Tagged: review

REVIEW: The Wolverine

BD comboDespite being one of Marvel’s most insanely popular characters, Wolverine has struggled a bit on the big screen. Sure, Hugh Jackman defied expectations when he first signed on to play the Canadian mutant. After, in the comics, the guy is short and stocky whereas Jackman is over six feet tall. He fit the ensemble in the X-Men trilogy of films quite nicely, playing off James Marsden’s Cyclops as both vied for Jean Grey’s love only to both watch her die in X-Men: Last Stand.

If there was any character ready for a spinoff film, it was Wolverine but X-Men Origins; Wolverine was a bit of a messy disappointment, overstuffed with other mutants and telling his poignant backstory. Still, the character was tantalizing for 20th Century Fox so they went back to the drawing board – and the comics – for inspiration offering up this summer’s The Wolverine, figuring if the article helped define Batman as darker and more serious, it could only enhance the hero’s second outing.

Director James Mangold, who demonstrated he could do character and action in Knight & Day, worked with screenwriters Mark Bomback and Scott Frank to strip mine the first Wolverine miniseries, the best of the lot, you know, the one from Chris Claremont and Frank Miller.  While they pat themselves on the back for honoring the spirit of the mini, they also left out its darker tones and themes of obligation. About the only things in common is Japan for the setting and the kick-ass women, Mariko and Yukio. Beyond that, give me the miniseries over the overblown film.

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I’m told the movie makes more sense in the unrated extended version now available on some DVDs. 20th Century Home Entertainment sent the standard combo pack, containing the Blu-ray, DVD, and Ultraviolet digital copy. As a bonus you can also download a Marvel Infinite Comic, an original digital story although I could never read it as it failed to properly load on both my laptop and iPad.

Since Jean’s death, Logan has isolated himself from humanity and mutantkind alike, speaking only to her phantom image, well handled by Famke Jameson. He’s lured back to the society by Yukio (Rila Fukushima), on behalf of Yashida (Ken Yamamura/Haruhiko Yamanouchi), whose life Logan saved during the bombing of Nagasaki decades earlier. He has since built up the most successful technology company this side of Stark Industries and is now dying. He offers Logan a chance to have his mutant healing ability taken away, letting him live out a normal lifespan. Although he refuses the offer, Logan is on hand long enough to see all the political and familial machinations going on, coiled tight to be unloaded the moment the man dies.

wolverine-and-mariko

During the funeral, Mariko (Tao Okomoto) is attacked and Logan rushes to her aid as does her lifelong friend Harada (Will Yun Lee). At some point, though, Wolverine comes to realize his healing factor has been compromised and he’s suddenly injured and not getting any better.

While Logan and Mariko are on the run, they fall in love and Logan regains some of his humanity once again. Still, things can never remain idyllic so she’s taken, leading us to several set pieces that skip all attempts at ingenuity and characterization in favor of boring action with a climax taken from the first Iron Man. And while the script starts with the miniseries as a source, it borrows throughout the comics so we get Viper (Svetlana Khodchenkova) with littler explanation of who she is and what she really wants and the revelation that the claws are actually bone protrusions, something that may be addressed in next summer’s X-Men: Days of Future Past. The end credits segue from this story to the next film, a gimmick that every studio with Marvel characters now seems obligated to include.

The-Wolverine-Yukio-RilaWhile pretty to look at, the movie speeds along and never really lets any of the characters move beyond their logline definitions so all seem flat. The actresses do nice work with the little they’re given while the guys all feel way too thin.

Jackman’s Wolverine is nuanced. A tortured soul who watches everyone he loves die (except for Mariko – for now at least) as he ages past other friendships. The Logan in the miniseries tamed his soul through Japanese culture but that angle is sadly missing from here.

The Blu-ray transfer is lovely along with fine sound so watching is a pleasure and the story makes as much sense as it needs to. There are a handful of extras including “The Path of a Ronin”, a multi-part, 53:44 Making Of documentary that explores many facets of the character and the film’s production. You also get a brief alternate ending (1:34) where we see him presented with the yellow and blue costume. Finally, Bryan Singer turns up for a set tour (2:47) for the next installment. There’s also a Second Screen App for those who want additional content.

