Tagged: New York

Review: ‘Young Liars’ #1

I covered a handful of new series debuting this week in my Weekly Haul column earlier this week, but one new series slipped past. Thanks to the kind folks at DC then for sending over the first issue of David Lapham’s Young Liars, one of the more puzzling series to come around lately.

It’s not that Young Liars reinvents the wheel. It’s actually very similar to another new Vertigo series, The Vinyl Underground, in that both follow spunky young hedonists. The narrator is Danny, a Texas kid who moved up to New York to be a rockstar and failed miserably. But the central character is Sadie, an heiress who took a bullet to the head and lived, although the wound removed every inhibition she had.

The first issue is mostly set in a club, with Sadie alternating between dancing and beating the holy living snot out of people as Danny fills us in on the backstory. The gist is that Sadie’s dad and some unsavory characters are all tracking her down, and unpleasantness is about to meet this small group of friends.

While I was pretty disappointed with [[[The Vinyl Underground]]], [[[Young Liars]]] has at least piqued my interest. More than anything, I’m curious where Lapham is headed, but that’s based more on his past work than on the content of this issue. It’s more of a collection of fun pieces than a cohesive story so far, and it pales next to Lapham’s excellent Silverfish graphic novel from last year.

File this one under too soon to tell.

Review: Brian K. Vaughan’s ‘Batman: False Faces’

With the recent and much heralded conclusion to Y: The Last Man, the continued strong run of Ex Machina and a gig writing for Lost, Brian K. Vaughan is living pretty high on the hog nowadays. But it can easily be forgotten that Vaughan wasn’t always a superstar writer, and the new collection of comics from his formative years at DC serves as a telling picture of the artist in progress.

In Batman: False Faces ($19.99), we’re taken back to Vaughan as a struggling writer, working a day job at the psychiatric ward of St. Vincent’s Hospital in New York. Three stories in the collection feature Batman or his rogues, and the fourth sets Wonder Woman against Clayface.

As Vaughan writes in his introduction: “[A]nyone who thinks that pitting a character made of magical clay against friggin’ Clayface isn’t a totally awesome idea is a dirty communist.” True enough. But while the setup is golden, the execution isn’t. What could have been a deeply introspective story is more cursory and trivial, while also moving a bit too slowly in places.

The Batman stories (which Vaughan wrote later) show the expected improvement. Further exploring issues of identity, Vaughan takes a thoughtful look at Batman’s two-bit-criminal alter ego Matches Malone in one story, and then he explores the diseased mind of the Mad Hatter. When Hatter says, “The only way you shall ever comprehend insanity is by ducking the shallow gerund,” Vaughan reveals the savvy and linguistic dexterity that would go on to make him a star.

[[[False Faces]]] isn’t for everyone, but for Vaughan devotees or those interested in the development of a talented creator, it’s a must-have collection.

Anime, Manga Bites The Big Apple

Anime, Manga Bites The Big Apple

New York City has a lot of things, but not everything. Whereas this will come as a shock to some Big Appleites, perhaps their outrage will be softened with the news that their hamlet will be honored with its first major anime festival.

The New York Anime Festival will happen December 7 – 9 at various locations in Manhattan, including the always overcrowded, hard-to-get-to Javits Convention Center and, in a brilliant stroke, the ImaginAsian Theater on East 59th Street. That bodes well for a whole lotta screenings, and the location couldn’t be more significant. Kudos.

The show is being run by Reed Communications, the same folks who bring us the horribly managed New York ComicCon. It calls itself a celebration of classic and cutting-edge anime, manga, and Japanese culture, and it’s about time New York got in on the action.

Here’s hoping the show will come off better than their comics show did the past two years.

More info: http://www.nyanimefestival.com/en-us/index.cfm

Trailers, trailers everywhere…

Trailers, trailers everywhere…

The trailer. A long seen but woefully underappreciated art form. Now, they’re not only getting the recognition they deserve, but they’re becoming the movies they deserve.

First, we have the Golden Trailer awards, being held Thursday in New York (at NYU, no less, indicating what a lot of the Tisch Film School graduates are actually going to be doing with their degrees).

But now we’re talking about an entire movie of trailers. Eli Roth (Hostel) has anounced plas to do an entire movie filled with nothing but trailers for non-existent movies. The film would be called Trailer Trash and, like the segments directed by Edgar Wright and himself for Grindhouse, be fake trailers for fake movies. No main feature. “I want to make a movie like Jackass or Borat or Kentucky Fried Movie that’s just totally ridiculous, absurd and silly”, Roth told Rotten Tomatoes. And theoretically, it might even have– well, plot might be too strong a word, let’s try theme.

He might have a point. For years, ComicMix regular Robert Greenberger has been running his travelling trailer show at conventions, with nothing but trailers for upcoming films, and he’s gotten strong audience reactions every time– the trailers are often better received there than the movies are in theaters.

Dennis O’Neil: The Fanatic Conclave, part two

Dennis O’Neil: The Fanatic Conclave, part two

About 370 million years ago, give or take, swimmy little critters biologists now call lobefish developed appendages that were helpful in getting around the bottoms of the ponds and lakes where they lived. Their descendants eventually flopped onto land and those appendages evolved into things that are useful for tap-dancing, kicking field goals and, attached to the likes of Jessica Alba, drawing admiring glances.

Comic books began as a low-common-denominator, novelty entertainment and became an industry and, arguably, an art form. Lobefish spawned, among other phenomona, karate and Ms. Alba’s thighs and comic books spawned, among other phenomona, comic book conventions. These were, at first, quite modest affairs, as described in last week’s installment of this feature, but, like the lobey appendages, have evolved into quite something else. They’re, some of them, held in gigantic auditoriums – the San Diego Convention Center and New York’s Javits Center, to name two – and attended by tens of thousands of participants. And people far more knowledgeable regarding showbiz than I am say that anyone wanting to launch a fantasy or science fiction-themed movie or television show is well-advised, if not required, to do so at one of these mega-soirees.

They have become an integral part of the huge modern monster media and I wonder if they’re not more influential as that than as places for hobbyists to gather and share enthusiasms. Further – I wonder if some folks forget that the “comi” in comicon refers to these visual narratives still being published in glorified pamphlet form.

A lot more entertainment seekers will see the forthcoming Fantastic Four movie (starring our friend Jessica, by the way) than will read any years’ worth of Marvel’s Fantastic Four comic books. And how many of the millions of ticket buyers who made Ghost Rider the box office champ for two weeks running, despite iffy reviews, even realized that the character had been born as a Marvel superhero?

I think it’s clear that the term comic book is in the process of redefinition, though what it will mean in 10 years I don’t know. It certainly won’t be merely a noun referring to the aforementioned pamphleted narratives. Nor will it any longer be a modifier meaning low, dumb, semi-literate, borderline immoral, as it has been until recently, and might still be in some venues. Probably it’ll describe a genre, or combination of multi-media genres. Or, could be, it’ll be entirely forgotten. After all, we don’t call legs lobes, do we?

And now, in the spirit of Jon Stewart, who on The Daily Show has his moment of Zen, we have our Recommended Reading: Superhero: The Secret Origin of a Genre, by Peter Coogan. Full disclosure: I wrote the book’s introduction. But I won’t profit if you buy it. I recommend it because it is, quite simply, the best treatment of the subject I’ve encountered.