Tagged: Salt City Comic-Con

Ed Catto: It Creeps! It Crawls! Beware the Comic-Con!

It’s indestructible! It’s indescribable! Nothing can stop it!

Every one of you watching this screen should look out! Because soon, very soon, the most horrifying monster menace ever conceived

No, this isn’t advertising copy for a comic convention coming to your town. These lines are from the trailer for that old monster movie, The Blob. But it could be used to describe any upcoming comic con.

Comic conventions are not only thriving but, like the Blob, they are now oozing out from the walls of their convention centers and invading local towns. Geek culture cannot be held within its original confines.

Who would have ever thought, way back when Geek Culture was nestled in little comic shops in the scorned section of town, that we’d get to this point? Unlike the foreboding tone of that Blob movie trailer, this expanding, oozing primordial mass inspires a sense of awe and wonderment.

The San Diego Comic-Con is probably the best example of this. The nation’s longest running convention is held annually at the San Diego Convention Center. (And it will be held there until 2021, but that’s a whole ‘nother column.)

The entire city seems to get behind this show. Most of the shops, bars, and restaurants in San Diego offer specials and decorations to welcome convention attendees. It seems like every waiter and waitress is wearing a comic book or Walking Dead themed shirt, in fact. And the show itself is so sprawling, it now schedules events in nearby hotels, local libraries, and even the town baseball’s stadium.

I have a great friend who lives in San Diego. Walshy, as we’ve called him since grade school, doesn’t know anything about comics or pop culture. Check that – he loved MAD magazine. That counts. But by and large, he just doesn’t have a passion for graphic novels, or science fiction, or horror movies, or Doctor Who, or any of the cool stuff at the San Diego Comic-Con.
But each year he attends Comic-Con and has a blast. There is one particularly wild story about how he partied with Michael Rooker (“I’m Mary Poppins, y’all!”) and Miss Venezuela on a hotel rooftop… but we’ll save that one for another day as well.

Walshy throws himself into San Diego Comic-Con because, as a resident, he can’t escape it. It’s so big and so boisterous that it’s all encompassing, even for locals.

And the great news is that Geek Culture is very welcoming. It pitches a big tent and invites everyone to come on in and have some fun.

The same thing is happening at other conventions. New York Comic-Con now hosts “Super Week” before their show, for example. Not surprisingly, it’s also happening at the up-and-coming shows in smaller markets.

Over the past year, I lent a hand to help grow Syracuse’s Salt City Comic-Con. It was a rousing success: it doubled in attendance and exhibitors reported very strong sales. It was officially held at the local convention center in the middle of Syracuse’s downtown area. But in reality, the event stretched to make the two days of the comic-con much longer.

  • The Mayor: Even Syracuse’s mayor got involved. Neal Adams was the guest of honor, and Mayor Stephanie Miner proclaimed the Saturday of the show to be “Neal Adams Day” in Syracuse.
  • Comics on Campus: It turns out Syracuse University has an incredible collection of original comic strip art. And for the past 80 years, only researchers have been able to view these treasures. We worked with SU’s Special Collections Director for an exhibition of original pages for fans. I never thought fans would be able to hold the very first Prince Valiant page, by Hal Foster, in their hands, but they did! One of our favorite artists, Joe Jusko, stopped by the exhibit and was in awe. His posts of viewing his favorite artists (Foster, Frank Robbins, Stan Drake etc.) went viral. And yes, we’re planning something bigger for next year.
  • Barley Quinn Craft Beer: The local brewpub, Empire, created a specialty beer called Barley Quinn and debuted it the week before the show. They gave away free Comic-con tickets and comics publisher Aftershock offered up a box full of Captain Kid graphic novels. Tom Peyer, the co-author of the series, is based in Syracuse and the publisher wanted to support him.
  • Cosplay: The convention partnered with the nearby Schweinfurth Art Center, a museum with a specialty in fabric arts, to host a cosplay “pre-game” event. I always feel bad when cosplayers put so much time and energy into their costumes, and can only wear them for a day, or two, at a convention. I suppose it’s the same way for brides. It was fun to be able to offer one additional “wearable opportunity” for cosplayers.