REVIEW – Doctor Who: Legacy

Doctor Who has gotten a number of videogames in the last couple of years, from games for the Playstation 3 to a Nintendo 3Ds version of the card game Top Trumps.  Doctor Who: Legacy is the latest in the series, a game for iOS and Android tablets and phones that packs a great deal of addicting gameplay into a simple mechanic.

At its core, Legacy is an iteration of the “Line up three jewels” game as seen in the many variations of Bejweled. The big different is the player is not limited to moving an “orb” only one spot, but anywhere on the screen, within a number of seconds.  With orbs sliding out of its way as you go, this simple change allows a deft player to set up a number of combos in one play.  It’s s skill that takes a bit to get used to, but opens up a great deal of strategy.

In the game, you play The Doctor and his companions, each of whom are assigned one of five orb colors on the game board, with a sixth (pink) for restoring hit points..  You are presented with wave upon wave of villains who attack you with energy blasts and special attacks, shaving down your health.  When you line up three or more of one color, the character assigned to that color attacks the enemies, or the pink orbs restore health to the team.  Combos allow more than one character to attack at once, and multiplies the total damage.  Your characters have varied attack and hitpoint values they add to the team, and each has special powers that become available every few rounds – change orb colors, increase damage, or restore health.  Combining that with the flexible orb placement on the field, the game keeps itself fresh, more than simply swapping jewels endlessly.

Like all free-to-play games, there’s an option to buy items, represented here by Time Crystals, which allow you to continue playing if you’re well into a long level, are used to rank up your characters for greater power and strength, and to buy packs of extra companions.  The game is exceedingly fair about making the crystals available in the game as well, and with patience, you can score all the companions as random rewards for completing levels.  As a thank you for buying, the game allows you access to the “fan area” after your first purchase of 5 or more Crystals. The fan area offers extra levels, special “fan versions” of companions, and more bonuses to be added later.  It’s a fair value for at least that first five bucks; indeed the game itself would be worth that if they had chosen to charge.

One caveat – the game needs an internet connection at startup to sync with the servers and download updates, so have one ready before you play.  Right now the developers are running a special “Advent Calendar” promotion via their facebook page – Liking their page gives you access to promo codes for extra companions and outfits for your characters.  There’s a lot of value packed into the game, and it’s a welcome addition to your portable device.

The game is free for Apple and Android devices.

ComicMix’s Sister Act Review Disney’s New Sister Act- Frozen

disney-frozen-anna-elsa-new-designDecember must be The Tweeks’ favorite month: Day of the Doctor, Hunger Games: Catching Fire and a new Disney animated movie- Frozen. A Disney animated movie featuring two main characters who happen to be sisters! Which gives us a chance to open up to our reader a debate we have hotly debated in the ComicMix offices: which one is the evil twin, Maddy or Anya?

http://youtu.be/0IRe2bBUP9Q

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The Hunger Games: Catching Fire Tweeks Special

The-Tributes-of-the-75th-Hunger-Games-catching-fire-movie-35052815-2498-916 Because last weekend was jammed packed with awesomeness for The Tweeks, we’ve got an extra installment this week! On Friday November 22nd, Maddy and Anya caught an Imax screening of the blockbuster The Hunger Games: Catching Fire on opening day. They even wore costumes to the theater! Here’s their review, brimming with the fever pitch excitement and enthusiasm for the event tweens the world over have been waiting for!

 

Watch now! Then go see the movie for yourself (if you haven’t yet!)

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Tweeks Get Their Whovian Geek On For The 50th

Doctor-Who-The-50th-Anniversary-Wallpaper-doctor-who-35308700-1920-1080The Tweeks enjoyed the Day of the Doctor in Los Angeles and today recap the Dr. Who 50th Anniversary, giving us their review and reactions.

And yes, they  manage to keep their squeeing over both their Doctors being onscreen at once to a minimum.

***Spoilers Alert!***

The Tweeks will return Tuesday morning with their special Hunger Games: Catching Fire review!

