Tagged: Jack Kirby

Michael Davis: If & Hope

Jack Kirby created the Black Racer and his bedridden alter ego Sgt. Willie Walker in 1971. In the origin story Walker, an African American is paralyzed during a firefight in Vietnam. The army returns the young hero home where his wife resigns herself to taking care of him.

The Source, Kirby’s mysterious power entity visits Walker and turns him into the Black Racer. Doing so gives Walker the power to fly, travel between worlds and with just a touch bring death instantly to anyone. The Black Racer moves between worlds via the Boom Tube, uses skis to fly, and his death touch can come from his eyes or hands.

I was as big a fan of Kirby as there ever was but this was a bit much to take. Yes, most of the powers the King bestowed on Walker my young mind accepted hurriedly. One thing was a bit much for even my fourth-grade mind to grasp.

A black man skiing? Yeah, right.

That may seem silly nowadays but back in the day, trust me, not a whole lot of brothers on the slopes.

Silly was the last thing on Kirby’s mind when he created the Black Racer. Some still think he’s the most powerful character in the DCU. Kirby’s use of the Vietnam war as a story point was as realistic a statement as any he transported into his famous Forth World Universe. Sometimes Jimmy Olsen’s book (part of Kirby’s titles) would venture a subplot on a common theme, but most of Kirby’s storytelling was grand space opera.

Nowadays any writer would be hard pressed to space opera anything featuring a paralyzed Black Vietnam vet without a realistic viewpoint deserving of the material.

A significant difficulty in telling any story featuring real world issues is the scrutiny from those living with those predicaments. They read any account with more than a passing interest. Some in that fan base may care more about accuracy than entertainment.

Put another way, you write about someone in their community you better get your shit straight.

Seldom do I see caregivers in comics do much besides listen to talk and bring food to the person they watch over. I don’t recall ever seeing Sgt. Walker’s wife was other than the origin story. It’s been a while since I’ve read New Gods #3 so I may be wrong on that score. She may have been just a voice off-panel like the parents of Charlie Brown and the rest of his Peanuts crew.

The person who cares for a confined family member is in a very real way paralyzed as well. They have use of their limbs but cannot by any means move freely tethered by an invisible but real in every other way link.

Caregivers often need help themselves many suffer from depression and anxiety.

Each day may bring with it fluctuating degrees of guilt, sadness, dread or worry. Fatigue is constant there is no eight-hour Monday to Friday schedule. Caregiving is a non-stop all day everyday commitment.

Becoming a caregiver is something that can easily ruin someone’s life. A person who isn’t mentally prepared to deal with the realization caregiving may be forever facing real peril. Some may collapse under the strain putting all they have done in life in jeopardy.

What’s more important? Your loved one or your employer? For most, it’s an easy answer, but financial strains won’t go away and will most certainly get worse if your time away from your job causes you to lose it.

The same applies to any personal relationships. The stress put upon a significant other may not seem like a lot compared to the caregiver, but it certainly may seem so to them.

I was more than willing and able to care for my mother when a sudden illness caused doctors to amputate both her legs. Just preparing to move her from New York to L.A. was a daunting task. I was in the middle of setting up a publishing imprint and never gave it another thought while my mother needed me. All my time and energy were devoted to her.

Two weeks after her surgery my mother decided the life she faced was not a life at all. She told me just that in a message left on my phone. Then because she knew I would beat myself up said she loved me and “I don’t blame you for anything.”

I left my mother’s hospital room just 30 minutes before she left the message after hearing the news was back in her room in less than 15 minutes. I was away from her a total of 45 minutes.

She was dead when I returned to her bedside.

My life has been disrupted one way or another since. People I thought would always be there for me got the hell out of dodge, and I can’t say I blame them.

I can’t imagine returning to my mother’s bedside every day had she elected to stay with me and my life returning to anything remotely healthy like it is today.

As much as I love Jack Kirby and think his Black Racer is one hell of a black character without the caretaker angle, I can’t get behind his back story anymore.

No, not since I learned of a real-life Willie Walker.

Yep, in a very real way life is imitating art.

David Rector was a longtime producer at National Public Radio (NPR), and he loved that job. To someone with his skillset, it’s easy to see how many thought of this as David’s dream job. They may have thought so because it was a great job and he was great at it.

As someone who had his dream job not once but twice I can tell you there is little that can make you even think of giving it up.

What others may think is your dream job matters little to those who hold fast to their real desire. Be that as it may, it’s not easy to give up on a great job to follow your absolute dream.

David did. He followed his dream to California. Her name was Roz.

Roz Alexander-Kasparik was the dream David waited all his life for. She wasn’t a job, but David worked hard to be with her. He asked for her hand she said yes and that would be the start of their life together.

Joined as one in a marriage that life would be beautiful – this they both knew.

Roz is a no-nonsense black woman who holds little patience for those who try hers. David tried hers when arriving in San Diego he quickly started making plans not for their marriage but for them to attend the San Diego Comic-Con International (SDCC). David prepared with such glee Roz, who thought the only adults who read comics were intellectually challenged, started to think it may be fun.

She loved it.

She loved it and loved David even more (if possible) for being a strong black man who had the conviction to be himself. In a world where it was harder and harder to avoid the unrelenting branding of black man as thugs here was a man determined to be who he was.

A smart, accomplished man of many talents and a comic book fan.

A big comic book fan. How big? Finding a guy with more knowledge of comics especially DC Comics would be hard to find at DC. Roz found this out when David broke down the who what why of every panel person and pop culture tie in at SDCC to her.

She loved it.

After the convention, it was Roz who started planning for the next SDCC. David (if possible) loved her even more because of that. Between SDCC ideas they also managed to get some wedding plans done. They both knew their life together as one was going to be wonderful and it was.

It was better than wonderful.

Then it wasn’t.

They missed the next SDCC, and unfortunately, they would lose quite a bit more. David suffered an aortic dissection — a tear in a major blood vessel — then a series of crises in the hospital that ultimately left him unable to speak or walk.

That killed their love affair.

Roz is a wonderful person, but she’s only human. David now needed care all the time. That does not mean 24/7. That means twenty-four hours a day seven days a week. 24/7 It’s not the same thing it’s not even close. You can’t trivialize what was happening to her; you can’t ‘spin’ it 24/7 does that.

Saying these words; twenty-four hours seven days a week – does a number on your brain does it not?

Visualize if possible what that means in real life. You are now charged with not just your survival, but another’s as well. Americans are under the mistaken impression that we have a network of fail safes to protect us.

We do not.

Just ask that person who wanders off the hiking trail then breaks his leg. No biggie you may be thinking I’ll just pick up my cellphone and make a call. Fair enough your fail safe is your phone, got it.

If you have one if not you’re a bear snack. If you do have one you hope it has a charged battery. If the battery is charged you hope, there is a signal.

I said ask the person who wanders off the hiking trail then breaks his leg, but most likely you’ll have to ask his surviving family.

‘If’ and ‘hope’ are no fail safes.

David’s plight is a terrible one, and yes, it ended the love affair.

Roz left David as soon as she found out the David she fell in for was gone. The David who could peak her interest in something as ridiculous as comic books make her laugh and bring a smile to her face had disappeared. Roz changed under these circumstances how could she not?

She became Given.

Given is the partner to Recall a.k.a. David Rector. Recall and Given is the title of the forthcoming graphic novel written by Roz Alexander-Kasparik and David Rector.

