Tagged: Star Trek: The Next Generation

Travis Richey’s (Not) Inspector Spacetime web series proceeding nicely

Inspector Spacetime is a self-paradoxical anomaly, which makes perfect sense.  It’s only existed for a few months, but has also apparently been on television for nearly fifty years.  Actor Travis Richey has played him for all of that time, for a grand total of less than two minutes of footage, and yet 11 actors have played the role, including Stephen Fry and Christopher Lee.  As Travis explains it, “The best part is, NOTHING is canon, and EVERYTHING  is canon”.

After the character made its debut as a brief Doctor Who parody on NBC’s Community, the Internet got right to work fleshing out his history and adventures.  A Tumblr feed was quickly created to serve as the main repository of the work, and photos from past episodes were quickly “discovered” and shared.

Travis Richey had a very good time at Gallifrey One, the country’s biggest Doctor Who convention.  At a panel dedicated to Inspector Spacetime, he announced plans to produce an independent web series dedicated to the Infinity Knight and his continuing adventures.

“Tony Lee (writer for IDW’s Doctor Who comic) reached out to me to do a video for Chicago Tardis (the Midwest DW convention) back in November” Travis explains. “I did that, and the greeting went over so well that Tony put me in touch with Shaun (Lyon) who does Gallifrey One.”

The panel was filled with fans and the panel “reminiscing” about their favorite moments of the show, including past Inspectors, and of course, the death of Jeffrey.  “There were jokes people were making that I hadn’t heard, like ‘Horse-Bot 3000’, and I was ‘ Huh? What’s that?’  But I do improv all the time, so I just accepted it, gave it a ‘Yes, and…’ and went with.”  He shouldn’t have been surprised; as is traditional the people starring in the sci-fi show don’t know NEARLY as much about the show as the fans.

What was amazing is that everything they discussed in the panel was all created from whole cloth on sites like the Tumblr blog, in a world wide improv session. Fans across the world agreed which jokes were funnier, went with the stronger material, and the mythos became cohesive amazingly quickly.  “One example of that was the word DARSIT, for the the Inspector’s vehicle,” Travis recalls. “I have to admit, I never really liked it; I thought it was too simple of a joke, from TARDIS.  But someone on the ProBoards came up with BOOTH, and everybody liked it, and not only did the change get made in the “canon”, but they have, I hear, retconned things so that “Darsit” is now an Infinity Knight curse word. And they’ve already started folding Boyish the Extraordinary, our bad guy, into the canon, so by the time we see him, it’ll be his return.”

The ability for fans to so easily collaborate on such a mad undertaking, couldn’t have existed only a few years back.  “It’s really extraordinary. I admit that I saw the potential, but my vision was so far from what actually happened, and how much it means to the fans.  And I think part of it is for fans to be able to actually have a hand in creating something new.  A lot of people don’t have the opportunity to create something new, so to be able to write something on the Internet, or submit a photo to the tumblr blog…it’s an easy way for the fans to be engaged, and I think that’s something that has been lacking. So in that respect, this is something totally new.

Travis saw the potential in the character while he was still filming that first episode.  “I wrote the script [for the web series] with my writing partner after I shot the first episode, but before it even aired.  We knew it was gonna be pretty big” Travis recalls.  “I’m a pretty forward thinker; I’m never happy just waiting for things to happen.  So my thought was, Hey, I’ll write this, and if there’s a second episode, I’ll tell them you should do this for the DVD or for web content.  Especially after the first weekend, when it just EXPLODED, so I knew that it was going to be something the audience wanted.”

“So I wrote this, and I brought it with me when I did my second episode, and the  word on set was ‘We can’t just look at it’. So I went back to my agent and said to submit this, because this is really huge, and we understand the character and the meme, and the world that the fans created’.  And he sent it in, but never got any response, one way or the other.  I certainly didn’t get a ‘no, don’t do this cause we’re doing it’, nor did I get a ‘yes’, or even a ‘Hey, this is good, but no thanks’.”

“But like I said, I’m not a person to wait for things to happen. I did wait, actually – I wasn’t going to anything while they were still working with the character.  As long as they had things to do with Inspector Spacetime, I was just, ‘Let that happen’.  But after the Christmas episode, I knew they were shooting the rest of the season, and they weren’t using me. And then the status of the show coming back at all was in question, and I thought, ‘At the very least, this’ll get some buzz, for Community, at least.  Plus, it was a case of me being prepared to take advantage of opportunities presented to me.”

