Tagged: Futurama

  • News
  • March 4, 2012

ARDDEN ENTERTAINMENT TEAMS WITH SERIEPLANETEN TO BRING
SWEDEN’S FIRST SUPERHERO, AGENT MARC SAUNDERS, TO AMERICA!

It was inevitable.   Sweden’s very first superhero, Agent Marc Saunders, the story of an American agent fighting the forces of evil worldwide, has finally reached the United States!
Teaming up with Serieplaneten, the original Swedish publisher of the hit comic book series, Ardden Entertainment, the publisher of Flash Gordon and Casper and the Spectrals, among others, is proud to bring this amazing new character to American shores.

Before Marc Saunders, Sweden never had a seriously meant superhero title of its own. There was “Dotty Whirlwind” back in 1945 – 1946, but she never carried her own book.

Until 2011, when writer/artist Mikael Bergkvist created Agent Marc Saunders.  A cross between James Bond and Doc Savage, Saunders is a super-powered agent working for the American government, facing a series of increasingly brutal enemies with bigger and bigger plans for destruction and mayhem.   Saunders is aided by his trusted team of allies, including the beautiful media tycoon Marion Gold. This series has been embraced by Sweden, largely due to its classic pulp type of adventure, like “The Shadow” or “Doc Savage”, but set in in modern times.

Issue #1 of the American version of Agent Marc Saunders comes out in April and is currently available for order through Diamond Comics.  It features a cover by none other than the legendary Neal Adams!

Mikael Bergkvist has been writing comics for 25 years but Agent Marc Saunders is his first original creation.

Serieplaneten, an up and coming comic publisher in Sweden, publishes the Swedish version of “The Simpsons vs Futurama,” among other titles, and in 2011 they began publishing Marc Saunders, making Swedish comic book history in the process.

Founded in 2008, Ardden Entertainment LLC is the proud publisher of FLASH GORDON, CASPER THE FRIENDLY GHOST, and the ATLAS COMICS resurrection, among others. Ardden is run by former Miramax Films executive Brendan Deneen and comic book store owner Richard Emms, with industry legend Mike Grell acting as the company’s Editor-in-Chief.
Ardden’s mission statement is to produce high quality licensed comic books as well as original concepts that work both as comic books and larger, multi-media properties. For more information about Arddenn Entertainment, please visit http://limited-edition-comix.com/atlas/index.htm

MARC ALAN FISHMAN: Mark Hamill, The Clown Prince of Voice Actors

Imagine the Joker has you tied up. You’re in a dimly lit warehouse right off the river. The air is thick, stale, and musky. The tide raps against the nearby docks punishingly. The rope that binds your hands behind your back is chokingly tight. Every twitch in your wrist scrapes twine against raw flesh. Footsteps on concrete floors echo louder and louder as they draw near.

That laugh. It starts out low and menacing. It crescendos a bit. A few “hee-hees” and “ho-hos” tossed in jovially. It crescendos. Cackling, lung emptying chortles screech on your ears. You wince and tense up. Your wrists chafe as skin breaks. You can feel blood reaching the surface of the rope.

“So fanboy, it wasn’t hard to lure you here. The promise of a preview copy of Catwoman 2 was all it took. Well. that and the promise of more side boob. And now? I bet you’re hoping… praying… that the Bat shows up and saves you. Well, pookie? The joke’s on you… he’s too busy reading Voodoo to show up here! HAAAAA HAAA HAA HAA HAAA!”

Question: The voice in your mind just there? The voice of the Joker? Well, if you’re anything like me… the man reading back my poorly written dialogue in your head was Mark Hamill.

Since 1992, Hamill has portrayed perhaps one of the single hardest roles for any actor, be it voice or otherwise, to play. The nemesis of the Dark Knight has been written many ways; from straight-up sadistic murderer to psychotic sycophant. Bruce Timm and Paul Dini created perhaps the single greatest interpretation of the seminal superhero and tasked Andrea Romano with the worst possible task. The interpretations of role had been truly original to say the least. Both Cesar Romaro and Jack Nicholson had portrayed the Clown Prince of Crime and took liberty to imbue the character with their own charm. Romero painted over his mustache and played the campy cackler with scene chewing glee. Jack Nicholson exuded his … Jack Nichosoness. But here, with Batman: The Animated Series, we were getting a truer-to-comic presentation. The Joker in this case could not be so closely tied to the actor portraying him. And the less we say about Larry Storch’s voice acting during the Superfriends/Scooby Doo era the better.

