Tagged: Orlando Jones

Emily S. Whitten: Believe! American Gods is the One You Want!


The Starz adaptation of Neil Gaiman’s award-winning novel American Gods is finally here, and having seen the first four episodes, I can tell you that, like Mad Sweeney in a bar fight, I am all in.

For those who haven’t read Gaiman’s novel, first published in 2001, it and the Starz adaptation featured are centered around an impending battle between two types of American gods – the “old gods” who crossed the seas from other countries with the immigrants who believed in them, and the “new gods” of technology, celebrity, drugs, and mass media that have gained in followers as belief in the old ways of life waned. The conflict is seen through the eyes of Shadow Moon (Ricky Whittle), a recently released convict who finds himself at loose ends after his old life falls apart, and becomes the personal assistant of the mysterious and charming Mr. Wednesday (Ian McShane). Shadow’s adventures with Wednesday as they travel the country meeting Wednesday’s mysterious associates and gathering them for the coming war drives the plot as both the viewer and Shadow learn more about who Wednesday is and what he is up to.

In the beginning of the TV series, the story unfolds gradually because we are seeing it as Shadow experiences it. It mixes vivid dream sequences with Shadow’s quiet awe at experiencing vast expanses of scenery after his imprisoned life, but also with Wednesday’s more lively banter, which pulls Shadow out of himself. The style is decompressed and may require patience early on from those unfamiliar with the book, but it also allows you to really sink into the richly detailed storytelling that Gaiman does so well and that the production crew has brought to life.

These specifics serve to make this work of fantasy fiction feel oddly real – like this could certainly happen, if not to us, then at least to some other person somewhere. The first two episodes are a slow build, but as the pieces begin to slot in place for both Shadow and the audience, the pace quickens – as the weirdness Shadow is experiencing stacks up, and Shadow starts to accept that the world is not what he believed it to be. It’s possible that the introductory episodes may be a bit confusing for those who haven’t read the book, as a pantheon of characters is introduced pretty early on, sometimes only with hints about what gods or goddesses they portray; but I think that patience will pay off as things coalesce by episodes three and four.

After all, this is a show that, eventually, has everything – mystery, humor, weirdness, raw emotion, sex (and it’s varied and not censored, so be advised), creepy chills, heists and cons, immense sadness, over-the-top violence, angst, and the feel that we are simultaneously in the midst of an epic story, a small-town American experience, and a backwards buddy cop movie (given neither Shadow nor Wednesday is an entirely upstanding citizen). The show, like the novel, can be raw and pulls no punches and has some moments of epic melodrama (but hey – so do the gods themselves). It reflects harsh truths and ugly realities, and isn’t afraid to show the grimier, less beautiful side of humanity.

Yet already in four episodes there have also been several immensely beautiful and oddly peaceful scenes – and the way they fit together into the broader fabric of the story comes directly from Gaiman’s writing. His ability to meld humor and horror is also not lost in the screen adaptation, and viewers will experience an odd sense of fun even in the midst of dark happenings. Wednesday’s constant unpredictable behaviors, for example, bring to mind a crazy old grandpa, who messes with Shadow even in the middle of a bank heist because he gets a kick out of keeping him on his toes. And a scene where Shadow’s wife Laura Moon (Emily Browning) is reunited with her former best friend Audrey Burton (Betty Gilpin) is incredibly dark and pretty gross, but also absolutely hilarious in its absurdity.

Another striking thing about this show is how relevant the novel’s themes, as brought forward into this iteration, remain. The show addresses racism, cheating spouses, death, religious beliefs, sexuality and homosexuality, and more as the story unfolds. And at its heart, it addresses where we choose to put our faith, and the clash between traditions and values new and old. There is no question that, as when Gaiman wrote the novel, we still struggle with the conflicting pulls of living an authentic life while also being enmeshed in the sometimes overwhelming and disconnecting communications of modern media. And it is apparent in today’s political climate that America still struggles to reconcile varying and conflicting cultural beliefs with what this country is supposed to represent in democracy and equality. As Mr. Wednesday astutely notes, “[America] is the only country in the world that wonders what it is.”

For would-be viewers who are fans of the book, there is no question what this show is – it’s the best kind of adaptation. It’s deliciously satisfying to see the story we know so well come to life, remaining faithful to the narrative and the characters while keeping any adjustments that might need to be made for the transition to television from changing the dynamic or intention of the original. For example, episode four delves into the backstory of Shadow and Laura, and changes and additions are certainly made; but at the same time, that episode is so well-scripted and evocative, and fits so well with the earlier episodes, that it may be my favorite episode so far. In addition, the show is laden with details and chunks of dialogue, both large and small, that come directly from the novel and have been worked seamlessly into the screen version.

