Tagged: Garth Ennis

THE SHADOW KNOWS THE FIRE OF CREATION

Cover Art: Alex Ross

The 176 page trade paperback collection of Dynamite Entertainment’s The Shadow: Fire of Creation arrives in comic shops on Wednesday, November 7th.

Who knows what evil lurks in the hearts of men? The Shadow knows! It’s 1938 and The Shadow returns in a tale of blazing action and deadly intrigue, as a night of carnage on the New York waterfront plunges the mysterious vigilante into a conspiracy involving the fate of the world itself. As storm clouds gather across the globe, American Military Intelligence meets with a certain Lamont Cranston, determined to beat a host of spies and assassins to the greatest prize of all… but what that might be, only the Shadow knows.

Collecting the first six issues of the hit series written by Garth Ennis and drawn by Aaron Campbell, featuring Garth Ennis’ script to issue #1 as well as a complete cover gallery featuring art by Alex Ross, Jae Lee, John Cassaday, Ryan Sook, Howard Chaykin, and more.

Learn more at Dynamite Entertainment.

Martha Thomases: War! What Is It Good For? Comics!

Having watched all three presidential debates and the vice-presidential debate, I’m in the kind of stupor that is recognizable to other political junkies. With about ten days to go, I am chewing on my fingernails, tensely watching the polls as if it is only my focused attention that will allow things to go my way.

The last debate, about foreign policy, made me think about war, and entertainment inspired by war, and my response to it.

There are brilliant war comics, written by people like Archie Goodwin, Larry Hama, Garth Ennis and, especially, Harvey Kurtzman. I admire them. And yet, I don’t particularly enjoy them.

I think the problem is that I am so repulsed by the reality of battle. I don’t find it dramatic nor exciting. It may reveal character, but I don’t want to see it. I don’t entirely believe that war reveals nobility, and even if it does, I think there are better ways to get to the same place.

And yet. And yet. I do like action movies, and I like cartoonish action movies that include war. I love The Dirty Dozen. I can get a good laugh out of 300.

I can admire more realistic war movies, like The Hurt Locker, but I don’t enjoy them. I don’t want to go see them. I avoid them as carefully as I avoid actual battle. I go only when it is necessary to be part of the cultural conversation. Oh, and Apocalypse Now.

It’s possible that I don’t like war movies because they are so stereotypically masculine. Even modern war movies, the ones that acknowledge that women serve and sacrifice, are models of machismo. A movie like Since You Went Away, which shows life on the home front, is just as much inspired by war as my other examples, but is considered a “women’s picture,” or a soap opera because it is about women.

I can think of two exceptions in comics where I actually enjoyed a war comic I was reading. The first is Blackhawk when Howard Chaykin was doing it. I think this had less to do with the military aspects, and more to do with Chaykin’s sense of humor, which is very close to my own.

The other is George Pratt’s Enemy Ace: War Idyll, which is, sadly, out of print. It’s beautiful and moving, as all entertainment should be.

When you vote, don’t just consider the impact of this election on the economy. Think about the wars that can happen as a result of your vote. And then think about the schlock comics those wars will inspire. Personally, I don’t want to see Dan Didio get his hands on Iran.

SATURDAY: Marc Alan Fishman

 

Martha Thomases: Fashion Police

Perhaps you are not a follower of mens fashions. Perhaps you don’t care. The relative width of a jacket’s lapels is not as hot a topic as the relative length of a woman’s skirt. In New York, however, it’s a big business. We have a Fashion District, which is not a place where models live, but rather where designers and manufacturers have their offices. We have a segment of our calendar devoted to various seasonal Fashion Weeks. The trends are part of our regular media coverage.

Foremost among these is Fashions of The Times, recently refurbished as T. This supplement to The New York Times occasionally augments the Sunday magazine section. The women’s issue is thick and glossy, full of teenage models wearing outfits that cost more than my first car, and jewelry that cost more than my apartment. The men’s issue may be just as unrealistic, but I can enjoy it more because it’s not aimed at me. And the models are cute guys who are there to be stared at.

