Tagged: Oxford Comics

The Weekly Haul: Reviews for June 5, 2008

Quite a top-notch week in comics, all in all. We had another Secret Invasion entry and the debut of DC’s Trinity (I’ll be doing separate weekly reviews of that one), as well as strong outings from other series.

There seemed to be a viral outbreak of silliness, though, as a handful of comics pushed the goofy too far and suffered for it. Only a couple of outright stink bombs, which are helping me kick off a new section for these reviews: The Dregs. Now, the reviews…

Book of the Week: Secret Invasion #3 — First, let me say there continue to be some serious problems with Skrullapalooza ’08. The series is not even remotely self contained, so any casual fan is probably going to be quite lost, there are a few too many unclear moments (lost either in script or art), and the Skrull invasion force still looks like they were designed by Toys R’ Us.

That out of the way, this issue merits top billing for a few big reasons.

First, the story actually moves ahead after stagnating in the Savage Land. Second, there are some huh-yuge fights, and Leinil Yu takes a bellows and pumps them full of hot air. Third…

We need a big SPOILER WARNING for this. Third, we learn the biggest reveal in modern comics memory, that this colossal, inconsistent prick of Tony Stark who has embroiled the Marvel Universe isn’t really Tony Stark. Gasp. He’s a Skrull.

Runners Up:

Abe Sapien: The Drowning #5 — This series ends with a graceful if unsatisfying issue, filled with more sparsely worded craziness (giant flying eel?!?) and Abe continuing to wonder how he stacks up. "You aren’t Hellboy and you never will be," he tells himself. But, like Hellboy, he learns the crucial lesson that guns usually don’t stop supernatural forces.

The shining light of this series is artist Jason Alexander, who lends everything a perfect ephemeral, abstract air. The good news is he’s going to be doing more BPRD work.

Omega the Unknown #9 — Jonathan Lethem and Farel Dalrymple’s bizarre cerebral odyssey is nearly at an end, and this penultimate issue brings the Omega and robot forces to a head in a big way, with the world at stake. Still, things are never too heavy, and despite a dramatic death it ends up being the most rambunctious issue yet.

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Review: ‘Starman Omnibus Vol. 1’ by James Robinson and Tony Harris

The true measure of James Robinson’s Starman is how, 14 years later, the series remains fresh and invigorating. The story of Jack Knight reluctantly taking his father’s mantle as Starman and protecting Opal City is endlessly inventive, an odd and challenging riff on the superhero.

Now is a perfect time to appreciate the series again, as DC is somewhat surprisingly collecting the entire [[[Starman]]] run into six omnibuses ($49.99 each). The first holds 17 issues, each filled with Robinson’s elaborately labyrinthine narration and plotting.

The first three issues are a perfect example of Robinson’s creative approach. In one night, Jack’s brother, who had assumed the Starman mantle, is killed amid a massive attack launched by an old Starman foe. While it’s a flurried and violent opening, Robinson stretches the story, mining each angle of the fight for richness.

Through that gradual unfolding of Jack taking up the cosmic rod, his character becomes immediately rich and deep. That, no doubt, helped the book to become such a lasting success.

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Review: ‘Drawing Words and Writing Pictures’ by Jessica Abel and Matt Madden

If you pay much attention to news about comic books, you know that the industry is seeing a boost in popularity that’s translated into comics becoming an accepted field of study at venerated institutions like Stanford and elsewhere.

As comics make the transition into classrooms it only makes sense that a formal textbook would soon follow. Fittingly enough, it’s a pair of comics creators and instructors — Jessica Abel and Matt Madden, who are also married — that created the first textbook, Drawing Words and Writing Pictures (First Second, $29.95).

The 280 pages of advice on creating your own comic is largely an introduction to comics newcomers, with explainers on basic concepts and terms. From there it progresses into fundamental skills, from page layouts to creating characters to creating finished quality art.