While keeping close to the details of the original, the stunning cinematography, effects, and music of the show are also exactly what’s needed to evoke the feel of Gaiman’s book. When Bryan Fuller and David Slade were first announced as two of the executive producers on American Gods, I began having high hopes for it, as their recent work together, Hannibal, had a uniquely creepy, dreamy, mysterious feel which lent a strange, unreal beauty to even the horror elements of grisly scenes. Given the variety of weird, mysterious, and surreal happenings that unfold for Shadow as he begins to realize that all is not what he thought, I knew a similar vision from these creators (along with Michael Green and others) could be a good fit for this story, and wondered if there even was anyone else who could successfully bring Gaiman’s vision to life.

And come to life it does in these first episodes. American Gods, both book and show, begins with a tangible atmosphere of foreboding. Shadow feels it as he waits to be released from prison; and viewers feel it through the clever use of techniques such as extreme attention to small details, as well as time lapse and then slow-motion videography; along with an excellently moody soundtrack that is mostly wordless and full of strange and unsettling notes. The depth and style of the soundtrack so far, while unique, also struck a familiar note (hah!) for me, which is unsurprising, given that Brian Reitzell, who is responsible for the music, was also responsible for the Hannibal soundtrack (which I discussed with him at SDCC 2013) and Fuller has spoken highly of his work. When the soundtrack does include popular songs, they are an exceptional fit for the scenes. For example, Lead Belly’s Where Did You Sleep Last Night and Bob Dylan’s A Hard Rain’s A-Gonna Fall are both disquieting and in keeping with the small-town America feel that pervades the much broader, epic and wide-reaching story Gaiman is telling. And the use of Garbage’s Stupid Girl over a montage showing Shadow’s wife Laura’s dissatisfaction with her circumstances is brilliant.

The actors cast for the main roles are also brilliant, and embody Gaiman’s characters to a T. Whittle and McShane do a lot of heavy lifting as Shadow and Wednesday, playing perfectly off of each other as the quiet, distrustful ex-con and the sharp but slightly shady con-man who is more than he appears. Pablo Schreiber as Mad Sweeney, a nearly-seven-foot-tall leprechaun, is a delight to watch as he chews the scenery portraying the craziness of that character, who absolutely needs that larger-than-life energy to work. Yetide Badaki as Bilquis is introduced through what was probably one of the weirdest scenes in the novel and, I’d imagine, one of the hardest to shoot in the show. It’s super trippy, and doesn’t stint on the nudity, either – but Badaki handles it gracefully, making what could be a jarringly unreal scene seem intimate and acceptable.

Emily Browning masterfully portrays the flawed and fairly unlikeable Laura Moon in such a way that you at least appreciate how she remains her own person in a way that’s not necessarily nice but is very human. Betty Gilpin is fantastic as the distraught but also angry and snarky Audrey, trying to pick up the pieces after her world is shattered. Jonathan Tucker brings Low Key Lyesmith to life with sly, worldly humor in exactly the way I’d picture, and I can’t wait to see more from him. Bruce Langley as Technical Boy is appropriately off-putting, smarmy, and impersonal even as he’s being nasty. Orlando Jones as Mr. Nancy is harsh and in-your-face, with a rhythmic showmanship that is perfect for his role. Gillian Anderson as Media is both seductive and disconcertingly hollow. And Peter Stormare is absolutely perfect as Czernobog, evincing a sense of brutality and darkness even as he embodies his current role as a diminished god who once relished his work in the Chicago slaughterhouses.

Even as a fan of the book, I acknowledge that the first episode was slightly slow going as the drama began to unfold; but it still drew me in – and now that I’ve finished episode four, I’m no longer wondering whether this series is going to keep me hooked. The cast, the drama, the visuals, and the storytelling have all drawn me in, and I definitely want to see more.

And you can too, since the first episode of American Gods is airing on Starz right now!

So check it out, and until next time, Servo Lectio!


Emily S. Whitten: American Gods In Your Home?


When I heard that Neil Gaiman’s bestselling novel American Gods was being made into a TV series, I was super-interested. I’ve been a fan of American Gods (and Neil’s body of work oh, generally speaking, for many years and even had the privilege of bringing Neil and the book to The National Press Club in D.C. during its limited Tenth Anniversary Tour. And although the novel is such an epic that I had a bit of trouble picturing how the adaptation would work, I’ve always wanted to see what it would be like on screen.

