Tagged: Mike Gold

Emily S. Whitten: A Weekend with Rob Paulsen

Whitten Art 130806I’ve been super-lucky on two different weekends in the past month to have been able to spend significant time with the inestimable Rob Paulsen, voice actor extraordinaire (and all-around nice guy). It’s been a fantastic experience.

If by some chance you don’t know who Rob is (which is something voice actors sometimes run into, since they are recognized by their characters’ voices rather than their own names or faces) just take a look at his Wikipedia and you’ll quickly figure it out. Or, see if you recognize any of the following characters: Raphael of the 1987 Teenage Mutant Ninja Turtles; Donatello of the current TMNT; Yakko Warner, Doctor Otto Scratch’n’sniff, and Pinky of Animaniacs and Pinky & the Brain; Carl Wheezer of Jimmy Neutron; Mark Chang of The Fairly Oddparents; Bobble of Tinker Bell; Bravoman and Alphaman of Bravoman…is it starting to click now? If not, just keep going down the list at IMDB and I guarantee it will!

The first weekend, I sat down with Rob at the San Diego Comic-Con for a really fun video chat. We covered a lot of ground – including Rob’s awesome podcast in which he talks with other great animation talents; the experience of meeting fans, and of fan reactions to his voices; what it’s like to get to work with all of your friends; the freedom that voice acting provides in comparison to on-screen acting; which characters Rob identifies with; the Pinky & the Brain episode for which he won an Emmy Award; working on Animaniacs; singing in cartoon voices; character development; and his current projects, such as Teenage Mutant Ninja Turtles and Bravoman. And of course, on the video he did some of the great voices for which he is known – and he sang, too!

You can see the whole video here, and I definitely recommend you give it a watch! Although I must warn you, I totally geek out over the voices, because I really can’t not. So be prepared for the geeking. (And please excuse the odd angle; all of the furniture in the Hard Rock Hotel is either really high or really low!)

This past weekend, I got to hang out with Rob again, when he came to do a public appearance at The National Press Club in Washington, D.C. We had a great crowd, and everyone had a fantastic time. The fans who came to see Rob delighted me by spontaneously singing along with the Animaniacs theme song and other music I’d queued up to play before Rob came out to talk; and Rob delighted everyone with his discussion of his career, answers to audience questions, and (of course) his voices and singing. And yes; yes, he did sing Yakko’s World. He then stayed to meet every fan and sign autographs for almost two-and-a-half hours! It was a great night.

The next day, I got to experience two things I’d never been a part of before, and both experiences were remarkable in very different ways. In the morning, I tagged along while Rob did something he likes to try to do when he travels for his events – which was to go to a local hospital and visit with sick kids. I don’t know that I can properly describe how heartwarming it was to see the way Rob engaged with the kids, even the ones who were the most subdued due to being in the hospital for a long time or feeling pretty sick, or how much it affected them. I watched as kids who were listless when we entered a room were smiling or laughing as we left; and was told by a hospital staff member that one boy and his mother (who were both laughing or smiling by the end of Rob’s visit) had been having a very tense and difficult time in the past few days; and by one young woman’s father that Rob’s visit was the first time she had smiled all day. What a great gift that is, to be able to brighten someone’s day like that; and what a great person Rob is, to realize that gift and give his time and energy to these kids.

My favorite part of the visit was when we walked into the dialysis room, in which about five kids were receiving treatment – and they were all watching Teenage Mutant Ninja Turtles! Perfect timing! (Rob, pointing at the screen: “I’m that one.”) It was pretty surreally cool to hear one of Rob’s voices coming out of the TV as he chatted and signed pictures for the kids. All of the kids and hospital staff got a huge kick out of Rob’s visit; and there was even one teenage boy who was a big Animaniacs fan and knew just about every major character Rob did. So naturally, Rob sang Yakko’s World for him and the rest of the room. Aww.

That evening I sat in on a completely different sort of event – a private, limited admission voice acting workshop for aspiring voice actors. This was a side of Rob’s skill set that I hadn’t seen before, as the working actor took over while Rob listened carefully to each word and sound as students read scenes, and then gave advice tailored to each student’s specific performing strengths and weaknesses. As the students tried the scenes again, I could see the immediate effects of his advice in their improvement; and when he gave examples on how he’d read certain scenes, it was once again clear how skilled and polished a character actor Rob really is. He is a master of his art.

I wasn’t the only one to think so, either – as Rob demonstrated his take on a scene, one of the students in front of me actually gasped in wonder, and when she caught my eye, mouthed, “Isn’t he amazing?” He really is. My high school soccer coach, when the team was working together like clockwork and made a great play, used to say, in a phrase that encompassed the way everything had fallen perfectly into place, “It’s a beautiful thing.” And that’s the phrase that came to mind as I watched Rob working and the magic happening in that seminar room. Even as someone who’s not an actor, I could tell that this was an opportunity a student can’t get just anywhere; and also that it is different from what Rob does on the podcast or in Q&As, because it is such personal and immediate coaching. It’s a beautiful thing.

I realize I must sound pretty enthused, even for me, about how awesome Rob Paulsen is; but hey – that’s because he is totally awesome. Or, as Raphael might say, radical. I was fortunate to be able to spend some time with him and get a glimpse into his life as a voice actor, and would happily do it again any time. And that’s a fact, Jack.

Thanks for reading, and stay tuned because I’m still catching up on my SDCC coverage and there’s more to come! So Servo Lectio!

WEDNESDAY: Mike Gold

THURSDAY MORNING: Dennis O’Neil

 

Michael Davis: The Gold Standard

Davis Art 130730The following article is a lesson for young creators entering the business.

Remember, the comics industry is made up of relationships and the industry is filled with the bodies of young professionals who choose to go with the flow regardless of where that flow takes them or who that flow screws with.

Bad idea.

Be very careful who you hitch your wagon too and don’t throw a good friend under the bus just because it’s what everyone else does.

Thus begins the lesson…

There is a very short list of people I’d take a bullet for. Mike Gold is on that list. Mike and I have known each other for over 20 years. I was around three when I met him.

What?

During the time I’ve known Mike, he has not only been a good friend but also a real confidant and staunch supporter. Look, it’s not easy being my supporter. I’ve been known to bring drama into certain situations and the easy (if not smart) thing to do when that occurs is to step away.

Step away, quickly and with purpose.

Mike has always stood by me even to the point where that decision could have caused real risk to his position at the time.

Mike is like family to me.

Mike does not like the San Diego Comic-Con.

I love the San Diego Comic-Con.

Mike thinks SDCC has very little to do with comics and a bunch of other not nice things.

Mike is entitled to his opinion. I respect but disagree with Mike’s opinion.

Mike and I are still like family.

Thus ended the lesson.