So even in a market like Syracuse, Geek Culture has creeped and crawled to ooze out beyond the confines of both the calendar and the convention center to become something bigger. Unlike the teenagers and townsfolk in The Blob, I’m not terrified. I’m elated! And you should be too.

Ed Catto’s Convention Treasures!

I’m still reeling – in a good way – from Syracuse’s Salt City Comic-Con. It was a fantastic comic convention where I had way too much fun. And I’ve got some observations to share with you about it, but they’ll have to wait until next week.

This week I like to share some of the treasures I found at the show.

Let’s start with the “full disclosure” routine. I’m at the point where my comic collection is way too large, and I’ve been taking the steps to prune it back over the last few years. I’ve found this process difficult to adjust to, but my wife and I are in that downsizing mode. Surprisingly, I’m finding that maybe I am not that much of a hoarder after all. I actually feel better when I get rid of stuff.

But… I can’t help but wander a convention and stumble across a few treasures. And I was delighted with what I found at Syracuse’s Salt City Comic-Con.

In a 50-cent long box, I found this fantastic copy of Fantagraphics’ reprint title from 1987, Untamed Love, showcasing Frank Frazetta stories. Even though this reprint collection was published thirty years ago, the comic felt pretty new. The coloring is vibrant and the high-quality paper really holds up. The stories are a bit silly, but that Frazetta artwork is gorgeous!

Neal Adams was our guest of honor and, as he often does, told us few stories. Iwas especially intrigued when he revealed he’s working on a new Deadman series. I pressed him for details, and instead of offering just a few coy or cryptic teases, he outlined the whole first issue. And then he showed me the page he was working on. I was really impressed and think it will be his best work in years.
So… in anticipation that new series, I picked up a reading copy of Strange Adventures #209. It was a thrilling story with innovative storytelling and clever page layouts. The big climactic fight atop a Ferris wheel kicked my vertigo into high gear. I have trouble with heights these days, and that frenetic battle above the midway isn’t going to help matters.

Of note: there was a circulation statement in this issue. It turns out Strange Adventures was reported to be selling 146,600 issues each month. I find that so astounding, especially compared to today’s print runs.

I just loved the cover to Girls’ Romances #160 and couldn’t resist snagging it. The brilliant Jay Scott Pike is the artist. While the composition is solid and strong, the non-traditional sketchy, scratchy line work was what grabbed me.

It turns out this was the last issue of this long-running series. By this time, they must have decided it wasn’t worth it to create new stories. Inside are reprints of old John Romita stories – but the women’s hairstyles were retouched to give it a “modern” 1971 feel! These bizarre edits create a double layer of retro.

Most fans fondly remember those Antonio Banderas Zorro movies from a few of years ago. My dad was just watching it on cable, in fact. And comic fans all agree that Alex Toth’s Zorro comics were a pinnacle for that character. So I was pleasantly surprised to find myself buying Zorro – The Complete Dell Pre-Code Comics from the Hermes Press booth at the con. It’s a totally different version of Zorro.

Hermes Press was an energetic and committed exhibitor. I may be a bit biased, as I do like so many of their books. They created two convention exclusives and they were selling everything at a discount, so all attendees found a lot to like about their stuff.

In the forward of the Zorro collection, ace author Max Allan Collins provides a brief history lesson about the main artist of these stories – Everett Raymond Kinstler. I wasn’t familiar with this artist, but he is work is evocative and often confused with, Joe Kubert’s style from the 50s. “You had me at Kubert,” I thought when reading the forward.

It’s a tremendous book and after I read it, I think it deserves a spot on my coffee table. Then after a while, I’ll lend it to my dad. Another treasure from another comic-con.

Ed Catto: Fight Like a Girl

It’s a good time to fight like a girl. The new Wonder Woman movie is a big hit. Everyone from Billy Tucci to my mom seems to like it. Fox News managed to complain about the level of patriotism in the movie, but whatever; every party needs a pooper.