As the news started filtering in about who would be running the show, writing the show, and playing all the parts, I got more and more excited. And now that I’ve been to the SDCC booth experience (which was appropriately otherworldly and included some cool swag!), attended the panel where I got to see the first trailer and hear those involved discuss their roles, and had a chance to chat with a few of the key cast and crew at the SDCC Starz American Gods/Ash vs. Evil Dead cocktail party, I am, if you can believe it, even more eager for the show to begin.

If you haven’t encountered American Gods before, it’s theoretically not a hard novel to sum up, and yet a blurb doesn’t do it justice because the book is much more than the sum of its parts. At base, the story is a complex mix of the mundane and the mythic, and in tone it ranges from dark, brutal “real life” experiences to eerie, almost hallucinogenic scenes involving gods and mythical creatures. It encompasses everything from the personal difficulties of protagonist Shadow Moon as he is released from prison to find that the life he left has disintegrated while he was away; to a lofty examination of religion, where gods come from, what purposes they serve, and how the changing priorities and beliefs of people shape the world they live in.

The novel contemplates the meaning of death; the rise of the information and social media age and shift in celebrity and media that accompanied it; the loss of old beliefs in the wake of new; the American spirit; and even the vagaries and peculiarities of small-town life. And although American Gods was published fifteen years ago, the conflicts it examines have not diminished in importance and relevance today.

Given the shifting tones of the story, and the deep research and detailed embodiments of the old gods and beliefs that are in American Gods, it needed a seriously talented team to successfully bring it to the screen. Fortunately, along with Neil being directly involved, Starz was up to the challenge; pulling in showrunners/writers like Bryan Fuller and Michael Green and directors like David Slade. Those choices reassured me from the start that Starz had the right idea, particularly after having seen Fuller and Slade’s work on Hannibal, a show that mixes dark, gruesome, gritty scenes with absolutely beautiful and haunting cinematography and sound for an almost disturbingly tactile viewing experience. Given their past work, I have no doubt we are in for a treat with the upcoming show. And that belief was reinforced when, at the SDCC panel, we got to see the first trailer, which literally sent chills down my spine.

We also got to see some of the great cast of the show at the panel. American Gods has some serious all-stars in its ranks, including the likes of Ian McShane as Mr. Wednesday. Based on previous work I’ve loved them in, I’m also super excited to know we’ll be seeing Gillian Anderson (Media), Pablo Schreiber (Mad Sweeney), Peter Stormare (Czernobog), Jonathan Tucker (Low Key Lyesmith), Crispin Glover (Mr. World), Orlando Jones (Mr. Nancy), and, as announced at the SDCC panel, Kristin Chenoweth (Easter). At the panel, along with Bryan Fuller, Michael Green, David Slade, and Neil Gaiman, we also got to hear from Ian McShane, Pablo Schreiber, Kristin Chenoweth, Bruce Langley (Technical Boy), Yetide Badaki (Bilquis), and Shadow Moon himself, Ricky Whittle. Every time a cast announcement has come out so far, I’ve thought, “What an incredibly perfect fit that actor will be for that role,” and it was clear from the panel that everyone (including moderator Yvette Nicole Brown) was very into and excited about the show. Fortunately, you can observe the same, if you want to watch the whole panel here.

I got a chance to talk further with some of the American Gods panelists at the super-cool Starz American Gods/Ash vs. Evil Dead cocktail party – and, bonus, got to meet Bruce Campbell, who we all know and love from Evil Dead, but who I also adore as Sam from Burn Notice. I really enjoyed getting to briefly chat with him about the important role Sam played in bringing humor and heart to Burn Notice, and loved his totally Bruce Campbell-confident attitude as he discussed bringing his own instincts and understanding of how Sam needed to fit into the show to the role.

On the American Gods side of the party, I was delighted to have a visit with one of my favorite people and friends, Neil himself (as he is actually known on Twitter). I’ve known Neil for years, and it was great to see him amidst the excitement of his epic novel being adapted into the TV medium, particularly since he’s been very involved with the process. I was also happy for a chance to talk with Bryan Fuller again (with whom I have previously discussed Hannibal). As with Hannibal, Bryan shared that adapting American Gods is akin to creating grand-scale fanfiction. “It’s a love letter to the source material,” he noted; and he was clearly overjoyed at the chance to create such fanfic (seriously, excitement and exuberance for the opportunity just leaks out of that man’s every pore, and it’s great to see). I also talked with Michael Green, who mused that faith is whatever you put your passion into, and the way those things become real is something that is examined “with reverence” in the show.

