Tagged: James Bond

Mike Gold: Oh, Time-Lord! Abuse Me! Abuse Me!

Gold Art 130529Yeah, I’m gonna get political on your ass. Pop culture and politics; gasoline and fire.

I do not know which is worse: the self-victimization that we call being “politically correct” or the rampant naval-snorting of the cloistered elite. I do know there’s a book coming out this August called Doctor Who And Race, and it couldn’t be more full of shit if it had been printed on toilet paper.

Here’s the bird’s-eye lowdown on the book: a bunch of narcissistic holy-holy academicians got together to prove they are smarter than you are by writing a whole bunch of essays that definitively declare the 50-year old television phenomenon Doctor Who to be racist and, oh yeah, sexist.

What evidence do they offer? Their central point is that the lead character, the Doctor, is a white male and has remained that way despite many “regenerations.” To tell the truth, each incarnation of the Doctor also was humanoid, so it follows that the hundreds of producers, script editors, directors, actors and writers, lo these many years, are also anti-space alien. After all, the Doctor clearly favors Earth humans over such space alien races as, oh, say, the Daleks. When’s he going to regenerate into a being made of anti-matter?

(By the way, I am compelled to point out that the phrase “space alien” is amazingly stupid, and if you don’t use it when referring to all those outworlders out there, you are not necessarily prejudiced against Mexicans or the Irish.)

Verity LambertNow I don’t know if Gallifreyans are capable of changing sex and/or race upon regeneration. I’d be perfectly fine if Doctor Twelve were a woman and/or of a different race. Way back in 1963, the original producer of Doctor Who was a woman named Verity Lambert. Can we stop for a minute and appreciate just how revolutionary that was back in the day? She produced the first 86 episodes, moving on to other projects in 1965. There weren’t a lot of women producing television series back then. Or today, for that matter.

Integral to the show are its co-stars, often referred to as companions. Since Elisabeth Sladen was cast as Sarah Jane Smith in the early 1970s, the women who have labored alongside the Doctor have been strong professionals who were much more than set decoration and “save me” victims. Indeed, that tradition actually got its start with the very first episode, with the highly intelligent and cosmically capable Susan Foreman, played by Carole Ann Ford. That, too, was a big deal in 1963.

Since its highly successful revival in 2005, the TARDIS has opened its blue doors to black co-stars and to women co-stars, and even to a black woman co-star. And to many actors of differing origins, reflecting contemporary sensibilities.

This book also cites the 36-year old episode “The Talons Of Weng-Chiang” as proof of the program’s racism because the villain was a Chinese man who was played by a white dude. Well, there’s no argument that Asians have gotten the short end of the stick when it comes to casting decisions, but in 1977 casting white people was more than merely the norm. It’s like slamming Kabuki for not having employed enough women.

Yes, indeed, the lead actor has always been a white male. That doesn’t mean it always will be, unless there’s something about Gallifreyan physiognomy that I don’t understand (and, doubtless, there’s a lot about Gallifreyan physiognomy that I don’t understand). But, deal with this absolute fact, you simpering monkeys of myopia and self-hatred: there is nothing inherently wrong with being a white male. If you are looking to create a new apartheid for that species, you are as disgusting and as morally diseased as those you blanketly define as racist and sexist.

Hey, do you know which other white British male has been around for a half-century? James Bond, as in the James Bond movie franchise. And in all those movies, not once have they cast anybody except a white British male in the lead. Not a single actor from Togo has been above the title. What’s up with that? Clearly, producer Barbara Broccoli is a racist, sexist pig.

Here’s the rub. Around the year 2063, bunch of professors and self-endowed intellectuals are going to rip you a new asshole because you were astonishingly insensitive to groups of people and to ways of thinking that presently are beyond your ken. This will happen; our history makes this perfectly clear. So pull your head out of your own vomit and realize you are no better than anyone else.

Bottom line: if you’re looking to feel your exploitation, start by looking in the mirror.

WEDNESDAY AFTERNOON: Mindy Newell

THURSDAY MORNING: Dennis O’Neil

 

Martha Thomases Boldly Goes…

Thomases Art 120524Some random thoughts about Star Trek: Into Darkness.