From NPR:

Recall is almost like an astral projection: While his body lies stricken in a hospital bed, his spirit roams around, dispensing karmic justice by projecting memories into your mind — do good and you get a dose of good memories, do bad and, well, you get the idea. At his side is Given, who’s based on Roz — and she’s called that because her love for Recall is a given. Roz says David approves all the story and art choices, and he relishes his editorial role.

It’s being called an autobiographical superhero comic book, only for David and Roz, it’s so much more. It’s the story of their life together.

Yep, together.

I said the love affair was over and it is. Roz and David’s story is much more than a love affair because she stayed. Then, convinced David, she should. David thought of her first and just wanted her to be happy.

How happy could she be without the love of her life?

How happy could you be without the love of yours?

She stayed because that’s what love real love does.

Love doesn’t listen to some friends tell you to think about yourself. Countless reasons for Roz to leave only one reason to stay.

Love.

I feel love is measured in how you’re treated when things go bad not when everything is good.

Love is when a mother wills herself to die rather than burden her child.

Or when a friend you thought lost forever does not want you alone during the holidays, thanks Denys thanks Kathy.

Love is staying with a man who has lost everything and must now take everything from you to survive. Love is telling that man; “You take nothing it was already yours.”

David is far from helpless still smart as a tack still loving comics, as does Roz. They missed SDCC only that one time, but not since.

Roz and David chose comics to tell their story. Few things have made me prouder to be a small part of this industry. The decision to bring their love story and by doing so the love stories of others like theirs to comics floors me every time I think of it.

The journey to make this happen has been a long one. Comics are hard enough to create without the added burden Roz and David face.

They will get it done, I’m sure of it,

It’s a given.

Michael Davis: Stan Lee – The Man Now And Forever

No Sex On The Good Ship Lollipop, part 3

From our last installment…

The Los Angeles neighborhood of Westwood is home to The University of Southern California, better known as U.C.L.A. It’s a trendy area filled with upscale shops and expensive restaurants.

I’ve never been a fan of Westwood U.C.L.A or trendy, expensive restaurants. I doubt if I ever will be. But because God gets a kick out of such things my new Viacom offices were in Westwood, the reference library I was compelled to use was at U.C.LA, and a trendy, expensive restaurant was where I was on my way to have lunch with Stan Lee.

Stan was kind enough to bring with him Jack Kirby… and the Black Panther.

Together the three may have saved my ass.

Showtime Networks and Marvel Productions were both housed in the same Westwood high-rise. I was just moving into my new offices at Showtime; helping me do so was Adah Glenn.

Adah is a fantastic artist I met some years before. She used her considerable wits to land herself a gig at Motown Animation when I was not hiring. That I assure you is no easy feat.

Adah was placing a box on my desk with one small problem. She missed the casually.

Crash!!! The unmistakable sound of breaking glass when the box hit the floor filled the room.

“I hope that wasn’t my Tiffany lamp,” I said.

“I think I just saw Stan Lee in the lobby” she said, not hearing or not caring about my statement. I gazed over to the box then to her. I did that repeatedly knowing she would get the hint and pick up the box.

She didn’t get the hint.

Instead, she looked at me with no indication whatsoever she’d dropped the box.

“I wish I’d thought of something to say to him. Do you know Stan Lee?” she asked.

Flipping my eyes back and forth as fast as I could I told her; “Yep.”

Nothing. It was like the girl was in a trance, and I’d had enough.

“Adah!!”

“What?”

“Ya wanna pick up that box you dropped?”

She looked down and was surprised to see the box at her feet.

“I do that? My bad.” She bent down to pick up the box and said; “Mike, do you know Stan Lee?”

“I know Stan pretty well…”

Crash!!!

When later that month I was sitting down with Stan over lunch I recounted that story. He has a hard time believing anyone would react that way. I had a hard time believing Stan didn’t know how he rolled.

I’d met Stan as a fan in the 80s. Although it was a while before we became friends, it was memorable when it happened. I saw Stan walking across the San Diego Comic Con Convention floor in 1993, the first year Milestone had a booth.

Hey Stan Lee! come on over; you’re the first contestant on The Price Is Right!” I yelled. Why? I meant just to say “hey Stan Lee come on over” but the rest just came out.

Stan, much to my surprise, came over. “What do I win?” He said with a huge smile. The Milestone partners all scampered over and said hello to Stan who gave Denys Cowan a “There he is.” When shaking Denys’ hand acknowledging to all there he and Denys knew each other. That made Denys BMOC (big man on campus) and HNIC (ask a black person) for a bit.

That is until Derek Dingle asked Stan “How do you know Michael?” Before he answered I chimed in with “Stan and I were in the Crips together.” Stan co-signed with; “Those were the days.”

Those were the days indeed.

Stan and I had just done a drive by when we decided to ditch the car and ran into the woods. It was dark as such we were taking care not to make any noise less so we were not discovered. At one point Stan whispered “Something just landed on me.”

It took my eyes a second to adjust to the darkness, but once it did I saw what it was and informed Stan; “It’s a spider…man.”

That’s when I created Spider-Man, but Stan will never acknowledge that or his illegitimate son Spike.

That’s how I opened the Stan Lee Roast at a 1994 convention event. By that time Stan and I were on a friendly basis. In 1995 Stan was kind enough to come by the Motown Animation booth at SDCC to wish me well and take some photos.

“You drive that thing on the street?” Stan asked as we stood in front of the Motown / Image Comics Van. The way he asked the question was so funny I couldn’t answer from laughing so much.

Stan and I talked about our history among a great many things over lunch, but mostly we talked about my new venture at Viacom. Since the deal closed the feeling I had made a major blunder was growing. “I gave up my golden parachute to follow a dream, and I’m beginning to think it was a mistake.” I said to Stan.

I told Stan about the comic book reading program.

“That’s a good idea but a hard sell.” He said.

“It’s sold, but now I’m not so sure it’s a good idea,” I responded.

“It’s a great idea. I should know because I did it when I was in the army,” Stan said. Then he told me how he produced the line of instructional comic books for the armed forces. Years later when at Marvel he tried to get comics in the school system but couldn’t crack that market.

Stan Lee couldn’t crack a market? I’m thinking gethefuckoutofhere!

I was convinced he told me that to make me feel better. He assured me he was serious and explained how it was a big deal to get into the schools.

He told me following a dream is rare for most people and said my dream was a noble one because it involved making something to benefit others namely kids with problems reading.

“You unquestionably helped a million kids with a problem reading I’m sure. You certainly helped me.” I told Stan that and how in the fourth grade he and Jack Kirby almost made me kill Ronnie Williams when I slammed a metal backed chair over his head.

“Why on earth did you do that?” Stan inquired through his huge grin. I explained how Ronnie took my copy of Fantastic Four # 73 and I wanted it back. Jack Kirby and he (and some advice from my mother) gave me the strength to get it back.

“Don’t forget the chair.” Stan deadpanned.

I realized this was a good a time as any to tell Stan something else he helped me with, my self-esteem. “Thank you for creating the Black Panther. How much flak did you get back in the day?”

He looked at me for a sec and then said; “Some, but it was the right thing do we thought.”

That may have been the understatement of my comics career. The Black Panther was all my comic book buddies, and I could talk about when we discovered him. Then it was the Falcon, Luke Cage, the Prowler and on and on.

