Tagged: NYC

JOHN OSTRANDER: Our Final Frontier

SPACE: The final frontier. These are the voyages of the Starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.

We’re a frontier nation. Always have been. If you weren’t happy were you where, if you looked for new possibilities, new challenges, there was always somewhere to go. That concept, that feeling, brought people from other lands to this one, from the pilgrims to the later great European migrations. As late as the Dustbowl and the Great Depression, people uprooted from where they were and went somewhere else, often California. African-Americans, seeking a better life, made an exodus from the Deep South into the Midwest, to Chicago and Detroit and other cities. Someplace else has always held promise to us as a people and, I think, helped define us.

Star Trek also evoked the concept of frontier with its opening narration. It’s the first thing we heard when we first saw Star Trek. Later shows and movies would alter it slightly, changing “five year mission” to “ongoing mission” and “to where no man has gone before” to “to where no one has gone before”; both, to my mind, improvements. By now we know it so well that we hardly ever really listen to that invocation anymore but it’s worth looking at.

Think of hearing those opening words for the first time – ever. There is a promise of adventure, of hope – they define frontier. They reflected an aspect of America at the time – a belief in ourselves and our ability to achieve great things.

I saw Neil deGrasse Tyson, the director of the Hayden Planetarium in NYC, on The Daily Show this last week. I love watching Tyson – he is a terrific cheerleader for the manned exploration of space, not only enthusiastic but able to communicate that enthusiasm. He was selling his new book, Space Chronicles: Facing the Ultimate Frontier, but he was also decrying how we, as a people and a nation, have given up on space. After the moon landings, he noted, we settled back into the space station and the shuttle, boldly going over and over again where lots of people have gone.

Don’t get me wrong – I think the space station is a remarkable achievement and the shuttles were important and the loss of two of them and the lives within were tragic. Neither program, however, really ignited our imagination the way that the race to the moon did or the opening to Star Trek did. There is no reach outward. There is no frontier.

I think we need a frontier. I think that we, as a nation, have fallen inwards and are devouring ourselves. A frontier makes us look outward and upward; it demands the best from us if we are to survive. What we currently slog through in our lives is far from our best – and offers damn little hope of reaching something better than what we have.

Reaching outwards, to other planets, to other stars, presents risks and problems but we find ways of solving those problems and overcoming those risks and, in the process, makes us better.

I know there are those who say it is too expensive to explore space with people. Manned probes can get us there cheaper and without the risk to human life. However, I think that risk is what’s important. It’s humanity against the elements and, without that risk of death, is there really an achievement? However sophisticated the Mars’ probes are, they are not humans. They are machines. There is skill but there is no courage.

Some people have said we shouldn’t go back into space until we solves our problems here on Earth. That’s not going to happen; there will always be problems here on Earth. Solve one and another pops up. Many of these problems are hardwired into us as human beings. However, so are the virtues and strengths of us as a people and they are never better on display than we reach outwards – to another planet, to the stars, to one another.

We, as a people, need frontiers and, as Star Trek pointed out, space is the final, the ultimate, frontier. Let’s seek out new lives and create a new civilization. Let’s unwrap our imaginations and explore possibilities.

Warp factor baziilion, Mr. Sulu.

MONDAY: Mindy Newell

 

Summit Entertainment Unveilsd 2012 Line-Up

Summit Entertainment wants to ensure we know they are responsible for more than those annoying Twilight movies. Here’s a look at their 2012 release schedule although release dates are subject to change.