WEDNESDAY MORNING: Mike Gold

WEDNESDAY AFTERNOON: Even MORE Emily S. Whitten!!!

 

Emily S. Whitten: SDCC Part 2 – I Know That Voice!

Emily S. Whitten: SDCC Part 2 – I Know That Voice!

Whitten 130730 Art

Hey ComicMixers! It’s time for more news from SDCC. W00t!

While at the San Diego Comic-Con, I was happy to get to see the panel for I Know That Voice, the new documentary about voice actors that is slated to come out this fall (and don’t forget to visit that link and sign up for DVD pre-order news!). The panel was moderated by executive producer John DiMaggio, voice of Bender Bending Rodriguez on Futurama and Jake on Adventure Time (and many other voices as well!). It featured IKTV producer Tommy Reid; co-producer and director Lawrence (Larry) Shapiro; voice actors Rob Paulsen, Dee Bradley Baker, Fred Tatasciore, James Arnold Taylor, and Tom Kenny; casting director Andrea Romano; and Adventure Time creator Pendleton Ward. And it was a blast!

I’ve talked about how excited I am for this documentary before, and this panel definitely highlighted the reasons I am looking forward to it. Not only do I find the whole process of voice acting for animation fascinating, but I also think voiceover actors and those who work with them are, from my experiences so far, not only some of the most talented creators out there, but also uniformly very nice, warm, funny people who love what they do and are just as enthused about it as the fans are. And who wouldn’t want to watch a video consisting of awesomely talented and nice people talking enthusiastically about their work in a fascinating industry? I know I can’t wait to see it.

I was also really interested in what led to the making of the documentary, and the process of putting this piece of (I predict now) fried gold together. To that end, after the panel I chatted with John DiMaggio, Tommy Reid, and Larry Shapiro about all of that and what we can expect. Here’s the interview (and you can also watch it on YouTube)!

What was the genesis of the documentary, and how did you start working on it together?

John: Larry and I were in Amsterdam, working on a music festival that we’ve done a bunch of times called Jam in the ‘Dam. I was MCing it, and he was filming it; and we were just talking, and came up with the idea, and we were like, “Well let’s try something.” We worked on it for a little bit, tossed some ideas around, shot some stuff, and then we were like, “Well, you know, it’s not really coming together.” And I’ve worked with Tommy on a bunch of projects – a bunch of documentaries; and I said, “Dude, we need to bring in Tommy.” And Tommy was like, “I’m all over this, this sounds like a great project.” So that’s pretty much how it started.

Awesome. And how did you three know each other?

Larry: We’re all 15 year-old friends.

John: We all lived in the same building in Hollywood; and so that’s how we know each other.

Larry: I will add that I was doing this music festival, and then John got on board to do the MCing of it; and then one night, in Amsterdam, Johnny started doing the voice of Bender and these German tourists heard him – and they don’t even speak English, and they still recognized John’s voice, and fluttered over and couldn’t believe it was him. And I’d never seen someone get star-struck over a voice in a language they didn’t even understand. That kind of gave me a clue as to how important something like this is to cover.

What was the process for making the film, and what did you all find the most interesting or challenging about making it?

Tommy: Our process began with the genesis of the idea; then it taking shape and us saying, ‘Well how do we actually get into the system?” and setting up interviews; and then having an end date where we knew we were going to capture enough interviews of every section of the voiceover industry that we were happy with. To go after the top and the best of that part of it. And then once we compiled all the interviews together it was just literally chiseling, getting it down from three hours to two hours, and then constant notes and notes and notes, where you’re constantly figuring out what’s the best story to tell in 90 minutes or less. And that’s where the final product came about. But it’s a very long process, when you’re making a documentary, and here we are 20 months later [at Comic-Con], and we had a packed room with over 3,000 people in it.

John: It’s pretty exciting. I think the biggest problem was the logistics of the project. Just getting everybody gathered; and having that done.

How many people are featured in this documentary?

Larry: Over 150. I will say that each person was at least an hour-long interview. And we had 150 people. So if you just give one minute to each person; just one great minute, you still have an extremely long movie. So it was pretty much like trying to choose between your children, what to use and what not to use. Because these people are brilliant people, and it was basically like trying to use the best stuff that we could get to make the best movie possible.

There are a lot of people in the industry; so how did you choose your focus of which voice actors to include, and which areas, e.g. TV animation, and movies, and the like?

John: I think basically it was just like, “Alright, well we need to get talent. We need to interview people.” And I just said, “Okay, well who am I working with today?” And I just asked them: “Hey man, I’m doing this documentary about voiceover. Do you want to be involved?” And we would get them on film. And once we got the ball rolling, once we got people interested in it-

Tommy: -the floodgates opened.

John: Yeah, people started talking about it, and then we had agents calling us.

Larry: The community really helped.

John: Yeah, the community definitely helped us out.

Tommy: It was like wildfire.

John: And that’s the thing about the people I work with. They’re just the most giving, the most wonderful people. The camaraderie involved in my industry is bar none…it’s unbelievable how generous of time and talent folks are. That’s one of the reasons why we made the film, too – just to showcase that.

Larry: And that’s an actual part of it. We talk about how we’re used to, in Hollywood, how people will backstab someone for a part or whatnot. And we noticed in this industry, people actually say, “You know what? I could do this, but do you know who would be better? John. You should give the job to John.” Or someone else.

John: Or I’ll be like, “Dee Bradley Baker, he needs to do this; you need to bring him in.”

Larry: They’ll really refer them other people.

John: Yeah, and it’s for real, you know?

That’s great! Now, with the rise of the internet, and fan conventions being more commonplace, do more people know your face? Has the experience of celebrity as a voice actor changed since, say, Mel Blanc’s time, and do you think that’s helped with getting interest for this film?

John: I don’t know, it’s kind of funny, because with voiceover – only down here do you get mobbed. Only at a convention do you get mobbed, where people know specifically what you do. Anywhere else…

Larry: And in Amsterdam.

John: Yeah, in Amsterdam, with German tourists; which freaked me out. But, well, anything will freak you out in Amsterdam, really, so; you know.

Larry: It’s like a living cartoon.

John: But it doesn’t really bother me [when I’m not recognized]. I didn’t get into it to have people go, “Oh my God, it’s him!” I just love to work. This is a perk, having people be a fan of your work. I love it; I mean it’s great, and I’m honored, you know – 3,000 people in a room freaking out, it’s incredible. But all I wanted to do was just showcase everybody; and I think we did that.

Larry: I would say also that we wanted to make the point that you might think it’s gimmicky being a voice of something and all that, but I really think our film kind of shows that these people aren’t so much ‘voice actors’ as much as they’re the best character actors you’ve ever seen in your life. And it just happens to be you’ve only heard them through their voices.

