a.k.a. The Whisperer! This classic pulp reprint showcases H. W. Scott’s classic pulp covers, all the original interior illustrations by Paul Orban, and historical commentary by Will Murray for $14.95!

Pulp fiction’s legendary Master of Men returns in two classic novels from the Golden Age of Pulp Fiction, written by Norvell Page under the pseudonym of Grant Stockbridge. First, in “Overlord of the Damned” (October 1935), the Boss unleashes horrible death with his demonic acid guns… with a vat of the same deadly corrosive reserved for those who talk too much! With his beloved Nita van Sloan a hostage to a terrible doom, the Spider faces the soul-tearing prospect of planting the Spider seal on his friend Stanley Kirkpatrick, Commissioner of Police! Then, in “Dictator’s Death Merchants!” (July 1940), The jaws of death gape open when El Crocodilo feasts! With uncanny skill, he forestalls even the Spider’s best attempts to trap him. Striking without mercy, this menace from the past rises anew by demolishing a banking institution each night, in a mad scheme to take control of nothing less than all of America’s finances! This volume is available in two editions and features the original artwork from the October 1935 or the July 1940 edition of “The Spider” magazine. Both versions feature reformatted text and original interior illustrations to accompany each story. Available now for $14.95!
 
 
 
 

By Art Sippo

 
It is the middle of the Great Depression. In the town of Crescent City, poor but honest Tom Worth disappears. Two days later he reappears on his front porch and tells a tale of being captured by a band of tiny golden ogres dressed in loin cloths and held prisoner in a cave. These miniature cavemen were no higher than his knee. They beat him with clubs and warned that they were going to do horrible things to him and the people of Crescent City. Shortly thereafter he disappeared again.
 
Tom’s son, Don is away at summer camp when his mother sends him the news of his father’s final disappearance. Don was a hard working lad and a good student. He intended to work hard and better himself. A serious lad, Don worked odd jobs to help the family make ends meet. Any bully who tried to mess with him learned the hard way that Don was no pushover. In fact Don tried to emulate his hero, the amazing Doc Savage! He wanted to be sound in mind, body, and conscience.
 
Don had three good friends: B. Elmer Dexter who always had some get-rich-quick scheme, Morris ‘Mental” Byron a dreamer and philosopher, and Leander ‘Funny’ Tucker a chubby good-natured boy and a practical joker. Together, they plan to solve the mystery of Tom Worth’s disappearance. The weird aspects of this case lead Don to one logical conclusion: they must seek help from Doc Savage.
 
In one of his few solo adventures without his aides, Doc goes to Crescent City and almost immediately, an attempt is made on his life. He links up with Don Worth and his three friends to solve the mystery of the gold ogres.
 
This adventure was written specifically to inaugurate a new series of juvenile adventures starring Don Worth and his friends that would emulate the more mature stories in the Doc Savage series for younger readers. The projected series never did materialize but Lester Dent left us an example of his writing talents for a young adult audience. Every Doc savage should read this unique addition to the Doc Savage canon and you can get yours today, plus another titanic Doc Savage tale in Doc Savage Volume 20 from Radio Archives for only $12.95!
 

Comments From Our Customers!
 
C. Eugene Schneider writes:
When I found Radio Archives in 2000, I thought I had died and gone to heaven. Continuing on 11 or so years later, I must say you produce the finest quality Old Time Radio recordings in your industry. I am very grateful for them and looking forward to what may be around the corner. The quality you provide is better than the original broadcasts. Thank you and keep up the fantastic work.
 
Larry Hultgren writes:
THANKS for all of your work in making excellent quality old time radio programs available. Great variety in your selections and wonderful service!
 
Mitzi McLaughlin writes:
This is great! I appreciate all of you so much for keeping this alive!
 
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!
 

The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.

