Tagged: NBM

MARTHA THOMASES: Last Man Standing

MARTHA THOMASES: Last Man Standing

When I was a teenager, the environment of my hometown became poisonous. To save me, my parents sent me to an alien environment that seemed to be a universe away, filled with people so different from me they might have been a different species altogether. No one knew anything about my home, nor about my people’s civilization and customs. Instead, I had to hide my true self until I understood how I fit in and what I had to offer the strangers with whom I lived.

No, I’m not Supergirl. I understand how you could be confused, because the resemblance is striking. However, I did find myself in a similar situation to Kara Zor-El. Instead of being a Kryptonian from Argo City sent in a rocket ship to Earth, I was a Jew from Ohio sent to an Episcopalian boarding school in Connecticut. Instead of being part of the majority as I was at my public school in Youngstown (there were so few kids in class during the High Holy Days that they could bring comics to school!), I had to go to chapel five times a week while the priest swung incense.

Many of my classmates had never seen a Jew before. Others, more worldly, would say things to me like, “You’re from Ohio? I have a friend in Wyoming. Do you know her?” For the first time in my life, I wasn’t part of the majority culture. I learned what it was like to be a minority.

There’s a lot to be learned from the majority culture.  Not the least of it is learning where you, as a minority, fit in. You learn your place. You learn how to get by. You learn another point of view, that of the majority.  That’s what taught in school. That’s what you see on television and in movies.

If you’re lucky, you take your experience as a minority and use it to understand how other minorities feel. You know what it’s like to be on the outside, looking in. In my case, as a Midwestern Jew, I could imagine how it would feel to be African-American, or gay, or Asian. I could take my own experience as a minority to imagine the experience of people who were other kinds of minorities.

Fiction helps. For example, when I read Amy Tan’s The Joy-Luck Club, I read about a society where, no matter what you did for your parents, it wasn’t enough, and that it was more important in a marriage to find a husband with money than with imagination. I was convinced that being Chinese felt just like being Jewish.

Comics help even more, if only because they are produced more quickly than novels. In The Legion of Super-Heroes, we can see how Chameleon can shape change to fit in – but chooses not to. Princess Projectra tried to hide her snake form at first, but learned to exult in it. The theme of three X-Men movies has been a metaphor for the dangers of the closet, of hiding your true self to pass for straight or, in this case, non-mutant.

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MARTHA THOMASES: Hey, Kids! Comics!

MARTHA THOMASES: Hey, Kids! Comics!

Once a week, I volunteer in the pediatric department of a local hospital. I teach knitting to kids and caregivers. I’d like to say I do this because I’m a spiritual person, more evolved than you – better, in fact – but that’s not true. I do it because it’s the best part of my week, and whatever problems I might have in my adult life disappear when I spend a few hours with these kids. It gives me a chance to talk about color and texture and sheep instead of war and money and politics.

Because I go to the hospital on Wednesdays, I stop on the way at the local comic book near the subway for my weekly fix. The subway ride is long enough to read at least one book, and sometimes I get uptown early enough to sit in a playground and read more, weather permitting.

For the past few months, when I’ve bought a Simpsons comic or the Jonny DC Legion series, I’ve given them away at the hospital. Again, this isn’t altruism, but efficiency. There are enough comics in my apartment without adding any extras.

I’d give them all away, but most comics are too serialized to give away at random, and it is not my wish to see these kids in the hospital every week. It would be better for them to get better and go home. And I’m not giving a kid Garth’s Wormwood, no matter what.

This may surprise you, but children are excited to get comics. They like them. Even in a room filled with computers and video games and flat screen televisions (and flowers and get well cards and relatives), kids put down what they’re doing and start leafing through the pages, looking at the colorful pictures.

For more than twenty years, those of us who love comics have insisted that the medium is one that can support great literature and complex ideas. We’re right. We’ve said “Comics aren’t just for kids,” and that’s true. Just as prose can be written for different audiences, graphic storytelling can reach many different audiences and tastes.

And yet, for some reason, a lot of people think that comics shouldn’t be for kids. I’m not just talking about the arts police, the ones who think every kind of entertainment needs a rating and a warning sticker. When I worked at a major comics publisher, my boss (who was a vice-president of marketing) once explained to me how the company would make plenty of money if no kid ever bought another comic, and our audience was exclusively males in the prized 18-to-25 demographic.

Even those who aren’t in it for the money often think that comics for kids aren’t necessary. In the early days of the direct market, when there were suddenly all kinds of comics for all kinds of niche tastes (“The Good Old Days”), I would often go to a local store with my toddler son. I’d buy a variety of comics, including a fair number of independents, but the emphasis for me has always been super-heroes. The clerk would sneer at me as he added up the prices on the colorful covers. “I don’t read this crap,” he would say. “I prefer the more challenging literature. Like Love and Rockets.”

No disrespect meant to Los Bros Hernandez, whose work I admire greatly, but I don’t find them to be the ultimate literary expression available to humanity (nor do they, I suspect). And why should I feel defensive about my purchases? It’s no surprise to me that this store is no longer in business. The stores that survive in the competitive Manhattan market are the ones that understand that all kinds of customers enjoy all kinds of comics.

Even these good comic book stores have relatively few comics for kids. American publishers aren’t publishing them. Manga is great, but there’s an awful lot of it, with lots of extended stories, and it’s hard for a newbie to jump in without a guide.

