Tagged: Paramount

Hansel & Gretel: Witch Hunters Comes to DVD in June

Blu-ray-Osleeve_Template [Converted]We knew from the trailers Hansel & Gretel: Witch Hunters was either going to be goofy fun or a terrible misfire. Since it wound up a little bit of each, it did surprisingly well during a weak box office period, so much so that Paramount last week said they were developing a sequel. Now comes word that the film is being released on Home Video in June. Here are the formal details:

Fans Can Be the First to Own the Fast-Paced Thrill Ride on Digital Download May 21st

HOLLYWOOD, Calif. (March 26, 2013) –  The fabled siblings are all grown up and hell-bent on tracking and killing witches wherever they hide in the no-holds-barred epic of modern action and adventure Hansel & Gretel: Witch Hunters, taking flight on Blu-ray, Blu-ray 3D, DVD and On Demand June 11, 2013 from Paramount Home Media Distribution.  The film will also be available early for Digital Download on May 21st.  “Destined for cult status” (Rick Florino, ArtistDirect.com), Hansel & Gretel: Witch Hunters is filled with “super crazy action and mind-blowing thrills” (Shawn Edwards, Fox-TV) and stars Jeremy Renner (The Avengers, The Bourne Legacy), Gemma Arterton (Quantum of Solace), Famke Janssen (X-Men), Thomas Mann (Beautiful Creatures) and Peter Stormare (The Big Lebowski).  Written and directed by Tommy Wirkola (Dead Snow), the film earned more than $200 million at the global box office and a sequel is in development.  The sly and ingeniously wicked movie tells the story of the brother and sister team seeking to avenge their parents’ deaths.  But after a lifetime of hunting witches, Hansel and Gretel now must face an evil greater than anything they’ve seen: a terrifying new threat so massive, it could destroy the world as we know it.

Hansel & Gretel: Witch Hunters will be available in both its original theatrical version and an unrated version with never-before-seen footage that was too intense for theaters in a Blu-ray/DVD combo or a three-disc Blu-ray 3D/Blu-ray/DVD combo, both with UltraViolet™.  The combo packs boast revealing special features that take audiences behind-the-scenes for a look at the reinvention of the story, an in-depth examination of the gruesome witches and an up close and personal visit with the extraordinary troll, Edward.  The film will also be available as a single-disc DVD that includes the theatrical version of the film.

The Blu-ray releases available for purchase will be enabled with UltraViolet, a new way to collect, access and enjoy movies.  With UltraViolet, consumers can add movies to their digital collection in the cloud, and then stream or download them – reliably and securely – to a variety of devices.

Hansel & Gretel: Witch Hunters Blu-ray/DVD Combo Pack

The Hansel & Gretel: Witch Hunters Blu-ray is presented in 1080p high definition with English 5.1 Dolby TrueHD, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles.  The DVD in the combo pack is presented in widescreen enhanced for 16:9 TVs with English 5.1 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital and English Audio Description and English, French, Spanish and Portuguese subtitles.  The combo pack includes access to a digital copy of the film as well as the following:

Blu-ray

  • Feature film in high definition (Unrated version)
  • Reinventing Hansel & Gretel
  • The Witching Hours
  • Meet Edward the Troll

DVD

  • Feature film in standard definition (Theatrical version)

Hansel & Gretel: Witch Hunters Blu-ray 3D/Blu-ray/DVD Combo Pack

The Hansel & Gretel: Witch Hunters Blu-ray 3D/Blu-ray/DVD combo includes all of the above, as well as a Blu-ray 3D in 1080p high definition with English 5.1 Dolby TrueHD, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles.  The Blu-ray 3D includes the theatrical version of the film.

Hansel & Gretel: Witch Hunters Single-Disc DVD

The single-disc DVD is presented in widescreen enhanced for 16:9 TVs with English 5.1 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital and English Audio Description and English, French, Spanish and Portuguese subtitles.  The disc includes the theatrical version of the film in standard definition.

Your Star Trek Into Darkness Roundup

Your Star Trek Into Darkness Roundup

With less than two months to go before Star Trek Into Darkness opens in theaters, the Paramount marketing machine has been busy. Here are the updates for the week including activities at the movie’s app and the spoiler-rich International Trailer.