There’s a world of information the book never gets to, but then it’s essentially a course book for Comics 101. It does have tons of references to more advanced learning materials, though, which comes in handy.

While the book is designed to be used in the classroom, Abel and Madden have crafted it so that anyone getting into comics can gain a lot from it. Just on my own, I had a lot of fun going through their exercises and picked up more than a few new tricks. It’s also very well designed and exceptionally visual-friendly.

I wouldn’t call Drawing Words the Holy Grail of comics, but it’s an excellent place to start, a great primer on a terribly complex medium.

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) gmail (dot) com.

Review: ‘The New York Four’ by Brian Wood and Ryan Kelly

[EDITOR’S NOTE: This is the third in a series of reviews of the five books coming out from DC’s Minx imprint this year. Previously, Van Jensen reviewed Rebecca Donner’s Burnout and Cecil Castellucci’s Janes in Love. -RM]

Brian Wood is a very good writer. Ryan Kelly is a very good artist.  That makes the failure of the duo’s new book from Minx, The New York Four ($9.99) all the more disappointing.

Wood, who has shown a masterful understanding of NYC in his series [[[DMZ]]], shifts his focus here to NYU and a quartet of freshmen, each with their quota of baggage. At the center is Riley, who had a sheltered childhood and finally experiences some freedom.

Not a bad premise, but Wood doesn’t really do much with it. The girls sort of bounce off each other in one low-key scene after another, and their problems are never substantial or interesting enough to invest in the plot.

The characters come alive (one triumph of the talented creators), but even they seem underwhelmed by the mundanity of their lives.

There’s also an air of forced hip-ness to the book, which tosses in little elements like character bio-boxes, New York factoids and half-baked Real World-style confessional moments. And the lesson, as always, is that you can’t fake the funk.

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) gmail (dot) com.

Review: ‘Jack Kirby’s OMAC: One Man Army Corps Omnibus’

In the four volumes of Jack Kirby’s Fourth World omnibuses DC recently released, there’s a not-so-coincidental trend of the introductions being more thought-provoking than the comics themselves.

During this latest run of Kirby nostalgia, most recently marked by this week’s release of his OMAC omnibus ($24.99), some of the smartest folks in comics have jumped at the chance to write at length about the King’s deep philosophical messages and revolutionary narrative approaches.

Thank God there’s none of that on hand in the OMAC collection (Mark Evanier’s introduction is more behind-the-scenes insight than anything). OMAC was a simple enough creation, a mutation of Kirby’s unrealized story of Captain America in the future.

Buddy Blank is an average Joe in The Future who has the fortune of being randomly picked by a super satellite to be zapped and turned into a heroic brute with a mohawk. Why the mohawk? We may never know.

OMAC never really trucks in the existentialism or social mirroring of Fourth World, which too often became jumbled and rambling when it strived for deep and contemplative. OMAC was, as Evanier writes, a creation born of the necessity of Kirby’s contract, which demanded a whopping 15 pages a week! (And you wondered why some of his stories feel rushed.)

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Review: ‘Janes in Love’ by Cecil Castellucci and Jim Rugg

[EDITOR’S NOTE: This is the second in a series of reviews of the five books coming out from DC’s Minx imprint this year. Previously, Van Jensen reviewed Rebecca Donner’s Burnout. -RM]

There’s a touch of classic teen lit like The Babysitters Club to Minx’s Plain Janes series of books, as it features the not-so-original plot of a disparate group of teenaged girls bonding together for a cause and surviving adolescence.

That the series, with the second installment Janes in Love ($9.99) out in September, transcends its genre owes to writer Cecil Castellucci, who takes the conventional setup and spins it in unconventional ways.

The group of friends – all named Jane – in this case unite for the cause of art, seeking to beautify their small town through subversive means. Picking up from the first installment, the main Jane is caught up at Valentine’s Day with affection for two boys and a lack of funds to continue her art.