SUMMIT ENTERTAINMENT Presents

A di BONAVENTURA PICTURES Production

MAN ON A LEDGE

Directed by ASGER LETH (GHOSTS OF CITÉ SOLEIL)

Written by PABLO F. FENJVES

Produced by LORENZO di BONAVENTURA (RED, SALT, TRANSFORMERS: REVENGE OF THE FALLEN) and MARK VAHRADIAN (TRANSFORMERS)

Starring SAM WORTHINGTON (AVATAR, CLASH OF THE TITANS,

TERMINATOR SALVATION), ELIZABETH BANKS (THE NEXT THREE DAYS, W., THE 40-YEAR-OLD VIRGIN), JAMIE BELL (KING KONG, BILLY ELLIOT), ANTHONY MACKIE (THE HURT LOCKER, MILLION DOLLAR BABY, 8 MILE), ED BURNS (27 DRESSES), TITUS WELLIVER (THE TOWN), GENESIS RODRIGUEZ, KYRA SEDGWICK (TV’S THE CLOSER) and ED HARRIS (NATIONAL TREASURE: BOOK OF SECRETS, A HISTORY OF VIOLENCE)

From the ledge of the 25th floor of a NYC skyscraper, where one wrong step means death, a cornered Nick Cassidy (Sam Worthington) must orchestrate a dangerous plan to prove his innocence for a crime he didn’t commit.

Rated PG-13.  In theaters January 27, 2012. (more…)

MICHAEL DAVIS: Comics in Black… And White

I am a black man.

Well that’s not really true. I’m a tall and unbelievably handsome black man. I work in television, mainstream books and comics. Most of the works I’ve created in all of those mediums have featured black people in foremost roles.

I create black characters because I’m a black creator and I’d like to see more black people represented in the media and I think it’s my job to…yada, yada, yada…

Over the years I’ve said a zillion times that the reason I create black characters is because I felt we were under represented and I did believe it was my responsibility to create characters so young black kids can feel themselves represented.

But is it really my responsibility to create black characters because I’m a black man now? Have we come far enough in the country and the industry for me to give up the fight?

When I was growing up there were no black superheroes of color except for the Black Panther and Luke Cage, Hero For Hire. So my two black superheroes role models were an African King and an ex-con who was a superhero only when he got paid to be.

As hard as I tried I just could not identify with The Black Panther; he was an African king in his secret identity. “Oh, that’s a wonderful black man to aspire to be like.” I’m sure some of you are thinking.

Really?

I was born in Queens and the last thing I wanted to imagine myself growing up to be was an African king. I’d seen enough Tarzan movies as a kid to know I would not look good with a bone through my nose. I mean… ugh.

What about, Luke Cage Hero For Hire?

Really?

Hero for hire?

Really?

Like I said, I grew up in Queens or to be more precise, the hood in Queens. I could not imagine being a superhero that sold his services, that as they say in the hood is ghetto.

The young Harlem mother and her child were coming home very late one evening. The bus they were on was empty except for the driver and some gang bangers who looked like they wanted to start some trouble.

She was not worried, there was a rule written in stone in the hood among gangs, mothers and kids were off limits.

Written in stone…

The problem was these gang bangers could not read.

 “Yo, (bad word starts with B) what cha lookin at?”

He rose, slowly removing a gun from his jacket.

 “I said (bad word starts with B) what cha lookin at?”

She was frozen in place. She had never seen a real gun before and it was at the moment she knew this was the end of her life. She held her child close to her and said softy, “Close your eyes honey it will be OK.”

The bus stopped. Cage entered the bus. Paid his fare and stared down the thug with the gun. The woman’s face lit up as she realizes she is saved!

 “Oh, thank God! He was about to shoot me! I’m sure of it! He called me a…”

Cage puts his hand up to silence her then says; “I can save you for $500, your kid for another $500 so that’s $1000,00.”

The woman looks at Cage, she can tell by the stern look on his face he is not kidding. “ All I have is $500 to my name!”

 “Then you better tell your kid to keep his eyes closed.”

Really? Hero for Hire? Really?

Neither The Black Panther nor Luge Cage, neither of those black heroes seemed as good as the white heroes I was so in love with. Superman, Batman, Spider-Man and the like.

Superman was an orphan from another planet whose parents were blown the F up and he had a cool ass secret identity. He was Clark Kent, reporter for a great metropolitan newspaper. Batman’s secret identity was equally as badass, another orphan whose parents were shot the F up. His cool ass secret identity was rich ass playboy Bruce Wayne.

Spider-Man was another orphan whose parents were shot the F up AND as a bonus he was responsible for his Uncle Ben being shot the F up. His cool ass secret identity was a high school student and he worked for a great metropolitan newspaper as a photographer.

