Tagged: Neal Adams

MIKE GOLD: The Batman Family Feud

I’m enjoying the back-and-forth between my fellow columnists Marc Alan Fishman and Michael Davis regarding DC’s New 52, but now it has come to the point where I must give Marc, ComicMix’s own Snapper Carr, some love.

(Hey, Snapper, just swallow it. We’ve already got Johnny DC writing here. No kidding.)

For a third of a year Marc has been singing the praises of the New 52 Batman to me. I’ve been reluctant to read it despite the fact that I enjoy friends’ recommendations and I respect Marc’s opinions. I’d respect Michael Davis’s opinions as well, if he ever had any. No, my problem is that Batman was one of my favorite characters until the rank and file turned him into a guy who was just as psychotic as his cadre of evildoers. That created a domino effect: the villains became psychoticer. This is the exact opposite of what happened to Mickey Mouse in the 1930s.

Fans of this stuff attacked me as an old fart who wanted the Bat to be like the 1960s teevee show. No; I’m older than that. I grew up a precocious reader during the waning days of Bill Finger and Dick Sprang and stories that were geared to a solidly pre-adolescent audience. If I had my druthers I would wipe out the past 10+ years of Bat-tales and go back to the approach best presented by (in alphabetical order) Adams, Aparo, Englehart, O’Neil, Robins and Rogers, et al. Barring that, I’d take my lead from the Batman of the animated show as professed by (in alphabetical order) Burnett, Dini, and Timm, et al. Of course, some of those efforts were adaptations of the works of Adams, Aparo, Englehart, O’Neil, Robins and Rogers, et al.

Besides, I thought “the New 52 Batman” referred to the number of Batsmen who currently inhabit DC’s new universe. How many Batmen are there today? I have no idea. I can’t count how many were there the day the previous DCU got itself ignored. Evidently, somebody thought Photoshop was for ideas and concepts as well as art. So, with all this hoo-hah between Messrs. Davis and Fishman, I decided to read the New 52 Batman. Keep in mind: I italicized “Batman,” so I’m onlyreferring to the Batman title per se. I have yet to read Detective Comics, Batwing, Wolverbat, or Batpool.

Damn. Score one for our Earth-ComicMix Snapper Carr. Batman has a Batman that isn’t an asshole. That, alone, goes a long way to restoring my faith in the character, DC Comics, and the concept of “the child is father to the man.” Like the rest of us, I have no clue how this ties into that which may or may not have gone before, but Bats is more human and less lunatic. He – or rather Bruce Wayne – is the subject of a deadly conspiracy by something called the Court of Owls (please don’t tell me that’s going to tie into the forthcoming and ill-advised Watchmen prequel). He seems a bit high-techier than he was before, and Alfred has less need to play off of Batty’s psychoses and is a better character for that.

Most important, the Batman Batman is a hero. Hero is a term of respect we bestow upon those who have earned it. A hero need not be a nice guy, but he/she/it should be, at heart, a decent human being. So far, after four issues, this Batman is a hero.

Thanks, Marc. Michael… your turn. Make a heartfelt recommendation.

THURSDAY: Dennis O’Neil

Jerry Robinson: 1922 – 2011

Comics legend Jerry Robinson died this morning at the age of 89.

Best known for his work with Bob Kane during the earliest days of Batman, the Trenton, New Jersey born artist started off as a teenager lettering and inking the Batman feature in Batman, Detective Comics and World’s Finest Comics. As Batman rapidly grew in popularity, he progressed to the role of character designer and, shortly thereafter, penciler of the feature. It was Robinson who named Dick Grayson “Robin,” not after himself (as often reported) but after N.C. Wyeth’s famed illustrations of Robin Hood. Shortly thereafter, Jerry designed Batman’s most famed enemy, The Joker. His original art for that initial design, in the form of a playing card, has been on display at various museums across the nation.

(It should be noted that the late Bob Kane disputed this and most other creator-credits regarding The Batman. As a matter of contractual obligation, DC Comics gives Kane sole creator credit for the feature, a matter of significant dispute with Robinson as well as writer Bob Finger.)

In later years, Robinson started an international newspaper syndicate (the Cartoonists & Writers Syndicate) and wrote an important history of the comics medium, titled The Comics: An Illustrated History of Comic Strip Art. He also served as president of the National Cartoonists Society in the late 1960s.

His other comic book work included Bat Masterson and Lassie for Dell Comics, Black Terror for Standard Publications, Green Hornet for Harvey, Vigilante and Green Arrow for DC (with his friend and frequent collaborator, Mort Meskin), Green Lama and Atoman for Spark Publications, Journey Into Mystery, Battlefront, Crime Exposed, Strange Tales and Battle Action for Marvel, Rocky and His Fiendish Friends for Gold Key, and Astra for Central Park Media.

