Tagged: John Ostrander

JOHN OSTRANDER: That’s A (TV) Wrap Part 1

It’s May which means, out in TV-land, it’s the final sweeps period of the season. Yeah, a few of the final shows have yet to air but I might as well look back on what I liked/disliked over the past season. This may not be what you watched, liked or disliked but, hey, it’s my column.

Battlestar Galactica. I finally succumbed and started looking in on the series. I’d been afraid that it would be too dense at this point, that there was too much backstory, to be accessible to late viewers like myself but I found I was able to pick things up as I went. Yes, it would be better if I knew more of the backstory and I plan on picking up the DVDs but I’ve gotten into the series. I’m not certain why finding Earth is such a good idea for these people or why so much of their culture seems to be very post-1940’s American culture but I’m willing to hang in and find out. Yes, I liked it overall.

Boston Legal. A tip of the hat to ComicMix head inmate Mike Gold for getting me to watch this series. Mary and I started watching late last season and it’s become one of our favorites. I was resistant because I’m not really a big David E. Kelley fan but this show causes me to laugh out loud. It makes brilliant use of some old pros – James Spader, Rene Aubenjois, Candace Bergen, and the simply amazing William Shatner – as it talks about current issues, goes consistently over the top, touches the heart and simply entertains me more than almost any other show in a given week.

Deadwood. Big fan of this show and I can’t tell you how pissed off I am that HBO didn’t let it continue. Yeah, they talked about two movies to finish it up but a) that’s not the same and b) I haven’t heard that those are actually going forward. Creator David Milch had said that the concept was the advance of civilization as seen through the focus of the town of Deadwood, South Dakota, originally a boom camp for the gold found in the hills nearby. Real historical figures intermingled with totally fictional creations much the same way real history was mingled with a lot of inventive writing (and serious profanity). It’s not a technique unknown to me; I did the much the same thing when I wrote my historical graphic novel The Kents. The show boasted some fine performances topped by Ian McShane’s incendiary Al Swearingen.

All that said, I have to confess that Season 3 turned out to be a disappointment to me. The through line was the gradual take-over of the town by George Hearst (given a dynamite performance by Gerald McRaney). Hearst was an actual historical figure, the farther of William Randolph Hearst who, in turn, was a model for Orson Welles’ Citizen Kane, and that was both the attraction and the problem. The actual Hearst himself never visited Deadwood, so far as my researches showed, although he did wind up owning several big mines there.

The problem in Season 3, for me, was that it was headed for an almost apocalyptic showdown between Hearst and his men versus the citizens of the town who, although usually at violent odds with one another, were brought together by a common threat. The season built in tension to what should have been a staggering climax and then – Hearst simply decides to leave town. Go on to his next location. The tension dribbles away.

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Ostrander scores with Suicide

Ostrander scores with Suicide

Our old pal John Ostrander, along with our old pals Luke McDonnell and Karl Kesel, are getting DC’s phonebook treatment as Showcase Presents The Suicide Squad is about to pop up on their schedule – just in time for John’s brand-new Suicide Squad mini-series.

If this event looks to you like a ComicMix staff meeting, you wouldn’t be far off the mark. Suicide Squad was written by our columnist/contributor Mr. Ostrander and it was edited by our columnist/contributor Mr. Greenberger. And the series was a spin-off from the classic Legends mini-series edited by columnist/EIC Mr. Yours Truly.

Pretty cool, John. It’s rather rare for DC to run material from the past 20 years in their Showcase Presents series!

The helfy tome will be out the first week in November.

Artwork copyright DC Comics. All Rights Reserved. Artwork by Howard Chaykin. John Ostrander did not contribute to this item, and no animals were harmed in its production, although one committed– aw, you guessed.

Our weekly haul

Our weekly haul

By the time this posts I should be nearing my comic shop (which I’m visiting for the first time in ages) to pick up the last couple weeks’ worth of comics, so why not treat y’all to the last week of ComicMix columns first?:

And crank up that MP3 player for Mellifluous Mike Raub‘s most recent podcasts:

That should keep us all pretty busy for awhile!

A mother of a week

A mother of a week

Friday the 13th done fall on a Sunday this month, so we’re off to celebrate Mom’s Day with family members.  But first, here’s our round-up of regular weekly columns, now including our weekend regulars:

Don’t forget to check out the debut column from Ric Meyers, DVD Xtra #1: The Thai’s have it, and of course our regular weekly podcasts, courtesy of Mellifluous Mike Raub:

Happy Mother’s Day, everybody!

JOHN OSTRANDER: The Secret Death of Bees

Okay, I’m officially getting freaked out now.

It started with a small remark from the redoubtable Bill Moyers when he appeared on Bill Maher’s Real Time show on HBO. I started to do some research based on his remarks and it came to a head recently with an MSNBC report on their website. It’s a real life event called “Colony Collapse Syndrome.” What’s it about?

The sudden death of honeybees.