While those seem simple enough problems, the true center of the book are the unresolved tensions from the terrorist attack in the first volume, which sends main Jane’s mother into a near-coma. Subtly, all the plot threads take a similar tone as the characters, teenagers and otherwise, struggle with fears and insecurities.

The subtle complexities of the characters are captured with reserved perfection by Castellucci and rendered with great skill by artist Jim Rugg, who wields a masterful command of expressions in each panel.

The two [[[Plain Janes]]] books not only have been the best of the books Minx has published thus far, but also among the very best of young adult fiction. Sure, the cover’s pink and has flowers on it, but this is a comic for just about everybody.

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) gmail (dot) com.

Review: ‘Burnout’ by Rebecca Donner

[EDITOR’S NOTE: This is the first in a series of reviews of the five books coming out from DC’s Minx imprint this year.]

There is something almost daringly simplistic about Burnout ($9.99), as the central character Danni directly narrates her own story of teenage love and angst. No surprise, then, that fire is the central imagery to the book, unapologetic flames that do nothing but burn.

The first comics work of Rebecca Donner, who’s published work in nearly every other medium, Burnout finds Danni and her mom relocating to a remote locale, a forresting town. It’s quiet, aside from the drunken shouting of her mom’s new boyfriend.

The boyfriend’s son, Haskell, is the smoldering love interest, a young man angry at the world and especially at loggers, whom he attacks with near-thoughtless contempt. As Danni falls into a crush on Haskell she also falls into his world of ecoterrorism, and Donner turns the heat up even more.

A few times, the story becomes overly cute and childish, but by and large it is a stern book, as self-serious as the teenagers it describes. That’s not meant as criticism — Donner very effectively translates the caged sensation of youth, and the struggles (often misguided) to break free.

Minx books are at their best when they speak honestly with their intended audience of adolescent girls, and while the message of Burnout isn’t a happy-go-lucky one, it is honest. For that and much more, it’s a story that lingers in the mind, like the sharp pain of a burn.

[NOTE: I recently chatted with Donner about the book over at CBR.]

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) gmail (dot) com.

 

The Weekly Haul: Reviews for May 23, 2008

Kudos to Marvel, who blew the pants off the competition in this week’s batch of issues, with an unprecedented four books being so good I have to list them all as tied for the top spot. And, surprise surprise, none of them were Skrullapalooza ’08 tie-ins.

Superheroes aside, a good mix of indies came out as well, making for a well rounded week that I’ll count as an early birthday present to yours truly.

Book(s) of the Week — While these four Marvel books are all essentially equals, the pole position goes to Black Panther #36. Now, I’ve long been something of a Reggie Hudlin hater, but he packs so much story into this issue without making it feel overloaded that it reads like a pre-Bendis Era comic. Killmonger – who makes a surprisingly good villain – rallies a destitute African nation around him in a way that truly captures the continent’s actual unrest. Meanwhile, we finally see the Storm-BP marriage addressed in a believable way, some intense fighting and the line of the week: "He’s already the Mole Man! What more could we do to him?"

Over in Ghost Rider #23, Jason Aaron follows last issue’s big buildup with a huge explosion (literally), and a storyline that perfectly depicts just how tortured Johnny Blaze really is. The art, by Roland Boschi, continues to shine, all scratchy and intense.

Captain America #38 makes the cut as another flawless entry from Ed Brubaker and Steve Epting, with special credit for an entirely plausible and non-Skrullish explanation to the mysterious Steve Rogers that Sharon found last go-round. Meanwhile, Bucky continues to gain his sea legs as the new Cap and the Red Skull’s plans meet political reality.

Lastly but not leastly, Peter David wraps up his Arcade storyline in X-Factor #31, which pulls readers deeply into the looming destruction of Mutanttown with the little emotional moments David is so good at. He also lets Arcade continue to be a relentlessly entertaining villain and makes this team of non-heroes truly heroic.