I thought it was great fun, and yesterday’s Biographic strip in sundry newspapers taught me something I didn’t remember. It turns out Wonder Woman’s first animated appearance was on an episode of The Brady Kids. It predated Superfriends by one year! This show was a spin-off of the Brady Bunch series. Even as a young fan, I remember watching this cartoon was pretty painful. At that time, I preferred Marcia Brady to Wonder Woman… but, hey, it’s still cool that it actually happened.

Wonder Woman is very busy in comics right now. Beyond her regular “Rebirthed” series and her DC Super Girls adventures, the Wonder Woman ’77 version of the character has been on a tear with Batman and Bionic Woman team-ups. I was really surprised how much I enjoyed the Batman ’66 crossover in particular. Jeff Parker is adding onto the TV mythology in clever and unexpected ways. Batfans shouldn’t miss these.

Beyond the Amazonian Princess, currently there’s quite a few top-notch comics where the protagonist is fighting like a girl… because she is one… including:

  • Mother Panic – This wonky DC/Young Animal series about features an unlikely, and unlikable, female protagonist. But I really enjoy it and art by Tommy Lee Edwards and Jon Paul Leon has been gorgeous and inspiring.
  • Velvet – Ed Brubaker and Steve Epting’s excellent 007esque series just ended, but Batwoman is a consolation as Epting has continued onto this series. His art is just superlative there too.
  • Lazarus – Greg Rucka and Michael Lark deliver a world-building drama that continues to ratchet up the tension in each issue. It’s been quite a ride and show’s no sign of stopping.
  • Invisible Republic – Produced by the super-talented, and super-likable, team of Gabriel and Corinna Bechko, this Image series is literally a world-building story. It tells the tale of Maia McBride and her involvement with and efforts on behalf of a revolutionary establishing a society. It’s great creepy fun. A mystery wrapped in an adventure wrapped in an enigma wrapped in social commentary.

While The New York Daily News carries Biographic (I really buy this paper each Sunday for the full page Prince Valiant), The New York Times offered readers a surprise this weekend too. What a treat their all-comics version of the Sunday magazine was! Hope you were able to snag a copy of that, but if not, check it out here.

Their New York Times Book Review section also reviewed The Spectacular Sisterhood Of Superwomen: Awesome Female Characters from Comic Book History by Hope Nicholson.  This looks to be a fun book by a passionate author with an impressive pedigree. Published by Quirk, this is another one of those books in the mold of Craig Yoe’s Super Weird Heroes or Jon Morris’s The League of Regrettable Superheroes: Half-Baked Heroes from Comic Book History.

In fact, if vintage super heroines are your thing, I really must be sure you are aware of Mike Madrid’s The Supergirls: Fashion, Feminism, Fantasy, and The History of Comic Book Heroines, Divas, Dames & Daredevils: Lost Heroines of Golden Age Comics. He even gave the “bad guy women” their due in Vixens, Vamps & Vipers: Lost Villainesses of Golden Age Comics.

And this all leads me to another Fangirls Lead the Way Panel. I’ll be moderating this one at Syracuse’s Salt City Comic Con on the first day of the show, June 24th. This is looking to be an engaging convention with wonderful guests. I’m expecting some cool discussions and insights at this panel, mainly because this one always brings out the best in the panelists and the audience.

(Oh, and in case you’re wondering – we can’t announce any panels for San Diego Comic-Con quite yet… so stay tuned.)

My panelists in Syracuse include Sally Heaven of Fangirl Shirts. This entrepreneurial apparel company will be exhibiting on the show floor, and I’m excited to have her on the panel. Sally’s a spitfire and comes to every comic-con with passion, energy…and really cool T-shirts! Connie Gibbs, of Black Girl Nerds always has good insights to share and brings so much to the party. it will be great to see her again. And we’ve got a few surprises too.

This one will be at 2:00 in the “Hall of Justice” on the Saturday of Salt City Comic-Con. I’ll let you know how it all goes.

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For more info on all the panels at the Syracuse show check out their schedule!

Ed Catto: Neal Adams’ Mighty Team-Ups!