“And this affects me – how?” you might ask. “I don’t use honey. I’m strictly a Splenda man. (Or woman.)” The fact is, a lot of food crops need to be cross-pollinated to come to maturity and the principle way of doing it is with the honeybee. About one-third of the American diet depends on cross-pollination and the honeybees that do the job are dying out and nobody really knows why.

According to the MSNBC article, 80% of the cotton crop is pollinated by commercial honeybees. Same for 50% of the soybean crop. Use cotton or soybeans much? 60% of the alfalfa crop is pollinated the same way. Alfalfa hay is a staple for cows – low cost, good nutrition for the bovines. Drink milk? Having a Big Mac attack? Scarcity of an item increases its price and you can bet a jump in the price of alfalfa hay will be passed on to the consumer. Same for cotton or anything made with soybeans. How much do you feel like paying for your jeans? I haven’t even gotten into the fruit and nut cross-pollination done by bees – almonds, for example, are 100% dependent on bee pollination.

Cereal grains aren’t affected so we wouldn’t starve. We’d have to do without a number of items, though, or pay a heck of a lot more for them. Oranges, grapefruit, and tangerines, for example, are all 90% dependent on commercial honeybees for the cross-pollination. You could have your Cheerios in the morning but having milk to put on them or an OJ to go with it might be tougher to get or a lot more expensive to use.

As my Mary, a farmer’s daughter, also pointed out to me, alfalfa, soybean and clover crops (clover is also cross-pollinated) put nitrogen back into the soil. Very important in crop rotation. If you just plant corn all the time, you deplete the soil and – wham! – you’re headed for a dust bowl situation. There are indirect as well as direct effects from the death of honeybees.

What’s really weird is what’s happening with the hives. The onset is sudden. The beekeepers, after a few days, find that a hive suddenly is empty except for the queen and some very young workers. Bees don’t do that. They protect the hive at all costs. In the case of hives afflicted with CCD, the workers just disappeared.

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May sweeps at ComicMix

May sweeps at ComicMix

We’d like to welcome Michael A. Price to the Mix — see his Forgotten Horrors #1 below.  It’s always nice to have another contributor take the heat off an overworked news editor!  Between him and Martha (who’s occasional column now has a name, Brilliant Disguise) and Robert and Matt and Glenn, I’m starting to lose count…) Here’s our round-up of regular weekly columns:

Mellifluous Mike Raub‘s podcasts keep getting Bigger and Broader:

And don’t forget our very special premiere videocast, in which EIC Mike Gold hints at greater things to come…

JOHN OSTRANDER: You say it’s my birthday

I share my recent birthday with a bunch of notables; unfortunately, the most famous is Adolf Hitler. I thought it would be it would be good to use the day in part for some ruminations – where I am, where I’ve been, what I foresee, fear, et al. Actually, I can do that any day of the year; a birthday is really just a number and some of what we ascribe to that date is arbitrary. Still, might as well make use of what we got.

One thing that is about my birthday fixed is that I share it with my twin brother, Joel. Joe and I are fraternal twins; we don’t look alike, sound alike or even sometimes think alike. Joe is a conservative Republican and I decidedly am not. Joe is a life member of the NRA; I decidedly am not.

However, when I called him on our shared birthday – which I always do – he picked up the phone and started doing his Elmer Fudd imitation, which I also did. It’s the way we start every phone conversation, usually with Elmer singing something inappropriate. We’ve been doing this long before Robin Williams did. We agree that Elmer is vastly unappreciated and has an extraordinary range, from the Stones and Springsteen to show tunes (he has an affinity for Lerner and Lowe – Fudd doing “Why Can’t the English Teach Their Children How To Speak?” from My Fair Lady may be the definitive rendering of that song). He also can do Shakespeare, especially Hamlet, and could play Stanley in Tennessee Williams’ A Streetcar Named Desire; “Stehwwwwwaaaaaa!”

That is part of what forms me – family. In addition to Joe I have three sisters – Marge, Jane, and Pat. All wonderful people and all of them have dirt on me – as I do on them. I have an Aunt Helen who is going to 100 years old in June; her father also lived to be 100. So there is that in my DNA, although my father died much younger than that.

We lived across the street from the Roman Catholic church that I attended; I literally played in its shadow. While these days I am something on an agnostic – my gag is that I’m not dogmatic about it – I am very specifically a Roman Catholic agnostic. The god I have questions about is the image formed by the Roman Catholic upbringing. I was raised pre-Vatican II, back in the days when the Masses were in Latin. That also may be in my DNA.

I’m one of the baby boomer generation. I can’t quite remember a time before television but I remember a time when it was all in black and white. I can still reel off the names of most of my favorite shows – Zorro, Rocky and Bullwinkle, Ernie Kovacs (I was a strange kid), Fractured Flickers, Beany and Cecil, Garfield Goose (a Chicago kids TV show), Jack Paar when he had on Oscar Levant or Jonathan Winters (I was a very strange kid) and others. I remember the British invasion; as an early teen, I ushered at the Beatles concerts in Chicago. I was resistant to the Beatles until I saw A Hard Days Night; that’s when I became a fan. All part of my cultural DNA.