It goes without saying Stan and Jack paved the way for Brotherman and Static, inspiring black creators of today with black heroes from our yesterday. I don’t know any creators of color from my generation who would not give those Lee and Kirby creations at least a nod.

Stan and I made lunch a pretty regular thing while we were both at that Westwood high-rise. Stan moved on launching Stan Lee Media where I almost ended up heading “Stan Lee Kids,” but that’s another story. I moved on not long after Stan left the building.

Stan was right. Comics in the schools were a good idea. My Action Files over twenty years later is still in schools. Some time back they started selling on Amazon (without the Teacher’s Guide), and to my knowledge, the program is still the only curriculum based comic book reading program sold in American schools.

In my mind, Stan has a real place in the history of current black comic characters. Those who don’t think so are welcome to that opinion.

The sheer guts it took to create the Black Panther during the time Jack Kirby, and he did so is enough for me.

They didn’t have to, but they did because ‘it was the right thing to do.’

The last time I saw Stan, it was bittersweet. He was the same old Stan holding court in the lobby of the Marriott. But when I shook his hand and looked into his eyes it was evident my Stan was gone. He didn’t remember me.

“Stan is pushing 100. He can’t remember everything and everybody” I was told this by one of Stan’s entourage who meant well but dropped me even to a deeper sadness. As I started to turn and walk away, this young lady must have seen the grief on my face and touched my arm stopping me.

She said; ” With age, God wipes away many things to lessen our burden. His long life may soon be over that’s not a bad thing he must be exhausted. He may leave us, but he will be at peace.”

Not true, I thought.

Stan will be with us forever.

Michael Davis: No Sex On The Good Ship Lollipop 2…

… Stan Lee, Jack Kirby & Black Panther take me to lunch!

This article features part one in its entirety. If you’d prefer to skip it scroll down to the paragraph break CORE BUSINESS- it’s all caps and in bold. If you can I’d like you to read this from the beginning. I’ve made some changes albeit small ones I feel were warranted.

My apologies for the long delay.

The Black Panthers were at one time the number one target of the FBI in the 60s. They were viewed as terrorists and J. Edger Hoover the longtime leader of the most powerful police force in the world was hell bent on getting rid of them by hook or by crook.

Yep, hook or crook.

It’s no secret the United States Government from time to time will ignore the law. It’s fair to say it goes on often and as far as we know it goes on all the time. When caught those, who swore to uphold the constitution offer apologies for actions that dismissed the law like Trump denies any negative press.

But it’s all bullshit.

If not caught these people may have stopped breaking the law, but it’s doubtful they would have been sorry. I gather few are sorry for wrongdoing that benefits them. How many people have you seen come forward to admit how sorry they are for gaming the system when they have no incentive to do so?

I’ll wait.

The FBI broke all sorts of laws to accomplish their Black Panther agenda. As always don’t take my word for it Google that bitch. Unless you’re blind to the truth backed up with a few court rulings the war on the Panthers was a one-sided American tragedy fueled by a lie and driven home by a liar by the name of J. Edger do I look fat in this dress Hoover.

Yeah, I can talk a lot of shit from my cozy little home in suburban Los Angeles. I can talk smack because I’m secure in the knowledge I’m protected by:

  1. First Amendment Right Freedom of Speech
  2. What I wrote about the F.B.I was true.
  3. I’m just not that important, and neither is ComicMix or Bleeding Cool to anyone in power that may object to my point of view.

I’m not as naïve as the above list would suggest. I’m fully aware my rights are subject to the will of the arresting officer and temperament of the D.A. regardless of my innocence if arrested for a crime I didn’t commit.

Been there had that done to me. Twice.

My circumstances notwithstanding in 2017 there exists a reasonable chance that someone may be believed if they claim police brutally or unjust treatment.

In 1966 the odds of a Black person being believed, slim. I would wager a Jewish person would face the same type of incredulity and given what happened to the three Civil Rights workers in Mississippi June 1964 the same dangers.

From Wikipedia:

In June 1964 in Neshoba County, Mississippi, three civil rights workers were abducted and murdered in an act of racial violence. The victims were Andrew Goodman and Michael “Mickey” Schwerner from New York City, and James Chaney from Meridian, Mississippi.

All three were associated with the Council of Federated Organizations (COFO) and its member organization the Congress of Racial Equality (CORE). They had been working with the “Freedom Summer” campaign by attempting to register African-Americans in the southern states to vote.

This registration effort was a part of contesting over 70 years of laws and practices that supported a systematic policy of disenfranchisement of potential black voters by several Southern states that began in 1890.

The three men had been arrested following a traffic stop in Meridian for speeding, escorted to the local jail and held for some hours. [1] As the three left towns in their car, they were followed by law enforcement and others. Before leaving Neshoba County their car was pulled over, and all three were abducted, driven to another location, and shot at close range. The three men’s bodies were then transported to an earthen dam where they were buried.

Two of the three men killed for trying to do the right thing were Jewish.

In the 50s and 60s, certain parts of the deep south were deadly. Those who sided with Black people treated as if they were well, Black people often that meant death. It’s one thing to risk your life for your rights another thing indeed to do so for another’s.

In my mind, that’s the textbook definition of noble. That takes a whole other level of balls and commitment.

In 1966 the F.B.I was on a mission to destroy the Black Panther Party and woe be on to those who got in their way.

Marvel Comics was all the rage on college campuses in the 60’s. Stan The Man Lee was the captain of one of the hottest pop culture ships to ever set sail in the ever changing 60s sea. His first mate Jack King Kirby navigated just as much of the Marvel boat as Stan, together they ruled comics, campuses and cool.

Stan wasn’t content to just cruise. He continuously looked to change the comic book landscape he had already transformed. DC wasn’t without some cool stuff, Wein and Wrightson’s Swamp Thing, Adams and O’Neil’s Green Lantern / Green Arrow were a stellar addition to the cool that Stan ushered in. Alas, those came in the late 60s / early 70s.

DC held its own in sales, but in the cool department they were outclassed at every port. Seen by most as still just for kids DC may have sold as much or more but Marvel was- to use 60’s slang- where it’s at.

Put another way, DC was the Good Ship Lollipop… and Marvel was the ever-loving Titanic.

Like the actual Titanic, Stan and Jack faced an Iceberg. Unlike the doomed ship they looked for that potential death dealer on purpose. Those two Jewish guys were about to take a stand and strike a blow for civil rights. Not for themselves for African Americans and doing so rather they knew it or not chuck a serious fuck you to Hoover and his crew.

A Black Panther with a serious attitude showed up in New York and preceded to win over the masses with his message. If J. Edgar wouldn’t wear white after Labor Day, Hoover wanted to do something he was powerless to do it.

That’s because this Black Panther wasn’t real. Stan and Jack made him up out of thin air, or did they? In 2017 it’s hard to imagine meeting someone who had not heard of Donald Trump’s:

Take your pick.

  1. Wall
  2. Tweets
  3. Hair

The Black Panther Party was a regular item in print and broadcast news. The year was 1966 what you read in the newspaper or watched on TV was damn near (for many it was) gospel.

Ya think Lee and Kirby just happened to create a character with the same name as the most wanted radical group this side of the Weather Underground with no knowledge that group existed?

Stan was as tuned in to what American college kids were doing as anyone over 30 could be. He spoke at many universities, and Marvel’s mail was an endless stream of hip American youth feedback.