John: (in character) Thanks, Larry.

Larry: No problem, buddy! Promooootion!

So obviously people who are already fans are going to want to watch this; do you think you’re going to draw in a new crowd of people as well?

John: I think word of mouth will get around, I think people will be excited about it, and I think, like I said before: people love cartoons. People love cartoons. And I think that something will happen from that.

Tommy: Well I’m like the perfect example of the audience member. So basically, I liked cartoons, growing up as a kid, and then took a hiatus from them; and then the Simpsons kind of brought me back in there, but not knowing what goes on behind the scenes. Now after actually making this movie, now I know everything that goes on behind the scenes.

So do you think the documentary is also going to be a great resource for people who want to be voice actors?

John: It’s going to be a video bible for them.

Tommy: It’s very educational and very entertaining at the same time. A lot of laughs.

Did you learn something new while making this documentary?

Tommy: Don’t move John’s furniture.

John: Yeah – don’t move my furniture. Larry came into my house and started moving my furniture around during my interview.

Larry: It looked so much better, let me tell you.

John: Don’t move my goddamn furniture! Larry, get off my furniture! Goddammit!

Larry: The scratches are going to come out.

Okay, so now we know, don’t ever touch John DiMaggio’s furniture. He’s tall; he will hurt you…

John: Don’t ever touch my furniture! That shit is there for a reason. Dammit.

Can you say that like Tracy Morgan?

John: (in character) I’m tellin’ you that shit is there for a reason! You came in and moved my sculptures around, shiiiit. I’m tellin’ you right now.

What was the coolest experience each of you had making the documentary?

Tommy: Probably going to Big Bear Lake and going into Mel Blanc’s house, and interviewing his son Noel Blanc about Mel and listening to how Mel came out of a coma talking like Bugs Bunny.

John: Seeing the finished product. That was thrilling. And being here [at SDCC] and seeing everybody here for it.

Larry: Honestly I’d say all the interviews. With so many people I wouldn’t want to single anyone out; but I will say that actually going in to certain Futurama sessions, and getting to see John actually perform with some of the cast members; just getting to see that happen organically for me was probably one of the biggest treats.

That’s awesome; and thank you guys so much for your time.

Well, I hope you all enjoyed reading that as much as I enjoyed the interview! Not only were the guys awesome to talk to, but at the veeeery end, Bender even made an appearance. Shockingly, he wants everyone to read ComicMix.

And so I say unto all of you: listen to Bender and Servo Lectio!

TUESDAY AFTERNOON: Michael Davis

WEDNESDAY MORNING: Mike Gold

WEDNESDAY AFTERNOON: Even MORE Emily S. Whitten!!!

 

Emily S. Whitten: SDCC Part 1 – Zac Levi’s Nerd HQ!

Whitten Art 130723San Diego Comic-Con International has come and gone, and it was a blast! But boy, am I exhausted. I definitely need a little bit of mellow down-time after all of the (great!) excitement of the biggest genre con in North America (or maybe the world? I’m too tired to look this up, y’all). That’s why even though I’ve got lots of fantastic news and interviews coming your way (Psych! Almost Human! I Know That Voice! Warehouse 13! Marvel’s S.H.I.E.L.D.! Justice League: The Flashpoint Paradox! Captain America: The Winter Soldier! Guardians of the Galaxy! Interviews with voice actors Rob Paulsen and Dee Bradley Baker!), today I want to talk about the most chill place I hung out this weekend – Nerd HQ.

Nerd HQ, now in its third year, is technically not part of SDCC, being the brainchild of Chuck star Zachary Levi and operating as its own thing, but it took place in nearby Petco Park during the con and featured a number of celebrity guests, which made it feel a bit like a mini-SDCC or arm of the con. The atmosphere, however, was a nice and relaxed change from the hustle and bustle of the con floor and crowded panels; and also, it was free to walk around and enjoy the main area, which is cool.

Featuring mainly a long promenade which included an arcade where fans could play video games both old and new (there were several actual arcade games there, along with games on laptops and larger screens for console games), the area also had some nice seating that allowed fans to sit and look out at the field if they wanted to, possibly while eating the food available for purchase nearby. One very nice feature is that the area was covered but open, so fans could get a little fresh air while nerding out during the weekend; which is a great way to decompress after a stint on the con floor or in con program rooms. Just walking around for a few, still immersed in “my people” having a good time but also away from the intensity of the con, certainly did me good when I went over on Saturday.

There was also a stage at the end of the promenade where a YouTube channel (GeekWeek, I believe?) was filming events such as a costume contest and a puppet show to stream throughout the weekend. On the nearer end, a photo area was set up so that fans could get photos with celebrities who dropped by sporadically throughout. Zac was there taking photos when I walked in, and apparently greats such as Stan Lee had also been there at various times. Although the very efficient security whisked me away from stopping to watch the photo experience for too long, I did witness a happy fan on the phone with a friend afterwards, literally in tears because she’d gotten a photo with Zac. So that feature of Nerd HQ was definitely a success in fan enjoyment.

Another great part of Nerd HQ is the Conversations for a Cause; small panels limited to 250 fans, which generally feature guests who are in town for the con anyway. The Conversations took place in a glassed-in area overlooking the field (possibly in the VIP boxes? It was hard to tell with the setup, but it was nice), and (happily for me, after my mad dash from the convention center for the panel I attended) had fans or air conditioning of some sort keeping the area cool. Although the tickets for some of these panels sell out in a hot minute (the Joss Whedon one sold out in 30 seconds or less, along with about three-fourths of the others in the first flight of panels announced), I was able to get a ticket to the Zac Levi & Mystery Guests panel. It would have been fun just to see Zac on a panel, of course; but the mystery guests for the panel turned out to be ace too; being Nathan Fillion and Alan Tudyk (which made my Firefly shirt especially appropriate attire), and Rob Kazinsky (who turned out to be perhaps the biggest geek of all, and was a great panelist).

Zac both moderated and participated in the panel, which mainly consisted of people asking questions from the audience. The answers were often hilarious and well-worth the $22 ticket price, and Alan Tudyk made things infinitely cooler for the question-askers by bringing along a bag of neat swag to give them (and now I know that if I ever see Alan Tudyk again, I should not give him anything, because he is the World Champion of re-gifters). Possibly the coolest prizes (in my opinion) were several clothing items he had from various places, such as a couple of Dollhouse-related coats, and a giant duster that Russell Crowe and Christian Bale had apparently bought during filming for 3:10 to Yuma and given to him.