Why couldn’t I have a black hero whose parents were shot the F up? Why couldn’t I have a black hero who was an orphan? Why couldn’t I have a black hero whose cool ass secret identity was to work for a great metropolitan newspaper and not as a janitor?

No. I got an African king. In my mind, Tarzan (according to the movies my seven year old ass was watching) would soon rescue a white couple from a boiling pot the Black Panther had placed them in while waiting for a visit from The Fantastic Four, and I got a hero who people had to pay to protect them or in other words…

Super Pimp.

Also, Super Pimp didn’t even have a secret identity. Like I said, ghetto.

That’s what I grew up with. That’s what the African American comic book artists of my generation grew up with. It’s no wonder many of us felt it was our responsibly to create black heroes that our black kids could use as real role models, heroes that spoke to them not just in skin color but in experience.

When I was a kid a black GI Joe action figure was just a white GI. Joe painted brown. That made him black to me back then but that was not good enough for my kids when I had them.

Don’t get me wrong; I grew to love Lee and Kirby’s Black Panther. I realized just how cool it was to have an African king be his secret identity. That’s around the time I also realized those Tarzan movies were racist bullshit. Hasbro eventually came out with a black version of GI Joe that was a Black Joe. The lips, nose and even hair were modeled after black features. I still remember when I got my first real Black Joe. It was so damn cool.

As for Luke Cage, Hero for Hire?

That, in my opinion was and will always be ghetto. I mean damn, a Super Pimp? Come on! Really?

I grew up wanting and frankly needing black heroes that I could look up to and that spoke to me.

That was then.

Now, there is still need for more black superheroes as there is a need for many heroes of color but is it the job of people of color to create them?

Or…

Are the characters of any creator as valid as any other creator regardless if the creator is black or white?

In other words, would Blade be even cooler if a white guy did not create him? Would Spawn be even more badass if a black creator had created him?

Can white creators create viable black characters and vice versa? It seems the answer is an easy “yes” if you look at the success of some black characters created by non-black creators. It’s a easy yes in the marketplace to be sure but how about in the industry and the homes of those black kids who grow up wanting to be Blade?

Does it matter that an white guy created Blade? Should it matter? A great white guy and my dear friend Marv Wolfman but a white guy nevertheless.

Should we even care?

Anyone? Bueller? Bueller…?

WEDNESDAY: Mike Gold

Events around and about tonight, March 2, 2010

Events around and about tonight, March 2, 2010

  • He’s too humble to promote it himself, but our own Marc Alan Fishman will be performing at Stand-Up Comics, 3429 Ridge Road, Lansing, IL tonight at 8 PM. Ask him about the thing he does with the strawberry jam and the gargoyle statue.
  • And representing Brooklyn:
Crazy Sexy Geeks: Tim Gunn and Horror Films!

Crazy Sexy Geeks: Tim Gunn and Horror Films!

It’s Halloween time and that means I and co-host Graham Skipper are ready to debate the merits and drawing power of movie monsters such as Freddy Krueger, Michael Myers, Jason Voorhees, the Aliens and the Predators.

Last week, the CSG gang spoke with Tim Gunn about super-hero fashion and then attended the DC Comics/Bloomingdale’s fashion show in NYC where they asked Batman and Catwoman how fashion techniques have influenced their costumes.

And if that isn’t enough for you, all previous episodes of Crazy Sexy Geeks: The Series have been remastered with better audio quality! Enjoy!

Women Super Heroes with guest Amber Benson (“Buffy the Vampire Slayer”)!

Remakes, Reboots and Sequels with guests Rob Zombie (“Halloween”), Edward James Olmos (“Battlestar Galactica”) and novelist David Mack (“The Calling“)!

Comics Without Spandex with guests David W. Mack (“Kabuki”) and Emma Caulfield (“Buffy the Vampire Slayer”)!