The question is, did Stan, and Jack create the Black Panther to make a buck or a difference?

I know the answer because I asked my man Stan and his reply affected me… but not in any way you may think.

Part 2: CORE BUISNESS

In 1996 I left Motown Animation Filmworks where I served as President CEO and started my development deal with Viacom companies. My goal was to develop content across the many media businesses Viacom-owned.

Among Viacom’s holdings were Paramount Pictures, MTV Networks, Simon & Schuster, Nickelodeon and more.

My deal was structured under Simon & Schuster where my first project was set up was 20 years in the making. Developing a comic book reading program with a universe of characters I created had been a dream of mine since high school.

Comics in the classroom sounded like a no-brainer. I thought I was a 17-year old genius when first I had the idea. How no one thought about this idea before I did was beyond belief.

It took me another 20 years to find out why.

While at Milestone I put together an overview and presented it to the partners. Derek Dingle, co-founder and President of Milestone, had final say on any new business and he said it sounded like a good idea.

He also maintained we should revisit it after the launch. He was right; many new ventures fail for various reasons, but chief among them is not paying attention to the core business.

Put another way; when you start your comic book company do the best comics you can before deciding to put significant effort into other media or enterprises make sure to handle your core business.

As for me, life is what happens while… you know the rest.

If you don’t know that Lennon quote do yourself a favor and Goggle it. Truer words are rare to find my friend.

Life is what happened to me as such; by the time the books launched Milestone was in my rearview mirror. When our books premièred I was still at the company but had already begun to think outside the box determined to avoid another DC bullet.

Doing so meant I was going to keep my school idea to myself.

At Motown Animation & Filmworks, where I went after leaving Milestone, I put the idea on my short list produced another up to date business plan and was about to partner with a mainstream publishing company.

Then core business reared its ugly head yet again.

Motown’s core business is music my film and television division although successful in the two plus years we were there was doomed. At the time Motown’s parent company was Polygram and the powers that be decided Motown would return to core business despite having its best year ever.

Motown Animation was doomed, but I was very much alive with options. Chief among them: I had a sweet golden parachute.

From Wikipedia:

A golden parachute is an agreement between a company and an employee (usually upper executive) specifying that the employee will receive certain significant benefits if employment is terminated. Most definitions specify the employment termination is because of a merger or takeover, also known as “Change-in-control benefits” but more recently the term has been used to describe perceived excessive CEO (and other executives) severance packages unrelated to change in ownership (also known as a golden handshake). The benefits may include severance pay, cash bonuses, stock options, or other benefits.

OPTION 1.

I could transition over to Polygram Films for the remainder of my contract. If my deal were not extended at terms end, my golden parachute would still be honored.

OPTION 2.

I could sit out the balance of my contract watching All My Children at home and still receive full salary. However, that also came with a non-compete.

A non-compete means I could not work with another company doing what I was doing at Motown.

“You’re a fucking idiot!”

That’s what my agent at the William Morris agency told me when, like Captain Kirk, I changed the rules of the game.

I opted for a third option. I left. Left the deal, left the Golden Parachute, left the Polygram job. Left it all for a long shot at a dream. It felt good for about two days until it became clear I fucked up with a capital Fucked Up.

First, William Morris dropped me… followed by my manager and entertainment attorney.

Just that quick I went from Playa to played.

I was told later William Morris may have stood by me if I had not responded in kind when called me a fucking idiot. Really?

Hollywood is very much like the movie. Some (not all) people think because they have a certain amount of power they have the right to belittle you when the feeling hits them.

I’m a grown man and unless I’ve done something to warrant you addressing me like I’m a child the odds of you getting away with talking to me like I am are zero.

On the other hand, I’m not perfect and on occasion have been a fucking idiot indeed and deserved to be called on the carpet. However, me making a hard decision about my life isn’t one of those occasions.

This has cost me both money and opportunities and I’d be lying if I said I didn’t regret my actions in some instances. That said, I can’t see myself continuing to deal with someone who berates me for no other reason except they can.

I don’t cast judgment on those who tolerate it. I just don’t.

Check out this review.

The Los Angeles neighborhood of Westwood is home to The University of Southern California, better known as U.C.L.A. It’s a trendy area filled with upscale shops and expensive restaurants.

I’ve never been a fan of Westwood U.C.L.A or trendy, expensive restaurants. I doubt if I ever will be. But because God gets a kick out of such things my new Viacom offices were in Westwood. The reference library I was compelled to use was at U.C.LA, and a trendy, expensive restaurant was where I was on my way to have lunch with Stan Lee.

Stan was kind enough to bring with him Jack Kirby and the Black Panther.

Together they may have saved my ass.

Next Time: The End

 

Michael Davis: No Sex On The Good Ship Lollipop

In the 1960s, the Black Panthers were the number one target of the FBI. They were viewed as terrorists and J. Edgar Hoover, the longtime leader of the most powerful police force in the world, was hell bent on getting rid of them by hook or by crook.

Yep, hook or crook.

It’s no secret the United States Government from time to time will ignore the law. It’s fair to say it goes on often and as far as we know it goes on all the time. When caught, those who swore to uphold the constitution offer apologies for actions that dismissed the law like Trump denies any negative press.

But it’s all bullshit.

If not caught these people may have stopped breaking the law, but it’s doubtful they would have been sorry. I gather few are sorry for wrongdoing that benefits them. How many people have you seen come forward to admit how sorry they are for gaming the system when they have no incentive to do so?

I’ll wait.

The FBI broke all sorts of laws to accomplish their Black Panther agenda. As always, don’t take my word for it. Google that bitch. Unless you’re blind to the truth backed up with a few court rulings the war on the Panthers was a one-sided American tragedy fueled by a lie and driven home by a liar by the name of J. Edgar do I look fat in this dress Hoover.

Yeah, I can talk a lot of shit from my cozy little home in suburban Los Angeles. I can talk smack because I’m secure in the knowledge I’m protected by:

  1. First Amendment Right Freedom of Speech
  2. What I wrote about the F.B.I is true.
  3. I’m just not that important, and neither is ComicMix nor Bleeding Cool to anyone in power that may object to my point of view.

I’m not as naïve as the above list would suggest. I’m fully aware my rights are subject to the will of the arresting officer and temperament of the D.A. regardless of my innocence if arrested for a crime I didn’t commit.

Been there had that done to me. Twice.

My circumstances notwithstanding in 2017 there exists a reasonable chance that someone may be believed if they claim police brutally or unjust treatment.

In 1966 the odds of a black person being believed were slim. I would wager a Jewish person would face the same type of incredulity and, given what happened to the three Civil Rights workers in Mississippi June 1964, the same dangers.

From Wikipedia:

In June 1964 in Neshoba County, Mississippi, three civil rights workers were abducted and murdered in an act of racial violence. The victims were Andrew Goodman and Michael “Mickey” Schwerner from New York City, and James Chaney from Meridian, Mississippi.

All three were associated with the Council of Federated Organizations (COFO) and its member organization the Congress of Racial Equality (CORE). They had been working with the “Freedom Summer” campaign by attempting to register African-Americans in the southern states to vote.

This registration effort was a part of contesting over 70 years of laws and practices that supported a systematic policy of disenfranchisement of potential black voters by several Southern states that began in 1890.

