Tagged: novel

Review: ‘Prince of Persia: The Graphic Novel’

Review: ‘Prince of Persia: The Graphic Novel’

Prince of Persia: The Graphic Novel
By Jordan Mechner, A.B. Sina, LeUyen Pham, and Alex Puvilland
First Second, September 2008, $18.95

The first [[[Prince of Persia]]] game was a 2-D platformer almost twenty years ago, and the next big thing with the name Prince of Persia on it will be a major Jerry Bruckheimer-produced movie next summer. In between have been a number of games, with a number of different protagonists and plotlines. (And I’ve played exactly none of them, as far as I can remember – just to make that clear.) This year, in between the games and the movie, First Second is publishing a graphic novel loosely based on the series – or at least the title. It’ll be in stores in September.

This graphic novel is credited as “created” by Mechner (seemingly because he invented the original game, and maybe still owns a piece of it), written by Sina, and with art by Pham and Puvilland. And, as far as I can tell, the story here has nothing specific to do with any of the previous incarnations of Prince of Persia. (If I’m wrong, please correct me in comments.)

In this graphic novel, you actually get two stories for the price of one – they’re told intermingled, though, which can make it difficult to remember which story a particular panel belongs to, or which characters belong to which stories. (Evil, nasty overlords being depressingly common in stories like this, for example.) I did read Prince of Persia in bound galley form, though – without color – so it’s quite possible that the palette of the two stories are different enough to make that distinction clear in the final book.

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Review: ‘Superpowers’ by David J. Schwartz

Review: ‘Superpowers’ by David J. Schwartz

Superpowers: A Novel
By David J. Schwartz
Crown, June 2008, $14.95

There are two kinds of superhero novels, with very different rules. The more common – but less respected – kind of superhero novel takes characters and situations we already know from an existing comics universe and tells a story using that furniture. Those books can be amazing, like Elliott S. Maggin’s two Superman novels, Last Son of Krypton and Miracle Monday, or they can be mediocre, like…fill in your own example here. But they all hit the ground running, since they work from our knowledge of those universes. Who would read a Spider-Man novel if he’d never heard of [[[Spider-Man]]]?

The other kind of superhero novel tends to come from people outside the comics field, and usually reinvents the wheel in its vision of superheroics. (Like everything else, sometimes doing it elegantly and sometimes producing an oval object that doesn’t even work as a wheel.) Some of the better examples of that type of superhero novel are Michael Bishop’s Count Geiger’s Blues and the recent Soon I Will Be Invincible by Austin Grossman. Those books often have aggressively obvious titles – [[[Superfolks]]], [[[Hero]]], that kind of thing – to immediately signal to the audience that they’re novels about superheroes.

[[[Superpowers]]] is one of the latter kind of novels, down to the title. The British cover (see the continuation) even has line drawings of the characters in costume (by Norm Breyfogle, a name we who read comics will nod knowingly at), much in the style of last year’s [[[Soon I Will Be Invincible]]]. And the set-up is quite typical of an outsider superhero novel: five undergraduates at the University of Wisconsin (Madison) develop individual superpowers after an evening of drinking homemade beer. (One of the endearing things about Superpowers is that Schwartz doesn’t even try to explain their origin – something unexpected happened, and they now have powers. Period.)

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Review: ‘Maps and Legends’ by Michael Chabon

Review: ‘Maps and Legends’ by Michael Chabon

Maps and Legends
By Michael Chabon
McSweeney’s Books, May 2008, $24.00
 

Michael Chabon has had the good luck to be writing in an era when it’s possible to both be a respected, bestselling literary writer and have a public, abiding love for some of the more disreputable genres. His best-known novel, The Amazing Adventures of Kavalier & Klay, is not only a fictionalized story of the fledgling comic-book industry during World War II, but also has a very definite fantasy element. And his latest novel, The Yiddish Policemen’s Union, is a detective story set in an alternate history – tying it into two types of genre fiction.

If he’d started writing twenty years earlier, or even ten, he probably wouldn’t have been able to do that; only in the last decade or so have writers like Chabon (and Jonathan Lethem, who transitioned from genre science fiction straight into the “literary novel”) been able to admit to their love of genre. Previously, literary writers could go slumming and use genre ideas once in a while – think Doris Lessing with the “Canopus in Argo” series, or The Handmaid’s Tale by Margaret Atwood – but they could never admit to reading or liking books actually published in that genre. Kurt Vonnegut, after all, was only taken seriously because he ritually denied being a SF writer every day before breakfast.

But Chabon goes even further than his pop-culture-loving compatriots do; he doesn’t just admit to liking science fiction and detective stories – he’s even willing to claim that comics can be pretty damn good, and that some of them have influence him.

