Tagged: Jr.

PRO SE PRESENTS GOES QUARTERLY UNDER NEW MANAGING EDITOR!

Pro Se Productions, a leader in the New Pulp Movement, announces today a format change for its award winning magazine as well as a new head for the publication.

The latest issue of Pro Se Presents, the March 2013 #18 issue, will be the last monthly issue of the title.  With #19, Pro Se Presents will become a quarterly magazine, but will also double to triple in size, according to Tommy Hancock.

Hancock, Partner in and Editor in Chief of Pro Se explains the reason for this.  “Pro Se Presents has proven extremely popular and is considered by many to be an honest to goodness heir to the Pulp Magazines of old.  Even with that in mind, though, certain things have to be taken into consideration.   One of those is time and the rest of Pro Se’s ever growing schedule.”

“Due to a massive commitment to put out an amazing number of titles this year as well as the amount of time working on a single issue of the magazine consumes, some decisions had to be made.   The result is that the magazine will now be quarterly, will contain at least twice the amount of stories, and have some other cosmetic differences that both allow the magazine to continue and for Pro Se staff as a whole to give more time to all the titles being prepared.”

The first quarterly issue of Pro Se Presents will be 19, available in June 2013.

“Other changes,” Hancock stated, “are coming forthe magazine as well.  Until now, I have included the duties of the magazine as one of my Editor-In-Chief responsibilities.  And, as with everything else Pro Se, my time has become stretched thin enough that it’s become imperative to pass the duties of managing the magazine over to someone who’s been training for it for awhile as Chief Editor- Pro Se Presents’ new managing editor, Lee Houston, Jr.”

Houston made his New Pulp debut as a contributor to Pro Se’s first line of magazines and moved up quickly to the ranks of novelistwith his HUGH MONN and PROJECT ALPHA books, as well as various projects for Pro Se and other companies.  Houston has acted initially as an editor and then Chief Editor for the magazine. “Each issue we showcase the best short stories available, just like the classic anthology pulps of yesteryear did.”  Hancock will maintain company control of the magazine, but for all practical purposes Lee Houston, Jr. as of Issue 19 will be the Managing Editor for the two time Pulp Ark award winning magazine from Pro Se Productions!

Learn more about Pro Se at www.pulpmachine.blogspot.com and www.prose-press.com!

THE NEW ADVENTURES OF SENORITA SCORPION DEBUTS FROM PULP OBSCURA!


A fearless Avenger for Justice atop a blazing steed!  The explosive blast of six-guns filling the air, punctuated by the sharp crack of a whip!  A mask protecting the identity of someone fighting for Right in the Old West!  All the elements to make a fantastic Pulp story came together decades ago in tales crafted by a prolific Pulp Writer.  Now PULP OBSCURA, an imprint of Pro Se Productions in conjunction with Altus Press, proudly presents three new tales of this groundbreaking character from Pulp’s Golden Era!

Pulp Obscura’s THE NEW ADVENTURES OF SENORITA SCORPION, featuring Les Savage, Jr.’s Masked Mistress of the Range is now available, adding another stellar star to the lineup of classic, but often forgotten or underrated heroes now living again in Pro Se’s exciting imprint!

Created by Savage in 1944 for Action Stories, Senorita Scorpion is in fact Elgera Douglas, a young lady who became a legendary outlaw defending her family’s land and legacy, the fabled Lost Santiago Mine. Beautiful and deadly. A crack shot. A Fast thinking, daring fighter who is ruthless to those who threaten the land and people under her protection! 

“Senorita Scorpion,” stated Tommy Hancock, Editor in Chief of Pro Se Productions, “is a wonderful character on several levels with so much potential.  Masked heroes in the Wild West have a special place in the heart of fansof all sorts, from Pulps to old time radio to television and beyond.  Senorita Scorpion fits right into the category.  Then add in the fact that not only is this a female lead character created at a time when that wasn’t done very often, but that she was written to be as strong and capable as the very men she stood against.   Les Savage, Jr. gave Pulp fiction a heroine that is just as relevant now as she was in the 1940s and we’re definitely glad to be a part of continuing her adventures!”