Along with being highly entertaining, we learned some new things about the panelists, such as how they got their first big breaks (and with no context whatsoever, because Gondor needs no context, I present this quote from Zac regarding Alan’s story: “Alan, as much as I appreciate your tranny bar story, what was your big break?”). We also learned that Zac’s favorite superhero is Deadpool, which, as anyone who reads my column (or @Ask_Deadpool) will know, automatically raises his coolness factor by infinity; and that Rob Kazinsky manages to be both badass (having been a stuntman and trained extensively with swords) and a nerd to outnerd all nerds, possibly including Zac himself. And Nathan Fillion showed himself to be the sweetheart I already suspected him to be by offering to buy several meals for a poor fan from Australia (I think) who’d had her bags stolen while in San Diego (yikes!).

I did mention that there’s a ticket price for the Conversations; and the photo ops cost money as well. However, the prices are reasonable, and even better, the proceeds go to charity, or more specifically to Operation Smile, which I first learned about from voice actor Rob Paulsen, who also supports them. Operation Smile provides free surgeries for kids with cleft lips, cleft palates, and other facial deformities; and how could anyone not think that’s a worthy cause?

Overall, Nerd HQ is a pretty chill place to go for a break from the SDCC madness, and I had a great time at the panel and a fun time briefly wandering the promenade. I would suggest better availability of both directions (like noting that 7th St. has two names for the stretch next to the con!) and information overall. For instance, visiting fans who haven’t been to Nerd HQ before might not know what-all is available to do for free there; or might not realize they can get photos with celebrities or sometimes walk right in and go to a panel that’s not sold out. Having one of the cheerful volunteers already on hand give out a one-page flyer as fans enter, explaining the set-up of Nerd HQ (and including URLs for things like the YouTube stage, which I can’t find listed anywhere), wouldn’t go amiss, especially since the website doesn’t have really specific information, and cell service can be spotty near the con anyway. There’s also apparently a NERD party sometime over the weekend; and I love a good party, but have no idea where I should have looked to find out more about it. I totally would have considered it if I knew anything more about it!

But don’t take these small critiques to mean I don’t think Nerd HQ is a great thing! It’s pretty rad; and being something that started in a sort of spontaneous way, is bound to have some growing pains. Apparently this year’s HQ was bigger than last; so I’m looking forward to seeing what next year’s is like (while hoping it doesn’t get too big and unwieldy, or it may lose its charm). If I get to SDCC again, it will definitely be on my list of places to go!

In the meantime, stay tuned for all of my other SDCC coverage; and since there’s so much of it, it’ll be coming through as fast as I can get it done, rather than just on my regular Tuesday column schedule. So keep an eye out here to hear about all the other cool stuff I saw and people I talked to at SDCC.

And until then: Viva La Nerdolution! And Servo Lectio!

TUESDAY AFTERNOON: Michael Davis

WEDNESDAY MORNING: Mike Gold

 

Michael Davis: Derek, Kitty, Static & The Dog – A Milestone Story

derek-dingle-mitt-romneyMilestone was the idea of Denys Cowan. Denys, Dwayne McDuffie, Derek Dingle, Christopher Priest and I sat in a room (a few rooms actually, sometimes at someone’s home, sometimes at a dive restaurant a lot of times in a dive diner) and we sat and planed for weeks creating the original universe of Milestone main characters Icon, Rocket, Static, Hardware and Blood Syndicate.

Priest left right before we signed our publishing & distribution deal with DC. For a very long time Priest was the Pete Best of Milestone. Pete Best’s claim to fame is that he was the original Beatles drummer before Ringo. Pete left to get a real job. That’s pretty much it. His music career amounts to little but a trivia question.

Christopher Priest, on the other hand…

That mofo did just fine without Milestone. He’s writing movies, novels and just about anything he else he wants to write. However, for a very long time Priest was our trivia question. Few people knew he had anything to do with the Dakota Universe.

Now, few people think the original Milestone partners were just four, most fans and all the industry know that Priest was there at the start.

Most people are aware that Derek Dingle was there from the start of Milestone, few people know and even fewer believe Derek Dingle was a major co-creator on the original universe of Milestone main characters.

Translation, Derek came up with many ideas that made it into the Milestone Bible his contribution was just as valued as anyone sitting at the creative table.

I remember how much Derek Dingle had to do with creating Static’s powers and costume. I remember that very clearly because I wrote the Static Bible (meaning I created his family, backstory, supporting characters, etc.) I ran many an idea passed Mr. Dingle for as long as I could.

It’s easy to understand how Derek was casted in non-creator role by the fans. As Milestone went from idea to business plan to universe bible to joint venture with DC Comics, Derek’s visibility as a creator became less and less.

We were all equal partners but we all had separate roles in the company. Derek’s role was President of Milestone.  You wouldn’t call the President of Milestone at 4 in the morning to run possible names of Static’s dog sidekick pass him.

Well you wouldn’t… but you know me…

Oh, you didn’t know that Static had a dog sidekick? Well he did for about 35 seconds until the genius that thought it was a good idea was laughed out of the room.

Who’s bad Idea was it?

I’ll never tell, unless at SDCC I’m asked during the Q&A session of the Milestone panel, Friday July 19th Room 5AB (Shameless Plug!) 11:30-12:30!

Ask me then and I’ll spill like a drunken gossip columnist on TMZ.

Look, all of the Milestone partners had horrible ideas at one time or the other. Sometime a bad idea becomes a terrible idea when the person who’s idea it was starts to defend the idea. Trust me, that’s never pretty.

There were plenty of heated exchanges at Milestone but I’d have to say the one person who always kept his cool was Derek. In fact, the only time I ever saw Derek lose his cool was not over anything creative or corporate.

It was over a Kitty.

Kitty was her name and she was (is) one beautiful woman or as we say in the hood, she’s Super Fine. How fine is she? Stevie Wonder could see how fine Kitty is.

One day I was having lunch with Kitty so I had her meet me at Milestone. That was the only time I saw Derek a bit rattled. When I introduced Kitty I swear it took him a full hour before he could say ‘hi’ Kitty is that fine.

OK, it wasn’t an hour his hesitation was maybe 2-4 seconds and wasn’t really noticed by anyone but me, but a 2-4 second delay from Mr. Cool-As-Ice Dingle is rare and you know me, give me an inch…

So, to recap, Derek Dingle was just as involved, I’ll say it again, Derek Dingle was just as involved as anyone in the creation of the core Milestone Universe. Since the day Milestone began there has been reams of wrong information, misinformation and outright bullshit about our company. Believe it or not that continues to this day.

It’s Milestone’s 20th Anniversary and our fans, which I sincerely believe are the greatest and most loyal fans in the history of comics; deserve to celebrate with the truth.

I hope to see many of you in San Diego. As a guest this year I’ll have a space in Artists Alley thanks to the kind people at SDCC!

If you come by and I’m not there someone should be there to tell you when I’d be back. As much as I’d like to hang out there all day, I’ll be a weeeee bit busy expanding my media empire… and scoping out Asian girl cos players.