Geek Culture, unlike other passion businesses like sports or music, affords fans the opportunity to collaborate with fellow fans and rub elbows with professionals. I’d argue that it’s unique to this industry.

For example, music fans would find it difficult to imagine playing with Mick Jagger or Sir Paul McCartney. Oh, you might see them in concert, but to really spend time with them probably isn’t going to happen.

Likewise, even if I was a big football fan, I couldn’t realistically plan a way to spend quality time with an NFL Superstar. I did briefly meet football legends Larry Czonka and Rocky Bleier back in the 70s, but hey, that was the 70s.

But Geek Culture is different. There are so many opportunities for fans to meet their favorite creators. Like super hero movies, comic conventions are sprouting up just about everywhere.

With all these new conventions, and the inevitable competition for available weekends, I’m thrilled that our invitations to talent for Syracuse’s Salt City Comic-Con were so well received. This show has quickly developed a very impressive guest list. I anticipate it will be a fantastic opportunity for all kinds of fans to meet many of their favorite folks.

The legendary Neal Adams will be one of the creators attending. He’s a guy who’s been contributing groundbreaking art for many years. He’s also been a trailblazer – with his own entrepreneurial efforts and on behalf of creator’s rights. He seems to love conventions. He brightens up with a big smile and genuinely enjoys meeting his fans.

For this convention, Adams created a variant convention exclusive. The cover to this comic showcases Batman, the Teenage Mutant Ninja Turtles and (for the first time on a comic cover) Syracuse’s iconic Niagara Mohawk building.

I’m a big Batman fan from way back, so collaborating with Neal Adams, IDW, DC and the convention to create this Batman cover was really fun.

The more I thought about it, though, this was fun because it wasn’t really a Batman cover. This was going to be, essentially, a Brave and the Bold cover. B&B, as we called it back in the day, was a long-running comic series showcasing Batman with all his super hero pals. It was always an engaging read and was a strong seller for DC as well.

Neal Adams worked on many of the early issues of B&B, but he has always been good at team-up covers. He’s great at capturing diverse characters and making them work together.

Neal Adams has also illustrated quite a few Marvel Team-Up covers to, as you can see on the top of this column.

All this got me thinking, “What would this special Batman/TMNT cover have looked like if it was published in the 60s or the 70s?” My Captain Action business partner, Joe Ahearn, brought my ideas to life with a faux Brave and the Bold 60s cover:

 

We then took it one step further and created an imaginary cover with a funky 70s vibe:As a marketing consultant, I collaborate a lot. Collaborations are fun – be it on work projects, fan projects or even comic book covers. Especially comic book covers, now that I think about it

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And if you like “Imaginary” team-up covers, might I recommend the clever SuperTeamFamily: The Lost Issues site at https://braveandboldlost.blogspot.com And for more information on that Batman/TMNT variant, just check out SyracuseComicCon.com .

 

Ed Catto: It’s a Small World, After All

I like crowds. I like big noisy events. State fairs? Love ‘em. Black Friday shopping days? I’m there. Live music with tiny crowded dance floors? Sounds good to me. San Diego Comic Con? Yeah, baby. Ditto The New York Comic Con.

But on the other hand, when I’m thinking about Geek Culture and comic conventions, I find that I also enjoy small comic conventions. There’s a certain charm, an aura of creativity and a sense of community that embraces you in a unique way that you won’t find at NYC’s Javits Center.

I had to cancel out of this past weekend’s WonderCon in Anaheim, California. That was a drag as I was looking forward to being a panelist on Rik Offenberger’s Marketing/PR panel. But I haven’t been on a convention hiatus; lately, I have been busy finding and attending them. For consecutive weekends, I attended conventions in two Central New York – The Liverpool Comic Show and The Ithacon. Both were ‘small’ cons, but they both had a lot of charm.

Vanguard’s J. David Spurlock was in rare form at the Liverpool Comic Show, but isn’t he always? And after drooling over a couple of the books he publishes, The Frazetta Sketchbook and Wally Wood: Strange Worlds of Science Fiction, I broke down and snagged them both. He also shared a Wally Wood story with my wife Kathe and I. Who knew Wally Wood lived in the Syracuse area for part of his creative life?