Jerry received numerous honors and tributes during his long life, including four separate awards from the National Cartoonists Society: the Comic Book award in 1956, the Newspaper Panel Cartoon in 1963 for Still Life, the Special Features Award in 1965 for Flubs and Fluffs, and the Milton Caniff Lifetime Achievement Award in 2000. He was inducted into the Comic Book Hall of Fame in 2004 and, in 2010, was the recipient of the first annual The Hero Initiative Dick Giordano Humanitarian Award for his “outstanding efforts in changing comics one day at a time.”

The Giordano award focused on Jerry’s less-well known work as a political activist obtaining the release of jailed and tortured cartoonists in Uruguay and the Soviet Union. He also joined Neal Adams and others in the creator rights movement and aided Superman creators Jerry Siegel and Joe Shuster in their struggles with Warner Communications / Time Warner in obtaining recognition and financial security for their efforts.

[[[Jerry Robinson: Ambassador to the Comics]]], the definitive history of this critically significant cartoonist, was published by Abrams late year.

On a personal note, I had the honor and privilege of dining with Jerry and discussing both politics and comics on numerous occasions during the 1970s, 80s and 90s. When, last year, we met up at the Baltimore Comic-Con at the reception prior to his Giordano Award presentation, I found Jerry to be as gracious, as warm and as sharp as he had ever been, and he entertained my daughter with stories peppered with quotes from material I had written about him many, many years earlier.

It was one of the most wonderful moments of my life.

MARTHA THOMASES: Good Times At Comic Con High

It is something of a movie cliché, especially in buddy-movies, for one of the two, in the heat of battle, to mutter, “I’m getting too old for this.”

That’s how I felt before New York Comic Con.

It’s another cliché that, just when you think you have life figured out, it changes. I had a pretty good time.

Granted, I was frustrated by the crowds, and the noise aggravated me (and yet, I live in New York City!). Also, I wasn’t there on Saturday, when I’m told the crowds were the worst. And I’ve been to so many shows by now that I know how to edit my experience.

So, despite the backpacks and the people who thought that because they were taking photographs they were entitled to take away an entire aisle from pedestrian traffic, and the plethora of booths devoted to gaming, not comics, there’s a fun time in there.

Let me count the ways:

• Even before the show, the press coverage was so much better than comics used to get. Sure, there was a lot of attention paid to people in funny costumes, but there were also stories like this in the New York Times, which focused on people who are cool and creative and artists worthy of attention, just like other New York talents.

• Not only are talented writers and artists getting some respect, but so are the fans. True, there was lots of pandering to people’s desire to get something for free, but there were also some unusual businesses setting up booths. The Museum of Natural History promoted their planetarium. Chevrolet not only had a booth, but they also had artist-painted cars around the show, including one by Neal Adams. This is so much better than the first show, where there were military recruiters.

• There are so many kids (who probably hate being called kids, but indulge this old fart) who are excited enough by comics to want to make them. For example, Joe Corallo recognized me and chased after me to give me his self-published comic, The Uncanny Undergrads. Comics remain one of most democratic of media, where anyone with an idea and guts can make something amazing and try to make a career out of it.

• Best of all is seeing old friends. I never went to comic conventions as a fan. It was never part of my social life. When I met Denny O’Neil, I started to go to convention parties, back when they were easier to crash. When I had to go to cons for work, I found out that, for me, Artists’ Alley was the most fun place. It still is. At a big show, it’s a place where you can usually avoid mobs, and actually talk to the people who make the comics we love. This year, I was blessed to run into Bob Camp, whom I hadn’t seen in more than 20 years. He’s still sweet and funny and brilliant.

So maybe, if I have to go to more comic shows, I’ll go. I’ll kvetch, but I’ll be secretly pleased about it.

Martha Thomases is proud of herself for not buying a rabbit on Saturday.

SATURDAY: Marc Alan Fishman

Announcing The SideKick Foundation

The Sidekick Foundation is a new confederacy that seeks to generously aid comics creators in need of financial and medical assistance. Sidekick’s board of directors and advisors consists of established, respected comics professionals who have agreed to support the organization’s initiative which, in its first year, shall be to donate 90% of all generated proceeds directly to those in need.

“Sidekick was established by Clifford Meth, whose work on behalf of comics creators in need is well known,” said Jim Reeber, president of Aardwolf Publishing and Secretary of Sidekick. “By adding the weight of some of the industry’s most respected names to his own, I believe Cliff can help more people than ever before and do so more effectively.”

“I’ve spent the last three years working for well-known charities and non-profits,” said Meth, a former Executive V.P. of IDW Publishing and recent spokesman for Kars4Kids. “Regardless of the cause, the one thing that always irked me was how much money goes to the overhead of charitable organizations. While it may be legal to only give away a small portion of collected proceeds, I find it ethically unacceptable. The Sidekick Foundation will not have a paid Director nor full-time staff. Most work will be done by volunteers allowing the foundation to keep expenses to a minimum.”

Sidekick’s Board of Advisors includes Neal Adams, Harlan Ellison, Joe Sinnott, Tom Palmer, Herb Trimpe, and Morris Berger (former president of IDT Entertainment and chairman of IDW Publishing).