I loved the original series when it started on NBC in 1966. It was around the time I started to read science fiction, so it felt incredibly reinforcing to see my newly beloved genre on a screen in my home. I thrilled to the smart plots, and didn’t care about the cheesy special effects. There weren’t any other kind on television at the time. I loved the banter among the leads, especially from my favorite character, “Bones” McCoy. I complained as loudly as a teenage girl can complain when it was cancelled. That said, I only watched it in syndication sporadically, and I never got into any of the sequels.

Not even the one with Scott Bakula, whom I adore.

So when J. J. Abrams was tasked with reinventing the franchise, I wasn’t too upset. If he took liberties, he took liberties. Either the movies would be good, or they wouldn’t. As someone who read all the Ian Fleming Bond books and has seen every James Bond movie, even the terrible later Roger Moore ones, I have a pretty strong stomach for filmmakers who take liberties with their source material.

Kirk is really a macho asshole, isn’t he? I mean, you could tell from the original series, but it was the 1960s, and macho assholes were all the rage. It was really obvious in this movie. Yeah, he learned a lesson, and grew as a human being, but I suspect he would still be really annoying to sit next to on an airplane.

Bones may still be my favorite. In this particular movie, he was stuck regurgitating all the catch phrases, and yet Karl Urban still manages to maintain his poise. Not easy. Just ask Joe Biden.

A few female characters were actually allowed to have story lines, or at least the inference that, if we looked at the story from another viewpoint, they would be the heroic characters. Zoe Saldana as Uhura is especially brave. It’s as if her life is about more than just being in a relationship with Spock.

I would hope this is an indication of the film makers’ perspectives. Fringe had a female protagonist, as do many other 21st century entertainments.

Certainly, the women on Game of Thrones are the most compelling characters, and that’s one of the top-ten highest rated programs on television. There is money to be made with giving women in the audience someone to admire. Yay, capitalism!

A lot of the reason I went to see this movie in the theater, instead of waiting for it to show up on cable, was Benedict Cumberbatch. He is a wonderful villain, just as he is a fantastic protagonist. And he’s a commanding presence on screen, except sometimes I get distracted because he reminds me of Neil Gaiman .

I am not the only person distracted, although not everyone thinks he looks like Neil. Some are reminded of others.

As the summer goes on, and more blockbuster movies open, you could do worse than spend a couple of hours on the Enterprise. Live long and prosper, my friends.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

Dennis O’Neil: Iron Man Grows Up

O'Neil Art 130516I think I know what I liked about Tony Stark when I first encountered him back in Cape Girardeau. I was a cheap-seats journalist who was just rediscovering comic books after forgetting about them for more than a decade, spinning the rack at the drug store, scanning the displays in the bus terminal, killing time in a strange town by reading these relics of my childhood. And liking them.

I particularly enjoyed some of the mags that bore the Marvel Comics logo, and among these, staple-to-staple with Spider-Man, The Hulk, The Avengers – the beginnings of Marvel pantheon – was Tales of Suspense, a title that delivered two stories, two heroes. These were Captain America, a super-patriot I dimly remember enjoying when I was six or seven, and a new guy, Iron Man. His other name was Tony Stark.

There was a lot not to like about ol’ shellhead, as he was sometimes called. Let me count the ways… He was an arms dealer and, to a peacenik like I was, arms dealers belonged somewhere deep in hell. He was a capitalist. (Okay, nowhere near as bad as being an arms dealer, but I did not count the Rockefellers among my role models.) He was a technologist and, like a lot of hippie-types, I did not trust technology. (There is evidence that technology has been exacting revenge ever since. Note to technology: I was wrong, okay?) And finally: it was suggested, though maybe not much shown, that our Tony was both a conspicuous consumer and a womanizer. Two more nixes.

A lot not to like.

But he got his powers from a device he invented to deal with a heart damaged by shrapnel. For some reason, that appealed to me. I’m pretty sure that I’d never read the story of the centaur Chiron – Catholic schools in the 50s were not big on “pagan” mythology – and so I didn’t know the tale of the half-man/half-beast who was wounded by a venom-tipped arrow and could never be healed. Chiron was a great teacher but what qualifies him as a possible predecessor of Iron Man is that he later gave up his life to redeem Prometheus and that gives him hero cred. (The other side of the story is that Chiron, being immortal, was doomed to countless eons of agony because of that damned wound and he could have seen the Prometheus situation as a quickhop off the struggle bus. But he never really existed, so mind.) Anyway: even with twisting and tugging of the myth, it’s hard to make a case for a direct connection between Tony and Chiron, and yet Chiron was the closest analogy to Iron Man I could find. Why bother? Because maybe by rummaging around in antiquity, I’ll be able to figure out why I responded favorably to an tin-plated lounge lizard.