Star Trek App Mission: Scan the “Space Invader Art” at Subliminal Projects

Using cutting-edge image recognition technology, Star Trek app users who visit Subliminal Projects in Los Angeles and scan the “Space Invader” art piece outside the building this Saturday will earn 30 points towards a higher rank in the app’s Starfleet Academy.

When:  Saturday, March 23, 2013

Where: Subliminal Projects

1331 West Sunset Boulevard

Los Angeles, CA 90026

Enter for a Chance to Win a Costume from the Film

Users of Paramount Pictures’ Star Trek app have until March 31 for a chance to win one of 50 costumes from the upcoming “STAR TREK INTO DARKNESS” movie. Enter the sweepstakes once a day through the end of March, only in the Star Trek app!

When:  Now through March 31, 2013

Where: Click on the “Sweeps” button within the Star Trek app, available for download through the App Store and Google Play at www.StarTrekMovie.com/App

About the Sweepstakes:

NO PURCHASE NECESSARY. LEGAL RESIDENTS OF THE 50 UNITED STATES (D.C.) AND CANADA 13 AND OLDER.  VOID IN QUEBEC AND WHERE PROHIBITED. Sweepstakes ends 3/31/13. For Rules, alternate entry, and complete details, visit www.startrekmovie.com/startrekapp/sweepstakes-official_rules.html. Sponsor: Paramount Pictures Corporation.

REVIEW: Hitchcock

hitchcock-blu-ray-Hitchcock_Combo_Ori-8C60008_rgbThe great innovators and popular entertainers of previous generations often fade from sight from they retire or die. A new generation discovers them afresh, either on their own, or someone has done some digging. In the case of the famed director Alfred Hitchcock, he has spawned a cottage industry with recent biographies and films. Hitchcock, with Anthony Hopkins nearly unrecognizable under the latex, is based on Stephen Rebello’s Alfred Hitchcock and the Making of Psycho, and portrays a particular point of view about the Englishman.

Psycho is currently his best known work, especially with this week’s debut of Bates Motel on cable but critics tend to pick his other, earlier works as among his best. Sure, this thriller is terrifying and exciting and surprising thanks to the Robert Bloch story, direction, and performances. And the making of the film is worthy of exploration. Director Sacha Gervasi has a rich source of material and some fascinating players to explore but the end result is surprisingly slight. Rebello shone a much-needed spotlight on Hitch’s wife Alma (Helen Mirren), the secret engine behind his successes and Gervasi tries to milk tension out of the largely fictitious tension between spouses. When Universal refused to allow access to the source material, Gervasi needed something to hang the film on but clearly chose poorly.

The story picks up in 1959, with Hitch riding the success of North by Northwest and his popular television anthology series that made his silhouette the most recognizable in the country. Seeking his next project, he assigned the research to Peggy Robertson (Toni Colette), his assistant. She came up with Bloch’s novel, loosely based on the famed Ed Gein murders. It had just the right amount of lurid tension that would let him explore something different, something he did throughout his storied career.

Not everyone agreed with the choice with agent (Michael Stuhlbarg), Paramount president Barney Balaban (Richard Portnow), and Alma all thinking it beneath the director, who insisted he wanted the change of pace. When Paramount balked, he moved the film to Universal Studios which welcomed him with open arms. Hitch cast  Anthony Perkins (James D’Arcy) as Norman, Janet Leigh (Scarlett Johansson) as Marion Crane and Vera Miles (Jessica Biel) as sister Lila. There’s plenty of behind the scenes intrigue, saving only the original film’s most famous moments for on camera action where we discover the tyrannical Hitchcock is as prurient as Norman himself.  He later bullies Hays Office censor Geoffrey Shurlock (Kurtwood Smith) into approving the shower scene since more is implied than ever shown.

HITCHCOCKThe movie’s more interesting dynamic is between husband and wife and here the film should sing but lacks spark which is odd considering how strong the performers are so the fault clearly lies in the script. There are other missteps along the way including Gein’s ghost, but by then, the film has lost its audience rather than gripped them.

