Tagged: Manga

Manga Friday: High School All Over Again

Manga Friday: High School All Over Again

A lot of manga take place in high schools – and that’s natural, since the original audience for most of the popular manga series were Japanese teenagers, and it’s hard to find someone more self-obsessed than a teenager. So ignoring high school would almost mean ignoring manga all together, and I wouldn’t want to do that – but I do try to quarantine the very teenager-y books into their own little cliques (they’re used to that, anyway). It’s time for another one of those, so join me for a look at three new series set in the best and worst time of all of our lives:

Papillon, Vol. 1
By Miwa Ueda
Del Rey, October 2008, $10.95

Papillion builds its foundation upon a plotline much beloved in song, story, and Olson twin movies: there are these two identical twin sisters, and they’re completely different! The viewpoint character is Ageha – and, by the way, does that name sound as frumpy and old-ladyish to the Japanese as it does to me? – who grew up in the countryside, and, because of that, is shy, socially inept, unfashionable, and wears glasses. (The equivalent cliché in an America story would have her be a rough, woodsy, outdoorsy kind of girl, great at riding horses and starting fires, but Japanese heroines apparently must always be pretty and decorative, with slim wrists and no obvious skills.)

Ageha’s twin sister Hana – who grew up in the city, because their parents separated them very young (possibly on a whim; this isn’t explained) – is gorgeous and poised and the most popular girl in the school they both attend.

(Oh, and there’s also a nasty fat girl, who seemingly exists in this story only to be Ageha’s only friend – a very, very bad friend at that – and to show that unattractive people are necessarily cruel, vindictive, and rude.)

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Manga Friday: Doctors & Lawyers

Manga Friday: Doctors & Lawyers

This week, I have two fat books about the unlikely adventures of (on one hand) a scarred, secretive, arrogant doctor and (on the other) a self-doubting lawyer who defends the innocent. And since I couldn’t see throwing anyone else in between Black Jack and Phoenix Wright, those two will get the whole column to themselves, in a grand showdown between medicine and law.

Black Jack, Vol. 1
By Osamu Tezuka
Vertical, September 2008, $18.95

Black Jack is reportedly Tezuka’s most popular series among Japanese adults – kids prefer Astro Boy, as you’d expect – but there’s only been one (quickly aborted) attempt to publish it in the US before this. And it’s not like Black Jack is a quick little thing: it ran for ten years in Japan, and totals well over two hundred stories of about twenty pages each. But Vertical now is stepping up to the challenge, and plans to publish Black Jack every other month for three years until they get all seventeen volumes out. It’s an ambitious plan, certainly, but ambition is to be applauded, especially in publishing.

So this book reprints some of the earliest Black Jack stories – it doesn’t explicitly say that all of the stories will be reprinted in order, and several stories have never been reprinting, for various reasons, but these are probably from the beginning. It doesn’t start with an origin: some of these stories fill in bits of Black Jack’s backstory, but he’s in the middle of his career as the book opens, already legendary.

Black Jack is a supernaturally gifted surgeon, capable of amazing and unlikely feats, such as transplanting a brain into a new body or building a body for an intelligent parasitic twin and installing her loose, attached body parts into that body. To be blunt, he does the impossible, generally at least once per story. He’s also an outlaw, unlicensed anywhere in the world though still respected and commanding immense fees. (In these stories, his unlicensed status is mentioned but doesn’t affect the action at all.)

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Manga Friday: The Old In-Out In-Out

Manga Friday: The Old In-Out In-Out

I haven’t reviewed books about sex in close to a month, so it must be time again, right? (As always, I’m reviewing what I have on hand, so, if you publish manga and want me to

cover it, contact me at the e-mail address far below.If you don’t publish manga, but want me to review something in particular, just leave a comment with a suggestion. If you don’t publish manga, and have no suggestions…then I think you’re good the way you are.)

Sundome, Vol. 3
By Kazuto Okada
Yen Press, September 2008, $12.99

I liked the first volume of Sundome, but wasn’t entirely comfortable with how focused on leering at teenage girls it was. (I have no problems with teenage boys leering at teenage girls – in any case, they’ll do it no matter what I think – but I don’t think it’s really appropriate for me to do so. And that can bother me, even in fictional form.) The second volume made me even more uneasy, because the “games” that teenage cutie Kurumi played on utterly-gaga-about-her Hideo were getting dangerous and cruel.

Their relationship is still shifting in this third volume; Hideo’s devotion to Kurumi is showing some positive results (he’s gotten stronger from all of his bike riding-cum-sublimation, and Kurumi’s teasing is turning more girlfriend-ish than purely mean), and the more dangerous or kinky moments are part of obvious sex-play between the two. Oh, she’s still insisting that she’ll never have sex with him…but she isn’t acting as if that’s true.

