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Mike Gold: Peter Capaldi as the Ultimate Evil

Peter Capaldi Musketeers

This is the second part of a two-part look at the actor who has taken over the lead in Doctor Who. The first part discussed his work in Hotel!, In The Loop, and in the Oscar®-winning Franz Kafka’s It’s A Wonderful Life. This week, we focus on another upcoming performance.

There must be a law somewhere that mandates an adaptation of Alexandre Dumas’ The Three Musketeers every several years. Punch it up on IMDB and your computer will explode. Some of these movies and teevee series are quite good, others, well, suck… although I’m quite partial to the movie version that starred The Ritz Brothers. The latest version, The Musketeers, went up on the BBC earlier this year – it will be on BBC America in June – and it’s as rip-roaring as any. I’ve seen the first five, and I enjoyed them. Political and religious intrigue, swordfights, gunfights, fistfights, buxom femme fatales, handsome leading men… what’s there not to like?

Particularly when there’s a great villain in the mix. Only Ming the Merciless tops Dumas’ Cardinal Richelieu when it comes to great movie villains. And when it comes to great Cardinal Richelieus (Cardinals Richelieu?), Peter Capaldi is among the very best.

That’s saying a lot. Recently, Christoph Waltz played the part and Waltz could read off a bowl of Alpha-Bits and make it seem insidious. Other Richelieus include Stephen Rea, Ben Cross, Tim Curry, Charlton Heston, Vincent Price and, arguably, Michael Palin. That’s quite a club.

Capaldi’s performance is more nuanced than most. He can say more with a slight turn of his head than by eating the scenery, befitting a villain who’s in a British television series and committed to the long haul. Richelieu’s lurks over every scene, even in those episodes where he’s only around for perhaps five minutes. He is as smooth, as powerful, and as controlling as a true top-rank villain should be.

Coincidentally, The Musketeers was developed initially to fill the Doctor Who slot (in part) during the latter’s off-season. The Musketeers’ producers did not know Capaldi got the part as the Doctor until… well, until you did. Now they have to plan for a second season without Peter, and without Richelieu.

I find myself of two minds. The Musketeers is great fun and well-made, shot in the Czech Republic with an internationalish cast (mostly British, but many of the leads are from western Europe) and a costume budget that could feed a small nation. Capaldi is so good here that I’d be perplexed if I was the one who had to decide to leave the show for Doctor Who.

After going though all this material, I can understand why Steven Moffat and friends chose Capaldi for the part in Who. I believe he’s likely to bring back a bit of that crusty edge that most of the earlier Doctors possessed while interjecting his own unique quirkiness, just as the eleven – or is it twelve – performers who previously had the job.

Besides, the Millennials deserve a punk rocker Doctor.

Particularly one who will play the part with a genuine Scottish accent.

It’s Round 3 of the Mix March Madness 2014 Webcomics Tournament!

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  • March 24, 2014

UPDATE 3/27: Round 3 is over– vote in the Sweet 16 now!

Congratulations to everyone who made it through Round 2, and we’ve raised another $50 for the Hero Initiative. But now it gets even tougher, as we’re down to only 32 webcomics… and this is after the tightest round in Mix March Madness history, with three contests decided by two votes or less, and our first ever tie that required a run-off election!  So we now know that every vote counts, from you and all your friends, so make sure to share and tweet about it, because Round 3 of the Mix March Madness 2014 Webcomics Tournament starts now! Voting lasts until Midnight EDT on Wednesday, March 26! Here are the latest standings…

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THE LAW IS A ASS #311: Commissioner Gordon: Threat Or Menace?

All I can conclude is that James Gordon attended police academy with Steve Guttenberg. That’s the only explanation I can come up with for what he did in Detective Comics #25.

Detective Comics #25 is set during Batman: Year Zero which, despite that title means the story takes place during Batman’s first year, not his zeroth year. At this time, James Gordon wasn’t Commissioner of the G.C.P.D. yet, just a recent transfer from Chicago who found himself in a city overrun by mobsters and crooked cops paid to look the other way while the mobsters mobbed. Gordon wanted to take down both the mobsters and the corrupt cops, starting with Roman Sionis, who Gordon suspected was the secret head behind the Black Mask gang. So what Gordon did was…

Oh, wait. SPOILER WARNING! Leaving your milk out will spoil the milk. Reading this column will spoil Detective Comics # 25. If you don’t want either your milk or comic books spoiled, don’t leave your milk out and don’t read this column. (No, wait. Do read it, just finish reading Detective Comics # 25 first.) (more…)

John Ostrander: Up Against the Waller

It’s always interesting to see your children grow up. In my case I don’t have any flesh and blood children; I have the offspring of my imagination, of my heart and mind – the characters I’ve created in my stories, especially in my comics. By growing up, I mean seeing them in other media. And occasionally their sending money home.