The three men had been arrested following a traffic stop in Meridian for speeding, escorted to the local jail and held for a number of hours. As the three left town in their car, they were followed by law enforcement and others. Before leaving Neshoba County their car was pulled over and all three were abducted, driven to another location, and shot at close range. The three men’s bodies were then transported to an earthen dam where they were buried.

Two of the three men killed for trying to do the right thing were Jewish.

In the 50s and 60s, certain parts of the deep south were deadly. Those who sided with black people were treated as if they were black people often that meant death. It’s one thing to risk your life for your rights; it’s another thing indeed to do so for somebody else’s.

In my mind, that’s the textbook definition of noble. That takes a whole other level of balls. It’s gangsta with a capital G.

In 1966 the F.B.I was on a mission to destroy the Black Panther Party and woe be on to those who got in their way.

Marvel Comics was all the rage on college campuses in the 60s. Stan The Man Lee was the captain of one of the hottest pop culture ships to set sail in the ever changing 60s sea. His first mate Jack King Kirby navigated just as much of the Marvel boat as Stan and together they ruled comics, campuses and cool.

Stan wasn’t content to just cruise. He continuously looked to change the comic book landscape he had already transformed. DC wasn’t without some cool stuff, Wein and Wrightson’s Swamp Thing, Adams and O’Neil’s Green Lantern / Green Arrow those books along with others were DC’s stellar addition to the cool that Stan ushered in. Alas, those came in the late 60s early 70s.

DC held its own in sales, but in the ‘cool’ department they were outclassed at just about every port. Seen by most as still just for kids DC may have sold as much or more, but Marvel was – to use 60s slang – where it’s at.

The age of sex, drugs and rock and roll embraced Marvel. although they featured none of the above. Neither did DC.

The difference was a bit like the shower scene in Psycho. People swore they saw the knife plunge into Janet Leigh. There was no sex drugs or rock and roll in Marvel books, but fans thought there was.

Over at DC you didn’t have to be in collage to know Lois Lane may have had the title “Superman’s girlfriend” but everyone knew Clark wasn’t hitting that.

Put another way… DC was the Good Ship Lollipop and Marvel was the ever lovin’ Starship Enterprise.

Like another ship, the Titanic, once people heard about Marvel they couldn’t wait to jump on board. Likewise, the Titanic, Stan and Jack faced an Iceberg.

Unlike the doomed ship they looked for that potential death dealer on purpose. Those two Jewish guys were about to take a stand and strike a blow for civil rights. Not for themselves – for African Americans and doing so, whether they knew it or not, chuck a serious fuck you to Hoover and his crew.

A Black Panther with a serious attitude showed up in New York and preceded to win over the masses with his message. If J. Edgar won’t wear white after Labor Day, Hoover wanted to do something he couldn’t just bum rush the place he knew the Panther would be.

That’s because this Black Panther wasn’t real. Stan and Jack made him up out of thin air. Or did they? In 2017 it’s hard to imagine meeting someone who had not heard of Donald Trump’s:

Take your pick.

  1. Wall
  2. Tweets
  3. Hair

The Black Panther Party was a regular item in print and broadcast news. The year was 1966 what you read in the newspaper or watched on TV was damn near (for many it was) gospel.

Ya think Lee and Kirby just happened to create a character with the same name as the most wanted radical group this side of the Weather Underground with no knowledge that group existed?

That’s as likely as a character called The Birther showing up out of thin air.

Name: The Birther!

Tag Line: He Came Out of Thin Not American Air!

Mission: Kill Grandma!

Stan was as tuned in to what American college kids were doing as anyone over 30 could be. He spoke at many universities, and Marvel’s mail was an endless stream of hip American youth feedback.

The question is, did Stan, and Jack create the Black Panther to make a buck or a difference? Did they risk aliening some fans becoming an FBI file and possible violence?

I’m sure a lot of you think you know the answers but I most certainly do. Mine came straight from the man himself.

Stan The Man Lee.

End, Part 1.

Mike Gold: Darkseid’s Downside

There are two types of comic book characters that are nearly impossible to sustain: the omnipotent hero, and the omnipotent villain.

Whereas both feed nicely into the mythic environment, both suffer the same problem. If they can do anything, what can they do next?

Many decades ago, Michael Moorcock more-or-less tackled this question in his “Dancers at The End of Time” series of novels. Those who lived in the pocket universe of Moorcock’s creation could create, recreate, and alter any aspect of “reality” at any time. But this series was much more fantasy than heroic fantasy, even as contained within the author’s dark worldview. Characters are omnipotent, but they remain individuals with their own unique flaws and predilections.

In contemporary superhero stories, in comics and in the sundry external media, we do not have the luxury of controlling our landscape. We work in collaborative environments with a nearly infinite number of characters, and it seems damn near as many creators. So if one creator had something very specific in mind, in short order diverse hands will interpret it, reinterpret it, mold it or simply ignore it in order to fit the needs of the present story.

Let’s take Darkseid as an example. When Jack Kirby created him, he maintained complete control of the character. Nobody else in the DC universe deployed him for use in their storylines. One could argue that much of the DCU at the time could have used a massive Kirby infusion; then again, one could argue that such appropriation would have pissed Jack off the way it did when he was creating magic at Marvel.

Jack’s Darkseid was about as omnipotent as a character could be. I had the impression that when one of his well-populated schemes was near defeat, the stone-faced guy simply found it … interesting. He would note the results, evaluate the efforts of his lackeys, and move on to the next scheme. “Whatever doesn’t kill me makes me stronger,” or, at least, wiser. It would have been interesting to see how far Kirby could have taken that.

After he left DC, others picked up the characters and the mythology and slowly but surely incorporated it into the DCU. Some – many – of these writers and artists were among the best working in the genre at the time. But by expanding Darkseid’s story turf, they had to weaken the guy slowly but surely. He remained the most evil of the bad guys, but he was just that: the badist of a well-known and growingly tiresome bunch. The more he was around the more he was defeated, and he couldn’t continue to simply walk off-panel with his arms behind his back nonchalantly voicing philosophical folderol.

Overuse undermines the uniqueness of the character. Just ask The Joker.

So how do you stop the unstoppable, or, as Superman editor Mort Weisinger said (frequently), “What happens when an unstoppable force meets an immovable object?” Well, what could happen is, you get one hell of a good superhero story.

The first time.

After that, such characters get weakened or get tiresome or both. There’s no suspense in repeatedly observing the adventures of a being that is both unstoppable and immovable. You can bring the character back after a significant period – something superhero comics seem incapable of doing – when and only when you have a story that is worthy of its cast.

Redundancy undermines uniqueness, and uniqueness becomes tedious.

John Ostrander: Jack Kirby is Still King!

I may have told this story before but I’m at an age where you repeat yourself a lot. And it’s germane to this column.

Years ago, when I was still somewhat new to the industry, I was working the First Comics booth at a Chicago Con along with my lovely wife, Kim Yale. A group of pros walked past me that included Julie Schwartz, the legendary DC editor, and Roz and Jack Kirby.

My jaw dropped and I started hyperventilating. Kim gave me a strange look.

“Pssst! Julie!” I whispered. I knew Julie from DC, at least somewhat. Ever affable, Julie came to the table.

“Whatcha want, kid?”

“Introduce me to the King!” Julie gave me a strange look.

“Whattaya talking about? It‘s just Jack. Come over and say hello.”

“No no no no no! I can’t! Don’t you understand?! He’s the King! Help a guy out, wouldja?”