Enter Luke Skywalker.

Mark Hamill had done a handful of voice acting roles prior his turn as the Joker (so says IMDB), but none with as much clout. Certainly any kids as crazy-obsessed as me hit the pause button while watching their tapes of recorded episodes to see the voice cast… and would be baffled to see their beloved Jedi master lending his baritone to The Joker.

Astonishment aside though, Hamill sunk into the role such that I strongly believe no one else will ever top it. His nuanced delivery, that carries everything from the silly to the psychotic, is pitch-perfect. Over the course of the series, the animated Joker was pulled in several directions. One episode he’s dressed as a sea captain, driving a barge of joker-gassed garbage down the Gotham River; the next, he’s holding Commissioner Gordon, Harvey Bullock and Renee Montoya hostage on live TV. And whether he was back handing Harley Quinn, or flying away on a rocket powered Christmas tree, Hamill captured the character like no other.

In watching a little featurette about the characterization, Hamill put it best. The iconic laughter of The Joker had to be right. It’s a tool in and of itself. With every laugh he delivered behind closed doors, Hamill captured the essence. For all his nuance and outright amazing portrayal of the character in The Dark Knight, even Heath Ledger wasn’t able to really use it. Credit to Hamill’s fearless acting. As you’d learn in the clip, he performed it standing up. You can feel the manic energy in every line he spoke. And when the animated series ended, Hamill (and fan favorite Bat-voice Kevin Conroy) brought the role out one last time for the now-causing-mass-sleep-deprivation video game Batman: Arkham City videogame. Sadly, Hamill told the world it’d be his last foray into the fracas… and thus his reign as the ringmaster of insanity came to a close.

Other people have taken on the role, to less effect. The fantastic John DiMagio (of Futurama fame and much, much more), Kevin Michael Richardson, and even now Brent “Data” Spiner have all tried to take the mantle. But none capture that balance of the character. Some of it may come from the writing itself… but as we all know, the best actors can make lemonade from just a packet of Sweet-N-Low and a wedge of lemon. Mark Hamill’s been blessed with fantastic writers, but took the role to such heights that now I fear no one will ever replace him.

And just then, the window above shatters. Shards of glass rain down on the floor around you, reflecting the pale moonlight and streetlamp glow as they ping-ping-ping into pieces. A leathery flap darkens the area where you sit. You can’t see anything, but you hear a desperate plea.

“Wait, Batsy, no! We were just about to read O.M.A.C. #1 together! HAAA HAAA HAAA HEEE HEE HOO HOO HEEEE!”

SUNDAY: JOHN OSTRANDER

Futurama, Sons Of Anarchy Cross-Over!

  • News
  • April 1, 2011

At last, some fans will be fulfilling their fondest dreams as Futurama’s Turanga Leela does her long-awaited guest turn on Sons of Anarchy.

The focus of the story arc will involve Leela being commissioned to bring notorious biker-mama Gemma Teller Morrow to justice. Gemma doesn’t appreciate the attention, and of course SAMCRO comes to her defense. Out-gunned, Leela is aided by Bender and Fry in a bloody fight to the finish with Gemma, Jax and Clay.

After years of negotiation, it finally occurred to producers that both shows are distributed by divisions of 20th Century Fox and this crossover will inure to the benefit of their corporate coffers. Merchandising will abound, with Leela imagery under the Sons of Anarchy logo showing up on various Harley-Davidson products.

As exclusively reported last month on ComicMix, Futurama has been picked up for a 13-episode season in 2012 – its eighth – following a similar commitment that begins in June of this year. Sons of Anarchy will begin its fourth year at the start of the “traditional” television season this coming fall.

Morbo from 'Futurama'

‘Futurama’ Renewed For Another Season

  • News
  • March 22, 2011

Morbo from 'Futurama'Good news, everyone!