Later, Tony redeemed himself and became a good guy I could like without those nagging reservations. But those first meetings…Well, I liked womanizing assassin James Bond, too. Still do.

FRIDAY: Martha Thomases

SATURDAY: Marc Alan Fishman

 

The Toxic Avenger Meets Conan

The Toxic Avenger Meets Conan

With all the remakes these days, there are few properties that have not been dusted off and shined up for new audiences. In the wake of a new James Bond, a forthcoming Crow, a rebooted Star Trek, yet another Jack Ryan and three different Hulks, we are now promised a wrathful Toxic Avenger. What’s most interesting about this Troma classic character being revived is that it is associated with former Cimmerian, former governor and all-around fascinating  Arnold Schwarzenegger.

[youtube]http://www.youtube.com/watch?v=sHLAXEUCdiQ[/youtube]

 

Scribe Award Nominees Announced

The International Association of Media Tie-In Writers has announced the nominees for the 2013 Scribe Awards for excellence in media tie-in writing.

FOR IMMEDIATE RELEASE

The International Association of Media Tie-In Writers is pleased to announce the Scribe Award nominees for 2013.

Acknowledging excellence in this very specific skill, IAMTW’s Scribe Awards deal exclusively with licensed works that tie in with other media such as television, movies, gaming, or comic books. They include original works set in established universes, and adaptations of stories that have appeared in other formats and cross all genres. Tie-in works run the gamut from westerns to mysteries to procedurals, from science fiction to fantasy to horror, from action and adventure to superheroes. Gunsmoke, Murder She Wrote, CSI, Star Trek, Star Wars, Shadowrun, Resident Evil, James Bond, Iron Man, these represent just a few.

The Scribe Awards are presented at ComicCon San Diego.

IAMTW congratulates the following nominees:

ORIGINAL NOVEL
Darksiders The Abomination Vault – Ari Marmell
Pathfinder City of the Fallen – Sky Tim Pratt
Mike Hammer Lady, Go Die! – Mickey Spillane and Max Allan Collins
Star Trek The Persistence of Memory – David Mack
Star Trek Rings of Time – Greg Cox
Tannhäuser Rising Sun, Falling Shadows – Robert Jeschonek
Dungeons and Dragons Online Skein of Shadows – Marsheila Rockwell

ADAPTED NOVEL
Poptropica Astroknights Island – Tracey West

Clockwork Angels – Kevin Anderson
Batman: The Dark Knight Legend – Stacia Deutsch
Batman: The Dark Knight Rises – Greg Cox

AUDIO
Dark Shadows Dress Me in Dark Dreams – Marty Ross
Dark Shadows The Eternal Actress – Nev Fountain
Doctor Who Companion Chronicles Project Nirvana – Cavan Scott and Mark Wright

The winners in each category will be announced during a ceremony at the 2013 Comic-Con International, held July 18-21 in San Diego, California.

John Ostrander: Revamp, Reinterpret, Regenerate, Reinvigorate

Ostrander Art 130303There’s been a lot of pushing the reset button in pop culture recently and I find the results interesting. J.J. Abrams rebooted the Star Trek franchise a few years back and, while some fans complained, I think it was successful. Certainly it was financially successful, which is what the Hollywood moguls really care about.

At the start of Daniel Craig’s run, the James Bond movies were also rebooted, culminating in the recent spectacular Skyfall, which – again this may be heresy to some – was the best Bond film ever. It’s visually stunning and takes Bond himself to greater depths and heights than I’ve seen up until now.

Sherlock Holmes has been reinterpreted into the modern age with two versions, the BBC’s magnificent Sherlock and Elementary on CBS. Both are true to the basics and it’s amazing how well the classic fictional detective gibes with modern times.

