Tagged: novel

Mindy Newell: Baby’s First Footprints

Newell Art 130415Friday was a miserable day in the New York City metropolitan area. Slashing rain, blustery winds, and c-c-c-cold. It was a day made for staying in your pajamas and just vegging out in front of the TV, watching The Dick Van Dyke Show and I Love Lucy on TVLand, popping in DVDs of the original Dallas (nobody has ever played the villain we hate to love – but do – better than the late, marvelous, wonderful Larry Hagman as J.R. Ewing), and eating too much of stuff that is bad for you, potato chips being my particular poison.

So what was I doing, getting up at 6 AM so that by 8:30 I could be walking with Alixandra and Jeff to the PATH station to take the train into the city? Why was I fretting that Alix wasn’t dressed warmly enough and that her hair was wet? After all, the woman is 33, old enough to deal with inclement weather on her own. Why was I feeling sorry for Jeff, who was struggling with an umbrella that threatened to either lift him into the sky like Mary Poppins or poke his eyes out? After all, Jeff is a Ph.D and a college professor and certainly wise enough to know that an umbrella turning inside out is the last thing you need on a windy, rainy early April day.

We were on our way to Alixandra’s third sonogram appointment.

No, nothing is wrong with my daughter.

The complete opposite.

I’m going to be a grandma!!!!!

So nice to be able to tell you all some good news this week.

I’ve actually known since the beginning of February, when I sat on the first sonogram, which Alix and Jeff* had placed on the backseat of the car for me to find. (We were on the way down to see my parents.) I said, “Oh, I’m sitting on something,” and fished it out from underneath my ass, realized it was some kind of photo, and tried to hand to Alix in the front seat, saying “I don’t think I creased it,” while my daughter and her husband cracked up.

“You’re such a dodo,” said Alix. “Look at it.”

I did. And what was my reaction?

Frankly, it didn’t register for a moment.

Then I said…

“Holy cow! Is this what I think it is? Is it real?”

Which only made them laugh harder.

Me, too.

A little while ago, Jeff came by so that we could exchange sunglasses – I was at their house last night, and inadvertently went home with Alix’s pair of shades. We chatted, and then Jeff asked me about the column, and I said, “don’t talk to me about it, I don’t have a fucking clue what to write about.” Yeah, yeah, I know, nice way for a soon-to-be grandma to talk, but hey, the kid’s gonna have to get used to me. (Only kidding, I will be toning down my use of colorful language around the child, at least until he or she is three months.)

He said, “Write about the baby’s first footprints,” which is what I said at the hospital when Alix and Jeff were given a picture of the baby’s…well, first footprints. (So tiny, and, yes, all ten toes are there.)

“But it has to be comics-related.”

“Oh, well…”

“Unless you think of sonograms like a graphic novel.”

There you go.”

And you ask where writers get their ideas.

John Ostrander has written in his column here at ComicMix several columns (and wonderful columns they are!) about the art of writing, of plot building and character development. Well, if you think about it, a sonogram is a story arc – complete with pictures! – that begins with a something that looks like a walnut – Alix’s words, not mine – and over a nine month period, follows the walnut’s journey, or metamorphosis, into full-fledged “babyhood.” You can even imagine the little walnut – I think I have stumbled upon a nickname for my grandchild, in the same way Pa Ingalls called Laura “half-pint” – quoting from Joseph Campbell’s Hero With A Thousand Faces as he or she tries to put into words that will make sense to us who have forgotten what’s it’s like grow from a clump of cells into a sentient being…

“I had to climb a mountain. There were all kinds of obstacles in the way. I had now to jump over a ditch, now to get over a hedge…”

Or, to misquote Shakespeare…“All the world’s a page, And all the men and women merely characters…”

Alix and Jeff, you didn’t know you were authors, did you?

Just don’t call me Bubby.

*Alixandra Gould and Jeffrey Gonzalez are expecting their first child at the end of September. A Libra! He or she will need some balance with a bubby like me!

TUESDAY MORNING: Emily S. Whitten

TUESDAY AFTERNOON: Michael Davis

 

BOBBY NASH NAMED APRIL’S FEATURED AUTHOR AT IPULPFICTION.COM

iPulpFiction.com turns the spotlight on New Pulp Author Bobby Nash beginning today, April 1st (and nope, this isn’t an April Fool’s Joke). Look for Bobby’s stories from Frontier, Doc Dresden: The Immortal, The Green Hornet, Lance Star: Sky Ranger, and Domino Lady, all specially formatted for your mobile devices. Perfect for those who like to read on the go.