In that regard, the most grown up of my offspring is, without a doubt, Amanda Waller, a.k.a. the Wall. She first appeared in the DC miniseries Legends but was created for my version of the Suicide Squad. For those of you who don’t know, the Suicide Squad was a covert team that Waller put together using jailed supervillains. They were sent on secret missions pursuing American governmental objectives and, if they succeeded and survived, they were set free or had their time significantly reduced. If they died – no loss. If they failed or were uncovered, they could be easily disavowed – hey, they were bad guys doing bad guy things.

Waller created this version of the Squad and was herself created to do that in the DCU. Len Wein and John Byrne are credited as co-creators since she first appeared in Legends but Amanda originated with me. (The same way that Tim Truman is, rightly, co-credited as GrimJack’s creator although the character also originated with me.) As conceived, Waller was middle-aged, black, heavy set, on the short side, and with no super-powers; just an iron will and a terminal bad attitude which is why her nickname is “the Wall”. I’ve always said that some aspect of the characters we write exist within us; it’s been pointed out to me that would mean that I have an angry middle aged black woman inside of me. Maybe I’m just channeling Tyler Perry.

She’s also one of my favorite characters to write; actually, I don’t so much write her as just take dictation and pay attention to where she wants to go. She gets the job done and doesn’t care what she has to do along the way; she is morally a gray character by design. Some think of her as an anti-hero; the site IGN listed as her 60th Greatest Comic Book Villain of all time. For my view, she’s not a villain but she is deeply flawed. Just the way I like my characters.

Waller has appeared all over the place – in video games, in animated series (Justice League Unlimited as one example), animated movies, television shows, and movies. I find seeing the different variations of her interesting and gratifying, especially financially. I have what is called “participation” with Amanda; DC licenses her out and I get a taste of the money that comes in because she was an original character. I don’t have the same deal with the Squad itself; there was an earlier version. Amanda, bless her, sends some money home every now and then.

Both Amanda’s appearance on Arrow and in the New 52 DC Universe is changed; rather than older, stouter, and shorter, she’s now model thin and young and, well, sexy. I’ve always thought of Amanda as many things but “sexy” was not one of them.

I don’t control what happens with Waller or where she goes or how she looks; she is owned by DC Entertainment and Warners. I knew that going in. She is their property. That said, I think the changes made in her appearance are misguided. There were and are reasons why she looked the way she did. I wanted her to seem formidable and visually unlike anyone else out there. Making her young and svelte and sexy loses that. She becomes more like everyone else. She lost part of what made her unique.

Still, I look forward to the Squad episode of Arrow and not only because of the eventual check that it will bring in. It’s interesting to see how your children turn out and to see how much of you is in them whether they are flesh and blood or just the children of your imagination.

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THE LAW IS A ASS #302: A Civil War Never Is

“Whose side are you on?” That’s how Marvel touted its mega-event of 2006-2007, Civil War. Me? I’m on the readers’ side. So, even though Civil War ended some time ago, we’re still living in its aftermath and I’m still looking for a way to prove it couldn’t have happened.

Civil War started because the New Warriors, a team of “poorly-trained” super-heroes, tried to boost the ratings of their reality show by capturing a group of super-villains on camera. One of the super-villains, Nitro, the villain who can blow himself up over and over, decided that rather than be captured, he would blow himself up “real good,” killing over six hundred people, including a school bus full of children.

Everyone blamed the New Warriors. I don’t know why. Maybe because it’s easier to blame the heroes than the super-villain who actually killed the six hundred people. Maybe because Civil War’s plot needed a plot device that would prompt Congress to enact a Superhuman Registration Act. All I know is that in the eyes of the law, the New Warriors shouldn’t be blamed for Nitro’s acts.