FRIDAY: Martha Thomases

SATURDAY: Marc Alan Fishman

 

 

Mike Gold: Sex – Our Moral Dilemma

gold-art-131127-150x79-1347101Regular readers of this space may have discerned I have an absolutist attitude towards the First Amendment: freedom of expression must not be abridged in any way or form. That doesn’t mean people or corporations shouldn’t be held responsible for what they say, just that they can say it.

As A. J. Liebling said, “Freedom of the press is guaranteed only to those who own one.” That’s obviously true, although the Internet has expanded our deployment of these freedoms exponentially. But the same attitude probably should be expected of retailers: is your local mom’n’pop candy store (yeah, yeah; nostalgia) obligated to carry the latest issue of Steamy Dwarf Sex? Probably not.

But let’s take this one step further. Do corporations that are publicly traded – public corporations – have the right to decline to offer whatever publications they dislike? If Apple’s bookstore and magazine stand doesn’t like, say, Boy’s Life, do they have a right to prevent their customers from getting it through their facilities?

That’s not an easy question to answer. Setting aside the completely ridiculous fact that in the United States of America corporations are defined as human beings, where does one “person” get off deciding what you get to read on your tablet… or hear on your Internet radio station… or see online? The Internet’s success was spurred by the availability of free pornography. The entire home video business was founded on the availability of porn in the solitude of your own home. So have various On Demand services. And where would HBO be today if not for the availability of free tits for the past 41 years?

(Yes, Virginia, there was a time when nary a nipple was permitted on the boob tube.)

Today, there’s much controversy about Apple’s bookstore and magazine stand service setting arbitrary “standards” that, by their very definition, cannot be evenly enforced. This policy has kept Matt Fraction and Chip Zdarsky excellent (in my opinion; this is not a review, although the book does offer the best recap page I’ve ever read) series Sex Criminals from being listed in their service. This story rightfully has garnered a lot of publicity, so I’ll use that as my example while promoting a worthy book that may be hard to find in some venues.

Sex Criminals is not a salacious book – but that is not the issue. A book’s “redeemable qualities” are completely irrelevant: that’s a standard that obviates freedom of expression. And Apple – as well as sundry other “public” corporations – has declined to distribute the title.

Outside of expanding opportunities for letting corporations determine what we can and cannot read through their efforts, the problem here is that Apple has established a standard that they do not enforce evenly. Their music service distributes all kinds of “explicit” stuff. So does their movie and teevee service. Same thing with iBooks. Their newsstand service distributes material that is truly salacious. So why dump on Fraction and Zdarsky?

Let me pose this question a different way: If Image Comics’ Sex Criminals was written by, say, Stephen King, would Apple refuse to offer it?

What’s Valley-Speak for “no fucking way?”

THURSDAY MORNING: Dennis O’Neil

THURSDAY EVENING: The Tweaks!

 

REVIEW: The World’s Endf

THE WORLDS END BD_2DAfter a steady diet of stupid buddy movies, including this summer’s Grown-Ups 2 flop, I welcomed Edgar Wright and Simon Pegg’s unique take on the concept in The World’s End. After a steady stream of funny and inventive films, this one hewed closer to a traditional premise: five high school buddies reunite for one last blast. However, being from this duo, one could expect something different.

The first forty minutes of the film felt fairly straightforward as the one who refused to grow up gathered his peers, all mired in staid existences, and convinced them to do what they failed to accomplish in their teens. In this case it meant visiting and quaffing a brew at all twelve pubs along the Golden Mile, finishing at the fabled World’s End. We see them struggling to reconnect, all annoyed at their leader for one reason or another. Unlike other films in this manner, the men are archetypal, not caricatures, and you feel the weight of adulthood on their shoulders. Their resentment towards Gary King (Pegg) is also tinged with envy as he has never lost that boyhood spirit, that Can Do attitude that made the next step an adventure.

Then things take an unexpected twist and we’re plunged into an entirely different story that pits these five against an alien threat with the very world’s fate at stake. How they handle this fuels the remainder of the satisfying film, out now on Blu-ray from Universal Studios Home Entertainment. Considered the final installment in the Cornetto Trilogy, viewers should be aware it has absolutely no connection to Shaun of the Dead and Hot Fuzz. What they do share in common is an ensemble cast and smart, witty writing that never trips over the line into dumb humor or slapstick.