Of course, we’ve witnessed DC’s rebirth with the New 52. Again, you can argue as to whether it is artistically successful but I don’t think you can argue that it hasn’t been financially successful thus far. This summer will see a movie rebooting of Superman with Man of Steel. The Christopher Nolan Batman trilogy rebooted that cinematic history as The Amazing Spider-man did with that character’s movie version. X-Men: First Class reimagined Marvel’s mutants and so on. The next Star Wars chapter and the announced Star Wars solo films, while they will undoubtedly respect the previous movies, will probably play hob with what is known as the Extended Universe, the complex continuity that has sprung up around the films via novels, comics, games and more. Depending on how they turn out, that may not be a bad idea.

All my professional comic book writing career, I’ve played with and enjoyed continuity. I respect it but I don’t worship it and I don’t think it is cast in stone. Sometimes, continuity becomes like barnacles on the bottom of a boat and need to be scraped off in order to make the boat (or the franchise) sea/see worthy again.

One of the most successful franchises is the BBC’s Doctor Who and part of its longevity (it celebrates 50 years this year) is its ability to change the actor who is playing the Doctor. It’s built into the series; the Doctor is an alien being who regenerates from time to time into virtually a new character, played by a different actor. The new Doctor doesn’t look, act, dress or sound like any of the other incarnations. The re-invention is a part of the continuity and that’s very clever.

I think this is very healthy; characters and concepts can and should be re-examined and re-imagined for the times in which they appear. They have to speak to and reflect concerns that its current public has if they are going to remain vital and alive.

Can it be overdone or badly done? Absolutely. Some remakes get so far from what the character is about that they might as well be a different character altogether. You want to take a look at the essence of the character, what defines them, and then see how you get back to that, interpreting it for current audiences. Some folks revamp something for the sake of revamping or to put their stamp on the character. I don’t think that usually works very well. Change what needs changing, certainly, but be true to the essentials of the character or concept.

Have I always done that? I don’t think so; when I was given Suicide Squad, I didn’t go back to the few stories that were originally published and work from that. I created a new concept for the title. However, I did reference the old stories and kept them a part of continuity, albeit re-interpreting them. I think we played fair with the old stories.

On The Spectre, Tom Mandrake and I took elements from as many past versions of the character as we could while getting down to what we felt were the essentials. Really, our biggest change was not the Spectre himself but his alter-ego, Jim Corrigan. Originally, he was plainclothes detective in the 30s and our version reflected that. I think that was a key to our success.

Even with my own character GrimJack, after a certain point I drop kicked the character at least 100 years down his own timeline into (shades of the Doctor) a new incarnation. I gave him a new supporting cast and the setting changed as well. It made the book and the character fresh again and made me look at it with new eyes.

The old stories will continue to exist somewhere; they just won’t be part of the new continuity. At some point, that new continuity will be changed as well as the concepts and characters are re-interpreted for a newer audience. That way they’ll remain fresh and alive. Otherwise, they’ll just become fossilized and dead. Who wants that?

MONDAY MORNING: Mindy Newell

TUESDAY MORNING: Emily S. Whitten

 

REVIEW: Skyfall

Skyfall DVDSkyfall, now out on home video from MGM, is a sheer delight, holding my attention for the entire 2:23 running time, long for a Bond film but it felt just right. The four year financially-mandated layoff between the so-so Quantum of Solace and Skyfall is barely noticeable but the passage of time is an unspoken theme for the new entry.

Daniel Craig, not at all what Ian Fleming had in mind for 007, made the character his own through sheer force of will. When he helped reboot the series with Casino Royale, my biggest complaint was that he was too old to be an MI6 agent at the beginning of his career. With Quantum a direct sequel, we were still seemingly early in Bond’s career but I bought into it.

Now, suddenly, the third film deals with Bond being ready to be retired. We’ve clearly leaped ahead in this incarnation’s timeline, having totally gained M’s confidence to the point where she risks her career and reputation on him when England needs him most. But this is a wounded Bond, one who has been beaten down, who escaped death and seemed to have walked away from his responsibilities, swapping his Walther for a bottle and obscurity. Of course, when M and his fellow agents are threatened in the most heinous of terrorist acts, he has to come back.

We’ve seen Mi6 agents go rogue before, most recently when 007 exposed the perfidy of 009 in one of the Pierce Brosnan entries. But, this is the first time we’ve seen a truly frightening threat make it so personal. Javier Bardem steals the film with his turn as Raoul Silva, an agent M seemingly abandoned when she was the Hong Kong station chief back in the 1980s. His torture left him physically and mentally broken and now he is back to exact the most painful revenge possible.