See, the law has this thing called the Doctrine of Emergency, which says people can act in emergencies without being subject to normal standards of care. The doctrine exists to encourage good Samaritans, so the law seeks to immunize them if they try to do good in an emergency situation but cause some harm as a result. So if a person performs emergency CPR on a heart attack victim and accidentally breaks the victim’s ribs, the good Samaritan isn’t liable for breaking the heart attack victim’s ribs. In the same way, if a group of super-heroes takes on a group of super-villains who are attacking a city, the heroes shouldn’t be held responsible if third parties get hurt or killed in the fight; and they especially shouldn’t be blamed if one of the villains acts on his own and kills said third parties. God, if the Doctrine of Emergency didn’t exist, can you imagine the property damage and wrongful death suits that would have been brought against Superman after [[[Man of Steel]]]? Instead, he got thanked by some Metropolans in the middle of a bomb crater.

Civil War had major problems in its premise because of the Doctrine of Emergency. The New Warriors shouldn’t have been be liable for the deaths that Nitro caused. Nevertheless, and despite the fact that the law may not be on its side, the Marvel Universe Congress passed the SRA. After all, when has a little thing like the law not being on its side ever stopped Congress?

The SRA required all super-powered individuals in the Marvel Universe to register their identities and super powers with the federal government, so that the government could train meta-humans to use their powers properly. Riiiiight. Our government couldn’t even train FEMA agents how to book passage on Orbitz to New Orleans after Hurricane Katrina, it’s the perfect organization to teach Captain Wrigley how to keep his mutant-powered minty freshness fresh all day.

Under the SRA, failure to register was a criminal offense. Several of the super-heroes, most notably Captain America, opposed the SRA. They refused to register, and immediately became outlaws and fugitives because the SRA and its registration requirement went into effect the day it was enacted. Which is the second legal reason why Civil War couldn’t have happened.

In the real world, laws have a phase-in periods. New emission control standards don’t go into effect overnight, before any automobile manufacturer had a chance to comply with them. Car manufacturers are given time to get their cars into compliance with the standards; usually years. Registration laws also have phase-ins periods. When the Selective Service Act was enacted, the federales didn’t start rounding up the unregistered at the stroke of midnight on the day the law went into effect. No, the SSA gave people a period of several months to register before they were called draft dodgers.

Why? Well, what if someone was in Europe on the day the law went into effect so couldn’t register? Should he be a criminal under those circumstances or should he be given time to return from Europe and register? Now multiply that problem a millionfold for super-heroes. What if, when the SRA went into effect, a super-hero was visiting the Blue Area of the Moon, or fighting Blastaar in the Negative Zone, or was dead and hadn’t been retconned back to life yet? Should said hero be guilty of violating the SRA?

So, if the SRA had a phase-in period, and it would have had one, that means Civil War hasn’t actually happened yet. Remember, the Marvel Universe time moves much, much slower than real time. In the Marvel Universe, the SRA’S months-long phase-in period probably wouldn’t be ending until right about now. We still have time to give Captain America and Iron Man a copy of Civil War #7, with its oh-so-obvious solution to the problem, and keep them from fighting in the first place. We can keep Civil War from happening.

And that means we don’t have to see Tony Stark become someone unrecognizable to anyone who grew up with him when he was a hero. It means we don’t have to see Reed Richards explain that he was in favor of the SRA, because the law was the law and as long as it was the law, we have to obey it; conveniently forgetting that in his own origin he stole a rocket ship, thereby committing the grandest grand theft motor vehicle in history. It also means that we don’t have to see Captain America scolded for not really knowing what the American people wanted because he didn’t have a MySpace page or a YouTube account. (After all, everyone knows that you really measure how in touch with the American people a person is by counting how many e-mails offering financial aid he gets from deposed Nigerian princes.)

So Marvel’s Civil War couldn’t have happened. And we can ignore all those stories that came during and after it. Well, not really, but sometimes don’t you wish you could? I was born in 1952, some ninety years too young to have been in the American Civil War. And after thinking about Civil War all over again, I realized that I wish I had been too young for Marvel’s Civil War, too.

Author’s Note: I wrote a few installments of “The Law Is a Ass” for Comics’ Buyer’s Guide which, for a variety of reasons, it never printed. From time to time, I am going to run one of these previously unpublished installments, slightly edited to bring them up to date. This is one of those times.

The Strangest Mutant of All is Back in ALL-NEW DOOP #1!

This April, the weirdest mutant of them all takes center stage in his very own limited series! Today, Marvel is proud to present your first look at ALL-NEW DOOP #1 – from Doop co-creator and legendary X-writer Peter Milligan and blockbuster artist David Lafuente!