Come on by! I’ll be more than happy talk to you about my ComicMix columns and upcoming novels. Yeah, I’ll be talking about writing in Artists Alley.

That Michael Davis, what a rebel!

If you miss me at the booth you can catch me here:

The Black Panel Room 5AB 10-11:30 am Friday July 19th

The Milestone 20th Anniversary Panel 11:30-12:30 am Friday July 19th

*The Milestone 20th Anniversary Party Friday 9pm July 19th

*You need an invite for the party I’ll have a few on me during the Milestone Panel and if you mention ComicMix and hit me up before they are gone I’ll hook you up.

Lastly, Derek I’m keeping you to your promise. This is your moment my friend, enjoy it! No work! Have fun!

BTW… I still have Kitty’s cell…

One…

Two…

Three…

WEDNESDAY MORNING: Mike Gold

THURSDAY MORNING: Dennis O’Neil

 

Michael Davis: The Coming of the Fan Boy

Davis Art 130709Word on the street is Warner Bros has announced a new venture, DC Nasty.

“DC Nasty is an adult film company created because Warner Bros sees an opportunity to fill a gap, plug a hole and make a big splash in a vastly underserved audience, grown fan boys who rent or buy porn almost 600 times more than video games or comics.”

This, from the Warner Bros Press release.

A recent ComicMix poll showed 92% of grown fan boys do not have wives or girlfriends, 80% make 5-6 figure incomes and in what was alarming to this reporter, 70-100% go blind by the time they are 50.

Rumors are flying as to who will head up the new venture. A high level unnamed source at DC thinks that a former DC executive who recently returned to the freelance ranks will run the new company.

An announcement is anticipated to be made at this years’ San Diego Comic Con. Expected to be among the first wave of projects are Sgt. Rock, Deathstoke, Elongated Man, Man of Steel and Swamp Thing.

It seems that the industry has realized that Warner may be on to something.

There are reports that Marvel is also thinking about getting their hands into porn by creating a division called Marvel Masturbation. Projects include the Hulk, Mr. Fantastic, the Thing and the Black Avengers.

An unnamed source from Marvel said they wanted to create as much tie-in with the comics as possible. With that in mind, Make Mine Masturbation is being considered as the slogan of the new venture.

Fan boys are certainly already doing that. The question is will they pay DC and Marvel to supply them with their reason for doing so?

Will this new venture let DC, Marvel and their fans share a happy ending?

That’s a sticky question.

WEDNESDAY MORNING: Mike Gold

THURSDAY MORNING: Dennis O’Neil

 

Emily S. Whitten: A Missive from Discworld

Whitten Art 130709My dearest ComicMix readers;

It is with much happiness and a dash of haste that I write to you near the close of the festivities and frivolities of The North American Discworld Convention of 2013. Although alas, several days before this gathering of Discworldian folk, word arrived from the highly esteemed Sir Terry Pratchett that he would be unable to attend (due to a desire to put the next novel of the Discworld, Raising Steam, into all of our hands as quickly as he might possibly do, and who can be too unhappy about that?) I am having a marvelous time, and wished to share the entertainment with you via this letter.

On the Thursday evening of this week, my good friend Erica and I hosted a cozy gala in celebration of the Glorious Revolution (of Treacle Mine Road, of course. And yes, dear readers, I do realize that we are a bit delayed from the traditional celebrations on the 25th May, but we thought it would be appropriate due to hearing that there would be fireworks on the evening of 4th July, for some other celebration of the day). It was a smashing sensation, full of good company and sprigs of lilac, and yes, even a hard-boiled egg or two. We served scumble, a most appealing drink brewed from a recipe handed down through my family for many generations, and made of apples (well, mostly apples). It is very nutritious, and was extremely popular amongst the guests; many of whom did not even begin tripping over the furniture or falling down until their second servings.

On the Friday I was most fortunate to hear several learned scholars, including that incomparable novelist of stories for young adults, Esther M. Friesner, and the wise reviewer of books for The Washington Post, Mr. Michael Dirda, discuss their choices and recommendations for literature that fans of the good knight’s writings might also like to peruse. It was most educational. I believe that Mr. Christopher Moore and Mr. Jasper Fforde may have been mentioned. We were also privileged on Friday to hear from Sir Terry himself, in a message sent from across the ocean via the mechanism of moving pictures in combination with some sort of modern technological wonder. Later, via that same wonder, the manager of Sir Terry’s affairs, a Mr. Robert Wilkins, did read to us the beginning chapter of the current work in progress, Raising Steam. It was most diverting! However, I have been informed that if I share any details more than that with you, my good readers, I may soon suffer the proverbial ‘fate worse than death.’ Which I do believe involves mimes. I shudder to think, and will therefore keep my countenance on this matter.

On the Saturday I was privileged to be a panelist, along with the aforementioned Esther M. Friesner and other knowledgeable ladies, on a panel entitled ‘Dress to Express,’ in which we discussed methods of costuming ourselves with both effect and economy. Tips shared by the good ladies and myself included the advice to repurpose items located in various thrifty shops or originally masquerading as bedclothes, curtains, or other large rectangular bolts of fabric (I believe a woman named Maria once utilized this technique to great effect); to look to hardware stores and to shops available through the wonders of technology, such as eBay, Etsy, TrulyVictorian.com, Laughing Moon Mercantile, Corset Story, American Apparel and more for supplies, items of clothing, patterns, and custom-made items; and to examine text references, references from moving pictures and moving gaming, and other similar places for inspiration and information about costuming details. It was also suggested that one might call upon friends with knowledge and skills at variance with one’s own to give advice, aid, and occasionally custom-made items, perhaps in trade for an item made for the friend.

On the Sunday, yours truly was honored to be inducted into that well-established Ankh-Morporkian institution, the Thieves’ Guild, by the head of the Guild himself, Sir Josiah Boggis; and to receive the traditional bowler hat, as well as a new guild name. Those meeting me on the street in future while I am engaged in the Guild’s business may now call me “Snake Eyes Burke” if they wish, and I will happily respond. I was also delighted to hear a wise discussion of what it is like to work with Sir Terry on his writings, in a panel featuring his esteemed UK agent, Colin Smythe, and his US editors, Jennifer Brehl and Anne Hoppe. Most enlightening! Sunday also hosted a technologically assisted long-distance discussion with Sir Terry, in which he answered questions regarding his wonderful creations. The day ended with a most marvelous gala banquet and entertainment from all over the Disc, including a quite remarkable aerial and acrobatic display by the usually quite sedate Miss Tiffany Aching.