PRESS RELEASE:

Coming in April to iPulpFiction.com

This April, iPulpFiction.com is proud to featured works from the 2013 Pulp Ark Award Winner for Best Author Bobby Nash

From his secret lair in the wilds of Bethlehem, Georgia, Bobby Nash, the 2013 Pulp Ark Award Winner for Best Author, writes a little bit of everything including novels, comic books, short prose, novellas, graphic novels, screenplays, media tie-ins, and even a little pulp fiction just for good measure. And he sleeps at least once a week, whether he needs it or not.

Two new iPulp series, Frontier and Doc Dresden: The Immortal will be available on April first, along with stories featuring Lance Star: Sky Ranger, Domino Lady, and The Green Hornet.

WHAT LIES BEYOND THE FRONTIER?

Frontier is a collection of sci-fi themed short stories from 2013 Pulp Ark Award-Winning Best Author, Bobby Nash. With Frontier, the author of Earthstrike Agenda, Evil Ways, and Deadly Games! presents a collection of rarely seen tales presented tales as well as some never before published stories. From Earth to alien planets and to the deepest recesses of space, Frontier features action, adventure, horror, and even a little romance.

DOC DRESDEN: THE IMMORTAL
340 year old Nathanial Dresden, “Doc” to his friends, is an explorer and adventurer at heart. For the last several centuries he has had many fantastic adventures. In present day, he works at (and secretly co-owns) Solutions Inc., a think tank/troubleshooting company. Solutions Inc. is the go to company when you need answers. Join Doc and his comrades as they travel the globe in search of adventure.

ABOUT iPULP

“With the whole world wallowing in pointless, plotless fiction, iPulp greets the reader like a breath of fresh adrenaline.” — David Lubar, Award-winning author of Hidden Talents

In the past, dime novels and other forms of pulp fiction influenced writers of genre fiction such as Ray Bradbury, Raymond Chandler, and H. P. Lovecraft. It was a time when kids carried a dime novel folded in their hip pocket or nestled out of sight in their schoolbooks.

Today, the pulps are mostly gone. iPulpFiction.com reinvents the genre short story market by taking pulp fiction to the mobile generation — to be hidden among digital textbooks on a tablet or tucked away on a smartphone in a hip pocket.

Visit iPulpFiction.com to learn more.
Learn more about 2013 Pulp Ark Award Winning Best Author, Bobby Nash at www.bobbynash.com

Welcome to ipulpfiction.com

COMING IN APRIL TO IPULPFICTION.COM

PRESS RELEASE:

Coming in April to iPulpFiction.com

This April, iPulpFiction.com is proud to featured works from the 2013 Pulp Ark Award Winner for Best Author Bobby Nash.

From his secret lair in the wilds of Bethlehem, Georgia, Bobby Nash, the 2013 Pulp Ark Award Winner for Best Author, writes a little bit of everything including novels, comic books, short prose, novellas, graphic novels, screenplays, media tie-ins, and even a little pulp fiction just for good measure. And he sleeps at least once a week, whether he needs it or not.

Two new iPulp series, Frontier and Doc Dresden: The Immortal will be available on April first, along with stories featuring Lance Star: Sky Ranger, Domino Lady, and The Green Hornet.

WHAT LIES BEYOND THE FRONTIER?
Frontier is a collection of sci-fi themed short stories from 2013 Pulp Ark Award-Winning Best Author, Bobby Nash. With Frontier, the author of Earthstrike Agenda, Evil Ways, and Deadly Games! presents a collection of rarely seen tales presented tales as well as some never before published stories. From Earth to alien planets and to the deepest recesses of space, Frontier features action, adventure, horror, and even a little romance.

DOC DRESDEN: THE IMMORTAL
340 year old Nathanial Dresden, “Doc” to his friends, is an explorer and adventurer at heart. For the last several centuries he has had many fantastic adventures. In present day, he works at (and secretly co-owns) Solutions Inc., a think tank/troubleshooting company. Solutions Inc. is the go to company when you need answers. Join Doc and his comrades as they travel the globe in search of adventure.

