Tagged: Justice Society

Cooke Sweeps The Shusters

Cooke Sweeps The Shusters

The 2007 Joe Shuster Canadian Comic Creator Awards were handed out this weekend and, according to the JSA (get it?) website, here are the winners:

Fan Favourite – English: web comics creator Dan Kim (April & May & June, Penny Tibute, Kanami)

Fan Favourite – French: Michel Rabagliati (Paul a la Peche)

Favourite International (non-Canadian) comic book creator: Brian K. Vaughan (Runaways, Y the Last Man, Ex Machina, Pride of Baghdad, Doctor Strange: The Oath).

Outstanding Web Comics Creator: Dan Kim (April & May & June, Kanami, Penny Tribute)

Outstanding Writer: Darwyn Cooke (Superman Confidential)

The Outstanding Artist : Darwyn Cooke and J. Bone (Batman/The Spirit)

The Outstanding Cartoonist (writer/artist) award went to Darwyn Cooke (The Spirit)

Hall of Fame inductees were Albert Chartier, Jacques Hurtubise, Gerry Lazarre and Gene Day. Hurtubise and Lazarre were both on hand to accept their induction into the Canadian Comic Book Creator Hall of Fame. The late Gene Day’s brother David Day was on hand to accept for his brother.

Irwin Hasen suffers stroke

Irwin Hasen suffers stroke

Our friend Tony Isabella tells us that comics legend Irwin Hasen is recovering from a stroke.

Tony provides Irwin’s definitive history: "Hasen is, of course, the talented artist and writer whose many credits include a 31-year run on the newspaper strip "Dondi," and comic-book covers and stories for such characters and titles as the Atom, Big Town, Detective Chimp, Flash, Gang Busters, Green Lantern, Justice Society of America, Our Army at War, Secret Hearts, Strange Adventures, Wonder Woman, and dozens more. He’s won the National Cartoonists Society award for best story strip and taught at the Joe Kubert School of Cartooning and Graphic Arts and the School of Visual Arts. If you have seen Irwin at conventions, you know that he is a snappy dresser, always friendly, and a teller of some of the best comics and life stories ever heard on a panel. I’m crazy about him."

Reports are that he’s on the mend and in good spirits. Irwin has been a frequent convention guest and always has a kind word for the fans. We always wish him nothing but the best.

(Artwork copyright All-American Comics Inc., renewed by DC Comics. All Rights Reserved.)

Tom Artis, R.I.P.

Tom Artis, R.I.P.

Comics artist Tom Artis died of complications from diabetes today at his home in Springfield, Illinois.

Tom had been hospitalized off and on for the past several years. According to his friend, fellow artist Doug Rice, Tom had been in a hospice since the beginning of the year. His wife Kim and children, Duke and Hope, were there with him when he died.

Tom’s many credits included Judge Dredd, Aliens vs. Predator, Justice Society of America, She-Hulk, The Spectre, Green Arrow, and his own creation for DC Comics (with friend and writer Peter Gillis), Tailgunner Jo.

I had the honor of working with Tom for several years; he was a talented artist and a good man. He will be missed greatly.

Magneto Returns To Hollywood

Magneto Returns To Hollywood

Sometime following the release of the next X-Men movie – a solo Wolverine feature starring Hugh Jackson – noted comics writer (JSA) and movie producer / director / writer (Batman Begins, Blade, Ghost Rider, The Crow: City of Angels, Nick Fury, The Dark Knight, plus last week’s The Invisible) David Goyer will be directing the second X-Men spin-off, Magneto.

The movie will focus on Magneto’s "origin" – the time he spent in a Nazi concentration camp (as seen in both comics and the X-Men movies) and the years following his liberation. Whereas Sir Ian McKellen has gone on record saying he wanted to star in the movie and that they could "de-age" him with the sort of CGI effects used in X-Men III, it is expected he will only appear in framing sequences and another actor will play the younger character.

Perhaps Christopher Eccleston would do?

(Photo copyright Variety; All Rights Reserved)

X-Men strand Gen Y

Getting a hologram card of Wolverine in a pack of the first series of Marvel Universe Trading Cards is one of my fondest childhood memories. I was five. I showed almost all the guys in my class. Unfortunately, if this kindergartener had been inspired to buy the Wolverine comic around that time it would have been tough sledding: in that story Wolverine learns his memories are a result of brain implants. The next arc ended with Wolverine promising a man that he would return to remove a part of his body every year until nothing remained.

Comics were convincing themselves that they were for adults, and that adults required mature, violent stories. But no one told the licensing people whose job it was to pump children’s playthings into the market. I think this is why there are so few of my contemporaries reading comics. As children, we had to claw our way into the medium despite its best efforts to keep us at arms length, the better to succeed as a medium for teenagers and adults.

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