Monday, alas, was our last day of festivities, but it did allow me the time to attend a quite amusing discourse on the world of map-making for the Disc and Ankh-Morpork. An alternately rapt and rowdy audience was informed that not only will there soon be a new map of the Disc coming to us from that historic establishment, The Discworld Emporium, but also that at some time in the near future, we will be able to purchase deeds for real estate in the great city of Ankh-Morpork; complete with a bill of sale and detailed description of each property being sold. I have already informed the proprietors of my desire for a choice and historical piece of property in the most exclusive environs, and expect to soon be able to direct everyone to the new address of Ms. Snake Eyes Burke, Esq.

That concludes my news of Discworldian festivities to this point. I hope you have been at least slightly diverted by my report.

With all sincerity and fond wishes,

Ms. Emily S. Whitten, Esq.

a.k.a. Snake Eyes Burke

Postscript: As per our continuing correspondence, please Servo Lectio!

TUESDAY AFTERNOON: Michael Davis

WEDNESDAY MORNING: Mike Gold

 

Emily S. Whitten: Conventions Ahoy! NADWCon and SDCC

Emily S. Whitten: Conventions Ahoy! NADWCon and SDCC

Guess what, ComicMix readers? Convention season is upon us! Hurrah!

“Aw, shucks,” you say. “I can’t make it to any conventions.”

Fear not, faithful friends! I am here to save the day by attending and reporting back for you. And I am psyched about it. Yes, I’ll probably need to hibernate my con exhaustion away afterwards, but man, I love the energy and excitement of a good con. And good thing, too, because this year, I’m planning to attend The North American Discworld Convention; San Diego Comic Con; Dragon*Con; Baltimore Comic Con; the Small Press Expo; New York Comic Con; and Capclave. Whew!

NADWCon and SDCC are right around the corner, so I’m extra excited about those! Here’s what I’m looking forward to:

The North American Discworld Convention

The NADWCon is taking place in Baltimore, MD from July 5th to 8th, and memberships are still available! I highly recommend this con for any Terry Pratchett enthusiast. Anyone who knows me even a little bit knows I’m a huge Discworld fan. You may or may not also know that I actually co-founded the NADWCon, and served as Vice Chair, Webmaster, Programming Coordinator, and Guest Liaison for the 2009 NADWCon, and as Chair and co-Guest Liaison Coordinator for the 2011 NADWCon. Good times!

This year, though, I’m super excited to be going to NADWCon as just a fan. I’ll get to go to all of the panels I never saw while I was running around like a chicken with my head cut off organizing things! I’ll get to sit down for more than five minutes with my Discworld friends! I’ll possibly make it to breakfast at least once! Woo!

I’ll also, all things permitting, be continuing what is by now the tradition of interviewing some Discworld luminaries at the con. I first interviewed author Terry Pratchett himself at the UK Discworld Con for two whole hours in 2008, and what a treat that was! I interviewed Terry again, along with agent Colin Smythe, artist Bernard Pearson, and audiobook reader Stephen Briggs in 2010 (Scroll down if you’d like to hear those interviews here). The nice thing about interviews with Terry or about Terry, though, is that he’s so prolific and interesting that there’s always new ground to cover; so I’m really looking forward to catching up with the Discworld crowd!

In other exciting things, the Program Guide for the con is now up, and it looks fantastic. On Friday I might chat with Ian Mitchell and Reb Voyce, make my own Octavo or coat of arms, or watch the new Sir Terry documentary about orangutans! On Saturday I’ll actually be speaking at a panel about costuming, but I might also try my hand at scriptwriting, learn how to commit the perfect murder (oh, Pat, what would we do without you?), or revisit my fencing days with a lesson in swordplay. Sunday I am most certainly attending the Gala Banquet, but might also learn the trade tricks of the Guild of Thieves! And on Monday, if I am not exhausted yet, I may watch what I am betting will be the craziest puppet show ever (and will, among other things, feature the Neil Gaiman puppet that took the stage at Neil’s DC signing on June 21). Seriously, this con is going to be so much fun! And less than two weeks after it, I will be going to…

San Diego Comic Con

This will be my first time at SDCC, and I am preemptively preparing to be totally overwhelmed. However, I’m also overjoyed, because so many of my awesome friends will be there, and there will be mega-tons of amazing events happening all the time. Here are some things I’m especially looking forward to:

1) The preview and Q&A panel for I Know That Voice, a documentary all about voice actors that’s coming out this fall. As readers may have noticed, I find voice acting pretty darned fascinating, so I can’t wait to see this film, which features over a hundred of the best voice actors in the business discussing their craft. In fact, I’ve already signed up for the VIP email list on the IKTV website; and you can too, if you want to get VIP-only updates about the film, reserve a spot to pre-order the DVD for purchase before the general public, and be entered in a poster contest where every 100th entry wins a poster signed by voice actor John DiMaggio. Pretty cool!

FYI, the IKTV team is also running a Cartoon Voice Imitation Contest via their Facebook page, encouraging anyone who does impressions of favorite television cartoon voices to post a short video of their impression(s) (1 minute or less) to the page by July 31, 2013, at 11:59 p.m. PST. John DiMaggio and the IKTV team will review each post and on August 5 will pick the top three, who will win an autographed poster signed by some of the star cast members and an I Know That Voice DVD autographed by John DiMaggio. What a great way to be heard by the folks in Hollywood! I’d enter myself, if I did any impressions!

I’ll definitely be checking out the IKTV SDCC panel. Here’s the panel information:

“John DiMaggio (Executive Producer of IKTV, also voices Bender from Futurama, Jake The Dog from Adventure Time, IFC’s Out There and many more!) brings the cast and crew of IKTV together for an exclusive sneak peak at the most anticipated film about voice over (in animation and video games) ever made! Included in the panel will be John DiMaggio, Billy West (Futurama, Ren and Stimpy), Rob Paulsen (TMNT, Pinky and the Brain), Dee Bradley Baker (Clone Wars, Ben 10, American Dad), Fred Tatasciore (Hulk, Ben 10, Mad), Tom Kenny (Spongebob Squarepants, Brickleberry), Andrea Romano (25-time Emmy nominated, 8-time Emmy winner for Animaniacs, Pinky and the Brain, and more!), Tommy Reid (producer, IKTV), and Lawrence Shapiro (director, IKTV). You won’t want to miss this panel, especially with this bunch! You never know what’s going to come out of their mouths! July 18, 4:45-5:45 p.m. (Room 6BCF)”

I’ll also be interviewing John DiMaggio and Tommy Reid while I’m there, and maybe a few other amazing voice actors (like Rob Paulsen!) so stay tuned for that! And while we’re here, don’t forget Rob Paulsen is coming to The National Press Club in Washington, D.C. on August 1. Get your tickets now!