ABOUT iPULP

“With the whole world wallowing in pointless, plotless fiction, iPulp greets the reader like a breath of fresh adrenaline.” — David Lubar, Award-winning author of Hidden Talents

In the past, dime novels and other forms of pulp fiction influenced writers of genre fiction such as Ray Bradbury, Raymond Chandler, and H. P. Lovecraft. It was a time when kids carried a dime novel folded in their hip pocket or nestled out of sight in their schoolbooks.

Today, the pulps are mostly gone. iPulpFiction.com reinvents the genre short story market by taking pulp fiction to the mobile generation — to be hidden among digital textbooks on a tablet or tucked away on a smartphone in a hip pocket.

Visit iPulpFiction.com to learn more.
Logo link: http://www.iPulpFiction.com

PRO SE ANNOUNCES SUBMISSION INFORMATION FOR 2013 AND BEYOND!

Pro Se Productions, a leader in Genre and New Pulp Fiction, announces today that as of April 1, 2013, no further unsolicited novel or collection submissions will be set for publication in 2013. 
“The reason is,” Tommy Hancock, Partner in and Editor in Chief of Pro Se Productions explained, “we simply have more than enough Genre goodness scheduled to come out this year.  Pro Se has truly become a force as an independent press and a large part of that has to do with the writers and staff that have already had work published and/or developed with Pro Se.     The quality of work that Pro Se puts out has brought an unprecedented amount of submissions to our door, many of those from authors, both established and new, who know of Pro Se’s reputation and want their work with us.  We definitely want the best in Genre Fiction under our banner as well, but there comes a point to where you have to be fair to everyone involved, including the company itself.  So, Pro Se is not closing submissions, but we are not scheduling any other unsolicited works for publication in 2013.”
“As for 2014,” Hancock stated, “that calendar is filling up quickly as well, both with new works as well as follow up novels to existing Pro Se material.   We intend to publish an unprecedented amount of books this year, but do not intend to repeat that next year necessarily.  So, although space is open for 2014, we also already have books on our 2015 schedule as well.”
Hancock states that this is not a typical closing of submissions.  “We’ve had a lot of inquiries,” he stated, “as many as two a week in the last two months.  And it’s simply come up that we feel it necessary to establish that although we’re very much interested in reviewing your novel or collection for publication with Pro Se, we also have to be honest and up front about when your book will likely see print.”
Any projects accepted prior to April 1, 2013, Hancock stated, are still scheduled for dates provided in private correspondence, if such dates have been set.  This announcement does not affect any project that has been accepted by Pro Se prior to April 1, 2013.
Hancock also emphasized that this does not include stories for the now quarterly PRO SE PRESENTS Magazine.  “You can send in stories if you’re seeking publication in the magazine and they will, upon acceptance, be send to Lee Houston, Jr., the managing editor of the magazine, and then scheduled for inclusion.”
“This also,” Hancock maintained, “does not include calls for submissions made by Pro Se for anthologies or future works.   If we put out the call, most definitely we seek submissions for that specific work.”
All submissions as of April 1, 2013 will need to be sent to Morgan Minor, Director of Corporate Operations for Pro Se at Tommyhancockpulp@yahoo.com.  Morgan then will start each proposal/manuscript through the submission process within Pro Se.
Pro Se reminds all potential authors that submission standards are as follows-
Story must be Pulp in Style, regardless of Genre
Single Spaced, Double Between Paragraphs
Times New Roman, 12 point type
No paragraph indentions
Five Asterisks (*****) between scene breaks
Submissions must include Name, Contact information, and Word Count.
For any questions concerning submissions, please email Morgan Minor at Tommyhancockpulp@yahoo.com.

Look at Ender’s Game One-Sheet

EG_188 teaser fin14 theater crop_Ender’s Game has been percolating for years and the film adaptation of Orson Scott Card’s best-selling novel is finally being released in November. Here’s the first one-sheet for the movie and Summit Entertainment has released a new synopsis for the film.

In the near future, a hostile alien race called the Formics have attacked Earth. If not for the legendary heroics of International Fleet Commander Mazer Rackham (Ben Kingsley), all would have been lost. In preparation for the next attack, the highly esteemed Colonel Hyrum Graff (Harrison Ford) and the International Military are training only the best young minds to find the future Mazer.