“I’m particularly proud to have Neal Adams and Harlan Ellison with us,” said Meth. “Neal laid the foundation for art returns and his work on behalf of Superman’s creators is legendary, while Harlan Ellison is a stalwart champion of creator’s rights. With friends like these in your corner, you can move mountains.”

Sidekick will debut at New York ComicCon on Sunday, October 16. Artist David Lloyd (“V for Vendetta”) will be drawing for Sidekick at the Cadence table #3153 from 12:30 to 1:30 pm. In addition, Clifford Meth and writer Don McGregor will be selling donated art as well as items from the late Gene Colan and Dave Cockrum, among others. Future signings and events are planned from artists Michael Netzer and Bill Messner-Loebs.

For more information, visit http://www.thesidekickfoundation.org/

Happy Mother’s Day!

Happy Mother’s Day!

Batman #251 (Sept. 1973). Art by Neal Adams.

Image via Wikipedia

We’re off taking care of our own moms today, so I’m going to just link to Ty Templeton’s list of the Top 7 Bad Mothers in Comics. Although how he missed Rorschach’s mom, I’ll never know.

Of course, we all know the worst mom in comics is the one that threw your comics away– or even worse, claimed that you read them too much, and so tore up your copy of [[[Batman]]] #251, “The Joker’s Five-Way Revenge” by Denny O’Neil and Neal Adams, in front of you to prove a point; an event that scarred and twisted you to this very day, and then she wonders why you want to put her into a home…

…perhaps I’ve said too much here.

Love you, mom!

The Point Radio: ‘Avatar’ Acting In A Virtual World

The Point Radio: ‘Avatar’ Acting In A Virtual World

The biggest hurdle James Cameron had to face in getting AVATAR to screen was waiting for technology to catch up with his imagination, but even harder was the job actors like Zoe Salanda had to face acting in an almost virtual set. We talk to them today as AVATAR continues to build big box office. Meanwhile, Neal Adams turns in an amazing cover and
Fox takes a shot at CHUCK.

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Legend Irwin Hasen Creates Graphic Novel

The legendary Irwin Hasen, co-creator of DC’s original Wildcat who is best known for his work on the classic newspaper comic strip Dondi, has written and drawn a 128-page graphic novel. Not bad for a guy 91 years old.

Loverboy, which purports to be something of a dramatized autobiography, will be released
by Vanguard Publishing in December. Joe Kubert and Neal Adams contributed cover blurbs; Irwin has been a teacher at the Kubert School.

In addition to Wildcat and Dondi, Hasen had been a regular
contributor to the golden age versions of Green
Hornet, Green Lantern, The Flash
and Justice Society of America, among many others.

Matt Wagner Batman art for Ostrander auction

Matt Wagner Batman art for Ostrander auction

More artwork is still coming in! Here’s Matt Wagner (Grendel, Mage, Madame Xanadu, among so many others) doing Batman.

At the 2009 Chicago Comicon, Comix4Sight has joined forced with Wizard Entertainment to hold a charity auction the evening of Saturday, August 8th.  The goal is to raise sufficient funds to help cover the costs of John Ostrander’s
treatments in his battle against glaucoma, and it is John’s expressed wish that should we raise funds
above his needs, that excess money is to be donated to The Hero Initiative to help them continue their great works aiding comic creators in their times of need.

And let us not forget this Batman/Hawkman piece by Andy and Joe Kubert, Gonzo Davros by Roger Langridge, writer/artist of The Muppet Show comics from BOOM! StudiosCaptain America by Neal Adams, and Thom Zahler’s Cheeks the Black Lantern.

We’ll have more stuff up soon enough, promise.

Neal Adams Captain America art for Ostrander benefit auction at Chicago Comic-Con

Neal Adams Captain America art for Ostrander benefit auction at Chicago Comic-Con

At the 2009 Chicago Comicon, Comix4Sight has joined forced with Wizard Entertainment to hold a charity auction the evening of Saturday, August 8th.  The goal is to raise sufficient funds to help cover the costs of John Ostrander’s
treatments in his battle against glaucoma, and it is John’s expressed wish that should we raise funds
above his needs, that excess money is to be donated to The Hero Initiative to help them continue their great works aiding comic creators in their times of need.

Artwork is still coming in for the auction, and we’ll be showing you stuff prior to the auction. We already showed you this Batman/Hawkman piece by Andy and Joe Kubert, and Gonzo Davros by Roger Langridge, writer/artist of The Muppet Show comics from BOOM! Studios. Now, we show you Captain America by the amazing Neal Adams.

So if you don’t bid on this piece to help John out, we can only conclude that you hate America.

Happy Good Friday!

Happy Good Friday!

For your reading pleasure, we point you to Dial B for Blog which has collected the scrolls of Bennie David, better known to the world as Son O’God. And yes, that is Neal Adams artwork.

Now if we can only get to the inevitable battle against this guy.

That would be a real Final Crisis.