Anyway, this is a long and roundabout way to explain why, last Sunday morning, I was paging through the men’s fall fashion issue of T when I was flabbergasted to see Jamie Hewlett, one of the creators of Tank Girl, in an ad for Alfred Dunhill, the posh menswear company. It was a two-page ad. The glorious John Hurt was on the other side.

It’s a full-on campaign. Here he is on YouTube, in a beautifully photographed interview about his creative process. It’s in elegant black-and-white, as if to emphasize what a serious artist he is, an important cultural touchstone. While I was on YouTube, I discovered that Jamie had previously been previously interviewed for Absolut Vodka.

When did this happen? I mean, I love Tank Girl and the Gorillaz idea is really fun. I think Jamie is adorable. I own some of his art. But a fashionista? Someone with a look other men should strive to emulate?

I guess I shouldn’t complain. When I worked at DC in the 1990s I tried to establish our talent as artists of interest, to be taken as seriously as novelists or filmmakers. I hired my friend, Stephanie Chernikkowski, a noted rock photographer whose work has been shown in the Museum of Modern Art and around the world, to take pictures (you can see her pics of Neil Gaiman, Grant Morrison, and Kyle Baker at the above link, and she also shot Garth Ennis, Paul Pope and Peter Milligan before I ran out of budget).

At no time did I make any suggestions as to their wardrobe. The photographs were commissions for promotional purposes, but we were promoting the work, not the style. It would never occur to me that anyone would want to dress like a comic book pro.

Paul Pope, maybe. He’s designed clothes for a few major fashion companies. And he’s really really cute. He looks like a model.

It’s another step on the road to Nerd Cultural Domination. I eagerly await the Azzedine Alaia collection starring Gail Simone.

SATURDAY: Marc Alan Fishman and the Baltimore Bliss

ENNIS AND AARON TAKE TO THE SHADOWS IN APRIL!

Cover: Alex Ross
Cover: Jae Lee

In the first issue of the new ongoing The Shadow series, it’s 1938 and The Shadow returns in a tale of blazing action and deadly intrigue, as a night of carnage on the New York waterfront plunges the mysterious vigilante into a conspiracy involving the fate of the world itself. As storm clouds gather across the globe, American Military Intelligence meets with a certain Lamont Cranston, determined to beat a host of spies and assassins to the greatest prize of all… but what that might be, only the Shadow knows. Be sure to get The Shadow #1 in April 2012!

Written by Garth Ennis with art by Aaron Campbell. Cover art provided by Alex Ross, Howard Chaykin, Jae Lee and John Cassaday.

Learn more about Dynamite Entertainment at http://www.dynamite.net/.

Click on images for a larger view.

Cover: John Cassiday

Cover: Howard Chaykin

READ DYNAMITE’S WARLORD OF MARS: DEJAH THORIS ISSUE #1 FOR FREE

Cover Art: Arthur Adams

Dynamite Entertainment has released the first issue of Warlord Of Mars: Dejah Thoris for free. This issue is part of the WARLORD OF MARS: DEJAH THORIS VOL. 1: COLOSSUS OF MARS Trade Paperback by Arvid Nelson and Carlos Rafael.

You can read the entire issue of Warlord Of Mars: Dejah Thoris #1 at http://www.bleedingcool.com/2011/10/21/free-warlord-of-mars-dejah-thoris-1/ along with previews for the following upcoming titles from Synamite this week:

THE BIONIC MAN #3 by Kevin Smith, Phil Hester and Jonathan Lau.
THE BOYS: BUTCHER, BAKER, CANDLESTICKMAKER #4 (of 6) by Garth Ennis and Darick Robertson
WARLORD OF MARS #11 by Arvid Nelson and Stephen Sadowski
QUEEN SONJA #22­ by Luke Lieberman and Fritz Casas
ZORRO RIDES AGAIN #4 (of 12) by Matt Wagner and Esteve Polls.
SHERLOCK HOLMES: YEAR ONE TPB by Scott BEatty and Daniel Indro
WARLORD OF MARS: DEJAH THORIS VOL. 1: COLOSSUS OF MARS TPB by Arvid Nelson and Carlos Rafael
You can read the entire issue of Warlord Of Mars: Dejah Thoris #1 for free at http://www.bleedingcool.com/2011/10/21/free-warlord-of-mars-dejah-thoris-1/ 

MARTHA THOMASES: Ennis, O’Neil, and Family

Twice in two days this weekend, I ran into Garth Ennis on the street. Other than industry events, I haven’t seen him in nearly a decade (and then, on the street). Apparently, he lives about half a mile away from me, and has for eight years.