Nancy A. Hansen sends Senorita Scorpion into action to the ringing of THE BELLS OF ST. FERDINAND!   Andrea Judy demonstrates that some jail breaks simply need AWOMAN’S TOUCH! And Brad Mengel posts a fantastic bounty with WANTED: SENORITA SCORPION!  Three great writers bring a classic Pulp character galloping back to life in three daring tales of hard riding action and bold adventure! 

From out of the Past comes New Tales of Classic Characters from PULP OBSCURA! With editing by Percival Constantine, an amazing cover by Mike Fyles and Format and Design by Sean Ali, ride alongside the mysterious blond bandit of the Old West in THE NEW ADVENTURES OF SENORITA SCORPION!  Available from Pro Se at https://www.createspace.com/4213804and from Amazon at http://www.amazon.com/The-New-Adventures-Senorita-Scorpion/dp/1483910415/ref=sr_1_1?ie=UTF8&qid=1363749317&sr=8-1&keywords=new+adventures+of+senorita+scorpion! Coming soon in Ebook format!

Also, get two volumes the original adventures of Senorita Scorpion by Les Savage, Jr. reprinted in exquisite collectible editions from Altus Press at http://www.altuspress.com/projects/the-complete-adventures-of-senorita-scorpion-volume-1/ and http://www.altuspress.com/projects/the-complete-adventures-of-senorita-scorpion-volume-2/!

If interested in review copies, interviews or further information, please email Morgan Minor, Pro Se’s Director of Corporate Operations at tommyhancockpulp@yahoo.com 


LEE HOUSTON TRAVELS ELSEWHERE IN THE MULTIVERSE

Lee Houston Jr.

The Nocturne Travel Agency’s Elsewhere In The Multiverse series continues its look at super-hero prose novels. This week, meet New Pulp Author Lee Houston, Jr. and his novel, PROJECT ALPHA novel.

From Elsewhere In The Multiverse:
If you yearn for the Silver Age, when heroes and villains were easily defined, Project: Alpha is for you.  If you miss the old-school space operas where dashing men and beautiful women had two-fisted adventures on strange planets, Project: Alpha is for you.  Lee Houston Jr.’s second series character (The first, Hugh Monn, is a hardboiled detective who plies his trade on a distant planet) is a super-hero/sci-fi mash up that will be a delight for those who want a gentler, less dark adventure for their heroes.  I sat down with Lee to talk about the series, writing and how the face of mainstream comics has changed since we both were younger.

Read the full interview here.

Up next on Elsewhere In The Multiverse is Jeff Deischer.
Stay tuned.

REVIEW: Dick Tracy

Today, comic book fans may recall Warren Beatty’s adaptation of Dick Tracy as a memorable misfire. When it was released in 1990, it was met with, at best, mixed reviews and while it performed respectably at the box office, missed Walt Disney’s estimates so the hoped for franchise was stillborn. Blame could be squarely placed at Beatty’s feet since he had a strangle hold on the film as its director, producer, and star. It got so crazy that poor Kyle Baker had to use only three approved head shots for the 64-page comics adaptation, which stretched even his considerable skills.

We have a great opportunity to reconsider this film now that Disney is releasing it tomorrow on Blu-ray.  One of the things about the production is that Beatty wanted to recreate Chester Gould’s strip as faithfully as possible, which meant he limited the color palette to a mere seven colors, predominantly red, blue, yellow, and green – all the same shade. Surrounding himself with a veteran crew consisting of production designer Richard Sylbert, set decorator Rick Simpson, cinematographer Vittorio Storaro, visual effects supervisors Michael Lloyd and Harrison Ellenshaw, and costume designer Milena Canonero, Beatty got the best looking film possible. The translation was so faithful that mainstream audiences took issue with the look.

What Beatty seemed to forget is that adapting from one medium to another requires certain accommodations and this experiment just didn’t work. In vibrant Blu-ray, after a digital restoration, its sharply garish and not necessarily for the better. What did adapt better were the makeup designs that replicated the grotesque Gould rogues gallery thanks to the ministrations of prosthetic makeup designers John Caglione, Jr. and Doug Drexler.