In the middle of Maurice LaMarche’s video for his combined celebration of William Shatner’s 80th Birthday and the 3rd Annual International Talk Like William Shatner Day, he revealed that Futurama has been picked up for another season on Comedy Central and that he’d just gotten his contract. Mr. LaMarche does the voices of Morbo, Lrrrrrrr, the ruler of Omicron Perseid 8, Clamps, and many, many more.

Truly, a day of greatness.

Take a look at the video here:

[youtube]http://www.youtube.com/watch?v=yOGkDsH0OsI[/youtube]

Morbo is pleased.

UPDATE! The Last One Left TURNED Off The Lights!

UPDATE! The Last One Left TURNED Off The Lights!

  • News
  • January 22, 2011

UPDATE:

Archie Comics, the last remaining subscriber to the Comics Code Authority, dropped their participation.

That’s it for the Code. My heart goes out to every cartoonist who lost his or her job in the 1950s when that rat-bastard started dropping its load on the comics medium.

Or, as they say in Oz, “Ding dong, the witch is dead!”

Now back to our previously schedule rant…

Well, it only took 57 years, but DC Comics finally quit
the Comics Code Authority.

This useless relic of more paranoid times stifled
creativity for much of the past six decades before turning irrelevant as
traditional newsstands became quaint relics of the ancient past. Back in the
1950s comic books were equated with juvenile delinquency and were subjected to
hysterical editorials in major national magazines and even televised
Congressional hearings.

At a time when drug stores, newsstands and candy stores
were struggling to stay in business due to competition from shopping strips and
malls, neither publishers nor retailers needed the drama. Publishers banded
together to create an industrial censorship committee composed of narrow-minded
professional virgins who had been without work ever since local movie
censorship boards were disbanded in the early 1930s due to the Motion Picture
Code.

But, you may ask, how do I really feel about the Code?

DC’s moving to a system of self-determined branding
similar to that adopted by the video game racket. But unlike the last time DC
tried such an action, it is doubtful the loudest members of today’s creative
community will complain. We’re all used to the “E for everyone, T for teen, T+
for adults who act like teens, and M for “dirty stuff” mature” system.

Marvel abandoned the Code ten years ago, and Bongo (The Simpsons, Futurama) did so last
year. That leaves only Archie Comics, whose co-founder John Goldwater wrote the
original Code back in the day. Archie’s now on its third, and perhaps most
creative, generation of Goldwaters and Silberkleits, and given their commitment
to bring their line into the 21st Century I wouldn’t be surprised if they’re
the ones who turn out the lights.

Amusingly, I was involved in the 1986 attempt to rewrite
the Code. I was senior editor at DC, and my boss Dick Giordano hated the Code
with a passion worthy of Ted Rall. He knew I shared his sentiments, so when the
Code wanted to modernize he ordered me to represent the company. Mark Gruenwald
represented Marvel, Victor Gorelick repped Archie, and Alan Harvey the company
after which he was named. Mark shared my feelings about the Code – most old
fanboys do – and Vic and Alan had a great sense of humor. We modernized the
Code into something innocuous.

Within weeks, Now Comics submitted a book that made fun of
the Code. The Code denied approval. We asked where in our Code it said publishers can’t make fun of the Code. The Code
vetoed the book anyway. Our committee was abandoned. Nobody was surprised. I
went on to focus on DC’s new format of non-Code “for mature (!) readers” books
like The Question, Green Arrow, and Wasteland.

The Comics Code has been coughing up blood for twenty
years. I hope it does not outlive the comic book.

The Point Radio: Billy West Talks Funny

The Point Radio: Billy West Talks Funny

If it’s a funny voice you hear on TV or radio, chances are that voice belongs to Billy West. From STIMPY to FRY, Billy has created them all and he tells us just how he started being the “go to guy” for great voices. Plus TOY STORY hits the BO top again and Peter Jackson on THE HOBBIT?

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Comor Podbean!

Follow us now on and !

Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net – plus there is a great round of new programs on the air including classic radio each night at 12mid (Eastern) on RETRO RADIO COMICMIX’s Mark Wheatley hitting the FREQUENCY every Saturday at 9pm and even the Editor-In-Chief of COMICMIX, Mike Gold, with his daily WEIRD SCENES and two full hours of insanity every Sunday (7pm ET) with WEIRD SOUNDS!