The digital film is well-transferred to Blu-ray and sounds just fine. The combo edition comes complete with Audio Commentary from Gervasi and Rebello, and I wish the film was as interesting as their conversation. There is also a single Deleted Scene (1:41); Becoming the Master: From Hopkins to Hitchcock (12:28) all about Hopkins’ makeup and performance; Obsessed with Hitchcock (29:09), the usual making of documentary; Sacha Gervasi’s Behind-the-Scenes Cell Phone Footage (13:31) which is far more entertaining and informative than you imagine and gets credit for being a unique bonus; Hitchcock Cell Phone PSA (:41); The Story  (3:54); The Cast (4:25) which features with interviews with the director, Mirren, Hopkins, and others; Danny Elfman Maestro (2:16) which is an all-too-brief piece on the evocative score;  Hitch and Alma (3:15), which honestly needed to be more expansive and in-depth; Remembering Hitchcock (4:44): Hitchcock’s former cast and crew members trip down memory lane; Theatrical Trailer (2:33); and, Sneak Peek (14:31).

Overall, the extras bolster a weak production and makes it worth a look. Or, you might be better off reading the bios and watching the actual films from the great master. Hitchcock was terrific at building suspense, adjusting to new technologies and exploring the human psyche in ways his peers at the time avoided, giving him freedom to explore and entertain.

Christopher Nolan’s Interstellar Now a Paramount/Warner Co-Production

Paramount100Warner Bros Film Group Finalizing New PR Job For News Corp Publicist Jack HornerWhile we await confirmation that Christopher Nolan will be the new DC Film Universe guru and what that will actually mean, he is hard at work on his next film. Today, Paramount Pictures and Warner Bros. issued the following joint press release:

HOLLYWOOD, CA (March 8, 2013) – Paramount Pictures and Warner Bros. Pictures jointly announced today that writer/director Christopher Nolan’s INTERSTELLAR will be co-produced and distributed by the two studios, with Paramount Pictures handling Domestic distribution and Warner Bros. Pictures distributing the film Internationally.  INTERSTELLAR will be released beginning November 7, 2014, in theaters and IMAX®.

Directed and written by Academy Award-nominee Nolan (INCEPTION, THE DARK KNIGHT RISES), INTERSTELLAR is based on a script by Jonathan Nolan. The film will be produced by Emma Thomas and Christopher Nolan of Syncopy Films and Obst of Lynda Obst Productions. Kip Thorne will executive produce. The film will depict a heroic interstellar voyage to the furthest reaches of our scientific understanding.

Brad Grey, Chairman and CEO of Paramount Pictures said, “As a filmmaker and storyteller, Chris has continuously entertained the world with his extraordinary and unparalleled talents. I am pleased beyond measure to welcome him to the Paramount Pictures family. Partnering with Chris, Emma, Lynda and Warner Bros. to release this original idea next November is the perfect way to start the Thanksgiving and holiday movie season for audiences around the world.”

Jeff Robinov, President, Warner Bros. Pictures Group, said, “Christopher Nolan is truly one of the great auteurs working in film today, and we’re extremely proud of our successful and ongoing collaboration with him and Emma Thomas.  We are excited to be teaming with Paramount, and look forward to working with the Nolans, and producer Lynda Obst, on this extraordinary new project.”

Mindy Newell: Star Trek Into Darkness

Newell Art 130114Is it Khan Noonian Singh or is it Gary Mitchell? Or could it be someone else from out of the Star Trek TOS mythos?

Ever since the first teaser debuted on theater screens around the world, Trekkers have been debating the identity of the villain.

Here’s my take: I don’t think it’s Khan.

There are two big reasons, I think, that many fans are convinced it’s Khan.

First, the voiceover talks of vengeance and watching loved ones die, and every good Trekker knows that Khan was driven by a need to avenge himself on Kirk for several reasons: (1) Kirk, a product of “ordinary” conception, defeated the “superior intellect” of the genetically manipulated Khan; (2) Kirk never bothered to check up on Khan and his followers, essentially marooning them on Ceti Alpha V, and (3) most probably, psychologically most importantly, that historian who betrayed Kirk and the Federation just because Ricardo Montabalm was one hot, sexy roll in the hay, the one who went into exile with Khan? (BTW, I never understood why Khan would love and respect a traitor. This was a man who goes on and on about loyalty.)  She died, killed by one of those scarab-eels that was the “planet’s only remaining indigenous life form.