Ender Wiggin (Asa Butterfield), a shy but strategically brilliant boy, is recruited to join the elite.  Arriving at Battle School, Ender quickly and easily masters increasingly difficult challenges and simulations, distinguishing himself and winning respect amongst his peers. Ender is soon ordained by Graff as the military’s next great hope, resulting in his promotion to Command School.  Once there, he’s trained by Mazer Rackham himself to lead his fellow soldiers into an epic battle that will determine the future of Earth and save the human race.

Based on the best-selling, award winning novel, ENDER’S GAME is an epic adventure which stars Asa Butterfield, Hailee Steinfeld, Ben Kingsley, Viola Davis, with Abigail Breslin and Harrison Ford.

Kate Winslet Joins Divergent Cast

Orange British Academy Film Awards 2010 - Inside Red Carpet ArrivalsSummit Entertainment, a Lionsgate company, confirmed today that Kate Winslet will star as Jeanine Matthews in the studio’s futuristic action adventure Divergent. Starring Shailene Woodley and Theo James, the other confirmed cast members including Jai Courtney, Zoë Kravitz, Ansel Elgort and Maggie Q.

The futuristic action adventure, based on author Veronica Roth’s New York Times best seller, will be directed by Neil Burger from a script by Vanessa Taylor and commences principal photography this April in Chicago.  The original draft of the script was written by Evan Daugherty.  Doug Wick and Lucy Fisher are producing the project via their Red Wagon Entertainment banner along with Pouya Shahbazian. Red Wagon’s Rachel Shane is executive producing.  Summit will release the film theatrically in North America in The Hunger Games slot on Friday, March 21, 2014.

Divergent is described as a thrilling adventure set in a future world where people are divided into distinct factions based on their personalities, Tris Prior (Woodley) is warned she is Divergent and will never fit into any one group. When she discovers a conspiracy to destroy all Divergents, she must find out what makes being Divergent so dangerous before it’s too late.

The extremely popular young adult novel Divergent was written by Roth, a first time author, and has topped the New York Times Best Sellers list ever since being published in May of 2011 by Katherine Tegen Books/HarperCollins Publishers. The book was written by Roth while she was earning her undergraduate degree at Northwestern University.  She followed her first novel with the book Insurgent, which has also made its way to the #1 position on specific New York Times Best Sellers lists.  To date, book sales are now over 2.6 million copies for both novels combined, and both titles are HarperCollins most successful e-books ever in regards to sales.  The studio acquired the film rights to the novel in early 2011 several months before the book Divergent was published.

Dennis O’Neil: Touch

O'Neil Art 130321Young and mostly silent Jake, the enigmatic hero of the television program Touch, doesn’t look ancient. Nor does he look particularly Greek. But ah – might he be a reincarnation of Pythagoras? Or at least a fictional character inspired by Pythagoras?

Who?

Okay, for you hordes of non-philosophy majors pit there: Pythagoras was probably the first guy who called himself a “philosopher.” He lived about 2500 years ago and he taught that all things were connected, that what he called the One was at the base of everything and that this One expressed itself in numbers. Or such is my admittedly sketchy understanding of Py’s riff.

And Jake? Well, Jake is this kid, about ten, who doesn’t speak but writes or otherwise communicates numbers to his father and eventually, after exciting adventures, Jake’s numbers tie diverse things/people/events together and provide the solution to that episode’s problem.

How does Jake manage his feats? Well…in short, he seems to be a superhero. No costume, no flamboyant displays of abnormal prowess. But we know that Jake has some kind of metahuman ability – he’s a mutant, maybe? – and that there are others like him, and finally that some person or organization has dispatched a geeky assassin to exterminate them.

Though there are echoes of earlier superhero sagas here – Watchmen and the X-Men titles come immediately to mind – Touch is a novel iteration of the superhero concept, and as original as anything in our story-saturated culture is likely to be. That it’s also well-written and acted is a nice bonus.

But what really pleases me about it is what I understand to be its central metaphor. Unlike most of our televised mind-gum, Touch is not extolling the essentiality of family, though Jake’s relationship to his father is important, nor does it glorify the Individual, nor assure us that right makes might, which is why the good guys inevitably out-bash the bad guys. Instead, it displays a notion common to ol’ Py and modern quantum physicists – the Higgs boson crowd – and Buddhists and feel free to add some examples of your own. That notion: everything is connected.