Derrick Ferguson Gets Himself To Mars To See JOHN CARTER

Walt Disney Pictures
2012
Directed by Andrew Stanton
Produced by Jim Morris and Colin Wilson
Screenplay by Andrew Stanton, Mark Andrews and Michael Chabon
Based on “A Princess of Mars” by Edgar Rice Burroughs
It was while waiting in the theater lobby for my wife after we had just seen JOHN CARTER that I heard a snatch of conversation that most likely was duplicated in one way or another in movie theater lobbies all across the country.  It went something like this; “It would have been a better movie if it didn’t try to rip off so many other movies.”
If I was not the sweet, gentle soul you all know and love I would have put that worthy in a serious headlock and informed him that the book the movie JOHN CARTER is based on, “A Princess of Mars” was written back in 1912 by Edgar Rice Burroughs who just about created the sub-genre of science fiction which could well be termed “Sword and Planet.”  With his series of novels set on the Red Planet, Mr. Burroughs also created a template for heroic adventure fiction that has has been homaged, borrowed, copied and downright stolen from then until now.  John Carter is the great-great grandfather of dozens, if not hundreds of heroes in comic books, novels, movies and television.  Not to mention the influence the books has had on writers, artists and scientists.  Most American astronauts will claim “A Princess of Mars” along with “Star Trek” as the major influence in them wanting to be an astronaut.  The importance of Edgar Rice Burroughs, his creation of John Carter and his vision of Mars simply cannot be overstated.
But that’s enough of the history lesson.  You’re here to find out if I think JOHN CARTER is worth your time and money.  Okay, for a change I won’t make you read the whole review to find out.  Yes.  JOHN CARTER is most definitely worth your time and your money.  Not having read the book in quite some time I’m not going to swear to the faithfulness of the adaptation but most of the major scenes rang true to me and they’re what I wanted to see and I wasn’t disappointed.
John Carter (Taylor Kitsch) is a former Confederate Army soldier who goes west to prospect for gold after The Civil War and finds a whole cave full of the stuff.  He also finds trouble from a Union Captain (Bryan Cranston) and some bloodthirsty Apaches.  This leads to Carter being trapped in the cave and transported to Barsoom, which is what the inhabitants of that planet call Mars.
The bewildered Carter is captured by Tars Tarkus (Willem Dafoe) the Jeddak (king) of the Tharks, the fierce Green Warriors of Barsoom.  Standing some seven feet tall with tusks, and a double torso with four arms, they are the first clue to the bewildered Earthman that he isn’t in Virginia anymore.  But it’s not as if Carter is entirely helpless.  Due to the lesser gravity of Barsoom and his denser bone/muscular structure he has the strength of a hundred men and is able to leap incredible distances.
Meanwhile, over in Helium which is home to the human looking Red Martians, they are realizing that they cannot win their long war with their hereditary enemies, the Zodanga.  Arraignments are made to marry the Princess of Helium, Dejah Thoris (Lynn Collins) to Zodanga’s ruler, Sab Than (Dominic West).
However, Dejah Thoris doesn’t think much of this at all and runs away, an act which leads her to being captured by the Tharks and meeting John Carter.  Once she sees his extraordinary abilities, combined with his exceptional swordsmanship, she sees a way out of her marriage and a way for Helium to win the war.  However, unknown to all, there is a third faction at work in this conflict.  The Holy Therns, led by Matai Shang (Mark Strong) have been secretly manipulating conflict between the various tribes and races of Barsoom for thousands of years for their own hidden purposes.  And they’re not about to let a wild card like John Carter interfere in the plans they have for Barsoom.  Or Earth…
The sheer joy of seeing a major motion picture based on anything written by Edgar Rice Burroughs probably prevents me from seeing any flaws in the movie.  Taylor Kitsch wouldn’t have been my first choice for John Carter but after seeing him I don’t know who else could have played the role so well.  He commits himself fully to the story and the character and there was never a moment he wasn’t convincing. 
As Dejah Thoris, Lynn Collins has a lot to live up to as Burroughs described her in the books as being so impossibly beautiful that any real woman would have a hard time fulfilling that description but she does the job admirably.  And her role in the story is fleshed out considerably by having her be a scientist/swordswoman  as well and not just a princess to be rescued.
Willem Dafoe as Tars Tarkus and Thomas Haden Church as Tal Hajus, a rival Thark warrior do a superb job of giving the giant green warriors personality but Dominic West’s character could have been a better villain.  He’s little more than the errand boy for the Holy Tharns but West is such a good actor, I’m willing to let it go.
And maybe it’s just my thing, but when a movie costs as much as JOHN CARTER, I appreciate seeing it up on the screen and I certainly did.  This is a big-budget movie that actually does look like a big-budget movie with some really astonishing sets and eye-popping locations.  This is how a larger than life movie with larger than life characters is supposed to look.  Not like a TV movie on steroids.
Bottom line: I liked JOHN CARTER a lot.  It’s a movie made by talented folks who respect the source material and delivered what I was looking for and that’s more than enough for me.  Enjoy.
132 minutes
Rated PG-13