Second, there’s that scene in the trailer that’s especially evocative of The Wrath Of Khan in which, separated by transparent aluminum(?) paneling of the dilithium chamber, Kirk and Spock’s hands form mirror images of each other in a “live long and prosper” symbolic good-bye.

But…

Khan Noonian Singh was never in Starfleet and the trailer and other promotional material points to someone within the organization. The trailer also gives the impression that the bad guy is someone with immense, inherent power, and Khan, for all his intellect, still had to depend on scarab-eels and the Genesis devise to do his dirty work.  And this is just a minor point, but Khan Noonian Singh’s heritage is Punjabi, not British Isles. Of course, J.J. Abrams doesn’t have to stick with that, but so far in his reboot, all the characters have remained true to their traditional genomes.

I think it’s Gary Mitchell.

Gary Mitchell, for those of you who have never seen the episode (Where No Man Has Gone Before) was Jim Kirk’s best friend. Mitchell had saved Jim’s life more than once, and had even maneuvered a blonde lab technician into Kirk’s orbit. Ostensibly this little blonde lab technician was Carol Marcus, whom Kirk nearly married. But at some point in their careers, Kirk reported Mitchell for failing in his duty, and Mitchell’s chance at promotion was downgraded. Still, Kirk believed in his friend’s potential, and brought him onto the Enterprise as helmsman.

On an exploratory mission to the edge of the galaxy, the Enterprise hits some kind of energy barrier that does enough damage to the ship that Kirk orders the ship out of there. The energy barrier also kills a bunch of crewman, and knocks out Mitchell. Upon wakening, his eyes glow silver, and he begins to display psionic powers, including telepathy and telekinesis.

Eventually Mitchell becomes so powerful that “absolute power corrupts absolutely.” Spock advises Kirk to kill Mitchell while “he still can,” but Kirk can’t bring himself to do that, deciding instead to maroon Mitchell on a planet. But Mitchell has now mutated into a being with god-like power, and Kirk is forced, in the end, to kill him.

Anyway, what I’m thinking is that in the reboot version, Kirk was able to maroon Mitchell on the planet; only now Mitchell has escaped, and has returned to wreak not only vengeance on Kirk and those he loves, but on Starfleet for daring not to appreciate Mitchell’s abilities.

And the official teaser from Paramount reads:

In the wake of a shocking act of terror from within their own organization, the crew of The Enterprise is called back home to Earth. In defiance of regulations and with a personal score to settle, Captain Kirk leads his crew on a manhunt to capture an unstoppable force of destruction and bring those responsible to justice. 
As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.

Unstoppable force of destruction.

That would certainly describe Gary Mitchell, a.k.a. John Harrison.

And a chess game is mentioned.

In the original episode, chess is played, and it’s a theme in the story. (Okay, I’m reaching.)

Then again, it could be Q.

TUESDAY MORNING: Emily S. Whitten

TUESDAY AFTERNOON: Michael Davis

 

Star Trek Into Darkness’ Carol Marcus Introduces New App

Star Trek Into Darkness’ Carol Marcus Introduces New App

At the Consumer Electronics Show, Paramount unveiled a clip featuring British actress Alice Eve, who plays Carol Marcus in May’s Star Trek Into Darkness. She introduces the film’s cutting edge App.

[youtube]http://www.youtube.com/embed/QkKGzRPMCtI[/youtube]

Star Trek has a history of leading others along the marketing trail. They were featured on the very first Happy Meal and Star Trek was the first movie to have a dedicated website back in the World Wide Web’s earliest days. And now the app promises the following:

• An audio scan function that can be turned on to automatically recognize and reward users for watching Star Trek Into Darkness content on TV and other media;

• An image scan function that enables users to interact with images printed or viewable in the real world;

• A geofencing function for location-based experiences;

• New Star Trek Into Darknesscontent, such as videos, images and wallpapers delivered directly to users’ mobile devices;

• Exclusive opportunities and special offers only available to app users;

• One lucky sweepstakes winner will be rewarded with the grand prize of attending the Star Trek Into Darkness U.S. premiere.