Worlds-EndWright nicely skewers the horror, cop, and science fiction conventions in these films, always taking ordinary people with ordinary problems and sticking them in extraordinary circumstances. Gary King is the boy who never grew up and as an adult, his actions now appear inappropriate but it is his spirit to never give up that forces the others — — Steven Prince (Paddy Considine), Oliver “O-Man” Chamberlain (Martin Freeman), Peter Page (Eddie Marsan) and best friend Andy Knightley (Nick Frost) – into action. The quiet home of Newton Haven is too quiet and the looks the quintet receive from the patrons borders on The Stepford Wives, even their old college professor (Pierce Brosnan) seem s a little off. When King rips the head off a young punk, he discovers the inhabitants have been replaced with robots out to “civilize” humanity.

There’s a tremendous amount of running, fighting, screaming and humor but in the end it all comes down to King and Andy debating the Voice (Bill Nighy) behind it all. As climaxes go, it falls a little flat but is whimsical in a nice way. And there’s even a touch of romance with Oliver’s sister Sam (Rosamund Pike), the sole major female role in the film, a failing on the Bechdel scale.

The-Worlds-EndThe film’s tone is a steady one, despite the rising complications and activity. The performances are strong as one would expect from the cast, who have worked together for many a year, making this one of the strongest and best comedies of the year. Out on a combo disc (Blu-ray, DVD and Ultraviolet digital), the video transfer is fine, matched by sharp audio. Unlike a lot of recent releases, this one comes with an excellent abundance of material staring with Commentary from Wright and Pegg and Wright and director of photography Bill Pope and Pegg with co-stars Frost and Considine. The first is funny and interesting, the second interesting for technical folk, and the third is as hilarious as you would expect.

U-Control Storyboard PiP lets you see the film’s storyboards alongside the film which is interesting for storytellers. Better is Completing the Golden Mile: The Making of The World’s End (48:00) which takes us through the concept to production although you know some of this through the commentaries.

Additionally, there’s Filling in the Blanks: The Stunts and FX of The World’s End (28:00); VFX Breakdown (9:00); Edgar & Simon’s Flip Chart (13:00), a fascinating look at the beat by beat breakdowns writers use to craft screenplays; Director at Work (3:00); Pegg + Frost = Fried Gold (3:00) Friends Reunited (4:00), mostly culled from a press kit; Three Flavours Cornetto Trilogy (5:00); Animatics (11:00), for two scenes; Hair and Make-Up Tests (4:00); Rehearsal Footage (6:00); Stunt Tapes (9:00); There’s Only One Gary King: Osymyso’s Inibri-8 Megamix (5:00); Music remix montage; Signs & Omens (8:00); Deleted Scene (1 minute); Outtakes (11:00); Alternate Edits (SD, 5 minutes); Bits and Pieces (3:00), additional alternate takes and shots; and, Trailers & TV Spots including the TV Safe Version. Finally, there are Galleries of photographs, concept art, animatronics, prosthetics, theatrical posters and pub signs and a fun Trivia Track.

By all means, check this one out and enjoy the bonus features which enhance the enjoyment.

REVIEW: Doctor Who Specials Feature History & Comedy

The BBC did a cracking job of filling the week before the Doctor Who 50th anniversary with new programming to appeal to Whovians across the globe.  Noted scientist Brian Cox hosted a seminar about the nature of space and time, while noted actor Brian Cox starred in An Adventure in Space and Time.  Paul McGann starred in a short adventure featuring the eighth Doctor, while Doctors Five, Six, and Seven hatched their own plan to crash the festivities.

David Bradley as William Hartnell as The Doctor in An Adventure in Space and Time

Mark Gatiss penned An Adventure in Space and Time, a dramatic adaptation of the early years of the classic series.  Brian Cox and Jessica Raine (Call the Midwife) starred as Sydney Newman and Verity Lambert respectively, the minds behind the show, while David Bradley (Game of Thrones, Harry Potter) took the role of William Hartnell, the first Doctor.  Hartnell was unsure of his ability to take on the role, and Verity supported and encouraged him, each helping the other make a name for themselves in television history.  Bradley does a wonderful job of showing Hartnell’s range of emotion as the harsh schedule of the show takes its toll on him in only three years. A recurring motif of a series of publicity pictures for each new cast change portrays the progression wonderfully.