After he makes M watch MI6 HQ blowup, Bond is back and unleashed after Silva but, being a wily opponent, it’s all part of a master plan. Not only will he beat M, he will make her suffer by breaking her current favorite, Bond. And here is my only quibble with the generally excellent script from Neal Purvis, Robert Wade, and John Logan (this almost makes me forgive him for Nemesis). Silva’s plan is so intricate that it is entirely reliant on split-second timing and not once does he miss a beat, making him too perfect. When our hero needs that same timing for success, it is sometimes hit, sometimes missed but Silva never seems to miss a beat, straining credulity.

Skyfall-0071-300x180After two films to restage the early days, this film nicely allows itself to be a formulaic Bond adventure starting with a breathtaking (and plausible) motorcycle chase across the rooftops of Turkey. The film opens with two musical notes that immediately suck you into the Bond experience and they hint at the Monty Norman theme until it’s time for Bond to be Bond, James Bond. The audience applauded at the sight of the Astin Martin and the film’s best line may be M’s, “Go ahead and eject me. See if I care.” The movie comes complete with a visually fun title sequence, owing plenty of Maurice Binder’s work, and ends with the traditional status quo re-established, but freshened for the future. We have Q (Ben Wishlaw), Moneypenny (Naomie Harris), and a new M (Ralph Fiennes). Then we get Craig in the gun’s sight, the blood and the Norman theme in full throttle. Bond is back and we’re promised will return.

It’s a thrilling adventure that critics say owes too much to the Bourne films but really, it’s the other way around. The Bond films have been setting the bar higher and higher through the years, challenging others to match or exceed the standard for adventure films. Thankfully, Barbara Broccoli and Michael G. Wilson, caretakers of the franchise, are now willing to work with a variety of screenwriters and directors to keep things fresh. I had no idea Sam Mendes had a flair for action and he was most impressive so it was inspired of a drunken Craig to offer the job to him and then tell the producers what he had done. They get credit for not dismissing the notion.  And with that, I get the sense that the franchise is in good hands and with Craig aboard for one or two more, the second half-century seems to be promising.

xavier-skyfall-readThe transfer to Blu-ray is sharp, with great color and sound. Cinematographer Roger Deakins’ work is nothing short of spectacular and the digital photography is well captured here for repeat viewings. The sound equally matches the visuals, well mixed and lush.

The armload of extras begins with Commentary with Director Sam Mendes where the director takes us through the scenes and discusses them in-depth. It’s interesting to hear how the actors helped shape his thinking and shooting so we can follow the evolution from concept to final shot. We’re reminded that Star Trek Nemesis director Stuart Baird is a terrific film editor as seen here. There’s additional Commentary with Producers Barbara Broccoli and Michael G. Wilson and Production Designer Dennis Gassner but they fawn too much and you learn too little.

Shooting Bond (59:24) can be seen in chapters or as a complete documentary and you can watch the film get made from every major aspect save Baird’s editing. The cats contributes to this so it’s fairly comprehensive and entertaining.

Skyfall Premiere (4:28) offers up snippets from the world premiere at the Royal Albert Hall, featuring interviews with Mendes, Craig, Harris, Bardem, and Fiennes. You also get the

Theatrical Trailer, Soundtrack Promotional Spot, and fifteen minutes of trailers for other films.

 

AIRSHIP’S LATEST RELEASE DEBUTS! GHOST BOY!

