Tagged: Harry Potter

All right, just a little more Harry Potter

In an exclusive interview with Meredith Viera on NBC’s Today show, J.K. Rowling reveals more of the information that got left out of the epilogue of the book– the magical equivalent of the ending of American Grafitti, I suppose. If you missed the interview, there are video clips at the link, plus the interviw will be rerun tonight on Countdown on MSNBC. Part two of the interview will air tomorrow on the Today show and again in the evening on Countdown, check your local listings for times.

AS IF WE NEED TO TELL YOU: Spoilers abound at the link. Proceed at your own whim and danger.

Overheard at San Diego, part 1

Overheard at San Diego, part 1

Seventeen years ago yesterday in San Diego, Roseanne Barr sang the National Anthem at a Padres game.

While we can’t promise you anything quite like that from any Hollywood types in town for this year’s San Diego Comic-Con International, we’re bringing you the most quotable things we can eavesdrop on.

At the Newark Airport terminal: "It’s tough to tell who’s going to the convention on this flight. You used to be able to tell at a glance." "Yeah, no one’s wearing comic book shirts." "Everybody’s reading Harry Potter, but that doesn’t tell you anything."

On the floor of the convention: "We’re opening up new boxes to sell books on Preview Night. In the first hour. I hope we’ve got enough to last the weekend."

Outside the hall: "I think they’re going to use those Superman bags as tents for emergency housing."

What have you heard? Send your snippets to overheardSDCC@tips.comicmix.com, or come up to us at the show– we’re the one’s in the ComicMix shirts.

JOHN OSTRANDER: Apres Harry

JOHN OSTRANDER: Apres Harry

Well, wasn’t that an exciting conclusion to the Harry Potter saga?! And who could have seen that twist coming? You know, the one . . . the one where he . . . I mean, she . . . I mean they . . .

Okay, at the time I’m writing this I haven’t yet read Harry Potter and the Deathly Hallows. It hasn’t been released yet. I won’t go near the sites that purport to have the text and published it online. Through the miracle of weekly deadlines that have been shuffled about because of the impending San Diego Comic Con (or Spam Diego, as I like to call it because that’s usually how I feel after the end of it if I go to one – a can of Spam), I get to pretend that the last Harry Potter has been read and probably consumed and can ask the burning question on everyone’s lips:

Now what?

The Harry Potter books took us to an alien world – England, to begin with, which is alien enough for most of us on this side of the Pond. (I once demanded of my good friend and excellent artist Steve Pugh why did the English persisted in driving on the wrong side of the road in their country. Steve smiled kindly and gently told me it was to confuse the French and we poor Americans simply got caught in the middle. “Well,” I said, “ so long as there’s a good reason . . .” Where was I? Oh yes – alien worlds.)

It took us into the world of magic and English academia; it’s hard to say which is stranger to Americans. It gave us a new experience vicariously, through the joy of reading. I once heard film critic Roger Ebert remark that one of the things he looked for in films – and one of the things he really liked about the original Star Wars – was when it took him to a new world, gave him a new experience. Or, I would add, make what we know seem new or give us a different perspective so it feels like a new experience. The Potter books, in my opinion, succeeded on both levels.

So, the Potter story is now complete. It’s a closed world. The remaining movies will translate that experience to the medium of film but it won’t be altogether new. Assuming, gentle reader, you want something more in that line, where can you go? I, like many others, have a few suggestions drawn from my own reading experience. Assuming that we take it as a given that they are not Harry Potter nor are they trying to be Harry Potter, they may be books that you’d enjoy.

They are also not intended as children’s literature, so don’t think of it as a sharing experience with the kids.

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ELAYNE RIGGS: Left Behind

ELAYNE RIGGS: Left Behind

It’s the day before the biggest convention in an American comic fan’s year — the San Diego Comic-Con International.  Just about every one of my ComicMix colleagues is heading out there.  (Don’t ask me how they got hotel rooms, it’s still a mystery to me.)  I’m not.  My boss told me a long time ago that I can’t go on vacation when he’s in the country (yes I know, but it’s still better than being unemployed and sans health insurance), and even if I could I just don’t think I could work up the enthusiasm any more for something so expensive and exhausting.  The closer I get to pushing 50, the more 50 pushes back harder.

I vaguely remember when I used to have the energy for Events.  When I was in college I enthusiastically queued up for a couple hours to see The Empire Strikes Back and was severely disappointed because I was expecting a movie, complete with a resolution, not a chapter.  (When Robin expressed much the same sentiment years later on Usenet, I responded with "Marry me," and the rest is history, sort of.)  I get the idea of wanting to be a part of a phenomenon bigger that one’s self, wanting "bragging rights" to fill your anecdotage.  (I wish I could say I coined that word, but I didn’t, I got it from a Fred Astaire movie and goodness knows where the movie’s writer picked it up.)  When it’s organic and unexpected, the Event phenomenon can be quite fun.  But what’s really organic today?