Julie looked at me like I was demented, which I probably was. He just shook his head and said, “C’mon, kid.” I was still young enough to be called a kid… comparatively speaking.

Julie took me over to the group and made the intro and Jack Kirby shook my hand and said “Hi. Howareya.” I made noises resembling words. I think my voice cracked. Kim would later tell me that she watched her husband turn into a 14-year old boy, complete with zits a-poppin’.

I freely admit it. Jack Kirby was the King and, despite making my living in comics, I was still the fan-nerd I had always been.

And still am.

Many of you out there will know all about Jack Kirby and will need no explanation, but some of you might.

Jack Kirby (1917-1994) was born in Brooklyn as Jacob Kurtzberg and got into the comics biz in the Thirties which was the dawn of comics. He took out time for World War II and then came back and worked for a number of different publishers.

What makes Jack Kirby the King? For me, it’s this.

  1. Imagination – The word “prodigious” comes to mind. So many concepts, so many characters, bear his mark. So many styles of stories. From the spires of Asgard to the weird distortions of the Negative Zone to the brutal cityscapes of Apokolips, to Ego the Living Planet, no one could top his visuals.
  2. Storytelling – His figures leaped off the page. The panels couldn’t contain the events on them. Even standing still, they vibrated with potential power. There was energy to burn on his pages. You felt them as much as you read them. You couldn’t read the story fast enough and when one issue was done you wanted the next one right now.
  3. Artistry – Okay, his anatomy was not always perfect. And every woman’s face looked the same. He was still one of the best ARTISTS that ever drew a comic because comics are about storytelling and no one beat Kirby as a storyteller.

He and the other titans of his era invented comic books, for cryin’ out loud! Without the King, there is no Marvel Universe, let alone the Marvel Movie Universe! He created or co-created Captain America, Iron Man, Thor, Ant-Man, Nick Fury, the Howling Commandos, S.H.I.E.L.D., the Avengers, Black Panther, the X-Men, the Inhumans, the Fantastic Four, Doctor Doom, Magneto, Loki, and the Hulk – among so many others… including Groot! At DC he created Darkseid, the whole New Gods, OMAC, Etrigan the Demon, Challengers of the Unknown (only one of the great titles in DC history), the Boy Commandos, The Guardian and gobs of others! And he did a whole posse of Westerns and co-created the genre of romance comics! He turned out three or more penciled books a month plus the occasional oversized Annual! My brain explodes!!!

(I don’t know if you can talk about Jack Kirby without using exclamation points!)

So here’s to the King! I did eventually wash the hand that you shook; Kim insisted. However, you were and are one of my comic book heroes and I’m glad I had the chance to meet you.

Ed Catto: Planning for Geek

There’s a big year ahead in Geek Culture with lots to look forward to. Upon reflection, I feel like should have more clearly defined plans.

Cosplayers are the best at looking ahead and especially planning their convention attendance. The inherent creativity and creation of cosplay demands disciplined convention selection and scheduling. Cosplay entails developing elaborate timelines so that cosplayers have the necessary time to envision, plan, purchase materials and sew and/or assemble their cosplay costumes. And of course, so many cosplayers create multiple costumes. The finished products are impressive, and the work it takes to get there is impressive.

I’d like to attend several conventions this year and have my favorites. But in general, I find myself really looking forward to the smaller ones. That might be just because I’ve had so many great experiences at the big ones. And as a very impatient guy, I hate waiting in lines but I kind of like those big crowds at big shows.

But I think there’s something else going on.

There are many small shows that are very professionally run. They serve as a counterbalance to the chaotic frenzy of the larger comic-cons. Maybe their growth is part of the emerging “shop local” or “homegrown” trends. So, for me, shows like Ithacon, NJ Comic Expo, Salt City Comic-Con and Awesome Con are all on the radar this year.

There also bog two centennial birthdays to celebrate this year.

March marks the annual Will Eisner Week. Danny Fingeroth and The Eisner Foundation organize of series events nationwide at Comic Shops and libraries. I’d like to get one going locally, in fact. I never tire of Eisner’s work and we can all continue to argue about the validity or obsolescence of the term “graphic novel.”

Jack Kirby, the King of Comics, was born 100 years ago too. The more we understand the vast tapestry of comic creators, the more we can appreciate the many creators who contributed to comics. In fact, sometimes I’m surprised when speaking to industry professionals or historians, and they’ll casually categorize Kirby as a creator, just like any other.  That’s probably a rational way to approach the man and his work, but…

I was part of the generation that was taught to revere all his work. We believed all the hype. “Don’t ask: Just Buy It!” was a command we eagerly obeyed.

One event I’m looking forward to is the clever Kirby-themed issue of Back Issue! just announced, even though it’s not scheduled for publication until 2018. Back Issue! #104 is all about “The Fourth World After Kirby,” and the articles will be focusing on all the series and creators that followed in Kirby’s huge footsteps.

And there’s one other artist that I’m definitely going to have to learn about this year.

Two weeks ago, Disney and Warner Brothers artist Tyrus Wong died at the age of 106. The New York Times reported his passing on the front page. As a Chinese American, Wong suffered great hardships and bias throughout his life, but somehow he managed to become the guiding creative force behind Disney’s Bambi. He worked in the Warner Bros animation division for years after that.  His artistic vision was so great that he even contributed to live action films like Rebel Without A Cause and The Sands of Iwo Jima.

Wong has been given overdue credit, most notably in major exhibition at the Disney Family Museum and in a documentary called Tyrus. But most of his life seemed defined by enduring racial prejudice while producing incredible artwork. I’m looking forward to learning more about this fascinating artist.

These are my shoot-from-hip plans for Geek Culture in 2017. What are yours?

Mike Gold: The Mighty Marvel Monster Society

strange-tales-annual-1Remember back in the good old days when comic books were fun to read? Before the never-ending cascade of deaths that are meaningless and temporary, multiple characters with the same name and pretty much the same abilities, and incessant earthshattering mega-events that bring together entire universes of superheroes just so we can see how much they hate each other?

For several years before the debut of the contemporary Marvel Universe, the House of Ideas published a lot of westerns, romance comics, teen humor, war titles – and some major tonnage of monster comics. I was probably in their prime target audience at the time, having just turned 11 when Fantastic Four #1 came out. That’s the first Fantastic Four #1. But for me, there was only one problem.

I never bought those monster titles. They just didn’t appeal to me. They looked kinda dumb.

monsterbusThen Fantastic Four #1 came out, followed by Fantastic Four #2 and then the creation of the Marvel Universe as we know it today… more-or-less. And then Marvel decided to jump on the oversized annuals bandwagon, a cart already crowded by DC, Archie, Harvey and Dennis The Menace. They released their first two in the summer of 1962 – Millie The Model and Strange Tales. I was so surprised I immediately bought the latter and actually considered buying the former.

I bought it at Chicago’s Washington Avenue subway kiosk as I was about to climb down the stairs to go home. Yes, my mother let me go downtown alone: it was 1962 and we were a lot less paranoid back then. Anyway, I started with page one and got through all 76 pages before I hit Albany Park. And I had a blast.

krogarrSince then, Marvel has incorporated some of these monsters into their continuity, most famously Fin Fang Foom (my favorite, whether he’s wearing pants or not) and Groot. Editor/head writer Stan Lee later recycled some of the names for use as heroes and villains: The Hulk, Thorr, Magneto, Elektro, The Thing, Cyclops. Perhaps the spelling of the monster Thorr explains why the superhero Thor’s name was misspelled on the last panel of his debut story.