Only someone as major as Beatty could have corralled the roster of stars to don the latex, including Dustin Hoffman (Mumbles), William Forsythe (Flattop), James Tolkan (Numbers), Mandy Patinkin (88 Keys), R. G. Armstrong (Pruneface), Henry Silva (Influence), Paul Sorvino (Lips Manlis), James Caan (Spuds Spaldoni), Catherine O’Hara (Texie Garcia), and Robert Beecher as (Ribs Mocca). In fact, there are probably half-a-dozen too many of Gould’s creations in the mix, diluting the impact of any one foe especially when they were all under the influence of Al Pacino’s Alphonse “Big Boy” Caprice.

On the side of good there’s Glenne Headly as Tracy’s longtime love, Tess Trueheart; Charlie Korsmo as The Kid, Charles Durning as Chief Brandon, and Dick Van Dyke as District Attorney John Fletcher. Headly’s little girl voice has always annoyed me and she really didn’t have much to do, which meant she was easily eclipsed by the film’s real femme fatale: Madonna as Breathless Mahoney.

The script from Jim Cash and Jack Epps, Jr. is remarkably faithful to the golden era of the strip, with the blood-soaked streets of the big city, and a cops and robbers vibe. The main story involves the Kid witnessing a mob hit from some of Big Boy’s enforcers and the crime lord wants him silenced before a possible trial. And Breathless is the only witness to a kidnapping so Tracy spends quality time with her, where she does her best to seduce the square-jawed hero. And pulling the strings from the shadows is a criminal known only as The Blank, whose true identity is revealed late in the film and may surprise a handful of viewers.

The movie crackles along but even in the rewatching, just lacks a vital spark to make us care or cheer. The story and performances almost take themselves too seriously and when set against the uniquely colorful setting is more jarring than anything else. It’s not a bad film in the end, just not a very exciting one.

The digital restoration needs to be seen to be appreciated and Disney did a lovely job, The Blu-ray comes with a digital copy but neglects to include any extras to strongly recommend its acquisition.

Dennis O’Neil: Can We Be Heroes?

Well! They are certainly biting the dust, aren’t they, these “heroes”? A few weeks ago, I lamented the steroid-fueled fall from grace of that bicycling phenom, Lance Armstrong. And for quite a while we’ve been learning about perverse clergymen who can’t keep their cassocks buttoned and their hands to themselves. Now, we have the sorry spectacle of two of our nation’s high-profile warriors behaving like eighth graders enthralled by their female classmates’ sudden bumpiness. Could they be taking their cues from a rather impressive list of horny congressmen? Don’t know. Is this a matter of national security? Shrug. Are they dumb asses? Well, I have no rocks to throw when it comes to asinine concupiscence, so let us hurry past this and ask the big question: Are they heroes, these horn dogs?

Okay, what’s a “hero,” anyway? The answer, if you don’t mind regressing past a lot of centuries, is that a hero is something pretty close to a god. Heroes first presented themselves in mythology, and often, maybe most of the time, they were half-deity themselves: Gilgamesh and Hercules and that crowd. We worship gods; we venerate heroes. And the need to perform these acts of worship and veneration seems to be pretty deep within us. Our genes seem to like them; every culture seems to have its pantheon of über-beings. Might have some survival value – uniting folks unrelated by blood into a social unit, the better to grow crops and defend against enemies and invent video games.

And here’s where it gets vexing for those of us in the hero business: maybe the time for heroes is almost past. Not just any one hero, or group of heroes, or class of heroes – the very concept of hero. Going, going, gone. Because it’s hard to venerate something you know, in your synapses, does not exist – not just on Olympus, or heaven, but nowhere at all. Which is what contemporary experience is telling us: no Santa Claus, no Easter bunny, no heroes. Now move along…

Oh, there are still plenty of extraordinary feats to admire. Physicists and mathematicians and delving into realities that their forebears didn’t know existed and if you doubt that athletes are amazing, just check out any random season of a major sport or watch the next Olympics. But the “hero” idea has accumulated a lot of baggage over the millennia: our heroes should be noble and honest and honorable and self-sacrificing and, as the Greeks had it, should “serve and protect.” They aren’t any of that – not the ones that exist outside make-believe.

Still, we go to the movies and watch the television and get entertained by heroic figures, so, bottom line, whatever prompts us to hero worship is still with us. And if our heroes are a bit more smudged than those our fathers and grandfathers favored…hey, our air isn’t as clean as theirs, either, and we’re still breathing, at least for a while.

