Tagged: Justin Lin

Box Office Democracy: Star Trek Beyond

Box Office Democracy: Star Trek Beyond

I can clearly remember the moment that guaranteed that I would never be a Star Trek in the same way I am a fan of so many other science fiction properties. I got a very bad cold in summer camp when I was nine years-old and was put in the infirmary, the only place in the camp that had television. I don’t remember if I choose the programming or if someone else did but I watched an entire evening of Deep Space Nine a feverish miserable mess (so feverish that it could have only been one episode as far as I know) and I’ve never quite gotten over that association enough to enjoy the show as an adult. Unlike Star Wars, DC, Marvel, Firefly, Buffy, et al I have no connection to the Star Trek franchise past enjoying a few of their cinematic efforts and enjoying others less. Star Trek Beyond is in the latter camp, a fine sci-fi action movie I guess but one with thinner characters than I’d prefer and action sequences that, while pleasing, seem a bit like nonsense.

Good science fiction either needs to get the audience very invested in the world, the science, and the process or invested in the characters to the point where none of that really matters. Star Trek Beyond fails to do either of those things, I’m not sure where my affection for these characters is supposed to come from besides the fact that they have very famous names and are on Team Earth and the universe feels vry shallow for a decades old property and the science is basically magic. We get scenes where characters I’m not super invested in are confronted with gigantic problems and then solve them by saying a bunch of big words I don’t understand and then they hit some buttons and poof the problem is over. This feels like it describes 90% of the conflict in the film. I’m being unfair to characters like Kirk and Spock who had a lot of time in the previous two films to get some earned affection but there’s a fair amount of Scottie action in here and none of that feels earned at all.

If a reboot is supposed to be a fresh start, to begin again without all the encumbrances of the original series, how far can you get in to the new thing before it’s just as difficult for outsiders as the original? We’re a mere seven years and three films in to the new Star Trek canon but with Star Trek Beyond we might be getting there. There’s very little here for people new even to this small corner of the franchise and some of it even seems to be relying on familiarity with the orginal series. Bones McCoy has been a criminally underused character in the first two entries in this franchise and while I’m glad to see him thrust in to a larger role this time around I can’t imagine his prickly friendship with Spock feeling even the least bit earned if you’ve only seen the 2009 Star Trek and Into Darkness. This no longer feels like a fresh, interesting, new take on Star Trek but more an acknowledgment that the original cast is far too old to do the action movies they want to make with these characters. Unless you never thought this was a fresh interesting take in which case I don’t know what this movie has to offer you at all.

The heartbreaking thing about this movie coming just a bit short is that it tarnishes the stellar reputation of Justin Lin who, prior to this film, was on run of genre-defining action movies with the Fast & Furious films before failing to impress here. I can see him trying to put his style on the film in moments especially in the scenes that prominently feature 20th and 21st century music but it isn’t enough. The moments that feel like him feel out of place amidst the rest of the film and the more traditional stuff often feel hollow and lacking in follow-through, where his frenetic pace may have saved him before here all of Lin’s missteps have a seemingly unlimited amount of time to breathe.

I don’t want do go in to other people’s fandoms and tell them how their beloved things ought to be. While I was a big fan of the J.J. Abrams Star Trek reboot and thought Into Darkness totally acceptable action movie that I enjoyed watching once and have never been tempted to watch again. Star Trek Beyond I found considerably less enjoyable, it feels like uninspired technobabbly science fiction far too often and at rare moments seems to be playing directly to clichés lampooned in Galaxy Quest ones that probably needed to be permanently retired after being exposed so expertly. Maybe this is the Star Trek movie that will please the die-hard fans but I just couldn’t get in to it.

 

Joe Corallo: With Allies Like Simon Pegg…

Simon PeggThe third installment of the rebooted Star Trek franchise, Beyond, is set to hit theaters July 22nd. It’s been announced that in this film that Hikaru Sulu, portrayed by actor John Cho, will be revealed as gay. John Cho apparently discussed this with George Takei last year, in which Mr. Takei expressed his displeasure with the idea and lobbied film director Justin Lin to reconsider the decision to make Sulu gay. The movie was written by Simon Pegg, who plays Scottie, and Doug Jung. The Star Trek Beyond team went ahead with their original idea anyway.

George Takei, who played Sulu in the original series and seven Star Trek movies, was delighted that they would be adding a gay character to the franchise but was disappointed that they chose to make that character Sulu and should have made a new character instead. This led to Simon Pegg responding rather harshly that he disagreed with George Takei and creating a new character would be tokenism. Then openly gay Spock actor Zachary Quinto said he was disappointed that George Takei was disappointed. All of that can be read here.

Now there is a lot to unpack here. Why would an openly gay man and LGBTQ activist like George Takei be opposed to Hikaru Sulu being portrayed as gay in the new movie? Part of the reason is in this quote from George Takei himself, “Unfortunately, it’s a twisting of [‘Star Trek’ creator Gene Roddenberry’s] creation, to which he put in so much thought. I think it’s really unfortunate.” He goes on to stress that this is the 50th anniversary year of Star Trek and how that adds to the unfortunate nature of it all. Simon Pegg goes on to counter that stating the decision to make Sulu gay is in line with Gene Roddenberry’s vision.

startrekbeyondRoddenberry himself did want to have LGBTQ representation, but at the time he was helming Star Trek that was impossible. George Takei’s point is not that Gene Roddenberry would be opposed to a gay character in his vision, but rather that Gene thought out all of his characters so fully that if they want to include a gay character that character should be a new one.