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Review: ‘The Rabbi’s Cat 2’ by Joann Sfar

Review: ‘The Rabbi’s Cat 2’ by Joann Sfar

Joann Sfar, one of the major lights of the current European graphic novel scene, has written or collaborated on more than one hundred books, but probably his most famous and acclaimed work is the original [[[The Rabbi’s Cat]]], which won the prestigious Jury Prize at the Festival International de la BD d’Angouleme (Angouleme International Comics Festival).

Sadly, I still haven’t read it. Luckily, that means that I can review this sequel with an eye towards the new reader – since I was one myself.

The Rabbi’s Cat 2
By Joann Sfar
Pantheon, April 2008, $22.95

The title character is a nameless talking cat in Algiers in the 1930s, the pet of Rabbi Sfar – or perhaps of his beautiful, frustrated daughter Zlabya and her husband, a younger, urbane rabbi from Paris. I say “talking cat,” but most of the characters can’t tell that he talks – and it’s not clear what the difference is between those who can and those who can’t. (But the reader can always understand, which is the most important thing.) [[[The Rabbi’s Cat 2]]] collects what were the fourth and fifth French albums in the series, as the original Rabbi’s Cat collected the first three.

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The Squires of Science, by Dennis O’Neil

The Squires of Science, by Dennis O’Neil

We were the Squires of Science, my friend Mike and I were. He went to public school and I was a sixth- or seventh grader at St. Louise de Marillac, but that didn’t keep us from palling around together, watching Tom Corbett, Space Cadet on his family’s television set and doing chemistry set experiments in his basement. Actually, I don’t remember doing many experiments – we squires weren’t really much into real science – but Mike, who was good with tools, made us a plaque and, well…we believed in science. Maybe not as much as I believed in the Father, Son, and Holy Ghost, but still a lot.

I was also reading a lot of science fiction, thanks to the public library, and I guess Mike was, too.

Adolescence disintegrated the Squires of Science. I was off to a Catholic military school – and yes, you may snicker – and Mike went…I don’t know – probably to Beaumont High, which we Catholic kids thought was kind of wicked, in some ill-defined way.

About then, I began to realize, dimly, that science involved mathematics. I had never been really good at arithmetic, which caused me a lot of grief at old St. Louise, and I seemed to be getting worse as I grew older. Then I flunked freshman algebra. Had to go to summer school. It wasn’t exactly a disgrace, but it wasn’t exactly not a disgrace, either.

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Review: ‘The Amazing Remarkable Monsieur Leotard’

Review: ‘The Amazing Remarkable Monsieur Leotard’

Eddie Campbell has always done comics his way, without worrying about other people’s expectations or preferences — one of his two major series has been a fictionalization of his own life as a comics creator, and the other, a superficially more populist sequence about Greek gods in the modern world, was itself about storytelling more often than not. So it’s no surprise that his latest graphic novel — co-written with Dan Best — is more about telling its story than it is the story being told.

The Amazing Remarkable Monsieur Leotard
By Eddie Campbell and Dan Best
First Second, August 2008, $18.95

[[[Monsieur Leotard]]] will be published by First Second — who published Campbell’s last book, The Black Diamond Detective Agency, and have been putting together an impressive list of graphic novels for adults and younger readers for the past few years — in August, and the first thing to note is that it’s not the story the reader expects.

You see, the famous acrobat Jules Leotard lies dying of smallpox on page 12. So, we think, the book will be a series of flashbacks showing his life? No, he’s dead by the bottom of page 13, and the story moves on. So far, so very Campbell.

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Review: ‘Blue Pills’ by Frederik Peeters

Review: ‘Blue Pills’ by Frederik Peeters

Blue Pills
By Frederik Peeters; translated by Anjali Singh
Houghton Mifflin, January 2008, $18.95

This is another one of those semi-autobiographical graphic novels; I’m not going to assume that this is all “true” (whatever that means), but I will note that Peeters’s bio says that he lives with his girlfriend, her son, and their daughter — and that [[[Blue Pills]]] is the story of a man named Fred, his girlfriend, and her son. (And the main character of this book mentions that he working on a graphic novel about their lives.) So keep that in the back of your head — some proportion of this book is true, though we don’t know how much.

Fred, the narrator of Blue Pills, is a Swiss cartoonist, still in his mid-20s, who’s lived in Geneva his whole life. He remembers Cati vividly from a pool-party late in his teens, but never really knew her well. When he moves into the apartment building where she lives, though, he comes to see more and more of her and her young son (called “the little one” or “L’il Wolf,” but not named). Before long, Fred and Cati are drifting into a relationship, and Cati has to sit Fred down and tell him something difficult — both she and her son are HIV-positive.

(The “Blue Pills” of the title refer to their drug regimen to stay symptom-free, though they’re never called that in the body of the book. The fact that most Americans will immediately think of Viagra when blue pills are mentioned is unfortunate, but neither Peeters nor Houghton Mifflin seems to have taken a moment to worry about it.)