Even given the cultural differences, Sundome is one of the most raw and realistic depictions of adolescent sexuality I’ve ever seen. Sure, it’s exaggerated for fictional effect, with the usual manga shorthand, but these kids are both horny and confused in a way that fiction rarely shows. And, of course, since there’s some moderately explicit sexuality in this book – more that the previous books, I think – it’s rated “M” for adults only, and teenagers are officially not supposed to read it. That’s irony for you: because it’s so true about teenagers, teenagers aren’t supposed to read it.

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Manga Friday: Yen Plus Magazine

Manga Friday: Yen Plus Magazine

Yen Press launched a new manga magazine last month called Yen+ (or maybe Yen Plus), to compete directly with those twin 800-pound gorillas of manga in America, Shonen Jump and Shojo Beat. I now have the first three issues here in my hands, so let’s take a look at Yen+ and see what’s in it.

Yen+, August to October 2008 issues
By various
Yen Press, Aug-Oct 2008, $8.99 ea.


All three issues have the same eleven serials in them, so it would be silly of me to review each issue separately and come back again and again to the same stories. (I’m not saying that I never do anything silly – just that I’m not choosing to do so this time.) So I’ll talk about Yen+ in general first, then cover the serials, and finish up with particular points in the separate issues.

The first thing a savvy reader notices about Yen+ is that it has two front covers, and a quick glance inside shows that it’s not just the covers – the whole magazine is divided in half. Japanese manga start at the “back” and run right-to-left for two hundred and some-odd pages, while Korean manwha and Western-originated comics go the opposite way for about the same number of pages. The Korean/Western side is the “front,” with the table of contents, editor’s letter, masthead, and the other usual “front-of-the-book” materials. But the two sides are close in length – the Japanese side has five serials (with generally longer page counts), and the Korean side six (plus the editorial matter). So Yen+, if I may be impertinent for a moment, is perfectly happy swinging both ways…

Yen+, if I may continue to torture a metaphor, doesn’t aim at one sex or the other, unlike the Japanese magazines that are its model – or like Shonen Jump and Shojo Beat in the US. (So it’s bisexual as well as swinging both ways – no wonder it comes in its own plastic bag!) The editor’s letter in the first issue explains that – since the audience for manga, and for manga magazines, in the US is not huge yet, trying to please both boys and girls will, they hope, allow them to reach an audience large enough to survive. (The other possibility is that it will fall between two stools, with too much mushy stuff for the boys and too many severed heads for the girls.)

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Manga Friday: The New Number Two

Manga Friday: The New Number Two

I haven’t done a week of jumping-into-the-middle in a while, so I thought it was about time to try that out again. This time, I have three books from Yen Press, all second volumes in series that I haven’t read before. So let’s see if they make any sense to me…

Goong, Vol. 2
By Park SoHee
Yen Press, July 2008, $10.99

Goong is an alternate history series, in which the last Emperor of Korea (Soon-Jong) wasn’t actually the last Emperor, and that Korea got its independence from Japan (as it actually did) and stayed unified (as, of course, it hasn’t). Park has a short comics afterword in this volume to explain the set-up – and something of why she chose to make the royal family in her series Kings rather than Emperors.

That’s the background: Korea is unified, and has a King. That king has a disinterested, self-centered teenage son, Prince Shin. And, in the way of royal families through the ages, Shin had an arranged marriage to a teenage girl, Chae-Kyung (our viewpoint character). Their marriage takes place at the very beginning of this book – we know that Shin and Chae-Kyung don’t love each other, and barely know each other, but we don’t see (in this volume) all of the machinations that led to the wedding. (Presumably, though, it has something to do with the fact that Chae-Kyung’s family is poor.)

Chae-Kyung has somewhat more interior life than the usual run of girls’ manga heroines, and Shin isn’t the standard spoiled brat, but something more nuanced. So Goong has a lot of generic elements, but assembles them into something more substantial and interesting. I’m also finding that Korean comics have less of the over-exaggeration of Japanese comics, which works better for my eye. Goong might not be groundbreaking, but it’s quite good for what it is.

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Manga Friday: Swords and Psychics

Manga Friday: Swords and Psychics

This week was going to be Samurai Week, but I threw in a book about psychics for spice – just to keep it interesting.

Dororo, Vol. 3
By Osamu Tezuka
Vertical, August 2008, $13.95

This is the third and final book in a samurai saga from Tezuka, the “godfather of manga.” (I’ve previously reviewed volume 1 and volume 2 for ComicMix.) I’ve seen references that say this series was truncated rather than continuing to its expected end, and that’s plausible from the book itself.

It does have something like an ending; the swordsman Hyakkimaru confronts and defeats his evil father, and parts from the young thief Dororo (whose secret he’s recently learned). But the stories of these main characters aren’t actually done – Hyakkimaru is not finished with his quest to become human again, and Dororo needs to grow up (and probably to battle some evil feudal lords on behalf of downtrodden farmers).

So this isn’t really the ending one would hope for – it doesn’t cut off, uncompleted, but there clearly were more stories to be told. (On the other hand, Tezuka left off work on Dororo in 1971, and lived for nearly twenty years afterward, which probably means something.) But the individual stories are still exceptionally well-told, in Tezuka’s characteristic clean lines, and the thematic undertones remain under, and deepen rather than threatening to sink the narrative.