There’s a number of cameos of classic Who actors in the film. William Russell (the original Ian Chesterton) plays a BBC guard, and early companions Anneke Wills and Jean Marsh (Upstairs Downstairs), and current voice of the Daleks Nicholas Briggs as the original voice of the Daleks, Peter Hawkins.  One final cameo at the end is too wonderful and precious to spoil – let’s just say Gatiss is not afraid to let the line between reality and fantasy blur if needs be.

While the adventure is scheduled for release in the UK on December 2, there’s no date for a US release as of yet.

A lot of fans were upset that the “classic Doctors” were not asked to participate in the anniversary episode (save for McGann, who naturally had to keep his appearance strictly secret), so Peter Davison decided to take matters into his own hands.  He wrote and directed The Five(ish) Doctors Reboot, a half-hour adventure in which, well, in which Peter Davison takes matters into his own hands about not being asked to participate in the anniversary.  He, Colin Baker and Sylvester McCoy hatch a mad plan to crash the filming of The Day of the Doctor and garner appearances.  In a series of mad escapades worthy of Lucy Ricardo trying to get into Ricky’s show (ask your parents), the trio get help from John Barrowman, Peter’s daughter Georgia Moffett and her husband, one David Tennant.

The adventure was filmed alongside the anniversary episode, with our heroes conspiring behind the scenes as the “actual” footage is filmed off-camera  It features cameos from just about everyone that’s been on Doctor Who that “wasn’t invited” to be in the anniversary, up to and including Russel T. Davies.  Tom Baker does not appear, instead using the very same footage from The Five Doctors that they pulled from Shada to cover for his non-appearance there.  Georgia gets a producer’s credit for the adventure, with Steven Moffat and Brian Minchin as executive producers.  It’s a wonderful piece of work from all involved, clearly a love letter to both the old guard and its fans.

The Five(ish) Doctors Reboot is also available for viewing at the BBC website.

New Who Review: The Day of the Doctor

New Who Review: The Day of the Doctor

It’s not often you get to describe an event as being fifty years in the making. even less so do you get to mean it.  Three Doctors in three timelines converge to give them all a chance to change a terrible moment in their collective past.

The Day of the Doctor
by Steven Moffat
Directed by Nick Hurran

The Doctor is in the present, in his most recent incarnation, picking up Clara, when he gets picked up himself, by UNIT, to investigate a mystery at the National Museum.  Meanwhile (well, I say meanwhile…) in his previous incarnation, he’s investigating a mystery in Elizabethan Britain, an attack by the Zygons that could lead all the way to the Queen herself.  And in another part of the Universe entirely, The War Doctor is making a decision that will put the lives of countless innocents in his hands, a choice that will darken and color his life for centuries to come.

Considering that it is physically impossible to create an episode that has everyone and everything that every fan wants, this episode was as close to perfect as could be.  It embraced plotlines that were started in the Davies era, tied in moments and points in Moffat’s own time of running the show, and did a job of undoing a dark moment in The Doctor’s history worthy of Geoff Johns.  I screamed out loud three times, and it would have been four, if one fellow had been able to keep his mouth shut.

THE MONSTER FILES: The Zygons only got one appearance in the original series, the eponymous Terror of the Zygons, but it was enough to keep the popular in the alternative media for years.  Shapeshifting beings, they invade by taking over from within, taking the forms of important people.  They got an off-camera return in The Power of Three as they tried to invade during Amy and Rory’s second honeymoon.

BACKGROUND BITS AND BOBS:Trivia and production details

Oh my GOD is this gonna be a long one.  This episode is packed with self-references and tips of the hat, as well as calling back to points from many other episodes.  I’ll see if I can hit them all…

THE QUESTION ISN’T WHERE, IT’S WHEN: More precisely, from when.  Matt Smith’s Doctor is clearly experiencing this adventure in the “present,” as in after the events of the last season.  Considering Ten(nant) is traveling alone, and is having the adventure he refers to when talking to Ood Sigma in the beginning of The End of Time, he’s clearly from a period between The Waters of Mars and that episode.  We don’t know exactly how much time he spent gallivanting about between those episodes, clearly long enough for his memories of the details of this paradoxical adventure (while still remembering the bits about the Virgin Queen) that he still saw a need to re-imprison the Time Lords with the help of The Master.