And I had a fascinating, in-depth conversation with David Slade (who makes the best selfie faces, seriously), who first read American Gods on a plane traveling from England to America and has wanted to make it into a TV show since 2005. He shared that he loves being able to make the story continually “cinematic but weird,” and from our chat, is clearly deep in the weeds of the source material. (Side note: Neil has said he has, e.g., 400 years of history on how Mad Sweeney became Mad Sweeney, and many other bits of backstory that didn’t make it into the final novel; and the show’s writers and directors have speculated that perhaps we will see bits of that (or whole episodes of it!) in the show. Not gonna lie, I would totally watch Pablo Schreiber acting 400 years of Mad Sweeney’s backstory.)

Everything I saw and heard of American Gods at SDCC makes me now slightly-hyperventilating-excited for its premiere in early 2017; and if you want to share my experience and excitement even further, you can check out my con photos here. Also, to keep up on the latest, don’t forget to follow Starz American Gods accounts on Twitter and Instagram].

And until next time, stay tuned for more recaps from SDCC, and Servo Lectio!

Emily S. Whitten: Continuous Convention Catch-Up

Goooooood evening, boys and girls! Before we get on with today’s column, let us have a moment of silence (because we’ve all fainted from excitement) to celebrate that a Deadpool movie is really, truly, finally in the works. For real this time. Like, totally.

(Obligatory NSFW test footage shot)


Aaaaaand, we’re back. Everyone have time to get up off the floor? Yes? Excellent. And don’t be ashamed of fainting. I’m that excited, too! Now, we just have to hope that they don’t screw it up.

And now on with the column. The convention season has been just flying by, it seems. Barely did I return from SDCC before it was time to start finalizing my costumes and setting my meet-up plans for Dragon Con; and of course after Dragon Con, Baltimore Comic Con was literally right around the corner, being the next weekend. And with all of the cool things going on at every single con, I feel like I’m weeks behind on everything I still have to share with you all out there in reader-land.

So this week, let’s have a little whirlwind catch-up/retrospective of the highlights.

Comic-Con International

No, I’m not even kidding, there’s still cool stuff that happened at SDCC that I haven’t shared yet. In particular, I didn’t really get to write about the panels yet, and man, there were some cool panels. For one thing, there was our very own Michael Davis’s The Black Panel, which focuses on black entertainment and creators who are doing notable work in the various entertainment industries. This year, the panel featured Orlando Jones (Sleepy Hollow, MAD TV), Ne-Yo (actor, artist, writer, singer, etc.), J. August Richards (Angel, Marvel’s Agents of S.H.I.E.L.D.), Kevin Grevioux (I, Frankenstein; Underworld), Cree Summer (Batman Beyond, Rugrats, A Different World), and Erika Alexander (Living Single, “Concrete Park”). After the panel I got to catch up with J. August Richards (who, by the way, had a hilarious mic-drop moment), and he had this to say: “Michael Davis is a legend and a pioneer in the field. It was an honor to be a part of The Black Panel and hilarious to watch him do his thing in person. Clearly, he’s the star of the panel every year!”

I also checked in with my friend Sarah Goodwin, a scientist in the field of cell biology. She shared that, “this was my first Comic-Con and so my first time attending The Black Panel. First of all, this was one of the few panels I saw that featured women (yay!!!!). Secondly, all of the panelists were very open and honest about their experiences and how they see themselves positioned within the various cultures of their crafts. Throughout this panel came lessons in putting yourself out there, taking risks, and most importantly, persistence. I found the panel very informative and could relate to a lot of what they were saying since I am a woman in a male-dominated field (in science the field is male-dominated at the ’star’ level, at least). I left the panel with a sense of optimism that diversity in all aspects of Hollywood will continue to grow, and that Comic-Con can be a place where this is discussed and celebrated and/or criticized amongst a supportive and welcoming community. Also Kevin Grevioux has an incredible voice, and I think it is super cool that he used to be a scientist at the NIH!” Clearly, The Black Panel is not to be missed.

I also checked out the I Know That Voice panel, which was super fun since they were showing some of the cool extras that came along with the DVD of the awesome voice actor documentary that I’ve covered before. The panel featured some of my favorite people in the industry and the extras were well worth a watch, with discussions of “Andrea Romano’s First Time,” Billy West talking about the origins of Zapp Branigan, and Jim Cummings telling tales involving booth etiquette, among other things. Check out a few pics here, and then go get the DVD.

And that’s all for me this week, folks, so until next time when I continue my convention catch-up, Servo Lectio!