CLICK HERE TO LISTEN LIVE FOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys.

 

 

ComicMix Six: Vampires That Don’t Suck (Human Blood)

ComicMix Six: Vampires That Don’t Suck (Human Blood)

  • Uncategorized
  • March 19, 2010

Vampires are everywhere these days. But long before we had Team Edward and the litany of prissy emo vampires that sparkle in the G-D sun… we had real vampires. They were in popular books, TV Shows, comic books, movies made from popular books, adaptations of comic books turned into movies, and even a comic book series adapted from a popular TV show based on characters from a movie! You get the drift. And throughout all of these various sucktastic productions, the tent poles of vampirism always held true (You getting this, Eddy?). Vampires are generally more pale than the Irish, and hate the sun more then old Jews. And furthermore, they have a thirst for blood worse than the republicans. But we kid, Edward. It seems some popular Vampires (like yourself) don’t stick to traditions. Some don’t even suck blood to survive! Don’t believe us? We didn’t either, until we came up with this list:

Count Duckula – Spinning off from the popular Danger Mouse series created in the U.K., came a vampire with who’d rather toast with a tomato than nibble on a neck. In the series, Igor whilst incanting the resurrection spell of his deceased master, was accidentaly provided ketchup in place of the ceremonial blood. Thus Count Duckula was born! Far more concerned with fame, fortune, and feasting on fennel, fava beans and fresh fiddlehead ferns, Count Duckula was known more for his fondness of broccoli sandwiches than being a creature of the night. And hey, even if he decided to switch menus? Fat chance! The poor duck didn’t even have fangs.

Angel & Spike – Joss Whedon took his video store lump of coal, and coaxed it into a diamond of a TV series. He did so first by fleshing out Buffy to be more than just “Pert. Wholesome. Way Lethal”. Better than that though, he introduced a pair of tragic vamps. Smokey-eyed, bleach-blond Spike and always-afflicted sorrow-souled Angel were both introduced into the Buffy show but eventually outgrew their roles there and turned into breakout anti-heros with a new show, and multiple comics. And what of their diet de-jour? Well, Spike (in the fourth season of the series) was implanted with a chip rendering his bloody biting habit incapacitated. And Angel? Well, cursed with a soul, he’s the vampire forced to pay the world back for the sins he committed earlier in life. Sure both these babe-magnets had their anti-hero appeal, but in the end, Angel ended up solving mysteries with some chick with a thing for bones, and Spike was revealed to be a rather poor version of Brainiac.

Blade – We could get into the comic backstory here…  how the brainchild of Marv Wolfman and Gene Colan in the early 70’s was Eric Brooks. Brooks’ mother was ravaged by vampire Deacon Frost during his birth, thus granting him a swatch of vampiric powers. Of course, this rambles on, as most comic backstories do… But allow us to switch to the recent movie-marvel-verse version we’re all a bit more familiar with. Similar to his comic counterpart, Blade’s mother was attacked by a vampire prior to his birth, and due to it, was imbued with all the vampires powers, and none of their weaknesses; Save for the worst one around, the lust for human blood. But Wesley Snipe’s Blade is a tragic hero, choosing to exist off a concocted “formula” made by his mentor (Stick, aka the dude who opened for Johnny Cash back in the day…) rather than suck the blood from humans. The pros? Well, Blade looks super cool in his trench-coat as he lays waste to vampires ranging from the prissy Steven Dorff to the steroidal Triple H, all while having that “Gritty Hero with the Heart of Gold™” look abouts him. The cons? Well, three decent movies down, and Blade hasn’t really found his audience in the funny books just yet. Sucks, don’t it?

(more…)

Review: Futurama: Bender’s Game

On the heels of The Beast with a Billion Backs comes the third installment of the four [[[Futurama]]] direct-to-dvd films in [[[Bender’s Game]]]. It’s difficult to take these movies in as “movies” because they all feel like three or four episodes strung together (in fact, that is how they will be released on Comedy Central later this year) but they all seem to have a central storyline or element that runs through the entire feature and ties everything up in the end. For this film, that element is the [[[Dungeons and Dragons]]].