I got into theater because a Catholic girls H.S. was looking for boys to be part of their next production. A girl I liked attended that school and – well, c’mon. Being one of a few boys inside a girls’ high school? Of course you’re going to go there. I almost never saw the girl but the teacher/director – Mrs. Crawford – thought I had potential. I discovered the stage and that would form a great part of my life for the next almost twenty years. It also helped make me into the writer I am today.

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Sunday go-to-reading day

Sunday go-to-reading day

  • News
  • April 29, 2007

Where has the week gone?  We’re still not recovered from the last few 9to5’s of our day job, so it’s a good thing we have Sunday to peruse all the regular ComicMix columns from this past week:

Okay, we confess, we actually read all of those already.  We even wrote one.  But listening time has been nonexistent, so today’s activity will definitely consist of getting up to speed with Mellifluous Mike Raub‘s last three podcasts:

Now that I’ve switched back to first-person singular and taken care of the review of and visuals from yesterday’s Kids’ Comic Con (see below), I’ll be awaiting the Pittsburgh news from the rest of the crew whilst I spend the rest of the day catching you up on all the items I haven’t had time to write for the past few days…

JOHN OSTRANDER: Odd Delights

  • News
  • April 26, 2007

I hesitate to recommend films these days – what I like you may well loathe. That said – having burdened you with a collection of “perverse pleasures” recently, I thought I’d devote this column to films that I own that I truly do enjoy, that I think are good films, and which you may not know.

Get Crazy is a 1983 film from Allan Arkush, who also directed the cult classic Rock And Roll High School and is an executive producer of Heroes. I came across it in the company of Timothy Truman while we were at a convention. We were staying at a distributor’s house and were too tired after the day’s proceedings to move. The distributor had the (then) novelty of projection screen TV and cable and Tim and I had a few beers as Get Crazy came across the screen. It sucked us in. At the time, we couldn’t decide if it was the beers or because we were exhausted but it seemed to us to be one of the funniest movies ever made. I’ve watched it many times since and it wasn’t the beers or the exhaustion; this is a damn funny film.

IMDB posts this plot synopsis of the film: “Mega-promoter Colin Beverly plans to sabotage the New Year’s 1983 concert of small-time operator Max Wolfe. Wolfe’s assistants Neil Allen and Willie Loman find romance while trying to save the drugs, violence, and rock and roll from Beverly’s schemes.” Fair enough so far as it goes but it barely scratches the surface.

To start off with, Colin Beverly is played by white-on-white Ed Begley Jr. in a terrifically manic mode. In a stroke of brilliance, his two henchman are played by two former teen idols, Bobby Sherman and Fabian Forte. That is hip, intelligent casting and a great joke in and of itself. The movie is full of little nods like that. Lee Ving, the frontsman for the punk band Fear, plays a punk musician called Piggy who has to be chained up when not performing. (Ving was also in another fave film of Brother Tim and myself, Streets of Fire.) Howard Kaylan of The Turtles plays a Jerry Garcia-ish Captain Sky. You don’t have to get all the in-jokes and references for the movie to work but boy do they add to the movie.

Malcolm McDowell plays Reggie Wanker, who is an amalgam of Rod Stewart and Mick Jagger. One of his band mates – Toad – is played by John Densmore of The Doors. How damn hip do you want a movie to be? And he looks so much like Keith Richards in the film, he could be Keith’s long lost brother. One of the best scenes is late in the movie when Wanker has a talk with himself in the men’s room after getting very high. I can’t tell you why without spoiling the joke but, trust me, it’s LOL funny.

But the absolute best guest shot has to be Lou Reed playing a character named Auden who is heavily modeled on Bob Dylan circa 1983. The in-joke is that you have a recluse (at the time) playing a greater recluse (at the time). Even if you don’t know the reference, the part is written and performed as to have its own laughs. Plus, Reed has a great song by the end of the film, "My Little Sister."

There’s others such as Paul Bartel of Eating Raoul in a bit part as Max’s doctor, Bill Henderson as King Blues and Franklin Ajaye as his driver, and more. There’s tons of music including at last three versions of “Hoochie Koochie Man.” And as much schtick as in any Police Squad movie.

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Down to Earth catch-up

Down to Earth catch-up

  • News
  • April 22, 2007

Happy Earth Day!  Hope you’re all recycling your comics at your nearest libraries, hospitals, etc.  And speaking of recycling, here are our regular columns from this past week:

I’m going to listen to Mellifluous Mike Raub‘s latest podcasts at my Mom’s house here in the wilds of the Jersey shore area:

Mom may be reading the Sunday paper today but I’ll take Earth-friendly pixels any time; save me them trees!

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