Similarly, The War Doctor is experiencing this adventure at the end of this regeneration.  But while we saw his “birth” in the Paul McGann mini-episode, we don’t know exactly how long he has been around, fighting in (and against) the Time War.  He was in his seven hundreds at the end of the original series, and nine hundred at the beginning of the new, so there’s quite a lot of years to spread around between Seven, Eight, and The War Doctor.

So in brief, we’re seeing all three Doctors having this adventure very near the end of their respective regenerations.  So each of them have seen all they’re going to see through their eyes, and that’s about the best time.

CALL FOR THE DOCTOR QUICK, QUICK, QUICK: Kate Stewart, the head of UNIT, daughter of The Brig, has a custom ring for The Doctor on her phone.
Also, note that The Doctor’s number is once again 07700900461, as it was in The Stolen Earth. About 2500 people thought that might be a working number (at least for a tie-in recording or bit of marketing, anyway) when that adventure aired, and tried calling it.  no idea how many will try it this time.

“Waste no more time arguing about what a good man should be: Be one”: They hit the ground running with the self-references.  I.M. Foreman‘s scrap yard was where we first met the Doctor, Susan and the TARDIS, lo those fifty years ago.  Susan attended Coal Hill secondary school, where she aroused the curiosity of teachers Barbara Wright and Ian Chesterton, who as we see here, now serves as headmaster.  Sarah Jane Smith did a bit of investigating, and tracked down Ian and Barbara (now Barbara Chesterton), and reported to her son Luke that they no longer appear to age.  Also, notice that as we see Clara erasing the quote from Marcus Aurelius on her whiteboard, the words “NO MORE” are in the center of the screen.

“Draft”: The Triumph Clara’s driving is the one The Doctor drove up the side of The Shard in The Bells of Saint John.  When last we saw Clara and The Doctor, she was not getting along with the TARDIS, now she’d shutting the doors with a click of her fingers.  Clearly quite some time has passed since the events of The Name of the Doctor – enough time for her to get a job as a teacher, and to make peace with the TARDIS.  And yet she and The Doctor still keep their “See you next Wednesday” relationship, as it’s clear she’s not traveling with him regularly, tho she has no problem with picking up and running when he pops by.

“Tell Malcolm we need new batteries” – Malcolm Taylor is the acting scientific advisor for UNIT, and was played by Lee Evans in Planet of the Dead, and when I heard his name, I let loose with my third-loudest shout of the evening.  If you folks think you were upset that Rose or Eccleston didn’t appear…
And those are presumably the “Ravens of Death” she claimed to have in The Power of Three.

“Nice Scarf” – Considering what we appear to learn at the end of the episode, that scarf MAY not be a replica.  It might have been a gift. From the original owner.
There’s a bit of debate going on as to exactly who Osgood is. Rich Johnson at Bleeding Cool seems to believe that she’s Kate’s daughter – while her first line was her calling “Mum”, I took that to mean the honorific “Ma’am”, and not “Mom”.  But we both noticed there was a UNIT tech named Tom Osgood in The Daemons, and a few of the prose stories, so that seems a more possible guess on her father, anyway.

“I’d be brilliant at having a job”: Well, he really does work for UNIT, when he’s around, and he did pretty well in the two jobs he took when he was helping Craig Owen in The Lodger and Closing Time.

“The High Council is in emergency session, they have plans of their own”: Those would be the plans set into action in The End of Time. We first heard of The Moment in that episode, as it too took place (partly, in flashback) during the end of the Time War.

“The Doctor has The Moment”: In a delightful bit of ingenious design, the initial gear-like design for of The Moment somewhat resembles the Antikythera mechanism, an Out Of Place Artifact found in Greece that (theoretically) could plot the positions of the stars to astounding accuracy.