San Diego grew out of comic fans’ love for their medium and the people who toiled therein.  And then it just grew, and grew, and grew.  It’s nigh unto unwieldy now.  Before Wizard took over the Chicago Comicon, it too was centered around the comics artform; now it’s just another notch on the WizardWorld bedpost.  The more cons grow, the more the fans can convince themselves of the comic industry’s health — but the growth ain’t about comics, it’s about product.

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Oh, My! More Book Reviews!

Oh, My! More Book Reviews!

Graeme’s Fantasy Book Review looks at Harry Potter and the Deathly Hallows.

The Guardian reviews Scarlett Thomas’s The End of Mr. Y.

OF Blog of the Fallen reviews Daniel Wallace’s Mr. Sebastian and the Negro Magician.

Blogcritics reviews Warren Hammond’s KOP.

The Kansas City Star reviews The Dark River by the secretive and mysterious John Twelve Hawks.

In the Washington Post, Jeff VanderMeer reviews Ian McDonald’s Brasyl, Kay Kenyon’s Bright of the Sky, Susan Palwick’s Shelter, and more.

Book Fetish reviews Yasmine Galenorn’s Changeling.

CA Reviews looks at Kristin Landon’s The Hidden Worlds.

Powells Books Blog reviews Matt Ruff’s new novel, Bad Monkeys.

Kate Nepveu reviews  Vernor Vinge’s Hugo-nominated novel Rainbows End.

Visions of Paradise reviews C.J. Cherryh’s Inheritor.

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DENNIS O’NEIL: “No wizard left behind”

DENNIS O’NEIL: “No wizard left behind”

At the end of last week’s exciting episode, the cute schoolteacher and I were involved in a tense debate about which showing of the new Harry Potter movie we would attend. (Yes, we media people do have lives that throb with excitement.)

We decided, and went.

The schoolteacher, who really does carry Potter devotion to an extreme, at least in one Muggle’s opinion, was enthralled. The Muggle – me – thought it was a pretty good summer flick. I’m a Muggle who can enjoy some good, old-fashioned, British Acting-with-a-capital A, and the Potters are full of A-list thespians. (There may be a pun in there somewhere, but, trust me, it’s not worth the effort needed to find it.) I think British movie acting is still partly influenced by its grandiloquent, stage-bound forebears, and that makes it appropriate to material that is the antithesis of realism, much as Brando’s naturalistic Method acting was appropriate to Tennessee Williams’s realism.

But the Pottery pleasure the teacher and I could share equally began when Dolores Umbridge entered the story. Miss Umbridge, splendidly embodied by a pink-clad Imelda Staunton, is an educational bureaucrat whose saccharine exterior conceals a heart of bile. She’s a stooge for the local politicians whose mission is to insist on a largely useless curriculum and on tests which accomplish nothing except make it impossible for real educators to do their jobs.

“No wizard left behind,” I whispered to the schoolteacher, who nodded vigorously.

I don’t know much about J.K. Rowling, Potter’s creator, but I do know that she must have been writing the novel on which the current movie is based about seven years ago, and that she works and lives in England. Those facts make it unlikely that in conjuring up Miss Umbridge she was commenting on and/or satirizing the Bush administration’s No Child Left Behind farce. So maybe art was anticipating life. Whatever the reason, Miss Umbridge could step from fantasy into the real life milieu of those involved in the president’s – ahem – educational efforts and feel right at home.

Spoiler alert!

Miss Umbridge gets hers, though it appears that she survives to be rotten another day, and I rejoiced. I think schadenfreude is a pretty crummy emotion when it’s directed toward people we know, but it’s perfectly acceptable, and maybe even expected – maybe even desirable – when aimed at creatures of the imagination. And despite what the schoolteacher might want to believe, J.K. Rowling does write fiction.

RECOMMENDED READING: The Assault on Reason, by Al Gore.

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

Harry Potter and The Final Sacrifice!

Harry Potter and The Final Sacrifice!

Well, it’s a book, now. Harry Potter and the Deathly Hallows went on sale at the crack of Saturday, and the world will never be the same. (Or something.) For this link round-up, I’ll corral the stories into groups, by theme, proving that there are only about a dozen potential Potter stories, each of which is being endlessly recapitulated around the world. (And thus I’ll refute Bishop Berkley.)

The last few “anticipation” stories from before the launch:

PopMatters wonders if all of the Potter-readers will become writers. (Because what the world needs is more wanna-be writers.)

Associated Content, writing on Friday, says the book is already on sale.

The Free Lance-Star announces that Fredericksburg shops are ready for the onslaught of young muggles.

The Dallas Star talked to people in line.

Savannah’s WSAV told eager readers they would have to wait just a little longer.

The Money Times reported on the leaks a few hours before Deathly Hallows’s release, which would also be several days after the story broke.

The Motley Fool also reported on the leaks just before the release. (I thought the financial press was supposed to be sleek, fast and up-to-date?)