Who is Doop? Actually…what is Doop? (more…)

Mike Gold and His Invisible Donuts

(For reasons that will become obvious, this, my first column in about a month, is to be run both on www.MichaelDavisWorld.com and on www.ComicMix.com. Go nuts; read it twice and offer contradictory comments!)

I have a friend named Larry Schlam, a noted child’s rights advocate and a former Bronx street-corner singer. Back around 1973 he and I were cutting through the Montgomery Ward store in downtown Chicago and I wanted to stop at their donut shop, which was excellent. Larry, who is prone to eating frog’s legs and sushi (not necessarily together), explained the concept of “empty calories.” This past month, I learned the concept of invisible donuts.

This winter, the convention has been to slip on the massive ice floe that has engulfed most of this nation east of the Rocky Mountains. That’s not for me. I don’t roll that way. A month ago I took a fall about thirty feet below the ice, at the Times Square subway station. Had this not been an accident, I would have had the foresight to bring along a coffee can to collect contributions. Intention aside, I managed to pulverize my left shoulder – and, of course, I’m left-handed. I’m damn near left-everything.

But I say “pulverize” instead of “break” because that’s exactly what happened. Several X-Ray technicians, emergency room personnel, and my surgeon-to-be all wondered why I wasn’t on a morphine drip. Nonetheless, my shoulder replacement surgery was scheduled for about two weeks later, doubtlessly so I had time to reflect upon my behavior. However, I was given Oxycodone and Vicodin to battle the pain. They said I was stoic. I said it hurt.

Both are opiates and are taken recreationally by some. Contrary to common wisdom medicine is an art form and not a science – what works for you could be no more effective than a Skittle for me. The meds helped with the pain, but the concurrent high was insufficient for me to break out my Jimi Hendrix albums. So it goes.

When it finally came time to go under the knife, I was told I’d be in hospital for one night, maybe two. Surgery was scheduled for the last Monday in February. But I woke up on Thursday with a bit of grogginess and that whole unmentionable catheter thing (yes, guys, you too can squirm). Being in compos mentis, I figured I was wrong and the surgery must have happened on Wednesday.

Well, I was wrong. The new shoulder went in on Monday, and Tuesday evening I had a severe reaction to the anesthesia. My blood oxygen was down to a near-lethal level and I was acting like – in the words of my gifted daughter Adriane – a 220 pound drunken three year old. Evidently I was funny and charming, but I scared the hell out of the assembled medical practitioners. As I do not drink alcohol and do not have a street drug problem (they called around to confirm this), they were dumbfounded.

Meanwhile, I was having a blast. Prior to my blood oxygen train wreck I announced to the assembled masses that two boxes of invisible donuts had just materialized on my chest. Given the circumstances, I believe there was some attempt to quantify the humor of my revelation. A short time later, Adriane saw me pantomiming eating those donuts. She asked “Are you, ah, eating those donuts?” I responded mouth-closed (even in my condo in Wackyland, I endeavor to remain polite) by opening my eyes brightly and nodding happily.

I’m told I spent Wednesday in the ICU until my numbers recovered, and I was discharged the following Friday. My new shoulder has more chrome in it than a ’57 Buick and I still can’t use my left arm for more than a few minutes – this piece will have taken me about six times as long to write. After a few more doctors, I’ll be starting physical therapy in a couple weeks. Larry Hama, who’s been through this type of thing and just had a hip replacement, advised me “Whatever the therapist tells you to do, do it.” That’s good enough for me.

So I haven’t quite disappeared from the planet as of yet. I’m blessed with good friends, comrades who cover for me without squawking, a wonderful slew of professionals at Norwalk and Stamford Hospitals, and a daughter so awesome and self-sacrificing I wonder what I did in a prior life to deserve her.

Invisible donuts are just as satisfying as the real thing – but getting them is a bitch.

Mike Gold will get back to performing his weekly two-hour Weird Sounds Inside The Gold Mind ass-kicking rock, blues and blather radio show on The Point, www.getthepointradio.com and on iNetRadio, www.iNetRadio.com as part of “Hit Oldies” every Sunday at 7:00 PM Eastern, rebroadcast three times during the week – check www.getthepointradio.com above for times and on-demand streaming information. He thinks this will happen on Sunday, March 16th. Gold also joins MDW’s Marc Alan Fishman, Martha Thomases and Michael Davis as a weekly columnist at www.comicmix.com where he pontificates on matters of four-color. Gold also joins ComicMix’s Marc Alan Fishman, Martha Thomases and Michael Davis as a weekly columnist at www.michaeldavisworld.com, and chances are you’re presently reading these words at one of those two venues.