“The interface is hot”: For those who are grousing that Billie Piper is not playing Rose, not my comment above.  If we were watching an adventure where The Doctor was traveling with Rose, we’d be watching a Doctor who had not yet met Martha, Donna Noble, the crew of Bowie Base One, a Doctor who had, in short, barely begun to live.  This was a way to have Billie a part of the show, while still giving us the best Doctor to experience the story. Also note that it’s a lovely parallel to Ten meeting Rose at the end of The End of Time, before they’ve met in that first adventure, Rose. The War Doctor meets her (or at least sees her visage) before he regenerates and meets (and saves) her in that department store.  So once again, The Bad Wolf was guiding them all to fulfill the almost predestined moment so far in the future.

“Elizabeth the First…you knew her, then?”: Based on what we see here, and what Ten implies later, we shall have to leave tactfully alone the question of what definition of “knew” is being used here… This is England 1562, 37 years before The Shakespeare Code, where we “First” meet the queen, and The Doctor is totally unaware of why she’d be so angry at him.  I expect that happens a lot.

It’s a machine that goes “ding”: It’s presumably similar to The Machine That Goes “Ding” When There’s Stuff, as seen in Blink. While that one was more tuned to temporal anomalies, this one is attuned to physical ones, like the energy expended by a shapeshifting alien.

“Is it important?” “In 1,200 years, I haven’t stepped in anything that wasn’t”” Another callback, this time to A Christmas Carol, when he said it about people.

“I need you to send me one of my father’s incident files”: She is almost certainly asking for the files on the incident we know as The Three Doctors, the tenth anniversary adventure.  As they had to do in the past, they had to come up with a way around using one Doctor, but not for the same reason. William Hartnell was not well at the time, an advancement of the illness that cause him to leave the show in the first place.  So he was not able to take an active part in the story, instead relegated to appearing via the scanner screen.  Ten years later, Tom Baker wasn’t able to appear in The Five Doctors, so they used footage from Shada in his stead.  Hartnell had already passed, so Richard Hurndall took on the role of the First Doctor.
For all the grousing many fans are making that they “left out Eccleston” from this adventure, it’s been verified via the man himself and he chose not to participate in the episode.  His departure from the series was not entirely cordial; no firm details have come to light because he’s a professional, but it’s generally understood there was no small amount of bad blood.
The reference to “Seventies or eighties, depending” is a sly nod to the fact that the Pertwee years of the show were filmed in the seventies, but were supposed to be taking place an unspecified number of years in the future, to try and explain the higher tech items that were sprinkled around.

“Reverse the polarity”: “Reverse the polarity of the Neutron Flow” was one of Jon Pertwee’s legendary catch phrases, but like “Beam me up Scotty”, usually misremembered.  That exact phrase was only used once in the series, and as a hat tip in The Five Doctors”, it was the shorter quote used here that got used in numerous episodes.

“Why are you pointing your screwdrivers like that?”: The War Doctor gives voice to many of the complaints old-guard fans have had about the new series – all the kissing, the Sonic Screwdriver acting more like a weapon (and a magic wand), and much more.  Not to mock the fans, but more to point out the fact that the creators know full well how much the show has changed. And indeed, it’s the constant change of the show that has kept it alive.

“We’ll need access to the Black Archive”: Of all the stuff in that warehouse, I spotted River Song’s Manolos, a Cyberman head, a Sontaran blaster and the chair they had Ten trussed up in in The End of Time, which at this point in time…hasn’t happened yet.  The Black Archive first got mentioned on Sarah Jane Adventures, in the episode Enemy of the Bane, guest-starring Nicholas Courtney in his last appearances as The Brigadier.

“You have a top-level security rating from your last visit”: The question is, is that just a continuance of the fact that everyone has their memories wiped as they leave, one of the many times that Clara has appeared in The Doctor’s past, or a precursor to an upcoming story?  Also on that board with the more recent Companions are Tegan Jovanka, Nyssa of Traken, Kamelion, Five’s short-lived android companion, even Ian and Barbara.  Also, photographed with Captain Erisa Magambo is Rose Tyler…but there’s a problem there.  The only time they met were in the alternate timeline of Turn Left.  So…where did that photo come from?