Before I go…did I tell you that I’ve finally seen the new Arrow TV series and…

RECOMMENDED READING: Cat’s Cradle, by Kurt Vonnegut, Jr.

FRIDAY: Martha Thomases

 

DOUBLE HEADER REVIEW-CLASSIC PULP AUTHOR’S COLLECTION A MUST HAVE!

ALL PULP REVIEWS by Ron Fortier
SUSPENSE, SUSPICION & SHOCKERS
By Charles Beckman Jr.
Von Boeckman Fiction Factory Publications
ISBN # 9781479238736
265 pgs.
Several months ago I received an e-mail from a woman named Patti Boeckman. She told me her husband, Charles Boeckman, for most of his life had been a professional pulp writer working in the 40s and 50s under the name of Charles Beckmen.  Between 1945 through to 1975 his short crime stories had appeared in such pulp magazines as Dime Detective, All-Story Detective, Manhunt, Detective Tales to name just a few leading up to many sales in 60s and 70s to Alfred Hitchock’s Mystery Magazine.

A native of Texas, raised during the Great Depression, Charles had two loves; writing and music.  He became a success in both fields.  He taught himself to play saxophone and clarinet and during his travels throughout the south from Texas to Florida he often played with many reputable jazz bands until he formed his own.  In 1990, he earned a star in the South Texas Music Walk of Fame and his band to this day still plays in October Texas Jazz Festival.
What Charles and Patti were unaware of until recently was the resurgence in pulp fiction brought about via the internet which allowed life-long fans and newcomers to come together and begin creating forums to share their love of this escapist literary genre.  Patti, a former school teacher, discovered all this accidently while surfing the web and began to dig deeper into this wonderful phenomenon which invariable led her to the New Pulp Fiction movement.  A smart lady, she jotted down names and e-mail addresses and methodically reached out to many of these “new” pulp enthusiasts and that was how her letter of introduction popped up in my e-mail box.
At that time Patti and Charles were considering collecting many of his crime stories and self-publishing a book.  Hearing this, I, and many of my colleagues, encouraged them to pursue this plan.  The idea of a new collection of authentic pulp tales produced by the actual writer was too good a dream to let slip away.  Then after a few months, Patti wrote again.  This time with the news that they had gone and achieved their objective and the result was this book, “Supsense, Suspicions & Shockers,” by Charles Beckman Jr.  She asked if I would like a copy to review.  That had to be the easiest question I’ve ever answered in my life.
This book, which sports a truly gorgeous cover by amazing Laura Givens, is crammed with twenty-four stories; every single one of them a dazzling display of originality and deft story-telling technique.  Like the finest writers of the pulp era, Beckman had a keen, unerring grasp of human psychology and he employed it like a skillful surgeon carving up plot twists that turn on a time and more often than not, leave the reader both surprised and delighted.  No easy feat.  At the same time, because the book is so packed with stories, a true sense of the times emerges from the pages enveloping the reader taking them on a nostalgic journey back to an American landscape that can only be remembered in such pieces.  And throughout, Beckman’s background in music, especially the vibrancy of New Orleans jazz, is often the spiritual background to his cautionary yarns about desperate men and women struggling to survive in a bleak and desolate world.
Here is a sniveling coward bitten by a rattlesnake facing his own demise with joy, a walking dead man with a hole in his head, a musician being hunted by death itself, a cop after the punk who killed his wife and a husband who believes his devoted wife is about to murder him for absolutely no other reason than to simply do him in.  These are a small sampling of the unique characters that populate Charles Beckman’s fiction and once you’ve met them, I doubt seriously you will ever forget them.  There is a true humanity to these tales that seeks to uncover the good in even the worst of people and thus leaves the reader with a poignant optimistic hope for the future.  
“Suspense, Suspicion & Shockers,” is a genuine treasure trove of great pulp fiction by one of the best writers to ever tap his fingers over the keys of a mechanical typewriter.  There was magic in those fingers and it awaits you in this book.
PS – My copy arrived autographed.
TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock
SUSPENSE, SUSPICION & SHOCKERS
By Charles Beckman Jr.
Von Boeckman Fiction Factory Publications
 Every time I sit down to read a story with the New Pulp label attached to it or one that I just categorize as New Pulp, there’s always a thought that runs through my head.  How will it measure up, I ask myself, to those who came before…those who left us the legacy of Pulp?  When I write, that judgment is even harsher?  Even though I’m not necessarily trying to emulate Dent, Gibson, and the others who made Pulp what it was to me as a young fan, I do, as I put words to paper, think about the Pulp masters who came before…
And now, there’s a new name that’ll be added to that list every time I do it.
Charles Boeckman.
SUSPENSE, SUSPICION, & SHOCKERS is a book published by Boeckman, with assistance from his wife Patti, containing stories ranging from 1945 to 1975, tales that saw printed life in Pulp magazines and digest mags like Alfred Hitchcock, one even being picked up by Screen Gems for a television show.   Billed often as Charles Beckman Jr., this now 91 year old author recently learned that there were still indeed readers and fans, not to mention creators, who collected, discussed, and found inspiration in the Pulp tales of the Past.   Tales just like the 24 he wrote that make up this collection.
Boeckman’s work appeared in a who’s who of classic magazines- Alfred Hitchcock, All- Story Detective, Pursuit, Detective Tales, Dime Detective, Manhunt, and more.  Just as varied as the titles carrying his tales are the stories themselves-ranging from horror to crime to straight mystery to music inspired mayhem.   Drawing on his background as a jazz musician as well as his love for traveling, the author carries his readers through the back alleys of Corpus Christi, down the blues filled streets of New Orleans, to the arid land of Texas, and all around the country, following gangsters, murderers, molls, and ne’er do wells on their way.
Boeckman writes with a starkness, a reality, that wasn’t present very much in the work of most of his contemporaries.  His characters are flawed, many addicted to something, be it marijuana or music, and they make mistakes.   Boeckman also, however, reflects the one wonderful aspect all humanity shares.   That even in the darkest hour, when all hope is lost, a blackened soul might just reach out for the light and do one good thing in an otherwise worthless life.  Simultaneously, Boeckman’s work is dark and moody while also being hopeful and even at times, when you look really hard in the shadows for it, light hearted. 
Another appealing aspect of Boeckman’s SUSPENSE, SUSPICION, & SHOCKERS is the characters themselves.   With all the reading I do of both new and classic stories, I find many I enjoy, but not so many that truly inspire, that make me want to read more of what doesn’t exist, to up my game in ways I can’t understand.   When you meet Boeckman’s Big Lip, Johnny Nickle, Michael OShean, and other citizens that populate this fantastic collection, you’ll know what I mean, especially if you’re an avid Pulp fan and/or creator. 
FIVE OUT FIVE TIPS OF THE HAT- SUSPENSE, SUSPICION, & SHOCKERS by Charles Boeckman, often billed as Charles Beckman, Jr. and published by Boeckman and his wife is a must have for any true Pulp fan…or Crime Fan…or anyone who can read.  Definitely in the top three of books I’ve ever tipped my hat to.