Considering the reaction that 15 seconds of footage got, it’d seem somewhat surprising they didn’t want to do something more with the character, but Travis has a theory. “I think it’s more just how Hollywood works.  It’s very difficult to get a piece of writing into someone’s hand.  And I’m not sure why that it is, because Star Trek did it.  Some of the best names we know in Sci-Fi today, from Jane Espenson, to Ron Moore to Rene Echevarria , they all got their start because they sent in spec scripts to Star Trek: The Next Generation.  I don’t understand it.”

Like air rushing in to fill a vacuum, fans stepped up and created a full 50 years of history for this character, and hasn’t stopped.  “It was less than two or three weeks to form the basis of it, but over the last few months, it’s just continually been adding and adding and adding. It’s astounding the amount of creativity that exploded over the Internet, base on all of this three-line joke. And it was wonderful to see.  And that’s exactly the kind of person I am – I was a fan, at one point. I wrote Star Trek scripts in my bedroom, I wrote Doctor Who stuff.”

With all that creativity already in place, one has to wonder how much material did Travis plan to cull from the communal pool, and how much would be brand new? “When we started to write the first episode, it was before the fans even knew it existed.  Eric [Loya, Travis’ writing partner on his other video work, including Robot, Ninja and Gay Guy] and I spent hours going through the mythos and creating a rudimentary character bible.  We had to understand how it spoofed Doctor Who.  Cause the Community people didn’t really do anything.  They showed that Blorgons were Daleks, and they showed the red phonebooth. So we had to invent everything else. And then the fans came along and started doing their thing, I was actually involved in some of the fandom  – I was on the ProBoards, talking to people about what was what. “Infinity Knight” was mine and Eric’s invention [compared to the “Space master” term the fans have been using], the name of the home planet is fan-created, like that. What we have in the web-series is, I believe, 100% original.  We invented a new Associate; we’re not going to use Constable Reggie, and we have a new arch-nemesis we invented, Boyish The Extraordinary. We’re making a quick reference to the Circuit-Chaps [the fan-created Cybermen-spoof].  We took out the Blorgon reference in respect to the Community team.”

Science-Fiction shows are well aware of the fannish community, and know when to turn a blind eye to fan-made fiction, and even merchandise.  Travis thinks Community is aware of that as well.  “There are people posting mash-ups that use clips from the show; people are posting actual clips of the show,” Travis notes.  “The merchandise that people produce – not only for Community, but for Inspector Spacetime.  And nobody has told the t-shirt companies that they can’t produce the shirts.  And I want to be clear, we’re not selling [the series]. We’re going to make it, and it’s going to exist for free.  We’re not going to make DVDs, we’re not going to do ads on it on YouTube, nothing like that.”

Sony and NBC did decide that an outside entity producing an Inspector Spacetime series was a bit offsides, and sent Travis a request to shut down.  Luckily Travis had a backup plan just in case someone in the legal field got uppity. “Except for the name ‘Inspector Spacetime’, everything we have in the script is invented by us.  So there’s no reason this can’t get made.  And you can’t copyright a title…and they haven’t trademarked the name; I did a trademark search. Cause I want to be careful.  So hopefully they’ll let this happen. And more hopefully it’ll create some buzz for Community. Cause even though it’s coming back for the rest of the third season, there’s no guarantee it’ll be renewed for a fourth.”  The series will be titled “The Untitled Webseries About A Space Traveler Who Can Also Travel In Time”.  So we’ve got an unofficial adaptation of a parody show that only exists in the mind of its fandom…that sound you hear is reality folding in on itself.

The Kickstarter campaign, which made its $20,000 goal and them some, will cover the cost of the production.  “Frankly, I don’t have the capability to make it look and sound as good as it deserves to,”  says Travis.  “If you look at the stuff I’ve produced so far, it looks…okay, but you can tell that it was made with no budget. But here the writing and the acting is so strong, it really deserves to be be complemented by good equipment; a decent camera, lights and stuff.”  Travis schedule is pretty accelerated. He’d already posted a better-quality animatic of the first episode through the folks at io9, the same episode he did a live read-through of at Gallifrey One.  Principal photography is complete, and Travis is looking for a sound designer now.

NBC has also seen the potential in the character.  It was announced at San Diego that an episode of the new season Community would center around an Inspector Spacetime convention.  And the show (both Community and IS) has one other big fan – Karen Gillan, AKA Amy Pond on Doctor Who.  She’s already gone on record as saying that she’d LOVE to appear on an episode.   The irony is that in the continuity of the show, it’s her on-screen husband that would be a more logical fit.  According to the history, the character Rory Williams (played by Arthur Darvill) is the only one to appear on BOTH shows, moving from Inspector Spacetime to Doctor Who.