2) Hannibal, Hannibal, Hannibal. Yes, folks, the cast and crew of the show about Hannibal the cannibal are going to be at SDCC, and I am hungry to hear from them (sorry, I couldn’t resist). The panel, entitled “Hannibal: Feed Your Fear,” will feature Emmy-Award-winning executive producer Bryan Fuller (Pushing Daisies), director David Slade (The Twilight Saga: Eclipse), Martha De Laurentiis (Red Dragon), and star Hugh Dancy (playing Agent Will Graham). It’s listed for Thursday, July 18th from 6:45pm – 7:45 p.m. in Room 6A.

As with many things, I (affectionately) blame my friend Cleolinda for getting me into Hannibal with her excellent recaps and discussions. But the show has done a great job of keeping me fascinated all on its own. I can’t wait for the panel, and am hoping to get a few minutes with the panelists, as well!

3) Psych! Oh, man, I just love this show. Somehow it’s cleverly managed to walk the line between heartfelt and meaningful and hilarious and totally goofy for seven seasons, and there’s another one to come! The Psych panel is set for July 18 and will be moderated by Cary Elwes, and include James Roday, Dulé Hill, Corbin Bernsen, Maggie Lawson and Timothy Omundson, along with Kirsten Nelson. Also joining the panel are creator and executive producer Steve Franks, and executive producers Chris Henze and Kelly Kulchak. I’m so there! I’ve also already got my ticket to the advance screening of Psych: The Musical (airing this winter), and you can get one too, at the link. I’m keeping my fingers crossed that there will be time to check in with the cast of the show as well!

4) So many other cool panels! Who knows what I’ll be able to fit in, but I’ve got my sights set on covering at least some of the events for author Neil Gaiman’s new Sandman work; ongoing TV shows Arrow, Bones, Futurama, Supernatural, Agents of SHIELD, Once Upon A Time, Dexter, The Legend of Korra, and Teenage Mutant Ninja Turtles; new shows Almost Human, Sleepy Hollow, and The Tomorrow People; and upcoming movies Ender’s Game, The Hunger Games: Catching Fire, The Amazing Spider-Man 2, The Hobbit: The Desolation of Smaug, The World’s End, and (maybe) some Marvel movies. I’m also planning to cover The Black Panel and the Body Image & Women in Entertainment panel if I can (I’m ambitious!). And maybe more, since new events are being announced all the time. This site seems to be keeping up with them pretty well, and of course there’s the Unofficial SDCC Blog, which has tons of information.

5) A Gathering of Nerds! Although it’s not part of SDCC proper, I’m hoping to stop by at least one Nerd HQ event and see what they’re all about. Chuck actor Zachary Levi’s pet project raised $140,000 for Operation Smile last year with its Conversations for a Cause, and featured a slew of cool events and guests while doing it. I haven’t even attended yet and I’m already a fan – I like the mix of philanthropy with fun!

6) Exclusives! Oh so many exclusives! I’m going to try not to go tooooo crazy, but I must admit I’ve already pre-ordered the Marvel Minimates Deadpools Assemble set; of course I want the Deadpool Kills variant cover and the glow-in-the-dark Deadpool bobble-head; and I will elbow people out of the way with all of my elbowin’ strength for the Deadpool Corps set. I also think the Teenage Mutant Ninja Turtles #1 variant cover by Steve Conley is adorable, not to mention it comes from my friends at Awesome Conventions! And speaking of cute, I so want Batgirl from DC’s Super Best Friends Forever. I also have to admit the Game of Thrones throw pillow and poster set are pretty nifty.

7) And let us never forget the parties! I’m hearing about new ones every day, and who knows where I’ll end up, but at the very least I plan to be visiting with our very own ComicMix crowd at the Michael Davis World After-the-Eisner’s-Party – and what could be better than that?

So stay tuned in the next few weeks, when I’ll be sharing all of my convention adventures. And speaking of conventions, if you’re a D.C. local (or even if you’re not) please consider supporting the Awesome Con DC 2014 Kickstarter, which has just 4 days left to meet its goal (and through which you can get that cute TMNT variant cover I mentioned as a reward!). The Kickstarter needs less than $8,000 more in donations to succeed, and to allow the con organizers to make next year’s Awesome Con DC bigger and better than ever. This year’s con was awesome (heh), and I’d love to see them get funded.

Thanks; and until next time, Servo Lectio!

TUESDAY AFTERNOON: Michael Davis, Hell, and High Water

WEDNESDAY MORNING: Mike Gold

 

John Ostrander’s Got Nothin’

This is what a deadline looks like on writer’s block.

Ostrander Art 130630

Nothin’. I got nothin’. Lots of stuff has happened this week, lots of stuff happened in the pop arts, there are sure to be lots of topics from which to choose, something must interest me enough to blather about for the length of a column aaaaaaand

. . .nope. Brain’s not interested in any of them.

I finally went to see Man of Steel. There’s sure to be a column in that. What I thought of it, good bad or indifferent. Except that everyone has commented on it. Martha Thomases has commented twice and done it well both times. I’ve been lapped in Superman commentary by Martha Thomases. The film dropped 60% in attendees between the first and second weekends. Everyone who wants to see it already has and have their own opinions. A review on Man of Steel at this point is lame. Superman is dead. Even my brain doesn’t want to go there.

I got nothin’.

Hey, I’m a professional writer. I’ve encountered brain freeze and deadlines before. I know tricks and ways around writer’s block. One is to stop staring at the blank screen and go do something else.

Okay. Did something else. Aaaaaand. . .more nothing.

Distract yourself, John. Go on Facebook. Read what other people are saying, doing with their lives. Share funny things on your wall. Go do that.

Did that. FB bores me. It’s fifteen minutes later and I still have plenty of nothin’. And I’m slipping past deadline now.

I’m tired. That’s what it is. Go take a nap. That’ll do it.

No, it didn’t. A half hour shot and . . .

AAAAARGH! I can’t write I never could write why did I decide to be a writer?! The screen is still blank. Hungry. Demanding. Intimidating. Whatever made me think I could be a writer?

Oh, that’s right. Mike Gold offered me money. Curse you, money, you evil temptress! Why couldn’t I have remained as I was – an unemployed professional actor working part-time straight jobs to cover the rent? I was happier then.

No, I wasn’t. I’ve obviously gone around the bend. I’m hallucinating about the “good ol’ days” that were never really that good.

I’ll distract myself. Go play with the cats. Here, kitty kitty kitty.

Two minutes later. They’re bored and abandon me to my deadlines. Wretched felines. Can cats smell loser on you?

Play a game online. I often do that to cleanse my mental palate, get my concentration up and the brain cells energized. At least, that’s always been my justification. Yeah, that’s the ticket. Go play a game.

Did that, just came back,  and. . .I got nothin’. It’s just later in the day.