Which is obvious when you think about it, despite the political howls when our current president observed that, sorry, nobody accomplishes anything without some kind of help. You wouldn’t be reading this without the biosphere and the biosphere depends of interaction of gravity with mass and particle and millions of years ago a lobe fish crawled onto land and began the evolutionary journey toward becoming Justin Bieber and and and…and some thirteen-point-seven billion years ago the Big Bang happened and here we are, watching teevee, and passing the popcorn.

I doubt that Touch’s creators are in the business of teaching us cosmology. Their job is to entertain, and in my living room, they do. But they do so without lading on dramatic tropes whose overuse has given them cliché status, and since you and I are united, maybe you’ll join me in being grateful to them.

FRIDAY: Martha Thomases

SATURDAY: Marc Alan Fishman

 

REVIEW: Hitchcock

hitchcock-blu-ray-Hitchcock_Combo_Ori-8C60008_rgbThe great innovators and popular entertainers of previous generations often fade from sight from they retire or die. A new generation discovers them afresh, either on their own, or someone has done some digging. In the case of the famed director Alfred Hitchcock, he has spawned a cottage industry with recent biographies and films. Hitchcock, with Anthony Hopkins nearly unrecognizable under the latex, is based on Stephen Rebello’s Alfred Hitchcock and the Making of Psycho, and portrays a particular point of view about the Englishman.

Psycho is currently his best known work, especially with this week’s debut of Bates Motel on cable but critics tend to pick his other, earlier works as among his best. Sure, this thriller is terrifying and exciting and surprising thanks to the Robert Bloch story, direction, and performances. And the making of the film is worthy of exploration. Director Sacha Gervasi has a rich source of material and some fascinating players to explore but the end result is surprisingly slight. Rebello shone a much-needed spotlight on Hitch’s wife Alma (Helen Mirren), the secret engine behind his successes and Gervasi tries to milk tension out of the largely fictitious tension between spouses. When Universal refused to allow access to the source material, Gervasi needed something to hang the film on but clearly chose poorly.

The story picks up in 1959, with Hitch riding the success of North by Northwest and his popular television anthology series that made his silhouette the most recognizable in the country. Seeking his next project, he assigned the research to Peggy Robertson (Toni Colette), his assistant. She came up with Bloch’s novel, loosely based on the famed Ed Gein murders. It had just the right amount of lurid tension that would let him explore something different, something he did throughout his storied career.

Not everyone agreed with the choice with agent (Michael Stuhlbarg), Paramount president Barney Balaban (Richard Portnow), and Alma all thinking it beneath the director, who insisted he wanted the change of pace. When Paramount balked, he moved the film to Universal Studios which welcomed him with open arms. Hitch cast  Anthony Perkins (James D’Arcy) as Norman, Janet Leigh (Scarlett Johansson) as Marion Crane and Vera Miles (Jessica Biel) as sister Lila. There’s plenty of behind the scenes intrigue, saving only the original film’s most famous moments for on camera action where we discover the tyrannical Hitchcock is as prurient as Norman himself.  He later bullies Hays Office censor Geoffrey Shurlock (Kurtwood Smith) into approving the shower scene since more is implied than ever shown.

HITCHCOCKThe movie’s more interesting dynamic is between husband and wife and here the film should sing but lacks spark which is odd considering how strong the performers are so the fault clearly lies in the script. There are other missteps along the way including Gein’s ghost, but by then, the film has lost its audience rather than gripped them.

The digital film is well-transferred to Blu-ray and sounds just fine. The combo edition comes complete with Audio Commentary from Gervasi and Rebello, and I wish the film was as interesting as their conversation. There is also a single Deleted Scene (1:41); Becoming the Master: From Hopkins to Hitchcock (12:28) all about Hopkins’ makeup and performance; Obsessed with Hitchcock (29:09), the usual making of documentary; Sacha Gervasi’s Behind-the-Scenes Cell Phone Footage (13:31) which is far more entertaining and informative than you imagine and gets credit for being a unique bonus; Hitchcock Cell Phone PSA (:41); The Story  (3:54); The Cast (4:25) which features with interviews with the director, Mirren, Hopkins, and others; Danny Elfman Maestro (2:16) which is an all-too-brief piece on the evocative score;  Hitch and Alma (3:15), which honestly needed to be more expansive and in-depth; Remembering Hitchcock (4:44): Hitchcock’s former cast and crew members trip down memory lane; Theatrical Trailer (2:33); and, Sneak Peek (14:31).