Comics may not be just for kids anymore, but do we have to shut them out?

Writer and creator of Marvel Comics’ Dakota North and contributor to their Epic Illustrated, Martha Thomases also has toiled for such publishers as DC Comics and NBM before becoming Media Queen of ComicMix.com.

MARTHA THOMASES: Child is father to the man

MARTHA THOMASES: Child is father to the man

There is hardly anything more annoying than listening to a bunch of us Baby Boomers talking about the good old days: the music, the sex, the drugs, the sit-ins and be-ins and love-ins, even the comics. We act like we invented rebellion, and we don’t think anyone else will ever care about the world as much as we did, and certainly no one else will make changes as important as the ones we made.

We’re wrong.

A recent article in USA Today describes “Generation Y”, those born since the early 1980s, as one that has endured a lifetime of public tragedies. My generation lived through the Kennedy assassinations and the murder of Martin Luther King, the Kent State shootings, the Viet Nam War and Watergate, and these things were horrible. However, kids today witnessed the Challenger and Columbia space shuttle explosion, the Waco standoff, the Oklahoma City bombing, the attack on the Atlanta Olympics, school attacks on Columbine, the Amish school in Pennsylvania, and the recent Virginia Tech massacre. They’ve seen a tsunami devastate Southeast Asia, and Hurricane Katrina destroy New Orleans. In my day, we watched a half-hour evening news broadcast, while today there is a 24-hour news cycle. They say that Viet Nam was the first war fought on our living room television, but the “Shock and Awe” attacks on Baghdad four years ago had so much advance hype and so many on-the-scene embedded journalists, they practically had official sponsors.

The horrific moments that changed my personal world occurred when my best friend’s brother died in Viet Nam, followed shortly by the Kent State slaughter which was just a few miles from my house. Before that, my feelings, although sincere, were based more on ideas than on events. My son saw the World Trade Center collapse outside his classroom in lower Manhattan, but not before he saw burning bodies falling from the windows.

Just as the Sixties didn’t turn everyone into a protesting hippie peacenik, these events have not shaped a single personality type among today’s twenty-somethings. Most of the mass media would have us believe that the values of this generation establish a new low of shallowness, exalting the likes of Paris Hilton and Lindsay Lohan. But their taste and values go far beyond American Idol or the Pussycat Dolls.

The USA Today article quotes social historian William Strauss: “the Millennials’ baby-boomer parents were anxious about political assassinations because that’s what they witnessed growing up. But their children’s fears are different – because they witnessed mass killings of children by peers whose motives nobody can seem to understand.”

He continues, “The fact that this sort of thing can happen calls into question the super-achieving, high-stress life some of them lead.” He says that Generation Y will be less concerned with “having it all” than with having a balance. Unlike many in my generation, who traded in their values for SUVs, private schools and second houses and the long commute to jobs that paid for everything, there is hope that this generation will enjoy every day with their families as well as meaningful work.

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MARTHA THOMASES: Kiss Kiss Bang Bang

MARTHA THOMASES: Kiss Kiss Bang Bang

The horrific events this week at Virginia Tech have elicited the usual pompous political rhetoric about the evils of Hollywood entertainment – violent video games, rap music, movies and television are to blame. “Our kids are being trained to be murderers,” thunder the politicians. “They learn to shoot at their enemies instead of reasoning with them. They become calloused by this violence, which dehumanizes others. Let us regulate this evil, lest our children slaughter us in our beds.”

Except that’s not how it works. If the media were that effective, we would all be effective code crackers, physically fit from our active lifestyles, enjoying out fabulously large New York apartments. That’s what the non-violent media teaches.

I’ve been a non-violent activist since high school, where I regularly risked expulsion by distributing an anti-war magazine. I dropped out of college for 18 months to work with the War Resisters League, and I now serve on the Board of Directors for the A. J. Muste Institute (http://www.ajmuste.org). Doing this work, I’ve met a lot of people who are deeply and thoughtfully concerned about popular culture, and think it degrades people. After decades of rational and reasonable conversation, I need to disagree.

In Killing Monsters: Why Children Need Fantasy, Super Heroes, and Make-Believe Violence, author (and sometimes comic book writer) Gerard Jones examines why children enjoy playing at violence, and why it can be a good thing for them. If I may grossly over-simplify an entire book into a few sentences, he says that children play to work out their feelings, including anger, frustration and helplessness. It’s far better to pretend to kill the monsters with rayguns or laser beams than to hit another kid because he’s got better stuff in his lunchbox than you do.

Kids aren’t the only ones who feel this way. As a human being and a New Yorker, I face frustration dozens of times a day. The traffic lights are slow, the tourists don’t know how to walk down a city sidewalk so other people can pass them, my neighbors don’t clean up after their dogs. I think about killing them all the time. Because I’m an adult, and because I understand that actions have consequences, I don’t do these things. Instead, I watch Kill Bill or read Punisher.

I also understand that other people have feelings. This understanding did as much to shape my politics as anything else – I saw people on television, dying in Viet Nam, realized I didn’t want to die, and the people I saw, even the Communists, probably didn’t want to die, either. From there, I could see that the people making the decisions to go to war weren’t the ones fighting, but they and their friends were getting rich.

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