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Review: Four Books for Pre-Adults

Review: Four Books for Pre-Adults

I had a pile of books more-or-less for kids, and thought: why not review them all together? And so I will:

[[[Flight Explorer, Vol. 1]]]
Edited by Kazu Kibuishi
Villard, 2008, $10.00

The popular [[[Flight]]] series, officially for adults but containing a lot of all-ages stories, has spun off a younger sibling. The cast of cartoonists is pretty much the same, and the editor is still Kibuishi, but this book is shorter, cheaper, smaller, and contains many more characters seemingly designed to headline a series of stories.

The stories are all fairly short – there are ten of them in a book just over a hundred pages – long enough to introduce what mostly seem to be series characters and given them a situation to deal with. The cover-featured “[[[Missile Mouse]]],” by Jake Parker gets the most adventurous, and will probably be the most appealing to the boy audience. (There’s nothing obviously aimed at the girl comics-reading audience – or maybe I mean nothing trying to poach some of the manga audience – though there are several strips with female protagonists, like Ben Hatke’s “[[[Zita the Spacegirl]]].”

The art is still mostly clean-lines enclosing solid colors – an animator’s palette – though the book gets more painterly towards the end, in the pieces by Ben Hatke, Rad Sechrist, Bannister, and Matthew Armstrong. It’s all quite professional and fun – all in all, a great book to hand to an 8-12 year old interested in comics.

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Review: ‘Three Shadows’ by Cyril Pedrosa

Review: ‘Three Shadows’ by Cyril Pedrosa

This book will break your heart; I warn you now.

Three Shadows
Cyril Pedrosa
First Second, 2008, $15.95

Louis and Lise are farmers somewhere quiet and untouched, doting parents to their small son Joachim. Their life is bucolic, idyllic: “Back then…life was simple and sweet. Everything was simple and sweet…The taste of cherries, the cool shade, the fresh smell of the river… That was how we lived, in a vale among the hills…sheltered from storms…Ignorant of the world, as though on an island…Peaceful and untroubled…Then everything changed.”

Three figures appear ominously one evening, on horseback at the horizon. Somehow, everyone knows that they’re trouble, but they can’t be confronted. They disappear into the mist, into the distance. Joachim’s dog Diego disappears, and the shadows use his barking to lure the boy – and almost get him.

So Lise goes to the nearest big town to consult with Mistress Pike, whose sign reads “Midwife. Exorcist. Sympathetic Ear.” The truth is what they fear most: the shadows have come for Joachim. And they’re not going to stop.

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Review: ‘The Last Days of Krypton’ by Kevin J. Anderson

Review: ‘The Last Days of Krypton’ by Kevin J. Anderson

Everyone knows the basic story of [[[Superman]]]. Baby Kal-El, last survivor of the planet Krypton, rocketed to Earth by his parents Lara and Jor-El, found by a nice couple in Kansas, raised to be Clark Kent AKA Superman. But what about the story of Krypton before Kal’s birth? What about the lives of his biological parents?

In this hardcover novel published by Harper Entertainment, Kevin J. Anderson ([[[Captain Nemo]]], [[[Hopscotch]]], [[[Star Wars: Darksaber]]]) gives us a story of the ill-fated planet and its people, who are so tranquil and advanced in science that they have stopped dreaming and questioning reality. One man, Jor-El, still dares to dream — but finds his technology constantly censored by the Science Council and by Commissioner Zod. Eventually, Jor-El meets someone much like him, an artist named Lara Lor-Van who never hesitates to speak her mind, and the two fall in love. When disasters begin to occur, Jor-El and Zod may have to join forces to save their planet from destruction. But is Zod really concerned about the benefit of Krypton or is he plotting his own take-over?

In the foreword to this novel, comic writer Marv Wolfman (New Teen Titans, The Crisis On Infinite Earths) stated that Kevin J. Anderson’s goal was to create a story that took elements from all of the various and contradictory interpretations of the planet Krypton, its society and just why it was destroyed. (Did the sun go supernova, was it destroyed by a shifting orbit or was it a victim of a war involving terrible weapons?) The result would then be a tale that would allow everyone to at least find one or two familiar elements and would be entertaining for people who knew very little about the Superman mythos.

Unfortunately, that is not quite what we get. But more on that later. First, I should mention there are many good scenes here and there, as well as some touching moments. Of particular note is Anderson’s version of the first meeting between Jor-El and Lara Lor-Van. It involves danger and nice characterization and the date that it leads into shows just why these two fall for each other. Too often these days, we are shown a couple who are in love but who don’t really show this in their actions, requiring the writer/director to spell things out by having their characters awkwardly say things such as “I’m blinded by your love.” (Are you listening, George Lucas?!)

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