Mindy Newell: Fly Girls

Kelly Sue DeConnick rocks!

Women had made their mark as pilots well before World War II. Amelia Earhart, Jacqueline Cochran, Nancy Harkness Love, Bessie Coleman, and Harriet Quimby were some of the women holding records in aviation.

When war broke out in Europe, Cochran, Harkness and other women went to England to volunteer to fly in the Air Transport Auxiliary, which had been using female pilots as ferriers since 1940. These women were the first American women to fly military aircraft – Spitfires, Typhoons, Hudsons, Mitchells, Bienhams, Oxfords, Walruses, and Sea Otters under combat conditions.

In 1942, now in the war, the United States was in desperate straits for combat pilots. After much political maneuvering and bickering, it was decided to train women as ferry pilots, with Jackie Cochran enlisted to direct the program. 25,000 women applied; only 1,830 were accepted; of these, 1,074 passed the training and became Women’s Airforce Service Pilots, or WASPS. The WASPS flew over 60 million miles, piloting everything from trainers to fighters like the P-47 Thunderbolt and the P-51 Mustangs and the heavy bombers: B-17s, B-26s, and B-29s. They ferried new planes long distances from factories to military bases and departure points across the country. They tested newly overhauled planes. And they towed targets to give ground and air gunners training shooting  – with live ammunition.