I went and washed dishes. That’s how desperate I am. It might work. Put my mind in zen mode and something will come out.

It didn’t work.

Stupid Computer! You know how I write! Why can’t I bring up an app or something and you write my column?!

Wait. There’s an idea. When musicians reach a certain age and don’t have anything new to do, they put out a Greatest Hits collection. Maybe I could do that. Just go back over some of my past columns and pull out random lines and string them together and see what happens.

Godfather II deepened and expanded on the first film; Godfather III – not so much. Any list of faves, yours, mine, or the guy down the street, says something about us. What I want is something new. As I said, Pamela Lee Anderson starred in the movie and I lingered, waiting to see if she would take off her clothes which is the main reason for any guy to watch a Pamela Lee Anderson movie. Mitt Romney wants to deep fry Big Bird.

Okay, that’s not going to work, either. Maybe interesting as a paragraph but a whole column of that? I don’t think so.

Maaaaybe I could write a column on what it’s like having to write a column when you have writer’s block and the deadline is upon you.

I wonder if I could get away with that?

Hurm.

MONDAY MORNING: Mindy Newell

TUESDAY MORNING: Emily S. Whitten

 

Emily S. Whitten: Neil Gaiman, The Ocean, The Revelry

Whitten Art 1The Review

Neil Gaiman’s latest work, The Ocean at the End of the Lane, began as a short story and unexpectedly grew into a novella and then a novel. Neil also wasn’t sure at first whether it was going to be a story for children or adults, since much of the story, while narrated by an adult, takes place when the protagonist is seven years old. Finally the marketing dial landed on “adult;” and that makes sense, for the most part.

There is a lot of darkness in this book, which is also of a more personal or intimate nature than some of Neil’s more fantastical works. There is more of “Neil” (himself) in it as well; not in that it is his autobiographical experience, but in that it was born more truly from his personal history. This makes Ocean feel more solidly rooted in, not the almost-realistic fantasy world of many of his stories, but an almost-fantastical reality instead. The fantasy elements are tied so tightly into some pretty ugly human truths that it might be easier to view this book as reality through the eyes of an imaginative child now grown into adulthood than as a fantasy adventure.

And yet, despite the darkness and ugliness that are frequently present, there is light in this book as well, and comfort. In the Hempstocks, a solidly reliable family of women who “know things,” and are comfortably situated on the side of all that is warm and good and naturally right; in an adult’s memories of childhood haunts, which can be as bright as they are at other times dark; and in the more lighthearted flights of fancy, such as the discovery of some very unique kittens in a field. This is a book that faces darkness but also “takes pleasure in small things, even as greater things crumble.” It reminds adults of a time when they were children and took a child’s pleasure in the small things.

Yes, this is a book that will be enjoyed by adults; and yet despite, or in fact possibly because of some very intense and disturbing scenes, mostly involving the narrator’s father or Ursula Monkton, this is indeed also a book that I would have enjoyed as a child. Children’s worlds are not always made of sunshine and unicorns, much as we’d like them to be. They are often at least a little dark and twisty – whether that darkness originates in the home, or in the schoolyard, or elsewhere. From experiences like a childhood birthday party which none of our classmates attend; to the frustrations and helplessness of dealing with a controlling adult; to the threatened or actual dissolution of a nuclear family, children often experience darkness without any prior experiences to ready them for it, or guidance on how to deal with it.

For children who read, books can serve as a guide; or an assurance that one is not alone in the darkness, and that there is someone else out there who understands what it’s like to be a child in a world of adult things that are as yet only half understood. Books can be an escape, but they can also help children face realities. And books can be a comfort, when the darkness inherent in the story is balanced by light. This is one of those books that might serve these functions; for the right sort of child.

So is this a story for adults or children? Well, both. It is a book of many layers that can be approached from many angles. It is a thought-provoking story, and one that is worth re-reading and thinking about. It is a book that could be about a wondrous and frightening adventure; or about looking back at childhood through the eyes of an adult and realizing how past experiences have shaped you; or even a reminder to adults of the way our actions will impact our children, who are our responsibilities. It might also be an assurance that even if you’ve been through a childhood that gave you a hole in your heart – in which adults fought children, and the adults won, or in which your kitten was lost to you and any replacement for it was never your kitten again – you can bear it, and gradually heal, and never stop becoming a little more whole again.

There is so much substance to this short novel that I could write about what it is or is not for a long time. Instead, I recommend that you go and read it.

Whitten Art 2 130625The Revelry

As I’ve mentioned before, this is a particularly prolific year in the life of Mr. Neil Himself. Possibly in reaction to all of the busyness, Neil decided to do a massive signing tour for The Ocean at the End of the Lane, after which he plans to take a long and well-deserved break from such events.

Washington, DC was the fourth stop on the tour, and fortunately I was able to attend. It was a great event, organized by Politics & Prose Bookstore but held at the Lisner Auditorium on The George Washington University campus. The auditorium was packed, with somewhere around 1,500 fans in attendance.

Neil took the stage at 7 p.m. and kept everyone enthralled for the next hour-and-some; first discussing the genesis of the book, which contains more “feelings” than some of his other works. “I don’t do feelings very much, being both English and male,” joked Neil. He then read from Chapter 4 of the novel, in which the narrator and Lettie Hempstock meet a very scary Thing. It is quite creepy.

After the reading, Neil answered questions collected from the audience beforehand. Some he answered with humorous efficiency:

“What was it like to work on Doctor Who?”

“It was enormously fun.”

“Do you choose your audience (adults or children) before writing?”

“Mostly!”

“Once someone has written things, what is your advice for getting published?”

“Sell the things you’ve written!”

Others he devoted more time to. A question about where the idea of the Hempstock family (members of which have also made appearances in Stardust and The Graveyard Book) originated resulted in a story about when Neil was young and his mother told him that the farm nearby was in the Domesday Book, which meant it was about a thousand years old – “and it didn’t occur to me that it would have been a hovel at that time. I just assumed that the red brick farmhouse had always been there, and that the same family would have been living there for a thousand years as well.” Neil named that imagined family the Hempstocks, and in reference to their appearances in other books, said “it just made sense that some of them would have gone off into the world.”

After answering a plethora of questions, Neil closed with a short reading from a more humorous bit of Ocean, and then stated that he would sign for us “until my hand falls off.” And so he would have, I am sure, but thankfully, despite signing well into the night, I believe he still has both of his hands. Which is good, because it’s much easier to write with hands, and I want Neil to keep on writing more amazing stories like The Ocean at the End of the Lane for a long time to come.

If you haven’t read the novel yet, I highly recommend it. And until next time, Servo Lectio!

TUESDAY AFTERNOON: Michael Davis

WEDNESDAY MORNING: Mike Gold

 

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