The app was developed by  Qualcomm Incorporated using Gimbal context awareness technologies which will be used to deliver exclusive content and advanced real world game experiences for the Star Trek Into Darkness application based on the upcoming movie from J.J. Abrams.

These cutting edge technologies are being showcased in a never before-seen way and will enable users to automatically engage with a wealth of movie related materials by utilizing their real-life surroundings to auto-complete integrated missions by employing audio scan, geo-location recognition, and image recognition functionality powered by Qualcomm Vuforia.  The Star Trek Into Darkness app will launch at the end of January.

During the second quarter of the big game, the app will allow users the ability to unlock the first of many surprises during the airing of the Star Trek Into Darkness TV-spot, making this one of the most unique and interactive apps ever created for a movie.

“We are excited about collaborating with Paramount on this app as it further brings to life Qualcomm’s vision of the digital sixth sense, where devices intelligently interact with the world around you,” said Dr. Jacobs.  “By leveraging the Gimbal platform, this app harnesses the power of the smartphone to bridge the digital and physical world, allowing the studio to market the film in the real world and simultaneously bring users into the film’s story and world.”

Star Trek Into Darkness is written by Roberto Orci & Alex Kurtzman & Damon Lindelof and directed by J.J. Abrams.  Abrams is producing with Bryan Burk through Bad Robot Productions, along with Lindelof, Kurtzman and Orci.  Jeffrey Chernov and Skydance Productions’ David Ellison, Dana Goldberg and Paul Schwake are the executive producers.

Is “The Avengers” Director’s Cut Theater-Bound?

I’d believe that Disney and Marvel would re-release The Avengers if for no other reason that doing so could be the spur to get Joss Whedon’s film even higher in the rank of all-time money makers– and as much as Disney wants the money, they want the ego boost and bragging rights even more.

The interesting question is whether or not it would count as a re-release, or whether The Avengers will stay in theaters from now until then. The follow-up question: will this be a 3-D IMAX director’s cut?

There’s a rumor that’s rapidly growing on the internet that Marvel Studios is going to release a three-hour director’s cut of The Avengers in theaters this August!

Joss Whedon may have already cut this longer version of the film for the upcoming Blu-ray, but by releasing that cut in theaters Marvel, Disney, and Paramount will be able to not only promote the Blu-ray, but they will make even more money at the box office! The Avengers currently sits in third place as one of the highest grossing movies of all time. Releasing a Director’s Cut could give the movie the box office boost it needs to rise to the top!

via THE AVENGERS Director’s Cut Coming to Theaters in August!? – News – GeekTyrant.

Alternate theory: Disney is padding their balance sheet because somebody thinks The Odd Life Of Timothy Green is going to do even worse than John Carter.

MIXED REVIEW: Glenn and Mike Geek Out Over “The Avengers”

We each saw The Avengers at fan-filled midnight screenings, separately but equally. We tried to avoid any spoilers here, but we can’t guarantee we hit that mark. And, being who we are, there are a couple of teasers in this dialog.

MIKE: Did you see it in 2-D, 3-D, or IMAX?

GLENN: 3-D.

MIKE: Me too. This was the first movie ever that I can recommend in 3-D.

GLENN: Which is amazing, considering it was upsampled to 3-D. The film was converted to 3-D during post-production for the theatrical release. But it certainly paid off.

MIKE: The 3-D imaging credits were as long as the Manhattan phone book.

GLENN: Someone asked me point blank if The Avengers is the greatest superhero movie of all time. I said I don’t know about that, it has some very tough competition. But hands down, it’s the greatest superhero battle movie of all time. Act Three in particular is just completely packed with the loving destruction of the New York skyline, and in 3-D it’s incredibly staggering. It’s also fast and fun, as compared to the smashing of Chicago in Transformers: Dark Of The Moon… that just felt drawn out and more akin to a disaster movie. Here, it’s battle, action, and a much better feeling of scope and scale.

MIKE: Yes. It was a real superhero battle in the classic Marvel sense: everybody fights each other then gets together to fight the bad guys. And I’ll never be able to look at Grand Central Terminal the same way again.