Nominate Your Faves In 2014 Mix March Madness Webcomics Tournament Now!

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  • March 6, 2014

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Yes, it’s that time of year again, where we take the best webcomics and put them head to head to highlight the incredible diversity of work out in the comics world, to raise money for various comics charities, and to have fun while doing it– time for the Mix March Madness Webcomics Tournament!

As usual, we always think we’ve gotten a good list together of webcomics– our directory lists well over three hundred webcomics  which are already going to the nominating round– but we always seem to miss a few newcomers, or strips that have just fallen under our radar for whatever reason. So we’re asking you: what strips have we missed? Just add them below with links to the site.

Our criteria for including them in the contest are pretty simple and broad:

  • They have to be currently in production, by which we mean “has come out with at least one new installment since the new year”. Surprisingly, this knocks out a lot of comics.
  • No paywalls. You gotta be able to read it to compare and contrast.
  • No adult webcomics. We do May Mayhem for the R and X rated comics, this is for family safe material.

Here’s how to do it:

First, take a look at our Directory page.

Then, if there are any webcomics you think we should know about and add into our Mix (so to speak) add them here. If you have email and Twitter contact info for the strips, so much the better.

Add a Webcomic!

Add a Webcomic!

  • Webcomic titleURLComic EmailComic Twitter 

Get your nominations in quick, we’re closing the window at midnight Pacific Time on Friday night and starting the seeding voting on Friday. And please, share this post far and wide so we don’t miss anyone!

Dennis O’Neil: Complexly Evolving A Bible

Settle down, now.  Sure, the Oscars have got you all excited, but for heaven’s sake, try to relax.  Take some deep breaths while we return to where we left off last week.

The subject, a week ago, was how mythology and religion had more or less parallel evolutions…  Well, not exactly that: more how what could be a subhead in the mythology section evolved in parallel with another such subhead, comic books.

Both began as technology-spawned mutations of forms that already existed: (drama>movies; comic strips>comic books.)  Both began with stories that were simple, plot driven and self-contained – “this episode” was all there was to this particular narrative.  And, over decades, both changed, in storytelling technique, in the kinds of stories told, and, finally, in the content of those stories.  Heroes became flawed, villains became motivated, plots became complex and, finally, in comic books, the complete-in-one-episode paradigm started fraying at the edges, becoming almost anachronistic.  (I’ve edited comic book continuities that ran about 2000 pages, and I doubt that I’ve got the record.) (more…)

Cosmic Adventure This Summer in ROCKET RACCOON #1!

This July, blast off with the fuzziest Guardian of the Galaxy in Rocket Raccoon #1 – an all-new ongoing series from Eisner Award winning fan-favorite Skottie Young! And you’ve never seen Rocket like this before!

As defenders of the cosmos go, Rocket Raccoon has faced his fair share of galactic battles. He’s been a hero to the weak, a champion of the good, a protector to the innocent, and a heartthrob to many intergalactic species across the cosmos. But is he ready to be a raccoon on the run?!

Rocket’s high-flying life of adventure and heroism may soon be a thing of the past when he becomes framed for something he didn’t do! And the authorities aren’t the only ones hot on his TAIL! (Yeah, we went there.)

“I figure that a guy like Rocket, with his attitude, has swindled his way over many planets and charmed many ladies,” says writer/artist Skottie Young. “He’s racked up a malitia of ex-girlfriends I’m dubbing the Exterminators. They’re all fed up and they’ve decided it’s time they dish out some payback on his furry little tail.”

With his pal Groot at his side, Rocket will have to blast his way out of trouble (and blast his way into some) if he wants to clear his name. Along the way he’ll tussle with some of the fiercest creatures in the known galaxy! But they’re about to bite off more than they can chew if they think they can go toe-to-paw against the shortest Guardian with the biggest gun!

Don’t miss the start of the explosive new series as superstar creator Skottie Young kicks off an epic deep space adventure in Rocket Raccoon #1!

ROCKET RACCOON #1
Written by SKOTTIE YOUNG
Art & Cover by SKOTTIE YOUNG
Variant Cover by DAVID PETERSEN

On-Sale This July!

 

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