The Point Radio: Sulu Trumps Tia On CELEBRITY APPRENTICE

The new season of CELEBRITY APPRENTICE is loaded with dramatic personalities and we’ve got two right here. STAR TREK Alumni George Takei and actress Tia Carrere join Donald Trump to talk about what we can expect on the show in the next few weeks. Plus was that a WALKING DEAD spoiler we saw?

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.

JOHN OSTRANDER: Our Final Frontier

SPACE: The final frontier. These are the voyages of the Starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.

We’re a frontier nation. Always have been. If you weren’t happy were you where, if you looked for new possibilities, new challenges, there was always somewhere to go. That concept, that feeling, brought people from other lands to this one, from the pilgrims to the later great European migrations. As late as the Dustbowl and the Great Depression, people uprooted from where they were and went somewhere else, often California. African-Americans, seeking a better life, made an exodus from the Deep South into the Midwest, to Chicago and Detroit and other cities. Someplace else has always held promise to us as a people and, I think, helped define us.

Star Trek also evoked the concept of frontier with its opening narration. It’s the first thing we heard when we first saw Star Trek. Later shows and movies would alter it slightly, changing “five year mission” to “ongoing mission” and “to where no man has gone before” to “to where no one has gone before”; both, to my mind, improvements. By now we know it so well that we hardly ever really listen to that invocation anymore but it’s worth looking at.

Think of hearing those opening words for the first time – ever. There is a promise of adventure, of hope – they define frontier. They reflected an aspect of America at the time – a belief in ourselves and our ability to achieve great things.

I saw Neil deGrasse Tyson, the director of the Hayden Planetarium in NYC, on The Daily Show this last week. I love watching Tyson – he is a terrific cheerleader for the manned exploration of space, not only enthusiastic but able to communicate that enthusiasm. He was selling his new book, Space Chronicles: Facing the Ultimate Frontier, but he was also decrying how we, as a people and a nation, have given up on space. After the moon landings, he noted, we settled back into the space station and the shuttle, boldly going over and over again where lots of people have gone.

Don’t get me wrong – I think the space station is a remarkable achievement and the shuttles were important and the loss of two of them and the lives within were tragic. Neither program, however, really ignited our imagination the way that the race to the moon did or the opening to Star Trek did. There is no reach outward. There is no frontier.

I think we need a frontier. I think that we, as a nation, have fallen inwards and are devouring ourselves. A frontier makes us look outward and upward; it demands the best from us if we are to survive. What we currently slog through in our lives is far from our best – and offers damn little hope of reaching something better than what we have.

Reaching outwards, to other planets, to other stars, presents risks and problems but we find ways of solving those problems and overcoming those risks and, in the process, makes us better.

I know there are those who say it is too expensive to explore space with people. Manned probes can get us there cheaper and without the risk to human life. However, I think that risk is what’s important. It’s humanity against the elements and, without that risk of death, is there really an achievement? However sophisticated the Mars’ probes are, they are not humans. They are machines. There is skill but there is no courage.

Some people have said we shouldn’t go back into space until we solves our problems here on Earth. That’s not going to happen; there will always be problems here on Earth. Solve one and another pops up. Many of these problems are hardwired into us as human beings. However, so are the virtues and strengths of us as a people and they are never better on display than we reach outwards – to another planet, to the stars, to one another.

We, as a people, need frontiers and, as Star Trek pointed out, space is the final, the ultimate, frontier. Let’s seek out new lives and create a new civilization. Let’s unwrap our imaginations and explore possibilities.

Warp factor baziilion, Mr. Sulu.

