Tagged: Kelly Sue DeConnick

Mindy Newell: Fly Girls

Kelly Sue DeConnick rocks!

Women had made their mark as pilots well before World War II. Amelia Earhart, Jacqueline Cochran, Nancy Harkness Love, Bessie Coleman, and Harriet Quimby were some of the women holding records in aviation.

When war broke out in Europe, Cochran, Harkness and other women went to England to volunteer to fly in the Air Transport Auxiliary, which had been using female pilots as ferriers since 1940. These women were the first American women to fly military aircraft – Spitfires, Typhoons, Hudsons, Mitchells, Bienhams, Oxfords, Walruses, and Sea Otters under combat conditions.

In 1942, now in the war, the United States was in desperate straits for combat pilots. After much political maneuvering and bickering, it was decided to train women as ferry pilots, with Jackie Cochran enlisted to direct the program. 25,000 women applied; only 1,830 were accepted; of these, 1,074 passed the training and became Women’s Airforce Service Pilots, or WASPS. The WASPS flew over 60 million miles, piloting everything from trainers to fighters like the P-47 Thunderbolt and the P-51 Mustangs and the heavy bombers: B-17s, B-26s, and B-29s. They ferried new planes long distances from factories to military bases and departure points across the country. They tested newly overhauled planes. And they towed targets to give ground and air gunners training shooting  – with live ammunition.

In 1959, an independent researcher named William Randolph Lovelace, who was part of the team developing the tests for NASA’s first male astronauts (who became known as the Mercury 7 – see or read The Right Stuff) became interested in finding how women would stand up to the same conditions; in 1960, he invited accomplished pilot Geraldlyn “Jerrie” Cobb to submit herself to this challenge.

The tests ranged from general physicals and X-rays to weird things like swallowing a rubber tube to test stomach acids, undergoing electrical shocks to test the ulnar nerve (found in the forearm), having ice water shot into their ears to test vertigo and reaction time, and dozens of other weird oddities. (See or read The Right Stuff to get an idea of the regimen.)

She became the first American woman to undergo and pass all three phases of the testing.

19 more women were invited into Lovelace’s program, which was funded by WASP director Jacqueline Cochran.

13 passed.

They became known as the Mercury 13.

I bring this up because writer Kelly Sue DeConnick is doing something remarkable in the new Captain Marvel series. Without publicity or blowing of trumpets, DeConnick is rewriting the possibilities – no, the actualities – of “women in comics.”  Using the proud history of women in aviation, including the WASPs and the Mercury 13, DeConnick and her team, which includes artist Dexter Soy and editor Stephen Wacker, are presenting women who are just as smart, just as stupid, just as capable, just as frightened, just as full of bravado, just as confused, just as sure-minded, and just as fucked-up as any of their male counterparts.

Oh! I have slipped the surly bonds of Earth


And danced the skies on laughter-silvered wings;


Sunward I’ve climbed, and joined the tumbling mirth


of sun-split clouds, – and done a hundred things


You have not dreamed of – wheeled and soared and swung


High in the sunlit silence. Hov’ring there,


I’ve chased the shouting wind along, and flung

My eager craft through footless halls of air….



High Flight

John Gillepsie Magee, Jr.

By the way, Captain Marvel rocks!

Fly, girl, fly!!

TUESDAY MORNING: Emily S. Whitten, Neil Gaiman and Michael Chabon

TUESDAY EVENING: Michael Davis In France

 

“Captain Marvel” and the real history of women’s aviation

One of the ways writer Kelly Sue DeConnick is developing the new Captain Marvel is by giving her firm links to the history and culture of women’s aviation.  This approach combines the real world and Marvel Universe in a way that comics fans haven’t seen in several years.

In Captain Marvel #1, DeConnick introduces Carol Danvers’ flying mentor, Helen Cobb. Cobb is described as a record-holding pilot and a member of the “Mercury 13 program,” without giving a lot of details. Captain Marvel #3 is now out, and, while the plot of the first story line is still taking shape, it’s possible to talk about some of DeConnick’s sources.

Helen Cobb is almost certainly inspired by Geraldyn “Jerrie” Cobb,  a prominent woman pilot who became involved in an abortive effort to add women astronauts to the Project Mercury program in the early 1960s. Here’s what happened, according to two excellent books on the subject: Promised the Moon by Stephanie Nolen (Thunder’s Mouth Press, 2002) and [[[The Mercury 13]]] by Martha Ackmann (Random House, 2003).

NASA commissioned a non-government organization called the Lovelace Clinic to do medical tests on the newly-chosen Mercury 7 astronauts. The director of the clinic decided that they were going to test women as well. There was more than scientific curiosity behind this decision. There was a commonly held belief that the USSR was training woman for space (which proved to be true) and scientists were establishing the basic principles for manned space flight.  Maybe it would be smarter to use women as astronauts, because they were smaller and used less oxygen.

During 1960 and ’61, Jerrie Cobb and 12 other women went through a series of tests and examinations. They did well, equal to or better than the men in many cases.  However, NASA refused to let the tests continue. Two of the reasons the agency gave were also presented in CM #3. The women were not trained to be jet test pilots and losing a woman in space would be a public relations disaster.

Cobb, and some of the other women, continued to fight the decision, even managing to organize a short congressional hearing on the topic.  Over time, NASA’s policies changed; Sally Ride, who died earlier this year, became the first American woman in space in 1983.  However, neither Cobb nor her associates ever made it.

Referring to the group as the Mercury 13 didn’t start until relatively recently. Cobb sometimes called them the Fellow Lady Astronaut Trainees (F.L.A.T.s), but that wasn’t even accepted by everyone in the group.

In the comics, Helen Cobb eventually became a bar owner. Jerrie Cobb went in a very different direction. She was always extremely shy—in part due to a speech impediment—and she was further traumatized by her brush with notoriety in the early 1960s.  She eventually became a pilot for a missionary organization in  Latin and South America.

It should be noted, though, that the story in Captain Marvel #2 about Helen Cobb having to escape from a Peruvian general does have a basis in reality. After World War II, Jerrie Cobb did deliver surplus U.S military planes to various buyers in South America.

In addition, Helen Cobb refers to the Ninety-Nines in issue one. That’s a real-life organization of women aviators, co-founded by Amelia Earhart. The name refers to the number of prospective members who attended the first meeting, and not to be confused with the superhero comic based on Islamic culture.

To me, the Mercury 13 storyline is reminiscent of Truth:Red, White and Black the 2003 Captain America story where it is revealed that the super-soldier serum was secretly tested on African-Americans. It takes a little-known piece of actual history and shows its impact on someone in the Marvel Universe. And making the women’s aviation sub-culture part of Carol Danvers’ background makes her a stronger, more interesting character.