It seems that The Inspector’s possibilities are, rightfully, infinite.  It’s not WHERE he’ll pop up next…but WHEN.

[youtube]http://www.youtube.com/watch?v=AnMgJ9FNS1c[/youtube]

Star Trek: The Next Generation – The Next Level

Star Trek: The Next Generation had to do a lot to convince fans of Gene Roddenberry’s trendsetting original series that it was the same vision, merely updated. By then, there had been two decades of just Kirk, Spock, McCoy and the crew of the U.S.S. Enterprise. The fans felt a certain ownership having saved it from cancellation during the original network run and then created an unprecedented following that led to an animated series and four feature films. The notion of continuing the series and setting it 78 years in the future left people wary.

The turmoil surrounding the birth of Star Trek: The Next Generation and the haphazard production of the first season had fans even more concerned before the new show debuted in late September 1987. In those early Internet days, word still spread at warp speed as familiar names David Gerrold and D.C. Fontana joined and left staff while other producers and writers seemed to be named with startling regularity.

The show survived a very shaky first year and matured into another trendsetting series that paved the way for tons of syndicated fare and showed that the Star Trek brand could be extended. And now, the second series has to prove itself all over again. The special effects for the seven seasons were produced using video production techniques, making it difficult to upgrade to Blu-ray. But not impossible.

Last September, CBS Home Entertainment announced they had solved the technical dilemma in a cost effective away, allowing them to remaster the entire series for Blu-ray release, with season one due later in 2012.  Recently, we posted a video to show how the work was done, comparing scenes from the original video to the Blu-ray and it looked pretty amazing. The question then became, could this be sustained for entire episodes. (more…)

“Star Trek: The Next Generation” Goes HD and Blu-ray

“Star Trek: The Next Generation” Goes HD and Blu-ray

Star Trek: The Next Generation

Just in time for the 25th anniversary, Star Trek: The Next Generation is being transferred to high definition for the first time ever and released on Blu-ray. All 178 episodes from seven seasons will be transferred to true high-definition 1080p for release on Blu-ray and eventual runs on television and digital platforms both domestically and internationally.

While the first full season won’t be available until later in 2012, CBS Home Entertainment is releasing Star Trek: The Next Generation – The Next Level, a single Blu-ray disc to give fans a taste of the series in HD, on January 31, 2012. The disc will include the feature-length pilot – “Encounter at Farpoint” – as well as two more “fan favorite” episodes, “The Inner Light” (Season 5) and “Sins of the Father” (Season 3).

Here’s a preview of the remastered “Encounter at Farpoint”:

[youtube]http://www.youtube.com/watch?v=bQHpfk4X-wc[/youtube]

(more…)

“Star Trek: The Next Generation – The Next Level” Will Be Released on January 31

“Star Trek: The Next Generation – The Next Level” Will Be Released on January 31

We knew this was coming and finally, here are the details:

Star Trek: The Next Generation

LOS ANGELES – The beloved series STAR TREK: THE NEXT GENERATION® will be transferred to high definition for the first time ever and released on Blu-ray™, it was announced today by Ken Ross, Executive Vice President and General Manager of CBS Home Entertainment.

All 178 episodes from seven seasons will be transferred to true high-definition 1080p for release on Blu-ray and eventual runs on television and digital platforms both domestically and internationally.

“Fans have been clamoring for a high-definition release of STAR TREK: THE NEXT GENERATION® for years,” said Ross. “Transferring the series to high-definition presented difficult technical challenges, but our team has come up with a process to create true 1080p HD masters with true HD visual effects. We can’t wait to show fans how pristine the series looks and sounds with our upcoming Blu-ray releases.”

Transferring STAR TREK: THE NEXT GENERATION® to high-definition presented numerous challenges – The series was originally shot on film and then transferred to videotape, which was used to edit episodes together. In order to create true HD masters, CBS is going back to the original uncut film negative – all 25,000 plus film reels of it – and cutting the episodes together exactly the way they originally aired. The visual effects were all shot on film and will be painstakingly recompositioned, not upconverted from videotape. The newly cut film will then be transferred to true high-definition with 7.1 DTS Master Audio. Denise and Mike Okuda are consulting on the project.

While the first full season won’t be available until later in 2012, CBS Home Entertainment is releasing STAR TREK: THE NEXT GENERATION® – THE NEXT LEVEL, a single Blu-ray disc to give fans a taste of the series in HD, on January 31, 2012. The disc will include the feature-length pilot – “Encounter at Farpoint” – as well as two more “fan favorite” episodes, “The Inner Light” (Season 5) and “Sins of the Father” (Season 3). The single disc will be available for a suggested retail price of $21.99.