The Runners Up:

Scalped #17 — I’ve always been on the fence about this series, which has gone back and forth between too action-heavy and too slow. This issue strikes a solid balance as the community buries Dash’s mother and he finally lets himself mourn.

Robin #174 — The best from DC this week, as Robin and Batman figure out the identity of the new hero muddying Gotham’s waters. I won’t spoil it here, but it’s a true surprise that doesn’t seem TOO contrived. The real highlight is the realistic way Chuck Dixon captures everyone’s emotional response to the big news.

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The Weekly Haul: Reviews for April 3, 2008

Let’s be honest: It was a forgettable week for comics. Both Marvel and DC are still trying to get their summer events off the ground, and the rest of their books seem to be treading water. And while a few decent indies hit the shelves this week, none were exceptional.

So, if that’s not enough to get you excited for a big batch of reviews, I don’t know what is.

Book of the Week: BPRD 1946 #5 — For a series that started out with three and a half low-key books, BPRD 1946 goes out with a frenetic climax, as Bruttenholm and pals do their darndest to prevent a payload of monsters from being launched into America.

There are also monkeys. Lots and lots of monkeys, all captured in crazed fashion by artist Paul Azaceta (read my interview with Paul right here).

This book continues to work well as narrative backfill, showing the Bruttenholm’s transition from fighting Nazis to raising Hellboy. While there are allusions to events to come, the story never obsesses with self reference, as it’s too busy having fun. Sample dialogue from the villain: "You’re in over your head, stranger! You and your popgun army!"

Lots of credit to Mike Mignola and co-writer Joshua Dysart for pumping out yet another Hellboy property while keeping the quality sky-high. (You can also read my interview with Dysart right here.)

Runner Up:

DMZ #31 — This series seems to have finally pulled itself out of a long dry spell of one-and-done books that strayed too far from the central narrative. We’re back to Matty in his role of journalist/angry-young-dude, as he covers the campaign of Parco, a mix of Hugo Chavez and Barack Obama who’s trying to jostle the system. As expected, the system doesn’t like being jostled.

When this series is clicking, Brian Wood does a beautiful job of paralleling real events and politics without straining. The DMZ story works all by itself, but it still offers commentary on things like the current election season and Iraq.

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The Weekly Haul: Reviews for May 8, 2008

Simply put, a huge week in comics, with a full load of books even before we get into Skrullapalooza 2008. Though a few decent indies came out, superheroes dominated the shelves, and Marvel’s superheroes especially, including a couple of big debuts.

Book of the Week: Nova #13 — A comic has to be pretty dang good to overcome a cover like the one at right, which seems to show Nova and Silver Surfer en flagrante as Galactus serves as an interstellar peeping tom.

Despite that, Dan Abnett and Andy Lanning’s space book shows no Annihilation hangover, keeping the pedal all the way to the floor. Back to trying to serve as a cop of the cosmos, Nova responds to a world being destroyed by Galactus. In a great catch, Nova realizes the world is already doomed, so he focuses instead on the rescue mission (with nice allusions to FEMA and Hurricane Katrina).

As if that wasn’t enough, the writing crew throws in the complicating villain Harrow, a malevolent and vague force that feeds off suffering — a clever parallel to Galactus’ appetite.

No kidding, this is one of the best superhero comics right now, and easily the most enjoyable space story in recent years.

Runners Up:

The Boys #18 — The comic known for its raunchiness is as bellicose as ever, with a constant peppering of cursing that almost makes Deadwood seem prim and proper. While that’s what the series has come to be known for, this issue surprises in how well it captures interactions among the characters in low-key ways.

Of course, there’s also a lengthy scene of a floating corpse peeing all over…

The All-New Atom #23 — Escalating craziness is the proper description for this series. Ryan is now in some sort of alternate universe, where his friends (thought to have been eaten by last issue’s monster) are fending off bizarre monsters. A classic bad-to-worse issue, with lively art from Pat Olliffe and another great cliffhanger ending.

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