Overall, the extras bolster a weak production and makes it worth a look. Or, you might be better off reading the bios and watching the actual films from the great master. Hitchcock was terrific at building suspense, adjusting to new technologies and exploring the human psyche in ways his peers at the time avoided, giving him freedom to explore and entertain.

REVIEW: The Hobbit

HBBT_BDComboJ.R.R. Tolkien was fascinated with language and mythology, scratching only the surface when he sat down in 1937 to pen The Hobbit. When his publisher asked for a sequel, the professor really dug deep and built on the foundations established in his children’s novel. As a result, he took over a decade to write what became Lord of the Rings and along the way, crafted new languages, cultures, and myths, creating Middle Earth from the essence of English and European folklore.

Tolkien mistrusted Hollywood, which certainly explains why it wasn’t until the 1970s before any adaptation of his works made it to the screen. There’s the somewhat cute Rankin-Bass take from the era, but really, the studios and technology weren’t up to the demands of the source material. Within the last two decades, though, that all changed. Once Peter Jackson struck gold with his trilogy of films, it was inevitable that the public would cry for the first book in the cycle to be adapted. Of course, there were the usual legal entanglements followed by MGM’s financial free-fall which cost the production the talents of Guillermo Del Toro. Jackson stepped behind the camera once more, helming an adaptation that was more in keeping with his interpretation of Middle Earth than del Toro apparently had in mind. Now, having seen The Hobbit: An Unexpected Journey in the theater and on disc, the fresh eye may have been warranted.

Not that there’s anything wrong with the film —  being released on home video in a variety of packages from Warner Home Video on Tuesday – but the familiarity with it all robs the story of its magic. Wisely, the opening is a frame, setting up the novel itself; using Ian Holm’s aged Bilbo Baggins with Elijah Wood once more as his nephew Frodo. Seeing them brought a smile to my heart but once the dwarves began to arrive, and the journey get underway, we’d seen the vistas, the mountains, and roads. As a result, the journey felt beleaguered and longer than necessary.

What did work, though, was really making this Thorin Oakenshield’s (Richard Armitage) story, aided by the dwarves and guided by Gandalf the Gray (Ian McKellan). The tension and suspicions the handsome dwarf had towards Baggins (Martin Freeman) is a nice undercurrent until it reaches a climax.

In watching the story unfold, it’s very much like a saga from days gone by and it’s interesting to note how many of the dwarf names were taken straight from Norse mythology. It’s a pretty straightforward tale with nice sets pieces such as the meeting with Gollum (Andy Serkis) and the forthcoming battles with Smaug. Expanding this initially to two films raised some eyebrows and then he came out with word that two had morphed into three. Suddenly, the single novel was being given the same weight at the trilogy and most howled. In watching the movie, it’s safe to say about 60 percent of it was the novel and the remainder was drawn from the appendices and notes Tolkien left behind. To be fair to the producer/writer/director, there’s tremendous material worthy of adapting and exploring cinematically. It worked with the emphasis on Arwen in the trilogy so he earns the benefit of the doubt for now.

Hobbit_Infographic_Hobbit101He did take a throwaway line about Gandalf needing to speak with others and the book skipped that while the film uses that moment to being us to a council where familiar friends Galadriel (Cate Blanchet), Elrond (Hugo Weaving), and Saruman the White (Christopher Lee) provide wisdom and foreshadowing. It was fun seeing them as all one big happy family, knowing that even sixty years before LOTR, the dark shadows were already creeping from Mordor.

We also get to see some other wizards for the first time, including Necromancer (Benedict Cumberbatch) in the stronghold of Dul Guldur and the amusing Radagast the Brown (Sylvester McCoy).