One of the most popular series in the STAR TREK franchise, STAR TREK: THE NEXT GENERATION® celebrates its 25th anniversary in 2012. It premiered in first-run syndication during the week of September 28, 1987 and ran through 1994.

Set in the 24th century on the Starship Enterprise, about 100 years after the original STAR TREKseries took place, the series starred Patrick Stewart as Captain Jean-Luc Picard,

Jonathan Frakes as Commander William T. Riker, LeVar Burton as Lt. Commander Geordi La Forge, Marina Sirtis as Counselor Deanna Troi, Brent Spiner as Lt. Commander Data, Michael Dorn as Lieutenant Worf, Gates McFadden as Dr. Beverly Crusher and Wil Wheaton as her son Wesley Crusher.

STAR TREK: THE NEXT GENERATION® won numerous accolades, including 18 Emmy® awards, and was the first – and only – syndicated television show to be nominated for the Emmy® for Outstanding Drama Series for its seventh season. It was also ranked #46 on TV Guide’s 50 Greatest TV Shows of All Time list in 2002.

Wil Wheaton and Brent Spiner Collide In ‘Big Bang Theory’

Wil Wheaton and Brent Spiner Collide In ‘Big Bang Theory’

Spiner and Wheaton on Big Bang Theory

Back in June, Brent Spiner took part in a webcast where he discussed his recent webseries Fresh Hell. During the course of the interview, he mentioned that he’d love to join his former Star Trek: The Next Generation cast mate Wil Wheaton, and guest star on The Big Bang Theory. Well, it looks like he got his wish; both Brent and Wil will be appearing in an upcoming episode of the CBS comedy.

via Spiner & Wheaton Unite For Big Bang Theory at Fanboy.com.

ComicMix Six: Classic ‘Star Trek’ comics you should read

ComicMix Six: Classic ‘Star Trek’ comics you should read

After growing up from the little science-fiction show Gene
Roddenberry created in the 1960s, the venerable Star Trek franchise in recent years had just about worn out its
welcome in the eyes of all but its most devoted followers. Enter J.J. Abrams and
his high-octane, supercharged re-imagining of the classic series, resulting in
one of 2009’s most commercially and critically successful films, released today on DVD and Blu-Ray.

Star Trek’s
unprecedented popularity at the box office has also revitalized interest in
past adventures of Captain Kirk and the crew of the U.S.S. Enterprise. Many such tales have been chronicled in comics form
since the 1960s—while the classic series was still on the air! After
boldly going into our vast archives, we have emerged with six stories that we
consider worthy representatives of the more than four decades of Star Trek comics history.

In order of publication:

1: “The Museum at the End
of Time
” – Star Trek #15,
Gold Key Comics, August 1972

Love them or hate them, the Gold Key Star Trek comics occupy a special place in the hearts of old-school
Trekkies. The 61 issues—complete with crazy character likenesses as well
as the Enterprise belching fire from
its warp engines—helped to fuel fans’ needs for new Star Trek stories in the early 1970s. This story features the
Enterprise pulled through a cosmic vortex into a mysterious region where time
has no meaning. There, the crew finds all manner of trapped spacecraft and captive
beings—along with a ship full of angry Klingons! A tale typical of the
Gold Key run, this issue is noteworthy as being an apparent inspiration for
“The Time Trap,” an episode of the animated Star
Trek
series produced a year later by Filmation Associates. 

(Reprinted in Star Trek: The Key Collection, Vol. 2
, Checker Book Publishing Group,
December 2004)

(more…)

Star Trek setting licensing phasers on stun

Star Trek setting licensing phasers on stun

As Yogurt the wise teaches us, "Merchandising, merchandising, where the real money from the movie is made. Spaceballs-the T-shirt, Spaceballs-the Coloring Book, Spaceballs-the Lunch box, Spaceballs-the Breakfast Cereal, Spaceballs-the Flame Thrower." CBS has learned their lessons well, one could even say it’s a paramount lesson.

CBS Consumer Products has cranked its Star Trek licensing up to 11 in preparation of the new Star Trek movie, which will debut on May 8th.  In addition to the IDW comics tying the movie to Next Generation continuity, the Pocket book publishing license, and the previously announced Star Trek Barbie Dolls, Mattel has also acquired the rights to create radio-controlled flying vehicles for its Tyco subsidiary, a Star Trek Scene-It DVD movie/TV game, and a 20Q Star Trek Trivia Game. (Bob Greenberger’s on our team, we take on all challengers.)