“We don’t have the activation code”: The numbers The Doctor scratches into the wall of their cell is 1716231163.  Or more clearly, 17:16 23/11/63, the exact date and time that episode one of An Unearthly Child was originally broadcast.

“Same software…different face”: We’re not talking about the screwdriver any more, are we, blondie?  Because later on in the episode, we find out that in a very similar way, The Doctor has been mulling a problem over for the same 400 years, one that he gets to solve himself, not by someone just opening the right door at the last minute.
Moffat is so so good at playing with time as a plot point.  Sending the activation code into the future by writing it on the wall, and the idea of the scan taking the long way round and finishing up just as it’s needed.

“Oh, you’ve redecorated…I don’t like it”: A twice-joked joke, back for a third time.  Patrick Troughton said it about Jon Pertwee’s TARDIS in The Three Doctors, and Eleven said it about Craig’s home in Closing Time.

“At worst, we failed at doing the right thing, as opposed to succeeding in doing the wrong”: What this episode does is essentially undoes an act that The Doctor has regretted for centuries.  But as is always true of situations like this, it has to be undone in a way so nobody KNOWS it was undone, otherwise any events springing from it will not happen as they did, and you get paradoxes springing up like dandelions. So that, more than any other, is why all the Doctors from the time The Moment was supposedly used had to believe they DID use it.  Only until after the present Doctor lives through his portion of the history can he be allowed to remember.  It’s a temporal version of eating your cake and having it too.

“Wearing a bit thin”: Which is exactly how Hartnell described himself shortly before the first regeneration in The Tenth Planet, ushering in the miracle that would keep the show going for five decades.

“I don’t want to go”: Technically, this is the first time he says that – he’ll say it again in The End of Time.  They even worked it into the script of An Adventure in Space and Time.

“I could be a curator”: He is the Curator.  The letter from Elizabeth I appoints The Doctor as official Curator of the Undergallery, “to be summoned in the event of any crises concerning it.”  Now, how he gets all the way back around to the time, place and form we see here, well, that’s all the fun is finding out, isn’t it?

BIG BAD REPORT / CLEVER THEORY DEPARTMENT: For once, the arc of the upcoming season might be a positive.  Gallifrey Falls No More, and clearly The Doctor wants to find it.  But there’s a problem.  They may not have been destroyed, but this is clearly still the Time Lords who saw no problem with breaking out of their temporal prison by destroying the Earth, with the goal of controlling all of time and space.  Now one could argue that it was more the mad plans of the Lord President (played by Timothy Dalton in The End of Time) nd the rest of the Time Lords (save two) fell into line.  But that’s an argument we heard around the middle of last century, and it didn’t fly too well or too often.  If I have the timeline right, The Time Lords will be banished back into the Time Lock after EoT, and find almost immediately that their plan was unneeded, as The Doctor saves the planet and shunts it off somewhere.  So in the time that has passed, have they come to their senses and spent their time rebuilding, or have the grown even more enraged as they pounded at the walls of their temporal prison?  It’s the same question Wilf asked in EoT – will the Time Lords’ return be a good thing?  A lot of possibilities.

“No , sir…all thirteen”: In two seconds, Peter Capaldi premiered as The Doctor, and his eyebrows have already garnered their own fandom.  It also verifies what has been assumed to be true since new news of the New Doctor came out: The next Doctor is the last of his current cycle of regenerations.  Moffat has stated clearly that the 12-regeneration limit is still in place, whimsical comment in Sarah Jane Adventures notwithstanding. So in addition to the search for Gallifrey, we’ll certainly hear more than a bit about him reaching the seeming end of his lives.  One has to wonder if the resolution of one plotline will resolve the other.

NEXT TIME ON DOCTOR WHO

In the more short-term, Silence Will Fall.

See you back here at Christmas.

The Tweeks review “Shrek: The Musical”!

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He’s big, green, loud, obnoxoius, and is like an onion. He also sings, dances, and saves the princess. And now, there’s a DVD and Blu-Ray edition of the Broadway musical based on the Dreamworks animated movie based on the book by William Steig. (Whew!) This week, the Tweeks review the musical version of Shrek. Take a look…