Usually, if I see someone I know in a place where I don’t expect to see him, I don’t recognize him. When it’s family, it’s different.

I’m not claiming to have a particularly close relationship with Mr. Ennis. As the publicist at DC in the 1990s, I monitored to the line for his signings at a few conventions and hung out at bars in the evenings with other comics folks.

I have cousins with whom I’ve spent less time.

There aren’t a lot of businesses with the same kind of family feelings as comics. I think it’s because, until recently, we got no respect. Biff, bam, pow, comics were for kids, and any adult who liked them – or worse, made a living working on them – must be developmentally stunted or a pedophile.

The first person I met in comics was Denny O’Neil. I was completely gobsmacked because he was, at the time, my favorite writer (since then, I have added favorites, depending on my mood. Still, day in and day out, he’s frequently the best). It turned out he lived down the street, and I managed to insinuate myself into his life by watering his plants when he was out of town, and borrowing his Ed McBain books. Besides comics, we shared an interest in anti-war politics, the great 1960s culture wars, and schlocky science fiction movies.

Through Denny, I met the crowd that was then at Marvel: Larry Hama, Archie Goodwin, Mike Carlin, Christopher Priest and the gang. I met a great group of freelancers, too: Frank Miller, Walter Simonson, Howard Chaykin, Kyle Baker, Bobby London, Bill Sienkiewicz, Mary Wilshire, Tony Salmons. I met Mike Gold through Denny, even though we know so many of the same people that I can’t believe we hadn’t met before.

And so on, and so on.

When I got the job at DC (thanks to Denny’s referral), I met a whole bunch more. And even though I’d been shy as a teenager, I found I was able to talk easily to people I’d just met. Maybe because we had business to talk about, or Superman, or Jim Shooter, but conversation was easy, and I felt comfortable around these people.

Just like family.

Comics used to be much more of a New York business. Then Fed-Ex, fax machines and the Internet made it possible for people to live in other states, even other countries. And that’s cool. I have family in Australia, and we’re still tight.

Since Denny retired, I don’t get to run into him every day. He moved out of town and I’m using the phone much less. Even so, I know that, the next time I see him, which will probably be at our Chanukah party, we’ll have a bunch to talk about, and we’ll laugh at our respective wrinkles and gray hairs. We’ll talk about the kids, and their crazy music and hairstyles.

Maybe, if I invite him, Garth will come, too.

Martha Thomases suspects that her teen-age self would not believe how little she uses the telephone anymore.

SATURDAY: John Ostrander

ComicMix Six: Who You Want On Your Side When Zombies Attack

ComicMix Six: Who You Want On Your Side When Zombies Attack

If there’s one thing I’ve learned from watching and reading
enough stuff about zombies, it’s that you need a good bunch of guys with you
when the crap hits the fan. Guys who will last. Guys who know how to handle
themselves.

So in light of The Walking Dead marathon on AMC today leading up to the season finale, these are the guys I want with me when Hell is full up, and
the dead walk the earth.

  1. FLINT MARKO/SANDMAN
    Zombies love munching on flesh, but what if you put them up
    against a guy who’s made of sand? What the Hell are they gonna bite into? While
    sensitive to moisture, he can turn his body into glass. That’s gotta come in
    handy in close quarters. Flint is super strong and can take on crowds and send
    them reeling with a giant sledgehammer fist.

2. SOLID SNAKE
A veteran of many armed conflicts, this iconic video game
character has proven himself to be a top covert operations and infiltration
operator. He is a master with melee weapons, hand-to-hand combat, firearms, and
high explosives. Snake is one of the best guys to go to when you have to take
out a zombie quietly.