 

Other game tie-ins include a Star Trek-branded Monopoly edition from USAopoly, and co-branded games for UNO, Scrabble ("Ferengi" is a 61 point word, "Klingon" is 62– no ruling on whether words from their languages count), Phase Ten, All About Trivia, and a Magic 8 Ball. If only the good Kirk from "The Enemy Within" had one.

Bryan Fuller Stumps for New ‘Star Trek’

Bryan Fuller Stumps for New ‘Star Trek’

Bryan Fuller has been making it clear he wants a crack at the 23rd Century. In several recent interviews, promoting his ABC series Pushing Daisies, he’s also expressed his desire to make a new Star Trek television series.

Most recently, he told MTV, “I would love to do another Star Trek series,” Fuller said. “One where you could go back to the spirit and color of the original Star Trek, because somehow, it got cold over the years. I love Next Generation, but it’s a little cooler and calmer than the ones from the 60s, which were so dynamic and passionate.”

Fuller is no stranger to Gene Roddenberry’s creation, beginning his media career by writing for Star Trek: Deep Space Nine and Star Trek: Voyager. “Deep Space Nine was the best of the modern ones,” Fuller told the site, “because it was so emotionally complicated. Enterprise was the most sterile of all of them, when it should have been the most fun.”

His idea is to create a new crew for another starship set during Captain Kirk’s era, feeling the most familiar characters should remain in the films, starting again with J.J. Abram’s reimagined feature due out May 2.

 “Star Trek has to recreate itself,” Fuller said. “Otherwise, all the characters start to feel the same. You always have a captain, a doctor, a security officer, and you have the same arguments based on those perspectives. It starts to feel too familiar. So all those paradigms where it takes place on a starship have to be shaken up.”
 

‘Star Trek: Countdown’ Begins in January

‘Star Trek: Countdown’ Begins in January

IDW has released details about the prequel comic book miniseries leading into next May’s Star Trek reboot. Entitled Star Trek: Countdown, it will focus on Nero, the villainous Romulan played by Eric Bana and said to be seen at the film’s beginning set in Trek’s present before the time travel elements kick in and we see the familiar crew of the U.S.S. Enterprise unite for the first time.

The miniseries will be written by Mike Johnson (Superman/Batman) and Tim Jones from a story crafted by Trek director J.J. Abrams and screenwriters Roberto Orci and Alex Kurtzman.  Art will come from Italian draftsman David Messina who has previously drawn for IDW’s Trek line.

Countdown launches in January and will run for four monthly issues with the trade collection already announced for April 29, just a week prior to the May 2 release of the feature film.

“[Star Trek: Countdown] is about how you connect the Next Generation era to our continuity, inspired by when we last saw Mr. Spock in ‘Unification’,” Orci told TrekMovie.com.

“I can assure you that we all (IDW and Bad Robot) are at work in order to be faithful to the spirit of Star Trek!” Messina enthusiastically posted at the site. “…and believe me, you can’t imagine how huge and picky is our ‘pre-production’ work for this book! Mike and Tim are great Star Trek fans, while even if I’m not a Trek’s guy, I’m a really great lover of Sci-Fi… I really hope that you’ll like our book, we are at work on it with great passion.”

‘Pushing Daisies’ Creator Wants A New Star Trek on TV

‘Pushing Daisies’ Creator Wants A New Star Trek on TV

Trek castAny fan of the ABC series Pushing Daisies is probably aware that creator Bryan Fuller was also the creative mind behind both critically acclaimed, yet short-lived series Wonderfalls and Dead Like Me, but it is not as well known that Fuller is also a full-on Star Trek fan, and in fact has even written 21 episodes for the lore: 2 for Deep Space Nine and 19 for Voyager. Fuller recently sounded off on J.J. Abrams’ new Trek film and his interest on taking the helm for a modern interpretation of the 1960’s hit.

I would love to do another Star Trek series, one where you could go back to the spirit and color of the original Star Trek, because somehow, it got cold over the years. I love Next Generation, but it’s a little cooler and calmer than the ones from the ‘60s, which were so dynamic and passionate. Star Trek has to recreate itself. Otherwise, all the characters start to feel the same. You always have a captain, a doctor, a security officer, and you have the same arguments based on those perspectives. It starts to feel too familiar. So all those paradigms where it takes place on a starship have to be shaken up.

After leaving Voyager, fuller went on to create the aforementioned shows, and also writing for a little show called Heroes. You can check out the full interview over here and fans of Fuller may have to wait to see how the film treats it’s legion of Trekkies before we see a televised revamp.

But until then, you can still enjoy his pie-making necromancer in Pushing Daisies returning to ABC on October 1st.