The Creature from Krogarr (the orange guy on the left) was recycled in a brief monster team-up in The Incredible Hulk. I guess he might have received greater exposure, had his name not been almost exactly the same as the mammoth supermarket chain.

So Marvel is doing a big ol’ event in January called Monsters Unleashed, recycling another Marvel name. As Captain Renault said with great insincerity, “I’m shocked.” But leading their effort is an oversized omnibus called “Monsters Vol. 1: The Marvel Monsterbus by Stan Lee, Larry Lieber and Jack Kirby.” It reprints Groot, Fin Fang Foom, Thorr the Unbelievable, the alien Hulk, the eight-foot-tall Magneto, and others. 872 pages in total. I don’t think I could carry that on the “L”, let alone finish it. The Marvel Monsterbus retails for a hundred bucks, or roughly the cost of a variant cover.

But I do not believe Krogarr is in the Monsterbus. At least, not volume one.

And I’ll bet volume two has a whole lotta Steve Ditko.

Mindy Newell: The Great Hate

wheeler-nicholson

I did a little bit of research for today’s column just to make sure I had my facts right, Googling “Jewish influence on comic books” in honor of Rosh Hashanah, the Jewish New Year. There were 509,000 hits, from Den of Geek’s Mensch of Steel: Superman’s Jewish Roots to the Daily Beast’s Superman is Jewish?: The Hebrew Roots of America’s Greatest Superhero to Stormfront’s How and Why the Jews Stole the Comic Book Industry.

Wait. What?

Stormfront is a white supremacist site whose “welcome” page reads:

We are a community of racial realists and idealists. We are White Nationalists who support true diversity and a homeland for all peoples. Thousands of organizations promote the interests, values and heritage of non-White (sic) minorities. We promote ours.

“We are the voice of the new, embattled white minority!

“Tell the truth and fear no one!”

The article is a mixture of facts, lies, and innuendos. It starts off introducing one-time pulp magazine writer Major Malcolm Wheeler-Nicholson (1890 – 1968), who, according to the site, lived an “extraordinary” life, rising to become the youngest major in Army history – or was that in the U.S. Cavalry, or was that “one of the youngest majors” in the U.S. Cavalry? He also “chased bandits on the Mexican border, fought fevers and played polo in the Philippines, led a battalion of infantry against the Bolsheviks in Siberia, helped straighten out the affairs of the army in France [and] commanded the headquarters cavalry of the American force in the Rhine”. His Cavalry unit was among those under John J. Pershing’s command that in 1916 hunted the Mexican revolutionary Pancho Villa. The following year, he served under Pershing fighting the Muslim Moros in the Philippines, and with a Cossack troop in Siberia. Subsequent outposts included Japan; London, England; and Germany.”

But all these daring-do activities were according to Wheeler-Nicholson’s own accounts. So I looked him up on Wikipedia. The article included the above paragraph. But it also had this:

Following his public criticism of Army command in a New York Times open letter to President Warren G. Harding, as well as accusations by the major against senior officers, plus countercharges, hearings, a lawsuit against West Point Superintendent General Fred W. Sladen, and what the family calls an Army-sanctioned assassination attempt that left Wheeler-Nicholson hospitalized with a bullet wound. Wheeler-Nicholson In June 1922 was convicted in a court-martial trial of violating the 96th Article of War in publishing the open letter. Although he was not demoted, his career was dead-ended. He resigned his commission in 1923. His $100,000 lawsuit against Sladen was dismissed by the New York State Supreme Court the following year.”

Just the facts, ma’am.

In 1934 he formed National Allied Publications, which later evolved into National Periodicals and then DC Comics and now DC Entertainment. His comics were the first to print original stories, which included “Yellow Peril” (sic) adventure “Barry O’Neill”, featuring a Fu Manchu-styled villain, Fang Gow.”

Here’s where the innuendos start.

When Wheeler-Nicholson brought on Jerry Siegel and Joe Shuster (pre-Superman) in 1935, the innuendo is that it was the hiring of these two men, i.e., Jews, which caused profits to start sliding because, according to Stormfront, “newsstands refused to stock his magazine.”

By 1937, the company was in debt to printing plant owner and magazine distributor Romanian Jew [sic] Harry Donenfeld, and in order to keep publishing Wheeler-Nicholson was compelled [sic] to take on Donenfeld as a partner. Evidently Donenfeld was no saint – he was a fast-talking and slick businessman with ties to the gangster Frank Costello and other members of the underworld. He allegedly helped Costello smuggle alcohol into the States from Canada during Prohibition, and acquired the rights for his company, Martin Press, to “print six million subscription leaflets for Hearst magazines such as Cosmopolitan and Good Housekeeping…due to Donenfeld’s…underworld contacts having close connections with Hearst newspaper salesman Moe Annenberg.”

Also according to Stormfront, Wheeler-Nicholson was forced to form a partnership with Donenfeld and Jack (Jacob) S. Liebowitz, Donenfeld’s accountant, in order to keep Detective Comics, Inc. (pre-Batman) in business. And then, quoting the white supremacist website, “things went from bad to worse with Wheeler-Nicholson having to sell his publishing business to Donenfield and Liebowtiz in 1937,” thought the website neglects to mention that the Great Depression of the 1930s forced many publishing houses out of the business.

Those conniving Jews did a further disservice to Wheeler-Nicholson when – and here Stormfront decides to quote comic books historian Gerard Jones:

“In early 1938, Harry Donenfeld sends him and his wife on a cruise to Cuba to ‘work up new ideas.’ When they came home, the Major found the lock to his office door changed. In his absence, Harry had sued him for non-payment and pushed Detective Comics, Inc. into bankruptcy…where a judge named Abe Mennen, one of Harry’s old Tammany buddies, had been appointed interim president of the firm and arranged a quick sale of its assets to Independent News.”

Stormfront adds that Wheeler-Nicholson was given a percentage of More Fun Comics as a “shut-up” token, and essentially told him not to let the back door hit him on the ass on the way out.

And then Stormfront says: This is how the Jews stole the comics books.”

Yeah. Those stinkin’ Jews.

In 1938, as you and me and the world knows, Siegel and Shuster created Superman, whose first appearance was in Action Comics #1, and heralded in what is known as the Golden Age of comics, with the introduction of many of our most-beloved comics heroes. And although there was nothing “inherently Jewish” about the heroes, Stormfront makes special note that Captain America was created by two more Jewish creators, Joe Simon and Jack Kirby, nee Jacob Kurtzberg; Cap dared – my word, not theirs, although the innuendo is certainly apparent – to go after the Red Skull, the special agent of the Nazis. The site also makes sure that it’s readers know that Steve Rogers, Caps’ alter-ego, “could be seen as a symbol for the way Jews were frail and passive. That is, until he took a serum that transformed him into the robust Captain America,” and that “The serum was created by ‘Professor Reinstein,’ an obvious nod to famed Jewish physicist Albert Einstein. 

Oh, and the white supremacists and yearning – again, my word, not theirs – Nazis also make note of the story, possibly apocryphal, that “Superman gave such a pounding to Nazi agents from 1941 – 1945 that Nazi Minister of Propaganda Joseph Goebbels jumped up in the midst of a Reichstag meeting and denounced the Man of Steel as a Jew.”