MONDAY: Mindy Newell

 

Mission: Impossible – Ghost Protocol Coming to VIdeo on April 17

mi4_bd-combo_3d_skew-300x369-9063482HOLLYWOOD, Calif. – (February 21, 2012) Called “a powerful thrill ride that is simultaneously gritty and dazzling” (Claudia Puig, USA Today) the global smash hit MISSION: IMPOSSIBLE—GHOST PROTOCOL explodes onto Blu-ray and DVD (both with UltraViolet™), On Demand and Digital Download April 17, 2012 from Paramount Home Media Distribution.  Boasting “a bullet train of action and an arsenal of cool gadgets” (David Germain, Associated Press), MISSION: IMPOSSIBLE—GHOST PROTOCOL delivers non-stop thrills and breathtaking stunts, including a dizzying ascent up the world’s tallest building that Roger Ebert called “one of the most spellbinding stretches of film I’ve seen.”  The extraordinary Tom Cruise returns as IMF agent Ethan Hunt, along with an exceptional cast of actors including Jeremy Renner (The Hurt Locker), Simon Pegg (Star Trek), Paula Patton (Precious) and Michael Nyqvist (The Girl With The Dragon Tattoo).  With a worldwide box office take of more than $650 million, MISSION: IMPOSSIBLE—GHOST PROTOCOL is the must-own action-thriller of the year. (more…)

To Kill a Mockingbird

Few 20th century novels have been as warmly regarded as Harper Lee’s To Kill a Mockingbird. Currently a perennial work taught in high schools around the nation, it was an acclaimed, award-winning work when released in 1961 as the southern author tried to recapture her childhood life in a small Southern town. I enjoyed the book as a student, then a parent, and now that I’m studying to become a teacher, recognize it as a great piece of literature and great teaching tool.

She wrote in 1964, “I would like to leave some record of the kind of life that existed in a very small world. I hope…to chronicle something that seems to be very quickly going down the drain. This is small-town middle-class southern life as opposed to Gothic, as opposed to Tobacco Road, as opposed to plantation life.”

It was a story of rights and responsibilities, tolerance, fear of the unknown, race relations and many other issues. When first released, it kicked up quite a bit of dust, especially from people who felt maligned by her glaring spotlight on the small town and its small-minded people. But most everyone else embraced it. (more…)

Star Trek: The Next Generation – The Next Level

Star Trek: The Next Generation had to do a lot to convince fans of Gene Roddenberry’s trendsetting original series that it was the same vision, merely updated. By then, there had been two decades of just Kirk, Spock, McCoy and the crew of the U.S.S. Enterprise. The fans felt a certain ownership having saved it from cancellation during the original network run and then created an unprecedented following that led to an animated series and four feature films. The notion of continuing the series and setting it 78 years in the future left people wary.

The turmoil surrounding the birth of Star Trek: The Next Generation and the haphazard production of the first season had fans even more concerned before the new show debuted in late September 1987. In those early Internet days, word still spread at warp speed as familiar names David Gerrold and D.C. Fontana joined and left staff while other producers and writers seemed to be named with startling regularity.

The show survived a very shaky first year and matured into another trendsetting series that paved the way for tons of syndicated fare and showed that the Star Trek brand could be extended. And now, the second series has to prove itself all over again. The special effects for the seven seasons were produced using video production techniques, making it difficult to upgrade to Blu-ray. But not impossible.

Last September, CBS Home Entertainment announced they had solved the technical dilemma in a cost effective away, allowing them to remaster the entire series for Blu-ray release, with season one due later in 2012.  Recently, we posted a video to show how the work was done, comparing scenes from the original video to the Blu-ray and it looked pretty amazing. The question then became, could this be sustained for entire episodes. (more…)

“Star Trek: The Next Generation” Goes HD and Blu-ray

“Star Trek: The Next Generation” Goes HD and Blu-ray

Star Trek: The Next Generation

Just in time for the 25th anniversary, Star Trek: The Next Generation is being transferred to high definition for the first time ever and released on Blu-ray. All 178 episodes from seven seasons will be transferred to true high-definition 1080p for release on Blu-ray and eventual runs on television and digital platforms both domestically and internationally.

While the first full season won’t be available until later in 2012, CBS Home Entertainment is releasing Star Trek: The Next Generation – The Next Level, a single Blu-ray disc to give fans a taste of the series in HD, on January 31, 2012. The disc will include the feature-length pilot – “Encounter at Farpoint” – as well as two more “fan favorite” episodes, “The Inner Light” (Season 5) and “Sins of the Father” (Season 3).