Airship 27 Productions announces the release of their second title for 2013, GHOST BOY. 
The during the 1960s America was locked in a tense Cold War with the Soviet Union, Ian Fleming’s James Bond unleashed a spy craze and the Beatles swept across American shores with their version of new pop-rock and roll.  Meanwhile American comics had entered into the Silver Age with the birth of Marvel Comics.  Every week new titles seem to proliferate drug store magazine racks. 
Now Airship 27 Productions has dug deep into those long forgotten comic vaults to revive Jigsaw Comics’ odd-ball hero, GHOST BOY.  Created in 1964 by writer Art Croxton and artist Ric Sippo, the short lived series starred young Alex Conroy as the top agent of S.O.S (Science Operational Security) who is possessed with strange superhuman abilities. His best friend was an eight foot robot called P.O.P.S (Photoelectric Optimal Protection Sentry). 
Writers Terry Alexander, Micah Harris and Andrew Salmon recapture the fun and magic of this 60s forgotten character and offer up four brand new adventures. As an extra bonus, Ron Fortier and artist Gary Kato recreate the origin tale of GHOST BOY in a special 9 pg strip which kicks off this thrilling collection all gathered under a gorgeous cover by Laura Givens.
Comics fans rejoice, GHOST BOY is back! 
“Actually he never left,” explains Airship 27 Productions’ Managing Editor Ron Fortier with a mischievous grin in his eyes.  “That’s because there never was such a title and this particular project is in reality our homage to those wonky Silver Age comics we all grew up loving.”  Fortier goes on to explain the idea came about when the company looked into adapting an authentic 60s comic series only to discover the property was still under license.  “That’s when we collectively had this idea to make-up our own comic hero from that decade and see if could recapture the odd-ball exuberant charm those books contained.  We will let our readers judge if we’ve succeeded or not.”
AIRSHIP 27 PRODUCTIONS – PULP FICTION FOR A NEW GENERATION!

Available now at Create Space –
(https://www.createspace.com/4176057)
As a PDF download from our website for only $3.
(http://robmdavis.com/Airship27Hangar/index.airshipHangar.html#ghostboy)
Within another week on Amazon proper and Kindle.
And within two weeks at (www.IndyPlanet.com)

Volunteers to Assemble Skyfall Care Packages Next Week

Some Thoughts on SkyfallMetro-Goldwyn-Mayer Studios and Twentieth Century Fox Home Entertainment are partnering with Operation Gratitude to launch the care package initiative “Operation Skyfall” in honor of the February 12 Blu-ray and DVD release of 007’s latest adventure.

Beginning at 10:00 a.m. Feb. 12 at the Army National Guard armory in Van Nuys, California, volunteers including military families, war veterans, fans and more will be on hand to assemble up to 7,000 Skyfall branded care packages to be sent to active duty soldiers overseas. The packages will include personal care items such as body wash, deodorant, shaving cream and other toiletries and will feature a DVD copy of the explosive 23rd installment of the James Bond franchise, Skyfall.

Skyfall is the most popular Bond film ever made and an action-packed film like this can really boost morale with our troops overseas,” said Operation Gratitude founder Carolyn Blashek. “Operation Gratitude has been supporting our servicemen and women for 10 years and this partnership was a great opportunity to provide some much needed entertainment along with toiletries and personal letters that our Military heroes greatly enjoy.”

Bond fans in Southern California are encouraged to come out and support “Operation Skyfall” by helping assemble the packages the morning of February 12 in Van Nuys. For more information on how to volunteer please OpGratVolunteer1@yahoo.com.

Fans can also send donations in the name of “Operation Skyfall” directly to Operation Gratitude by visiting www.OperationGratitude.com.

In Skyfall Bond’s loyalty to M (Judi Dench) is tested as her past returns to haunt her. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. 007 takes to the shadows – aided only by field agent, Eve (Naomie Harris) – following a trail to the mysterious Silva (Javier Bardem), whose lethal and hidden motives have yet to reveal themselves.

John Ostrander’s Favorite Things – 2012

This is the time of year when all manner of people and media post their best/worst selections of the year. The main purpose is to elicit outrage or agreement or bewilderment regarding the selections. Anyone can play. So I guess I will with these caveats. I’m not saying that what follows is the best of any the categories. It’s simply what I most enjoyed. Some books, TV shows, music, movies I simply didn’t experience (e.g. Argo and The Hobbit) or didn’t enjoy as much as those listed (i.e. the latest Dresden book, The Dark Knight Rises, The Amazing Spider-Man). I’m only touching on what was new in 2012 – not those things I’ve enjoyed from other years and enjoyed again in 2012.

Caveats away. Let’s get down to it.

Doctor Who: The mid-season finale didn’t please me as much as I hoped. The departure of long time companions Amy and Rory had me scratching my head. However, the Christmas Special – The Snowmen – made up for it, introducing an intriguing new companion for the time and space faring Doctor and a tantalizing mystery. Steven Moffat – show runner and head writer – remains in fine form.