Huh? But Jews were, according to the Nazi line, were “frail and passive.” So naming Superman as an indefatigable and unbeatable warrior against the Aryan super race would be an oxymoron, isn’t that true, Herr Goebbels? Go snort some more cocaine and finish fucking editing Leni Riefenstahl.

Stormfront goes on tally up all the Jewish creators of the comic books industry, being sure to make snarky – and incredibly offensive – remarks. The creators include everybody from Bill Gaines, Harvey Kurtzman, Stan Lee – of whom they make sure to make mention of his birth name, Stanley Martin Lieber – and the aforementioned Jack Kirby, again making sure that their readers are aware that the King’s “real” name is Jacob Kurtzberg to Art Spiegelman, Harvey Pekar, Will Eisner, Joe Kubert, and current graphic novel authors James Sturm (The Golem’s Mighty Swing), Miriam Katin (We Are On Our Own) and Ben Katchor (The Jew of New York).

And it makes special mention of Chris Claremont, who created the “openly Jewish” X-Man Kitty Pryde, who “wore a Star of David necklace,” and Lee and Kirby’s Fantastic Four member Ben Grimm, i.e., the Thing, who has a bar mitzvah in an early story.

Some of the article reads as very “respectful” and “appreciative,” until you get to the end, which…well, I’m just going to quote it in its entirety, though I have to warn you that the author also takes an extreme and out of nowhere jump in what I can only call an attempt to compare apples and oranges, a false equivalency, by suddenly inserting what is called “modern music” – and I left the misspelling and grammatical errors in to show what a, uh, brilliant writer this person is:

“The real aim modern music is to destroy the Male “SUPEREGO.” (American Nazi party founder) George Lincoln Rockwell explains this in an old article of the 1960s he wrote. Though not mentioning the SUPEREGO it is this I now believe he means.

To destroy the SUPEREGO the JEWS first needed to create a gap between young and old. Once they achieved this the SUPEREGO (which is passed down from father to his kids) was attacked by feminised rock bands. Infact, the music from that day on fuelled the id (pleasure principle) and not the EGO (reality principle) and SUPEREGO (conscience). Children were no longer listening to their parents, but instead to defective “artists” and “lyrics” that were destructive to behavioural development. Freudian Psychoanalysis is being used to destroy OUR people via modern music.
Now the same could be said about the Superheroes. Like Rockwell said, “Kids’ need “heroes”. They must have them to grow emotionally and spiritually.” But Superheroes are abstract fantasy, and not real heroes. 
The Superheroes then replaced REAL fighting heroes of the likes Rockwell mentions. Kids now wanted to be like Superman and fly through the air. But kids can’t fly through the air, can they? Not being an expert in this field, and I’m only guessing, but would this must have some effect on the ego?”

Jesus H. Fucking Joosevelt Christ.

L’shana tovah, everybody! That’s Hebrew for Happy New Year. Have some honey on an apple or challah to bring in a sweet, healthy, and happy New Year.

(EDITOR’S NOTE: Major Wheeler-Nicholson’s granddaughter Nicky Wheeler-Nicholson Brown has been working with the aforementioned Gerard Jones on a meticulously researched biography of the Major titled Lost Hero: The Adventurous and Tragic Life of the Man Who Invented Comic Books. A swell interview with Nicky can be found here.)

 

Joe Corallo: The King Still Rules!

Kirby Hero Initiative

This past Sunday, August 28th, was Jack Kirby’s birthday. He would have been 99 years old. If you’re the type of person that reads the columns on a comics and pop culture website like ComicMix, you probably don’t need me to tell you who he is. I linked to his Wikipedia page there just in case you don’t know. It’ll be our little secret.

Over the years Jack Kirby’s birthday has become an event. Kirby 4 Heroes is celebrated in comic shops across the county. It’s a fundraiser for the Hero Initiative, a nonprofit dedicated to helping comic creators in need. The idea is that by using Jack Kirby’s birthday as an event date that the Hero Initiative will be able to get a bump in fundraising numbers. Seeing how they’ve been doing this for years now it must be working to some extent.

jack-kirby-pic-105717This year both myself and fellow columnist Martha Thomases dropped byNew York City’s Carmine Street Comics for Kirby 4 Heroes. They had artists throughout the day including Sean Von Gorman, Fabian Lelay, and Patrick J. Reilly doing sketches for customers as well as original artwork being raffled off from Gregory Benton.

When I first arrived I was talking with Patrick as well as Jon Gorga, the store owner and operator. Mostly just catching up. Not long into our conversation a young man came up to the register proclaiming that he has started working on comics himself as an artist paired up with a writer and asked for our advice. Well, technically he asked for any advice and we all just happened to be standing there.

Patrick started with some of the basics like thumbnailing the pages. The young man pulled out a small notebook showing the work he had done so far. He had started thumbnailing before he knew the term. We all thought that was promising.

Then he told us more about their plans.

The young man went on to discuss how the plan for this project was to produce and publish five graphic novels worth of material all as prequels to set up the main story. We were almost immediately blinded by all the red flags going up. At around this point Martha joined us.

Patrick helped to discourage this young man of that particular course of action by telling him about Story Bibles, which he had not heard of before. Those are the blueprints to a story that’s used in any medium. They can and should be referred to in order to keep the story and it’d characters consistent. Patrick also made an excellent point about working on long form ambitious projects like that and how easy it is to get burned out working on something like that or even just bored over time.

I followed that up with advice I’ve heard from Scott Snyder in the past, but I’m sure many other seasoned writers have given as well: approach comics and storytelling like this is the only shot you’re going to get at all this so you need to tell the absolute best story you have in you. In a situation like this one with someone having five prequels before the main story, you need look through everything you have, pick the best and most compelling story and do that like it’s the only one you’ll get to do. Unfortunately, more often than not that tends to be the case. You’re an incredibly lucky person if you get the opportunity to continue telling your story from there.

CarmineStreetMartha added advice she’s heard from Norman Mailer which is also something other experienced people in the story biz have shared for some time: kill your darlings. That is to say that you need to be open to cutting your most treasured moments in your literary works for the greater good of the piece. It might sound absurd at first, but it makes sense as you’re crafting a story if you’re open to it.

After we all got to give some advice and chat a bit more with him, he thanked us all and left. He was very polite and receptive. And to be perfectly honest with all of you, I’ve fallen into the same trappings of wanting to jump right into epic long-form storytelling. A lot of people do. Hopefully he’ll figure out some things along the way and find out if this is what he wants to be doing, though it was hard to not think of that famous Jack Kirby quote, “Comics will break your heart.” Or was that Charles Schulz?

It was nice to spend some time on Jack Kirby’s 99th birthday at a comic shop celebrating the life of one of the most celebrated comic book artists of all time while also meeting a new up and comer that wants to throw their hat in the ring and getting a chance to wish him luck. I bet he wasn’t the only newcomer that wandered into a comic shop this past Sunday either.

Just because Jack Kirby’s birthday has passed us by again doesn’t mean we can’t keep celebrating him though. If you didn’t donate to the Hero Initiative this past Sunday, consider giving here. It’s a good cause to help comic creators in need. The same people that shaped so many of our lives from a young age with their stories like the ones Jack Kirby crafted all those years ago or the ones that young man at Carmine Street Comics this past Sunday might end up crafting himself one day.