Here’s a preview of the remastered “Encounter at Farpoint”:

[youtube]http://www.youtube.com/watch?v=bQHpfk4X-wc[/youtube]

(more…)

MARTHA THOMASES: Time, Travel, and Me

Over the weekend I started to read Stephen King’s new book, 11/22/63: A Novel. I’m not very far into it, as King writes long and I like to luxuriate in his enjoyment at having a story to tell and his great affection for his characters. And also, I have things to do.

It’s a time-travel story, and so far it’s set in 1958. I was five years old then (King was 11), and some of my memories of that time are clear. As he describes children playing in Maine, I remember what it was like for me in Ohio.

We played Cowboys and Indians, Cops and Robbers. We played House, and School. None of us had Barbies yet, but we had stuffed animals so we could play Zoo. We made mud pies. We played Kick the Can and had squirt gun fights (see above re: Cowboys and Indians, etc.).

What we didn’t have, in our fantasies, was fantasy. Nobody did any time-traveling. No one went into outer space. There were no Ninja Turtles (or ninjas), no Transformers. There were hardly any Princesses.

When I was a bit older and could read, I liked Greek mythology and fairy tales and comic books, but hardly any of my friends did. Like them, I enjoyed Nancy Drew and The Bobbsey Twins and Cherry Ames, but I wanted more. My mom had some of her storybooks from when she was a girl, and I loved them, with their old illustrations. She introduced me to the works of Edith Nesbit,and I discovered a new way to imagine. Instead of gods and goddesses, nymphs and demons, or royalty protected by fairies, this was fantasy rooted in the real world.

Until I read his Books of Magic in which Neil Gaiman thanks E. Nesbit, I’d never met another person – besides my mom – who had read those stories. If you haven’t read The Railway Children, you’re in for a treat.

From there, my local librarian introduced me to Madeleine L’Engle’s A Wrinkle in Time. Not knowing it was a classic, I took it for science fiction and read the short story anthology, Tomorrow’s Children and from there I discovered Isaac Asimov, Ray Bradbury, Robert Heinlein and others.

Again, none of my friends were into these books. We might have shared a love of Salinger because by this point we were going through puberty and no one else could understand our intense psychic and spiritual pain. Still, I was the only one mesmerized by the explicitly alternate realities of science fiction writers.

Things are different now. There are involved fantasies for every age group. HBO offers Game of Thrones for adults, and J.K. Rowling has sold hundreds of millions of copies of the Harry Potter books. Star Wars and Star Trek and Doctor Who are cultural milestones, something every culturally literate person is expected to reference. The Avengers movie and the new Batman movie are expected to dominate next year’s box office. Sometimes it seems like half the bookstore shelves are devoted to vampires and/or zombies. And then there’s that Stephen King fellow.

I’d like to think it’s because we’ve become a more tolerant culture, one open to more different perspectives. I only know that genre fiction has brought me a lot of joy. I hope it has the same effect on the rest of the world, especially as we time-travel into the future.

Editor’s Note: That’s Ms. Nesbit up there, looking back at you.

SATURDAY: Marc Alan Fishman

MINDY NEWELL: Blocked!

I’m having a good case of writer’s block today.

You know how a few weeks ago I talked about what it’s like to be a writer? One thing I didn’t mention was the awfulness of staring at a blank screen – or a blank piece of paper for those who still use a typewriter, and yes, they are out there – without a clue in the universe of what you’re going to write about.

That’s when procrastination sets in.

After a half-hour, or maybe even an hour, of sitting at the computer and absolutely nothing is coming, I suddenly realize that the bathroom really needs to be cleaned. I gather up the Comet Bathroom Cleaner and the SOS and go to it, attacking the bathtub and the toilet, the sink and the floor. I Windex the mirror. Then I decide to rearrange the shelves. Then I realize that I need to put some clean towels out.

Okay, done. Bathroom looks and smells great.

Now I’m ready.

And still nothing comes.

