Amos ‘n’ Andy ‘n’ Independents (sic), by Michael H. Price
An earlier installment of this column had examined a 1931 gorillas-at-large movie called Ingagi as an unlikely long-term influence upon the popular culture as a class. Ingagi, a chump-change production built largely around misappropriated African-safari footage and staged mock-jungle sequences, tapped a popular fascination with apes as a class even as it fostered a generalized anti-enlightenment toward natural history and racial politics.
Strange, then, that the film should have inspired a sequel (unofficial, of course, and certainly in-name-only) from a resolutely Afrocentric sector of the motion-picture industry. The production resources behind 1940’s Son of Ingagi stem from white-capitalist niche-market corporate interests – but the screenwriter and star player, and his supporting ensemble cast, all represent a trailblazing movement in black independent cinema.
From momentum that he had developed beginning with Son of Ingagi at Alfred Sack’s Texas-based Sack Amusement Enterprises, Spencer Williams, Jr., attained recognition that would lead him to a role-of-a-lifetime breakthrough in 1950, with his casting as Andrew Brown on a CBS-Television adaptation of a long-running radio serial called Amos ’n’ Andy. Though created by white-guy talents Freeman Gosden and Charles Correll, Amos ’n’ Andy needed black artists for its on-screen representation. (Gosden and Correll had gotten away with blackface portrayals in 1930’s Check and Double Check – the tactic would not have borne repeating by 1950.) The partners hired a pioneering showman of the pre-Depression Harlem Renaissance period, Flournoy E. Miller, as casting director for the CBS-teevee project, and Miller came through with such memorable presences as Williams, Tim Moore as George “Kingfish” Stevens and Alvin Childress as Amos Jones, Andy Brown’s business partner.
Saturday at last weekend’s Sci-Fi Summit featured an appearance by popular Buffy the Vampire Slayer actor James Marsters (Spike), who also appears as Braniac on the television series Smallville, and is featured in a recurring role on the hit series Torchwood. Marsters will also be playing the role of villain Piccolo in the upcoming live-action adaptation of the anime classic Dragonball.
Yes, we’ve all heard the big news: Skrulls have invaded the world. They’re everywhere, hidden from magic and telepathy, ready to do their worst. They’ve infiltrated the highest levels of government and they’ve replaced all of our planet’s best and brightest with sleeper agents, ready to bring down all that we hold dear.
We’re all used to Hollywood changing endings for comic book adaptations, usually to make them happier and more palatable to mainstream audiences (such as Mary Jane being saved from the Green Goblin on a Manhattan bridge rather than Gwen Stacy being thrown from one). And yet, the involvement of Neville Page in the upcoming Watchmen movie suggests that this film may try to be more true to its roots, considering that Page is known for monster/creature effects.
Remember the giant, horrific monster from the recent box office smash hit Cloverfield? Well, if you thought the thing was as cuddly as I did, you’ll be pleased to know that Hasbro toys, in partnership with Bad Robot and Paramount Pictures, has announced a new 14-inch, super-articulated, highly detailed limited edition of the Cloverfield Monster for you to put up on your toy shelf between your limited Fing Fang Foom Heroclick and Jack Kirby minibust.
Since his debut in 1971, Swamp Thing has remained the king of the hill when it comes to comics’ heroic muck-monsters. Granted, there hasn’t been too much competition in that category, but there’s something to be said for the fact that DC’s sad story of a scientist-turned-swamp creature has spawned not one, but two feature films, as well as a relatively successful television series. On January 22, Shout! Factory will release Swamp Thing: the Series on DVD, collecting all three seasons of the Swamp Thing television series that aired on USA Network from 1990-1993, with the episodes organized in the order they were intended to be viewed.
You’ve got to hand it to the marketing crew behind 