In 1959, an independent researcher named William Randolph Lovelace, who was part of the team developing the tests for NASA’s first male astronauts (who became known as the Mercury 7 – see or read The Right Stuff) became interested in finding how women would stand up to the same conditions; in 1960, he invited accomplished pilot Geraldlyn “Jerrie” Cobb to submit herself to this challenge.

The tests ranged from general physicals and X-rays to weird things like swallowing a rubber tube to test stomach acids, undergoing electrical shocks to test the ulnar nerve (found in the forearm), having ice water shot into their ears to test vertigo and reaction time, and dozens of other weird oddities. (See or read The Right Stuff to get an idea of the regimen.)

She became the first American woman to undergo and pass all three phases of the testing.

19 more women were invited into Lovelace’s program, which was funded by WASP director Jacqueline Cochran.

13 passed.

They became known as the Mercury 13.

I bring this up because writer Kelly Sue DeConnick is doing something remarkable in the new Captain Marvel series. Without publicity or blowing of trumpets, DeConnick is rewriting the possibilities – no, the actualities – of “women in comics.”  Using the proud history of women in aviation, including the WASPs and the Mercury 13, DeConnick and her team, which includes artist Dexter Soy and editor Stephen Wacker, are presenting women who are just as smart, just as stupid, just as capable, just as frightened, just as full of bravado, just as confused, just as sure-minded, and just as fucked-up as any of their male counterparts.

Oh! I have slipped the surly bonds of Earth


And danced the skies on laughter-silvered wings;


Sunward I’ve climbed, and joined the tumbling mirth


of sun-split clouds, – and done a hundred things


You have not dreamed of – wheeled and soared and swung


High in the sunlit silence. Hov’ring there,


I’ve chased the shouting wind along, and flung

My eager craft through footless halls of air….



High Flight

John Gillepsie Magee, Jr.

By the way, Captain Marvel rocks!

Fly, girl, fly!!

TUESDAY MORNING: Emily S. Whitten, Neil Gaiman and Michael Chabon

TUESDAY EVENING: Michael Davis In France

 

Mike Gold: Passion and Wonder

Astronaut Neil Armstrong’s death last week at 82 brings to mind… well, an awful lot of stuff. If I were to put it all in one folder, I would name that folder “Passion and Wonder.”

Passion is the binding force of our lives. Wonder is what keeps us moving forward, what propels us into the future. Passion and wonder combine to create the most vital force in nature.

Passion plus wonder is a formula. Passion plus wonder equals H.G. Wells. Passion plus wonder equals Alice Guy-Blaché. Jerry Siegel and Joe Shuster. Nicola Tesla. Bessie Coleman. George Washington Carver. Ray Bradbury. Jack Kirby. Terry Gilliam. Michael Jordan. Sinead O’Conner. Alan Moore. Passion plus wonder equals Harlan Ellison. Martin Luther King, Jr.

Passion plus wonder equals Neil Armstrong.

If not for passion and wonder, our 21st Century would look exactly like Galileo’s father’s 16th Century. Most of us would be living in small villages, never venturing more than 25 miles from the place of our birth. Not that it would be boring; avoiding boredom requires a sense of wonder.

Our culture tends to encourage and, upon occasion, even honor creativity. We are very lucky – previous generations received less support… if any. If you have the passion and the sense of wonder to go out there and create, you have the obligation to do so – both to yourself and to society.

Pursue your passion and create.

It does not take courage. Courage is a retroactive designation for the act of putting one foot in front of the other and finishing something. It’s not up to you to determine its ultimate value. Your job is to pursue your passion, employing your sense of wonder. Posterity is in the eye of the next generation.

Neil Armstrong already stepped on the Moon. You must step into the future.

THURSDAY: Dennis O’Neil – You Don’t Exist

PRO SE RELEASES FIRST OMNIBUS! THE FAMILY GRACE FROM REESE UNLIMITED!

Pro Se Productions, a leading Publisher in the New Pulp Movement, proudly announces the release of its latest volume, the first of a new size and type of books from Pro Se.  THE FAMILY GRACE: AN EXTRAORDINARY HISTORY is the first extra sized omnibus edition of a writer’s works produced by Pro Se Productions!