Fran Walsh, Philippa Boyens, and Jackson used some magic to find ways to give each of the thirteen dwarves some personality and the cast and costumers ran with it. While you couldn’t necessarily name them on sight, you could tell one from another. Character reigns supreme once more for which we fans should be thankful. As fanciful as Tolkien was, he remained far more interested in lore and language than he did in interesting characterization.

Jackson is an old hand at the setting and pacing, which may be why he was more interested in the technical aspects, notably the 48-frames-per-second experiment that too few people got to witness as theaters, already paying the bills for 3-D and digital projectors, were reluctant to support. The film, therefore, is lush and rich in color, sight, and sound.

An extended edition with extra footage, which was anticipated before the film hit theaters, is now expected in time for the holiday season, following the previous pattern. So, be cautioned when getting this. So, what do you get with this edition? Well, the video transfer is most excellent, rich in color so Hobbiton to Lothlorien to the mines are sharp and clear. The visuals are equally matched by the amazing DTS-HD Master Audio 7.1 surround track.

While there some two and a half hours of bonus material, diehard fans have seen most of it online during the film’s production and release. Clearly, the most interesting stuff is being held back for the extended version. The specials are voluminous to merit its own disc, which is nice.

Early purchasers can use The Desolation of Smaug Sneak Peek Access Code: to watch the exclusive online sneak peek at The Desolation of Smaug, hosted live by Peter Jackson on March 24th at 3pm EST/12pm PST.

There’s another look at New Zealand: Home of Middle-Earth (7 minutes) demonstrating the challenge facing Jackson and his team as they had to find new countryside to show off new portions of Middle Earth.

The bulk of the extras are the ten Video Blogs (127 minutes):

Start of Production (April 14, 2011)

Location Scouting (July 9, 2011)

Shooting Block One (July 21, 2011)

Filming in 3D (November 4, 2011)

Locations Part I (December 24, 2011)

Locations Part II (March 2, 2012)

Stone St. Studios Tour (June 6, 2012)

Wrap of Principal Photography (July 24, 2012)

Post-Production Overview (November 24, 2012)

Wellington World Premiere (December 14, 2012)

And, of course, a handful of trailers.

MIKE BARON’S ‘BIKER’ DEBUTS FROM AIRSHIP 27!

THE BIKER IS HERE!

Airship 27 Productions is delighted to announce the release of a brand new crime thriller by one of the finest talents in genre fiction today; Mike Baron!
From the award winning creator of Nexus and Badger, comes a tale of terror and suspense set against the backdrop of the Outlaw Biker culture.  Josh Pratt is an ex-con turned private investigator.  A woman dying of cancer hires him to find the son she gave up as a baby.  The child’s father is a sadistic sociopath named Moon who has vowed to kill her for abandoning them.
Josh is the BIKER, caught up in a race for survival against a human monster on the road between heaven and hell at the end of which lies either salvation or damnation.  Baron spins a tale of unrelenting suspense and horror that moves across his narrative landscape like the roar of a chopper’s engine.  Creating memorable characters and authentic backgrounds, this is an amazing, quality crime thriller unlike anything you’ve ever read before.  The man who shook up the comic industry with his revolutionary stories now turns his limitless imagination to the world of crime fiction and the result will blow you away.
“Mike Baron tells a story like nobody else in the business,” says Airship 27 Productions Managing Editor, Ron Fortier.  “For years he’s captivated comic fans with his innovative tales of the erratic kung-fu Badger and the star-spanning, philosophical avenger, Nexus.  Now he’s entered the world of crime and horror fiction to rousing applause from fans everywhere.  We at Airship 27 Productions are very excited about bringing readers his latest novel; a riveting, no-holds-barred winner.  BIKER simply rocks!”
Featuring illustrations by artist Joseph Arnold and designed by award-winning Art Director, Rob Davis, BIKER is a punch-to-the-gut reading experience even the most jaded thriller fan will be cheering.
“Hard-boiled. Hard-edged. Hard-core. Hard to put down until you get to the last page.”
Charles Saunders, author of Imaro and Damballa.

AIRSHIP 27 PRODUCTIONS – Pulp Fiction For a New Generation!

Now on sale (https://www.createspace.com/4204985)
On Kindle within 2 days.
At our Airship 27 website as a PDF download for $3.
(http://robmdavis.com/Airship27Hangar/index.airshipHangar.html)
Within a week at Amazon and (www.IndyPlanet.com)