The film starts off as the younger of the Planet Express staff (Cubert, Dwight and friends) are geeking out in a game of D&D and acknowledge that Bender was built without an imagination (really?). This comes back later on in the film for a bit of a [[[Wizard of Oz]]]-like twist in which the whole crew gets sucked into Bender’s imagination. The B-Story here is that Leela has anger issues and is issued a shock collar that goes off when she has a violent thought. All this and another sidestory about the Professor’s actual son (hint: it’s not Zoidberg).

The great thing about Futurama is that, unlike [[[Simpsons]]], it has whole parts of an episode where you aren’t slapping your knee with laughter, but still enjoying it for the story and characters. There were a few knee-slapping moments in Bender’s Game, but overall, the episode isn’t on par with any episode of [[[Family Guy]]]. There isn’t as much character development here as in previous films, but some great moments with each of the characters, and as mentioned; just fun to watch.

Not many names in the way of celebrity cameos here. There is a brief stint with George Tekai which was quite funny, and friend of the series Rich Little stops by, but nothing like David Cross or Brittany Murphy of the previous movies. Though there is plenty for fans of fantasy RPG to get their jollies off, there is very little references to previous Futurama episodes. [[[Bender’s Big Score]]] was riddled with nods to the series, and even the last film had lots of in-jokes for the more diehard fans. Gary Gygax gets a mention at the end of the film, with a clip from his cameo on an older episode after the credits which is nice, considering how much of a role D&D has in the film.

Overall, this is probably the weakest of the Futurama features, with the least amount of characters and knee-slapping moments (no appearance by Zapf and one line from Calculon). The features on the DVD are worth the buy alone though, with bloopers from the voice actors, tons of featurettes, and even a Character Fusion Machine. Worth a buy for fans of the series, but don’t expect Bender’s Big Score. Rating: 6/10

Buy Futurama: Bender’s Game on DVD and Blu-Ray on November 8th!

Review: ‘Shmobots’ by Adam Rifkin and Les Toil

Shmobots is a pretty stupid book on its face. And it’s pretty stupid inside too.

Government negligence leads to a city full of worthless robots (termed [[[Shmobots]]]), and three of the laziest ones hang out with a guy and do pretty much nothing with their lives.

The humore here — from writer Adam Rifkin — is all pretty obvious, heavy on robot cliches and slacker jokes we’ve heard before. Yet the book has an undeniable charm, no doubt because its creators acknowledge those faults and even celebrate them.

Sure, the lead robot character is a carbon copy of Bender from Futurama, but he’s used (at least this is my guess) to make fun of the stupid humor genre even while revelling in it.

There is a more involved plot than I let on: the robots and human friend are constantly looking for money, while unknowingly they’re being stalked by the Shmobot Killer. The plot advances at a marijuana-soaked pace.

(more…)

Review: Futurama – The Beast with a Billion Backs

Review: Futurama – The Beast with a Billion Backs

Coming up behind their first direct-to-DVD film, “[[[Bender’s Big Score]]],” Futurama’s next title certainly fills the void that series junkies need but can’t get from running their season DVDs bare. And while “[[[Beast with a Billion Backs]]]” is certainly not as deep or emotional as “Bender’s Big Score,” there is definitely enough to keep you entertained for 90 minutes.

The premise of the “movie” (which is technically four interwoven episodes) begins up with a tear in the sky, seemingly to another universe. When panic ensues and the world’s two smartest minds battle it out to figure out who gets to explore it first, our hapless hero, Fry, jumps in the hole and stumbles across something Earth-shattering. There are several other subplots that all come together in the end a la [[[Seinfeld]]], but the main focal point is this interdimensional “beast.”

Each of these films seems to have a central theme, and if the theme of “Big Score” was time travel and friendship, the theme here must be love and jealousy. Even stated by Bender in the film: “You can’t have complete love without complete jealousy,” which may be poetic, but is still hilarious. The structure follows that of a cheesy romantic comedy, while still mocking itself by having the “romance” occur between the titular beast and every being in existence. (It’s your typical “beast meets everybody, they fall in love, everybody feels betrayed, they break up, then try to fix the relationship” story… but with robot pirates.)

(more…)

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks