Tagged: Joe Ahearn

Ed Catto: Play Nice in the Toybox

He never made a comic. He never created a TV show. He never even went to a comic convention. But his impact on Geek Media was profound.

Without him, toy store aisles would be very different. Without him, comic shops would be very different. Without him, licensing deals would not be where they are today. And if he didn’t do what he did, millions of children would have had very different childhoods.

Last week, the news broke that the creator of Captain Action and GI Joe, Stan Weston, had died.

Creating GI Joe – and creating a category

Stan’s biggest idea was to create what would become the action figure category. He had this idea to transform the 12” Barbie Fashion Dolls into a something for boys. Just as the 1960s Barbie could transform, via a simple costume change, from a fashion model to a teacher to a nurse, he envisioned a soldier who could shift from an infantry man to a Navy diver to a fighter pilot.

At that time, the idea to create a Barbie Doll for boys was a radical one. Boys might play with soldiers, but never dolls. In the sixties, I remember my grandfather, who’s approval meant the world to me, get confused about his grandsons playing with dolls. We tried to explain how off-base he was, but someone from his generation just couldn’t wrap his head around it.

It was a big deal. And with a series of comic book ads drawn by Irv Novick, GI Joe became the next big thing for a generation of young boys

Captain Action

Captain Action was Stan’s “next idea” after GI Joe. While GI Joe could change from a soldier into a frogman, or an astronaut, Captain Action could change into different superheroes. And the amazing thing was, Captain Action could change into different heroes who were owned by different corporations. He could change into Marvel Comics heroes like Captain America or Sgt. Fury. He could change into King Features heroes like The Phantom or Flash Gordon. He could even change into the NPP characters, owned today by Warner Bros’ DC Comics.

Paul Gulacy is the only artist to draw covers for both GI Joe and Capt. Action.

He explained to me that it was “easy.” They’d just hop into NYC cabs, have a meeting, ask the secretary to type up the contract and a carbon copy and they’d be all set to go.

It was simple idea that wasn’t capitalized upon before this. Kids would mix-and-match the toys in their toy box for creative play. Why couldn’t they mix-and-match the toys in one particular toy line too?

Contrasting those Mad Men days with the complexity of finalizing deals now makes today’s licensing executives want to cry. No lawyers. No emails. No conference calls. No style guides. Just a firm handshake, a focus and a little personal integrity.

Stan Weston wasn’t a one-trick pony. He did a lot of other things that become the favorite things of a lot of people. He was involved in ventures that included everything from Nintendo to Thundercats to Farrah Fawcett.

Passing the Torch

When my business partner, Joe Ahearn, and I acquired the Captain Action property, I had the opportunity to speak with Stan. He was everything you’d want him to be. He was gracious, and confident and so very encouraging. His whole attitude towards our acquisition of Captain Action was, “Wonderful! You boys have fun with that! Make some money and have some fun!”

I had an idea that Stan should be a guest of honor at New York Comic Con. I think it would have been fantastic for fans and especially for Stan. Sadly, at that point, he was living in France and was reluctant to add more travel to his schedule. In retrospect, perhaps I should have pushed harder.

But like so many of the iconic comic creators, or a guy like Chuck Berry, Stan would not reap the financial rewards of his category-creating ideas. He’d take a run at re-negotiating/re-litigating with Hasbro, the company that grew out of the little toy company started by the Hassenfeld Brothers. Hasbro had grown into the behemoth it is today based upon, in no small part, the success of Stan’s ideas. But those agreements aren’t public knowledge and it’s unclear where it all ended up.

Weston, and his heirs will have to just take pride in the worldwide industry established, innumerable jobs created and countless hours of fun resulting from a few great Stan Weston ideas.

Ed Catto: Neal Adams’ Mighty Team-Ups!

Geek Culture, unlike other passion businesses like sports or music, affords fans the opportunity to collaborate with fellow fans and rub elbows with professionals. I’d argue that it’s unique to this industry.

For example, music fans would find it difficult to imagine playing with Mick Jagger or Sir Paul McCartney. Oh, you might see them in concert, but to really spend time with them probably isn’t going to happen.

Likewise, even if I was a big football fan, I couldn’t realistically plan a way to spend quality time with an NFL Superstar. I did briefly meet football legends Larry Czonka and Rocky Bleier back in the 70s, but hey, that was the 70s.

But Geek Culture is different. There are so many opportunities for fans to meet their favorite creators. Like super hero movies, comic conventions are sprouting up just about everywhere.

With all these new conventions, and the inevitable competition for available weekends, I’m thrilled that our invitations to talent for Syracuse’s Salt City Comic-Con were so well received. This show has quickly developed a very impressive guest list. I anticipate it will be a fantastic opportunity for all kinds of fans to meet many of their favorite folks.

The legendary Neal Adams will be one of the creators attending. He’s a guy who’s been contributing groundbreaking art for many years. He’s also been a trailblazer – with his own entrepreneurial efforts and on behalf of creator’s rights. He seems to love conventions. He brightens up with a big smile and genuinely enjoys meeting his fans.

For this convention, Adams created a variant convention exclusive. The cover to this comic showcases Batman, the Teenage Mutant Ninja Turtles and (for the first time on a comic cover) Syracuse’s iconic Niagara Mohawk building.

I’m a big Batman fan from way back, so collaborating with Neal Adams, IDW, DC and the convention to create this Batman cover was really fun.

The more I thought about it, though, this was fun because it wasn’t really a Batman cover. This was going to be, essentially, a Brave and the Bold cover. B&B, as we called it back in the day, was a long-running comic series showcasing Batman with all his super hero pals. It was always an engaging read and was a strong seller for DC as well.

Neal Adams worked on many of the early issues of B&B, but he has always been good at team-up covers. He’s great at capturing diverse characters and making them work together.

Neal Adams has also illustrated quite a few Marvel Team-Up covers to, as you can see on the top of this column.

All this got me thinking, “What would this special Batman/TMNT cover have looked like if it was published in the 60s or the 70s?” My Captain Action business partner, Joe Ahearn, brought my ideas to life with a faux Brave and the Bold 60s cover:

 

We then took it one step further and created an imaginary cover with a funky 70s vibe:As a marketing consultant, I collaborate a lot. Collaborations are fun – be it on work projects, fan projects or even comic book covers. Especially comic book covers, now that I think about it

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And if you like “Imaginary” team-up covers, might I recommend the clever SuperTeamFamily: The Lost Issues site at https://braveandboldlost.blogspot.com And for more information on that Batman/TMNT variant, just check out SyracuseComicCon.com .