3. TED KACZYNSKI
Everyone’s favorite anarchist may not be the first guy you’d
want to get mail from, but he’s proven that he can live off the grid. When
electricity and running water are unavailable, knowing how to live and survive
become the same thing. He’s also pretty good at making dandy booby traps, so
that can come in handy with setting up a camp perimeter better than empty cans
on string.

(more…)

Garth Ennis Creates ‘Jenny Blood’ for Dynamite

Garth Ennis Creates ‘Jenny Blood’ for Dynamite

Continuing writer Garth Ennis’ successful longstanding working relationship with Dynamite Entertainment, the publisher today announcde the newest hard-hitting series from Garth entitled Jennifer Blood.

The title character is a suburban wife and mom by day, and a ruthless vigilante by night!  Every day she makes breakfast, takes the kids to school, cleans the house, naps for an hour or two, makes dinner, puts the kids to bed, and kisses her husband goodnight.  At night she goes down to the secret compartment in the basement, tools up with all manner of high-powered weaponry, goes downtown and kills bad guys by the dozen- then comes home to her family.

The story is told in the form of her diary, a little pink one with a rabbit on the front. This suburban punisher is ready to be unleashed in a story that can only be told by the legendary Garth Ennis.  The company has withheld the name of the series artist but did confirm that painter Tim Bradstreet will provide the covers when the series arrives in Febraury.

“I’ve been writing such grim, serious stuff for so long now that I fancied having some fun again,” says writer Garth Ennis.  “Pitch-black fun, yes, but fun all the same. Hence Jennifer Blood.”

“Garth has an uncanny ability to create compelling characters from scratch,” Dynamite President Nick Barrucci said in a press release.  “From The Boys to Preacher – as well as re-defining an iconic character like The Punisher – we’re proud to be working with Garth on Jennifer Blood!  Tim Bradstreet painting the main covers is icing on the cake!”

The Point Radio: Rob Corddry Joins ‘The Boys’?

The Point Radio: Rob Corddry Joins ‘The Boys’?

Hot Tub Time Machine‘s Rob Cordrry has a few dream projects in mind – one of which is starting in the big screen version of a little comic created by Garth Ennis. Can we make this happen, or better yet, can he?

Rob shares his thoughts here plus a Dragon sized box office, 24 clocks out and the passing of the legendary Dick Giordano.

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Garth Ennis on “Battlefields”

Garth Ennis on “Battlefields”

Over at CBR, Kiel Phegley has provided the highlights of a nice conversation with writer Garth Ennis (Preacher, The Boys) about Dynamite Entertainment’s upcoming "Garth Ennis Month," which will feature the debut issue of a nine-part limited series titled Garth Ennis’ Battlefields. The World War II-themed series will unfold in three connected stories this October, the first of which will be titled The Night Witches and feature art by Russ Braun.

Here, Ennis explains the ties that bind the three stories together:

“If there is an element that unites the three stories — this is something I like to leave up to the reader, so I’ll keep it vague — it might be a look at various ways of approaching conflict, depending on who you are, where you come from, what you’re up against,” Ennis said. “How the Russians fought the Germans was not quite like how the British fought them, for instance, and how the British in turn fought the Japanese was different again.”

It would seem that the subject is a near and dear one to Ennis, as the writer offers up quite a few thoughts about his plans for the series, his creative process with regard to the each story’s schedule and the artists with whom he’ll share creative credit. He also gives credit where it’s due with respect to the subjects of the stories.

“If nothing else, the stories in Battlefields highlight the courage of people whose time has almost passed and whose stories are fading. ‘The Night Witches,’ for instance: young women in their teens and early twenties, flying obsolete biplanes at night against the most lethal military machine in the world, facing potentially catastrophic consequences should they be captured alive. Or ‘The Tankies,’ men going into battle against heavy odds, knowing beyond a shadow of a doubt that the enemy has them outmatched and outgunned on every level, but doing it anyway. That, to me, is heroism, and that deserves to be acknowledged.”

For more on Battlefields, including some art from the series and the cover to issue #1 of Night Witches (a small version of which is posted here), head over to CBR.