In fact, Kathe was charmed by Jack Robinson, who was friends with Wood. Robinson was exhibiting right next to Vanguard. He’s a strong artist in his own right, and Kathe bought a couple of Bettie Page prints from him.

It was nice to see ComiXology’s Chip Mosher make an appearance at the local show. Catching up with him was filled with a lot of smiles and laughs, as always.

Ithacon hosted some impressive guests. But they always have. Over the years, fans have had the pleasure of meeting so many fantastic creators at this show: Walt Simonson, Murphy Anderson, Frank Miller, John Byrne, Al Milgrom, Len Wein, Marv Wolfman and so many more.

Tom Peyer’s always been a favorite creator and I was so glad he was at Ithacon this year. I appreciate the unique way he mashes up his strong devotion to Silver Age comics with his subversively hilarious wit. His current comic, Aftershock’s Captain Kid is a winner and if you’re not reading it, you’re missing out.

There was another amazing part of Ithacon. Jim Shooter and Roger Stern, longtime pros and longtime pals, hosted a unique panel, where they reminisced about the days when Shooter first came to Marvel, joining Stern who was already on staff. It was a wildly entertaining hour full of great stories and behind the scene insights, all wrapped up in good natured fun. Fans deep into Bronze Age history loved this, but, due to the charisma of these two gents, even casual fans enjoyed it. The room was SRO the whole time.

It’s always cool to see the local talent. Joe Orsak, who created the long-running Captain ‘Cuse, (a local Sunday newspaper superhero who fought villains each week, like his foe Lake Effect), was at the Powercon. The always enthusiastic Jim Brenneman, from nearby Marcellus, also displayed his upbeat and friendly artwork at Ithacon.

Pulp Nouveau Comix is a great comic shop in downtown Canandaigua, NY, and the owner, Mark, was at the Liverpool show. I love his store and it has that Joe Dirt/mullet strategy: “All Business Up Front, Party in the Back.” The back room of this “Curiosity Shoppe”-style store is filled with fantastic treasures.

And like all comic conventions, there were quite a few treasures to be found including:

  • Hulk vs. Superman by Roger Stern and Steve Rude. I have my copy of this prestige format comic/graphic novel ‘around here somewhere’ but I was so happy to find this at Ithacon. You see, my nephew Alexander recently asked, “Who’s stronger, Superman or the Hulk?” And when I send this to him, he’ll see!
  • Somerset Holmes: The Graphic Novel by Bruce Jones, April Campbell and Brent Anderson. What a wonderful adventure this one is. I enjoyed the comics long ago, and the story-behind-the-story is one of those cautionary Hollywood tales that has always stuck with me.
  • The Prince and the Pauper by Mark Twain. I discovered the 1946 New York City Board of Education version of this publication, where they used illustrations from students of NYC’s famous School of Industrial Arts. So this book has what I believe to be Alex Toth’s and Joe Orlando’s first professionally published illustrations!

Many of you know that I’m hard at work on this summer’s Syracuse Salt City Comic-Con. It’s a midsize show that will be punching above its weight class. We’re planning some very cool things and have an amazing guest roster. More on this in the months to come, but I think come June, I might have to walk back “It’s a Small World After All.” I might be saying “Bigger is Better.”

 

 

 

 

Ed Catto’s Comic-Con Conversation with Graham Nolan

I can’t agree with fans that hate big crowds at big comic conventions. I tend to like big crowds. And I am always astonished by the way the San Diego Comic-Con takes over that town. I’m also in awe that the New York Comic Con is the biggest convention held in New York City’s Javits Center. The massive attendees at every big comic-con are both testaments to Geek Culture, and virtual victory laps for all fans everywhere.

To be honest, I also enjoy smaller comic conventions. There’s something special about being able to just wander up to a favorite creator and engage in a conversation with him or her. And at smaller shows, it’s empowering to be able to casually flip through a long box of comics to search for treasures, without elbowing your way through a crushing wall of other fans searching for their own treasures.