At this point I can’t help but think to myself just who in the hell does Simon Pegg think he is? George Takei worked closely with Gene Roddenberry for years. They talked about the character of Hikaru Sulu many times together. Simon Pegg has never worked professionally with Gene Roddenberry. It was incredibly poor form for Simon Pegg to try and counter George Takei’s claim that this goes against Gene’s vision. Honestly, I found it insulting on Simon Pegg’s part. He’s a professional and he should know better.

Going back to George Takei as an LGBTQ activist and how that and his sexual orientation inform his worldview, I think it’s very important to consider that before responding in the way that Simon Pegg, as well as Zachary Quinto did. Not only is George Takei a member of the LGBTQ community, he is also a member of the Asian community in the United States, another minority, and he and his family were subjected to life in an internment camp from 1942 through the end of World War II. Later, he would have to navigate being a closeted gay man in Hollywood. He is a man who has gone through a lot, experienced a great deal, and deserves more thought and consideration towards his ideas than was given to him by the team on Star Trek Beyond.

Simon Pegg is not a member of the LGBTQ community. He is an ally at best. His statements echo those of many other well-meaning allies who have not necessarily contributed positively to the community. I’ve written previously about Iceman being outed in Marvel Comics and was strongly opposed to the idea then. What they have done with the character since has not been positive in any measurable way to me and I stand by my thoughts on Marvel’s decision. The situation with Sulu in the new franchise is very similar.

When it came to Marvel outing Iceman, it came off like cheating at the diversity olympics. Same goes for what Simon Pegg is doing with Sulu. Taking an already established character with a fan base and adding something to that character to make them more diverse comes off as a way to try to add diversity without the risk, and we see right through that. Rather than make an investment with a new character, they’re trying to play it safe and it comes off as lazy more than anything else. I will say it’s nice that Star Trek is at least creating a non-white LGBTQ character through this, but this is still not ideal.

Star Trek ChoWhat both Marvel with Iceman and Simon Pegg do not seem to understand is that retconning old characters as gay to expand diversity isn’t as helpful as they think it is. I understand that they all think that in a way it’s both good for the LGBTQ community and good for profits, but it’s not what the LGBTQ community as a whole needs.

We need new characters, our own characters, histories and stories, not press releases with straight cis white allies patting themselves on the back congratulating themselves on how progressive they are. Especially when one considers how forward thinking Star Trek was in 1966, and how 50 years later we haven’t even had a single gay character of any importance, let alone bi or trans. The Star Trek franchise went from being something of a gold standard in diversity to falling behind compared to contemporary science fiction. They shouldn’t be patting themselves on the back for how progressive they all are, but rather they should be apologizing to us for having taken so long to even attempt to catch up and that all they can offer us is a lazy Sulu reveal.

Something equally important is LGBTQ representation in the background. It’s not enough just to have just one character in the movie represent an entire group of people. It all needs to be sprinkled into the background. How about two women flirting in the break room? Maybe someone has an image of their same sex partner at their workstation. What about a background character just bringing up their same sex partner casually in conversation as someone they’re looking forward to seeing again soon when they get back?

We need to be a part of the greater world. If queerness is not a part of the background, it is not a part of the world. It’s just a token character. The kind of character Simon Pegg claims to be against. His actions suggest otherwise. Especially since Simon Pegg also states that while Sulu is out as gay in this movie that it isn’t important to the story. Straight allies often seem to go back and forth between saying how important it is to queer people like me that they created or retconned a gay character followed immediately by saying the character’s queerness isn’t all that important anyway. It’s insulting and honestly I’m really sick of hearing that.

If this was something important to the people involved in the reboot, they should have made characters LGBTQ from the start back in 2009. By waiting until the third installment, it becomes very difficult to believe this is for anything more than a press hit. Granted, Simon Pegg was not involved in the screenwriting for the previous installments. That said, it’s all the more reason to just create a new character to develop and grow. I find it offensive that Simon Pegg suggests that creating a new character that is gay would mean that the character is just there to be gay. He’s a screenwriter. He should know better. He should know you can create new characters and clever writing can avoid tokenism.

Everything stated by John Cho, Simon Pegg, and Zachary Quinto suggests to me that some people on the film thought that George Takei had gotten big enough on social media that they could lazily write up one scene in a movie showing Sulu with a same sex partner, and assumed that of course George Takei would love the idea because he’s gay and it would be great press. When they found out that the LGBTQ community is a little more complicated than that, rather than listen to George Takei they went ahead anyways in the hopes that he would come around or that Sulu being gay would be a good free press. George Takei did not come around to the idea.

I’m disappointed with Justin Lin, Simon Pegg, and Zachary Quinto. I’m a queer nerd who is a casual fan of the Star Trek franchise. I’m sick of being targeted for marketing that’s not so much for me, but for people outside of the queer community to feel better about themselves. I saw both of the previous Star Trek films in theaters, but after this debacle I’ll be saving my money. I’ll wait to see what Bryan Fuller’s new Star Trek television series premiering next January has to offer.