Justified: Big tough ass series based on an Elmore Leonard character. This season was even better than the one last season, which is saying a lot. Star performances made the season starting with Timothy Olyphant as Marshall Raylan Givens, along with Walter Goggins, Nick Searcy, Neal McDonough as a truly scary bad guy from Detroit, and Mykelti Williamson as an equally scary local bad guy. It’s violent, sexual, badass, and Raylan Givens is so damn cool he should be illegal.

Fringe: It’s now on its final episodes and taking a whole different tack from the previous seasons. I’m hoping it all ties up and makes sense by the end but this was created by J.J. Abrams, Alex Kurtzman, and Roberto Orci who also did Lost and the ending of that got a little bit away from them. Still, John Noble’s Walter Bishop is a delight to watch and is reason enough to tune in.

The Daily Show/The Colbert Report: This got me through the freakin’ election. Jon Stewart and Stephen Colbert are both geniuses. Stewart does the faux news show and Colbert does a faux conservative commentator ala Bill O’Reilly. Colbert’s may be the more brilliant show but I have to admit that Jon Stewart makes me laugh more. However, Colbert did perhaps the last interview that famed children’s book writer Maurice Sendak ever gave and its hysterical and touching. Both shows are must-see TV for me.

Suits: I would not have bet you that a series set in a high powered law firm with people I don’t especially like would keep me riveted, but this one sure does. Gabriel Macht, Patrick J. Adams and Rick Hoffman are superb but for me the best characters are two women – Gina Torres (who you might recognize from Firefly) as the really tough head of the firm and especially Sarah Rafferty as Macht’s tart tongued, all knowing secretary who steals the show. Morally complex, suspenseful, and witty.

Kate Bush: 50 Words For Snow: I’ve been a big Kate Bush fan for a long time and it becomes an event when she brings out a new CD. Kate Bush is one of the most influential female singer/songwriters in the music business. This is one of her best CDs in recent years and the duet she sings with Elton John, Snowed In At Wheeler Street, is haunting. I play it over and over again. It’s influencing a concept that I’m working on. I love this CD.

The Avengers: The most perfect cinema realization of the Marvel comics ethos. Joss Whedon (director and writer) rules. This made umpty gazillion dollars and you’ve probably seen it. One of the best moments: Hulk vs. Loki. ‘Nuff said.

Lincoln: I’ve talked about this in one of my other columns. Daniel Day-Lewis gives one of the great movie performances of all time but he’s not the only one. Sally Field, Tommy Lee Jones. Hal Holbrick, David Strathairn, Joseph Gordon-Levitt (who has had a very good year), James Spader and so many others make the film an acting delight.

Skyfall: James Bond’s 50th Anniversary in films and this one is a knockout. Bond is not simply an icon in this film; he’s a character with a deeper story. We see a seedy Bond, we see a Bond off his game, we see an aging Bond who may be outdated in the modern espionage world and knows it. This is right up there with my other two all-time favorite Bond movies, From Russia With Love and Goldfinger and it may be my favorite of the three. A key to the film’s success was hiring noted director Sam Mendes who delivered not only the action set pieces we expect from a Bond film but visual style, pacing, and performances. Daniel Craig gives his best outing yet as Bond, Javier Bardem’s Silva is one of the scariest all time Bond villains and Judy Dench – ah, Judy Dench. If you’ve seen the movie, you know what I’m talking about and, if you haven’t, I won’t ruin it for you. It’s not just a good Bond film; Skyfall is a really good film – period.

The Limpopo Academy of Private Detection: One of the pleasures of series books is coming back and seeing characters that you’ve come to regard as friends in a setting, a world, that has become real to you. Alexander McCall Smith has done that for me with his No. 1 Ladies’ Detective Agency books, a detective series set in Botswana, Africa, and starring his woman detective, Precious Ramotswe. This series is a long ways from a hardboiled noir detective. The stories are gentle and filled with characters I love. The challenge with series books is to give the reader everything they remember and want in the series while also covering new ground. It’s a tough trick to pull off; the books could become stale. This series progresses slightly with each book and stays fresh. I look forward to my next trip back to Botswana.

Favorite Person In the Whole Wide World: My Mary. Who else? Love you, cutie pie.

I’ll be back next year. Happy New Year to you all.

NEW YEAR’S EVE: Mindy Newell