I’ll never forget a great experience I had at a smaller show years ago. A local comic con decided to expand with a second show. They decided to hold this spinoff convention in in the open area of a mall. Attendance was abysmal, but that worked out in my favor. Jim Shooter, the headlining professional, very patiently answered all my young fanboy questions for hours and hours. There was no one else waiting to speak to him, after all. I don’t think I talked for 24 hours straight, but I’m sure it seemed that way to Jim. And you know what? That was a kindness I’ve never forgotten.

So it’s no surprise that I’m very excited for Syracuse’s Salt City Comic-Con in June. I’ve recently moved from metro New York to the Finger Lakes, and we’re finding so many cool things going on up here. This convention looks to be a very substantial comic-con with a small show feel.
One of my favorite artists, Graham Nolan, will be a guest at this year’s show. Part of why I like his art so much is that he’s been involved with so many of my favorite stories. I fondly recall the introduction of Bane, the first villain to soundly defeat Batman. And the adventure of two immigrants from Thanagar assimilating to American culture in the Hawkworld series was fascinating and fresh.

But the other part of why I enjoy his work is that Nolan’s always been able to deliver solid artwork with a flair for the dramatic. It’s grounded, but it’s fantastic. Every Graham Nolan page is an example of fine draftsmanship, but also always infused with a thrilling level of action and adventure.

So, unable to wait until the convention in June, I wanted to have a one of those
substantial convention conversations with this fine artist. I reached out to Graham Nolan for this pre-con conversation:

Ed Catto: You were an early graduate of the Joe Kubert School. What are your fondest memories of that experience?

Graham Nolan: Actually, I never graduated from Kubert’s. I ran out of money for the third year. The two years I did attend were a great experience though. I learned a lot and was surrounded by people that shared the same passions as I did.

EC: We tend to revere Joe Kubert around here – what was it like learning from him?

GN: Joe was a force of nature. He had a presence that few have. When he spoke, you listened. He made everything he did seem so damn easy.

EC: You worked on Power Of The Atom, an Atom reboot, with CNY-er Roger Stern. Those were exciting times and it seemed to shine through in that series. What stands out in your memory about that series?

GN: It was a fun series that I wish I had been on from issue #1

EC: Our regular readers know how enamored I am with your Hawkworld series. Can you tell us a little about that series, what you were looking to achieve with it, and what your thoughts on it today are?

GN: That was a tough act to follow. I was passed the reigns from the popular mini-series by Tim Truman and Alcatena. I wanted to capture the feel of that series but add my own sense of storytelling dynamism to it.

EC: Follow-up question – Any thoughts on following in the footsteps of Joe Kubert on Hawkman?

GN: Not really. Hawkworld was so far afield from Joe’s work I felt like I was following Truman and not Kubert.

EC: You spent so much time working The Phantomwith fantastic results. Was that a labor of love for you?

GN: I always loved The Phantom. When Don Newton did the art for the Charlton books, I really flipped over the character. The Phantom was my Mom’s favorite character growing up. I regret that she passed before getting to see me take over the character.

EC: Comic strips like Rex Morgan, M.D. don’t seem to get the same fan appreciation at comic conventions. Do you find that frustrating?

GN: Comic strips don’t seem to get fan appreciation anywhere! The newspaper is a dying delivery device for comic-strips. They are so small these days that there are some strips I can’t even read!

EC: Monster Island was your own property. How different is it work on something like that as opposed to big company characters?

GN: Everything has to be created from scratch vs. it being established by others. But the creative freedom is wonderful.

EC: Let’s look ahead – can you tell us what you’re working on now?

GN: I’m currently doing my weekly humor strip, Sunshine State for GoComics.com and Chuck Dixon and I are back at DC working on a 12 issue Bane project called Bane: Conquest.

EC: Sounds like fun stuff, Graham, really looking forward to it all.

For more information on Graham Nolan, check out his site here, and for more information on Syracuse’s Salt City Comic-Con, check out their site here.