The Point Radio: A Miracle to save ‘Dollhouse’, MarvelFest hits NYC, and new trailers hit theaters

The Point Radio: A Miracle to save ‘Dollhouse’, MarvelFest hits NYC, and new trailers hit theaters

As Fox announces their decision to bench Dollhouse for the fall sweep, we sit down with series regular, Miracle Laurie, on her future with the show and in the world of acting. Plus MarvelFest hits NYC (wonder if DC will plan something on the same day?), Glee hits on DVD and there are two hot trailers to catch in theaters this weekend.

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Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net.

CLICK HERE TO LISTEN LIVEFOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys



The Point Radio: ‘Battlestar Galactica’, ‘Dollhouse’ and ‘Battle Chasers’ all in NYC

The Point Radio: ‘Battlestar Galactica’, ‘Dollhouse’ and ‘Battle Chasers’ all in NYC

It was a chilly weekend in NYC, but that didn’t slow down the Pop Culture Barrage at The Big Apple Con. We hosted a lot of great guests at our broadcast booth including Rekha Sharma and Michael Hogan from BATTLESTAR: GALACTICA, Miracle Laurie from DOLLHOUSE and plenty of cool comic folk like Joe Madureira (and we had to ask about BATTLECHASERS). Join us as we recap the weekend with these stars and more.

PRESS THE BUTTON to Get The Point!

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Com or Podbean!

Follow us now on and !

Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net.

CLICK HERE TO LISTEN LIVEFOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys



ComicMix Quick Picks – May 3, 2009

ComicMix Quick Picks – May 3, 2009

A weekend window-closing wrap-up:

Anything else? Consider this an open thread.

ComicMix Quick Picks – March 16, 2009

ComicMix Quick Picks – March 16, 2009

Today’s– okay, this past week’s– list of quick items:

Anything else? Consider this an open thread.

2009 Toy of the Year Award Nominees Names

2009 Toy of the Year Award Nominees Names

The Toy Industry Association nominees for the 2009 Toy of the Year Awards  were announced this week.  The 9th annual TOTY Awards will be held at Chelsea Piers in NYC, on Sunday, February 15, kicking off Toy Fair Week. 

Property Of The Year

Barbie – Mattel
Fancy Nancy – Harper Collins
Star Wars The Clone Wars – LucasArts Entertainment
Disney Fairies – Disney
Disney’s Handy Manny – Disney
Bakugan – Cartoon Network
Yo Gabba Gabba – Wild Brain

Most Innovative Toy Of The Year

The Pieceless Puzzle – Ceaco
Fisher Price Imaginext Spike, the Ultra Dinosaur – Fisher-Price, Inc.
Kota the Triceratops – Hasbro
EyeClops Night Vision Infrared Stealth Goggles – Jakks Pacific
Sprig Adventure Series Discover Rig – Sprig Toys
Air Hogs Zero Gravity Micro – Spin Master
Bakugan Battle Brawlers Battle Pack Series 1 Spheres – Spin Master

Game Of The Year

Bananagrams LLC – Bananagrams
Haunted Ruins 3-D Adventures Pop-Up Board Game – Basic Concepts
The Cat in the Hat, I Can Do That! – I Can Do That! Games
Monopoly Here & Now: The World Edition – Hasbro Games
Pictureka! – Hasbro Games
Rush Hour -ThinkFun Inc.
Zingo! -ThinkFun Inc.

Activity Toy Of the Year

Crayola Color Wonder Magic Brush – Crayola
Clipo Creativity Table – Hasbro
Girl Gourmet Cupcake Maker – Jakks Pacific
Star Wars AT-TE Walker – LEGO Systems, Inc.
Circus Ring – Playmobil USA, Inc.
Pixos Super Studio- Spin Master
KidiArt Studio – Vtech

Educational Toy Of The Year

Computer Cool School – Fisher-Price, Inc.
Idbids Eco-friendly Starter Kit – Idbids LLC
LeapFrog TAG Reading System – LeapFrog
Zillions Touch Screen ATM – Summit Products, LLC
V-Motion Active Learning System – Vtech
Discovery Kids Smart Animals Scanopedia – Jakks Pacific
EyeClops BioniCam – Jakks Pacific