The Philadelphia Inquirer had a quiz.

The Irish Times had the usual “we’re waiting, none-too-patiently” story.

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Tons of F&SF Stuff

Tons of F&SF Stuff

Jennifer Fallon loves Wile E. Coyote, and doesn’t care who knows it. (She also lists Chuck Jones’s very interesting rules for Roadrunner cartoons, which show just how much of a brilliant formal exercise those shorts were.)

But Wouldn’t It Be Cool? lists nine reasons that he reads SF.

The Philadelphia Inquirer uses the Harry Potter hook to look at Christian fantasy. (The Washington Post has a similar story today as well.)

Nine MSN News promotes the Australian writer John Flanagan and his series for young readers, “Ranger’s Apprentice.”

Tech Digest asks and answers: what is steampunk?

SF Signal has posted the final lists for their Harry Potter Outreach Program, designed to drag Potter readers (kicking and screaming, if necessary) over to the SF/Fantasy shelves and get them to read more stuff that they’ll like.

Adventures in SciFi Publishing’s 27th podcast features an interview with Sarah Beth Durst, author of the new young-readers novel Into the Wild. (And some other things, like another installment of “Ask an Author” with Tobias Buckell.)

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JOHN OSTRANDER: Potter’s End

JOHN OSTRANDER: Potter’s End

We’re at something of a cultural crossroads.

On July 21, Saturday, the last new Harry Potter book, Harry Potter and the Deadly Hallows, will be published. With this, J.K. Rowling completes her story and a literary phenomenon is completed. Yes, I know there are two more movies and scads of related tie-ins still to come but the story itself will be complete. We’ll know how it ends.

I have a mistrust of anything that labels itself an “instant classic.” It suggests adding water to a half-baked idea, mix, and you have something for the ages. For something to be classic, time must pass. The work must speak to more than one generation. In the 1920 and the 1930s, the detective Philo Vance was all the rage; today, virtually nobody has heard of him, let alone read him.

All that said, I do think the Harry Potter books have the potential to become classics, to be read and loved by future generations. There is a timeless quality to them; they create their own separate but accessible world; and – as with all truly great children’s literature – they are accessible to adults as well as children. I’m 58 years old; I write GrimJack and have written things like Wasteland. I’m a fan of hard-boiled noir detective fiction and, yes, I’m a Potter-head as well.

What is going to decide whether or not the Potter books become classics or not, I think, is going to depend on how author J.K. Rowling winds up the series. I have nothing but respect for Ms. Rowling; she went from being a single mother on welfare when she wrote the first Potter book to being worth more than the Queen of England as she winds up the series. By the end of the summer, they’ll have to start inviting her to G8 meetings. On a simple commercial level, the writer in me is in awe.

The writer in me also admires her clear-headed vision of herself and of her work. I’ve dealt with fans, my own and Star Wars fans, and while I love them I know how fanatical some can get. There can be this sense of identification with a work to where they can feel entitlement or ownership even above the creator his or herself. On a video, I heard Ms. Rowling address this and say, pretty close to verbatim, “Is it important to me what the fans think? Absolutely. Should it change one word of what I’m doing? Absolutely not.” For the record, I think Ms. Rowling is spot on.

As I was saying, however, whether or not the Harry Potter books go on to become a classic or a flash in the pan will depend on this final book – on how she winds up the series. That ending must satisfy everyone, young readers and older ones alike, who have made an emotional investment that spans years. That doesn’t necessarily imply a happy ending; the movie Casablanca doesn’t have a “happy” ending in that the two lovers, Rick and Ilsa, are together. But, boy, does the ending satisfy the viewer.

There’s been a lot of speculation about how the series will end. Word has it that two of the series’ characters will die and that one of them could be Harry Potter himself. Since this is my last shot at it before the book comes out, I’m going to chime in with my own opinions/speculations. WARNING: SAID SPECULATIONS WILL NECESSITATE REVEALING EVENTS THAT HAVE HAPPENED IN PREVIOUS BOOKS. IF YOU’RE NOT CAUGHT UP AND HAVE SOMEHOW AVOIDED LEARNING WHAT’S HAPPENED AND WANT TO LEAVE IT THAT WAY, GO READ SOMETHING ELSE. NOT THIS.

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Scream, Harry Potter, Scream!

Scream, Harry Potter, Scream!

Various torrent sites, and others, have posted what are claimed to be scans of Harry Potter and the Deathly Hallows, implying that either a few copies of the US edition have escaped the strict security measures or that some sneaky hacker has Mad Photoshop Skillz. This has caused just one or two small news stories, such as:

The Boston Globe runs another countdown story, this time quoting the Massachusetts governor, who claims to be a big Potter fan. (And it may even be true, though any time a politician claims to love something that millions of his constituents are currently doing, it has to be a bit suspect.)

Peace Arch News, man, gives the South Surrey spin, man, on Pottermania, man.

The Sydney Morning Herald wants to let the book speak for itself.

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