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Manga Friday: As Different As Possible

Manga Friday: As Different As Possible

I’ve generally tried to organize the weekly columns around some sort of theme, but sometimes themes just serve to hide the variety and depth of the comics world (whatever country it might be from). So, this week, I picked three books with nothing at all in common (except a Japanese origin), just because:

Nightmares for Sale, Vol. 1
By Kaoru Ohashi
Aurora, November 2007, $10.95

Nightmares for Sale is an old-fashioned kind of horror story, with two enigmatic characters – they appear to be a grown man (Shadow) and a young girl (Maria), but she’s older than he is – who run a store that’s usually a pawnshop. Nothing at all good can happen when they enter your life, though they usually don’t seem to be directly responsible.

Each story in this volume has a different set of characters – usually teenage girls, or the kind of adults that teenage girls want to become – who meet the pawnshop owners, and then come to nasty ends. A bullied girl triggers a curse on the friendship rings her tormentors made her buy for all of them, and nastiness follows. A model wants to appear beautiful in photographs, and gets exactly what she asked for…but no more and no less. A young woman meets an abused boy in the street, and learns that their connection is much deeper than she imagined. A young boy tries to pawn his baby sister. And so on.

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Manga Friday: Lawless, Winged, and Unconfined

Manga Friday: Lawless, Winged, and Unconfined

Poking through the stack of manga to be reviewed, earlier this week, I noticed several books featuring characters with wings of one kind or another. Quick to sense a theme, I dragged them together, and here they are:

Koi Cupid, Vol. 1
By Mia Ikumi
Broccoli, April 2008, $9.99

Koi Cupid is an all-ages series about cherubs-in-training – yes, cute little girls in white outfits, running around making people fall in love. It’s not quite as kawaii (cute, often cloyingly so) as it could be, though, so I came to think of Koi Cupid as actually fairly restrained.

(Of course, that’s by manga standards – recalibrate your cuteness detectors from American settings, or you’ll be instantly deafened by the alarm.)

Anyway, the story focuses on three cupids-in-training: Ai, the cheerful one; Koi, the shy one; and Ren, the way-ahead-of-the-others one. They’re taught by a full cupid named Rin, who is deferring her own promotion to Guardian Angel to continue to mentor them. Kou actually is a guardian angel who pops in for added firepower now and then; Sister Yuuri is a winged, talking cat who supervises the cupid training program, and Lizette is a sneaky demon who tries to foil their work, but whom Ai wants to be friends with.

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Manga Friday: The Naughty Bits

Manga Friday: The Naughty Bits

It’s another one of those weeks when I have to shoo the kids away; this time, Manga Friday looks at three books about sex. (This is all fairly mainstream stuff, not hentai and without any tentacles to be seen. But there are still naked body parts doing their thing, however tastefully.)

What we have this time is three views of sex – one a general guide (in fictional form) for the young and inexperience, and two romances of different genres.

Futari H: Manga Sutra, Vol. 1: Flirtation
By Katsu Aki
Tokyopop, January 2008, $19.99

I think of this as just Manga Sutra, but the title on the cover is Futari H Manga Sutra – and, on the first page, there’s the completely different title Step Up Love Story (which also seems to be the title of the related anime series). To avoid confusion, I’ll just call it Manga Sutra, since that’s what everyone has been and will call it.

This is the story of two very, very sheltered newlyweds – Makoto and Yura Onoda – who had a semi-arranged marriage somewhere in Japan at the age of twenty-five, and who seem to have not even seriously dated anyone before they met each other. Their families, though, are heavily populated with horndogs, and Makoto and Yura are the objects of much unwanted advice. They’re virgins – in the most extreme, literal sense of the word – when they marry, and it takes them about a week to manage to consummate their marriage. Even then, the sex isn’t all that good – Yuka is embarrassed by everything and Makoto has a major problem with premature ejaculation.

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Manga Friday: Here We Go Again

Manga Friday: Here We Go Again

 

This time around I have a volume two, a volume three, and a volume four – all in series that I’ve read at least some of the earlier books. Let’s see if I can still remember what went before – since manga often don’t have “who the heck are these people and what are they doing” pages – and whether they’re getting more or less interesting.

Kaze No Hana, Vol. 2
By Ushio Mizta and Akiyoshi Ohta
Yen Press, August 2008, $10.99

This is the series about an amnesiac teenage girl, Momoka, who is part of a family that wields magical swords to drive monsters away and protect their city. I reviewed the first volume in April, and had to admit then that there were too many characters with too few faces for me to keep them all straight.

Well, this time, we get even more characters, including another sword-wielding family that likes the monsters and wants to see them take over the earth or rampage through Tokyo or do whatever it is these particular monsters would do. Their leader is the cute girl Kurohime – and the only thing more dangerous than an old man in a Hong Kong movie is a cute girl in manga – and they have “sacred swords,” which are utterly different from the heroes’ “spiritual swords” in ways that perhaps don’t entirely translate well.

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