GLENN: Or the Pan-Am building. Or 387 Park Avenue South, or Marvel’s address on 40th Street. All of that and they didn’t blow up any of DC’s offices. Have we reached detente?

MIKE: Well, they blew up CBS’s first teevee studios. Which is funny, as this was a Paramount movie.

GLENN: Not really a Paramount movie, Disney bought ‘em out but they had to keep the logo on.

MIKE: And, of course, Paramount got a truckload of money and, I’ll bet, a piece.

GLENN: Exactly.

MIKE: Did you notice they hardly ever referred to anybody by their superhero name – other than The Hulk, who is obviously different from Banner, and Thor, who is, obviously, Thor.

GLENN: I think everybody got name-checked at least once.

MIKE: Yeah. Once or twice. Period.

(more…)

Arcana

Arcana Joins With Benderspink To Launch Comics Line / R&D Lab

ArcanaContinuing the tradition of movie studios teaming up with comics companies to create properties that can be turned into movies (see: Disney/Marvel, WB/DC, Universal/Dark Horse, Legendary/Legendary, etc./etc.) we have the latest entry…

Benderspink and Sean Patrick O’Reilly’s Arcana Comics are launching ArcanaBenderspink Comics, a label that will publish under the Arcana brand. The idea: hatch comics that can be turned into movie and TV properties. The partnership comes out of JC Spink and Sean O’Reilly’s strong relationship after setting up the Arcana comic book Continuum at New Line. “What I thought made this a great partnership was that Sean not only knows how to make a great comic but he’s actually produced movies,” Spink said. “I don’t know any comic publishers that have his producing experience.” Benderspink partner Jake Weiner said that the comics label is a byproduct of the company’s increased focus on generating intellectual properties. “This is one of five IP creation deals we are entering into along with deals in mobile content/apps, Y/A publishing, videogames, and toys.”

Benderspink has already been tapping comics for films, as the company has percolating Y The Last Man at New Line, Area 52 at Summit, The Mighty at Paramount, Ghouly Boys at Mandate, and Undying Love at Warners. “Jake, JC, Sean, and I are looking to partner with other producers and then start shopping these projects to studios in the next few weeks,” Chris Bender said. “What we wanted to do differently was have studios option the projects inexpensively and then hire writers as the studio helps us develop the comic. I think this makes it a no lose proposition for everyone.”

Arcana founder Sean O’Reilly said the venture was a good fit because Benderspink is so steeped in comics. “And they produced one of what I think is the top 3 comic book movies ever with A History of Violence,” O’Reilly said.

via Benderspink, Arcana Launch Film-Friendly Comics Line – Deadline.com. Go there to read the concepts they already have movie posters for. (Comics? Finished comics? Hey, we can sell the concept just based on the movie poster of the comic… remember how well that worked for Cowboys and Aliens?)

Star Trek: The Next Generation – The Next Level

Star Trek: The Next Generation had to do a lot to convince fans of Gene Roddenberry’s trendsetting original series that it was the same vision, merely updated. By then, there had been two decades of just Kirk, Spock, McCoy and the crew of the U.S.S. Enterprise. The fans felt a certain ownership having saved it from cancellation during the original network run and then created an unprecedented following that led to an animated series and four feature films. The notion of continuing the series and setting it 78 years in the future left people wary.

The turmoil surrounding the birth of Star Trek: The Next Generation and the haphazard production of the first season had fans even more concerned before the new show debuted in late September 1987. In those early Internet days, word still spread at warp speed as familiar names David Gerrold and D.C. Fontana joined and left staff while other producers and writers seemed to be named with startling regularity.

The show survived a very shaky first year and matured into another trendsetting series that paved the way for tons of syndicated fare and showed that the Star Trek brand could be extended. And now, the second series has to prove itself all over again. The special effects for the seven seasons were produced using video production techniques, making it difficult to upgrade to Blu-ray. But not impossible.

Last September, CBS Home Entertainment announced they had solved the technical dilemma in a cost effective away, allowing them to remaster the entire series for Blu-ray release, with season one due later in 2012.  Recently, we posted a video to show how the work was done, comparing scenes from the original video to the Blu-ray and it looked pretty amazing. The question then became, could this be sustained for entire episodes. (more…)