From a leading New Pulp Author comes The First Family of Adventure! Barry Reese, creator of the Rook, Lazarus Gray, and more brings together the classic early adventures of a cast of characters that are truly a family. THE FAMILY GRACE: AN EXTRAORDINARY HISTORY collects the hair raising, action packed tales of Eobard Grace and his family of adventurers, always on the edge of Hell ready to save the world!

Featuring stories that have never appeared together in one volume, THE FAMILY GRACE is an omnibus spotlighting Barry’s creativity and skill at universe building! And features his seminal creation, THE ROOK!

This volume is also the first omnibus under Barry’s own imprint, Reese Unlimited! Featuring stunning cover and logo work by George Sellas and fantastic design by Sean Ali as well as being newly edited by Lee Houston, Jr., THE FAMILY GRACE: AN EXTRAORDINARY HISTORY is full of all the best action, adventure, chills, and thrills New Pulp has to offer! From Reese Unlimited and Pro Se Press- Puttin’ The Monthly Back Into Pulp!

Available at www.prosepulp.com and on Amazon at http://tinyurl.com/dx9htec and other retailers soon!  Also coming soon in an omnibus e-book edition!

PRO SE PRESENTS LATEST TITLES AS E-BOOKS ON AMAZON AND MORE!

PULPTRESS, ARMLESS O’NEIL, AND PROJECT ALPHA AVAILABLE AS E-BOOKS!
Pro Se Productions, a leading Publisher in New Pulp, proudly announces the release of three of its latest titles in Ebook format! 
BLOOD-THE PRICE OF MISSIONARY’S GOLD- THE NEW ADVENTURES OF ARMLESS O’NEIL- In the Heart of the Dark Continent, the Man Known as Armless O’Neil Hunts for Legendary Treasures, but Discovers a World of Shadowy Secrets, Wild Danger, and Sensational Adventure! Thrill to Five Fantastic Stories of Savage Mystery, Amazing Action, and Incredible Excitement from Sean Taylor, Nick Ahlhelm, R. P. Steeves, I. A. Watson, and Chuck Miller! Follow Armless O’Neil as he makes his way in bold new stories from the finest in New Pulp today! Featuring a stunning cover by Mike Fyles and wonderful cover design by Sean Ali as well as excellent interior design by Matt Moring (Print) and Russ Anderson (Ebook), Pulp Obscura Proudly Presents Blood-Price of the Missionary’s Gold: The New Adventures of Armless O’Neil! From Pro Se Productions in conjunction with Altus Press! ONLY $2.99!
PROJECT ALPHA- PROJECT ALPHA from Lee Houston, Jr. is a prose love letter to the wonder, magic, awe, and power of Silver Age Comics!

 The once peaceful planet of Shambala is on the verge of extinction. A menace of their own creation now considers himself the high and mighty ruler of all, determined to have the realm of his dreams regardless of the cost to others.  

Now the scientist responsible for the danger seeks to perform the experiment again on another world. But this planet is home to a far more primitive culture than his own. 

Even if he is successful, can ALPHA save Shambala before it’s too late? 

Lee Houston, Jr. presents an incredible new hero embarking on an amazing adventure that will push him to the limits of his newfound abilities and beyond! ONLY $2.99!
THE PULPTRESS- She appears, an enigma, a guardian angel in a mask and fedora, her past shrouded in mystery. Where did she come from? What secrets in her past drove her to become a crusader for justice? Who is The Pulptress? This masked woman of mystery, makes her debut on the New Pulp scene in a collection of stories sure to thrill and amaze you. Leading off with an introduction by The Pulptress’ creator, Tommy Hancock, this collection features stories by Terry Alexander, Ron Fortier, Erwin K. Roberts, Andrea Judy, and Tommy Hancock! With a fantastic cover by Mitch Foust and beautiful design work by Sean Ali, this collection is a must have! It’s time You met The First Lady of New Pulp! The Pulptress! From Pro Se Productions! ONLY $1.99!
Each E-book, wonderfully designed by Pro Se’s own Russ Anderson, is available for the Kindle at www.Amazon.com, for the Nook at www.barnesandnoble.com, and in multiple formats at www.smashwords.com!
Pro Se Productions- Puttin’ the Monthly Back Into Pulp!