I pick up the pile of comics that’s lying on my rocking chair. DC’s Legion: Secret Origin #2. Superman #3. Star Trek #3 from IDW. A bunch of others. Nothing sparks my interest really. I throw them back down and go into the living room. I slept on the couch last night, falling asleep while trying to stay awake and watch The Best Of The Dr. Who Christmas Specials on BBCAmerica. The blanket and pillow are still lying on the sofa.

I fold up the blanket and put it away, throw the pillow back on my bed. I sit down at the computer again.

Fifteen minutes later I’m back in the living room. I’ve been watching Battlestar Galactica repeats on BBCAmerica and all the commercials have been driving me mad – plus it annoys me that they cut out the “Previously on Battlestar Galactica” and I’m sure they’re cutting other scenes out too. I resolve to pull out my DVDs of BSG, watch an episode or two, and then sit down and do the column. It’s only 2 P.M.; lots of time left. I put Disc One of Season Four into the DVD and sit down to watch.

Three hours later it’s 5:30.

Okay, this is bullshit. Mike is going to kill me, and I’m being really, really unprofessional here.

Back at the computer. Maybe I should write about Christmas Eve.

Drove down to my brother and sister-in-law’s with the parents, Alixandra and Jeff. The plan was to be at my brother’s in time for the start of the Giants-Jets game, which started at 1. Alix and Jeff were supposed to pick me up at 10; they got to my house closer to 11. The radio was turned to NPR and Wait, Wait, Don’t Tell Me (which is one of my favorite shows on NPR) was on, and surprise! surprise! – Neil Gaiman was the guest. Haven’t seen Neil in too many years to count, so it was fun to listen to him play “Not My Job” and answer questions about Will and Kate – he nailed them, and so won Karl Cassel’s voice for some guy from Chicago’s voicemail; no, it wasn’t you, Mike.

Settle down at my brother’s to watch the game. First half – well, let’s not talk about that – except for Victor Cruz!!! What a runback! What a catch! Then the second half – Gaints come alive. And then it’s deep in the fourth quarter, it’s a long game, it’s 4:18 – New York is leading by 6 – the score is 20-14 – and FOX switches to the Eagles-Dallas game because of “NFL rules.” Chaos reigns! I throw a hissy fit, I yell at my brother, “I told you should have gotten the NFL Network!” while he cursed and ran for a radio. Jeff, always a calm in the center of my storms, suggests streaming it on the computer. I think, “what a great idea!,” so I run to my sister-in-law’s computer and hook into ESPN.com. No visual, just real-time audio, so I might as well go back and listen to the radio with the rest of the family. But I stay long enough to hear the Gaints make a safety. And between the time I left the computer and got back to the rest of the family, there was an interception, a touchdown – and I still don’t know who made it – and Tynes hit a field goal. 29 – 14. And Corey Webster intercepted to end the game.

Go Giants!!!!

Still don’t know what the hell to write about.

Oh, I know.

Gave my eleven year-old niece Isabel the original Amethyst, Princess of Gemworld maxi-series by Dan Mishkin, Gary Cohn and Ernie Colon along with the Amethyst mini-series by Keith Giffen and the late Esteban Maroto… oh, yeah, and me! She was delighted and wanted to sit down and start reading right away – but her mom (rightly so) said no, not now. This could get me writing about the continual ignorance of the comic book business when it comes to attracting young female readers; I mean, Amethyst was back in the 80’s, and the honchos are still trying to figure it out? Some things, as the saying goes, never change.

I could tell you about how we all stuffed ourselves on an introductory course of smoked salmon, white fish, and smoked trout on various breads and crackers served with bloody mary’s, followed by a dinner of tender romaine hearts with baby cherry tomatoes in a vinaigrette dressing, braised beef tenderloin in a garlic and horseradish sauce, roasted cauliflower with parmesan, latkes (potato pancakes, as I mentioned last week) and fresh grilled squash with red onions sprinkled with honey; followed by an upside down orange polenta cake served alongside a Carvel “Frosty the Snowman” ice cream cake.

What else could I write about? Don’t feel like saying anything about politics this week. Well, I could talk about the House Republicans trying to block the extension of the payroll tax cut and how they had to cave and how the “orange man” sounded like a fool when he tried to make it a Republican victory, but, nah, just not in the mood.

I give up.

Sometimes the block wins.

TUESDAY: Michael Davis