Tagged: Free Comic Book Day

LeVar Burton Promotes Free Comic Book Day!
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LeVar Burton Promotes Free Comic Book Day!

Reading activist and host of the PBS Show Reading Rainbow, LeVar Burton encourages readers of all ages to check out Free Comic Book Day on Saturday May 3rd, 2014! For more information and to find a participating comic shop, go to www.freecomicbookday.com.

The Point Radio: What’s Ahead For GRIMM

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We’ve got more with David Giuntoli, star of NBC’s GRIMM, on what is the big reveal for season two and what we can expect in Season 3, plus Free Comic Book Day fun & profits, Image’s big sales and comics in general with another good month in the shops, except for DC.

Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other  mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

Ruby Files Creators Get Pulped!

Bobby Nash and Sean Taylor with their 2013 Pulp Ark Awards.

For the first time since the Pulp Ark Award winners were announced, Ruby Files co-creators Bobby Nash and Sean Taylor got to hold their Pulp Ark Award for Best New Pulp Character: Rick Ruby at the Free Comic Book day event at galactic Quest Comics in Buford, GA.

Congratulations to Bobby and Sean.

Bobby’s award: Best Author

Rick Ruby’s creators.

Best New Pulp Character: Rick Ruby

Emily S. Whitten: Getting Started in the Comics Industry

I love comics. I love reading them, thinking about them, discussing them, and even critiquing them. I also love writing them, something I’ve discovered in the last couple of years as I started writing a series of webcomics about characters in upcoming comic book-related movies, which were then published on movie news websites like MTV Splash Page and ReelzChannel. Since that time, I’ve realized that I’d really like to keep writing comics, including, hopefully someday soon, full issues for a major company, to be seen by all the worrrrrrld [insert maniacal laugh here].

That may seem like a big leap, but it could happen. After all, most of the people who are or have been involved in professional comics started out just as I did: as ridiculously huge fans of the medium and the characters and stories. I mean, sure, maybe a few here or there got pulled into a job and then discovered they liked it, but for the most part, the people making comics do it because they were fans who, basically, landed their dream jobs through expressing their love of or thoughts on comics.

There are some great public examples of this amongst the current Big Names in comics. They include Geoff Johns, who wrote in to DC Comics as a kid with suggestions for the Superboy storyline. There’s also Kevin Smith, whose lifelong comics fandom landed him a number of roles in comics-writing after he’d already made a name for himself with movies (and he also owns Jay and Silent Bob’s Secret Stash, the first comic book store I ever went to, being a Jersey gal). There’s also Gail Simone, who came to the attention of comics publishers through her website Women in Refrigerators, which critiqued the treatment of female characters in comics, and has since written a weekly column on Comic Book Resources and a lot of great comics about both male and female characters, including well-received stints on the all-female group comic Birds of Prey. (I mention this comic in particular because I think it’s great that after Simone expressed her opinion on a certain issue in comics, she had the opportunity to address that issue by writing a number of female characters.) And let’s not forget Mark Waid, whose studio tour on Comic Book Resources reveals just how much of a fan collector he is, as well as giving us this quote about a three-page sequence from Flash #0 that hangs on his wall: “[it’s] the scene where the adult Wally West meets his ten-year-old self and tells the boy that no matter how rotten his young life seems or how hard the days are to get through, when he grows up, every wish he’s ever wished for will come true. It’s hands-down my favorite sequence I have ever written because – and I say this in all sincerity – I often dream about being able to travel back in time and tell young Mark Waid that same thing.”

Aw.

Of course, compared to these greats and all of their former-fan-now-professional companions, including my esteemed fellow columnists at ComicMix, I wouldn’t say I’ve had too much of a “career in comics” to date. But like, I suspect, at least a few big names today, I have gone from being “just a fan” to being much closer to where I’d like to be in the industry, and have high hopes of continuing along that trajectory in the future. I know that a lot of other fans have similar hopes. So I thought I’d take a couple of minutes to look back at my own experience with comics so far and see how it’s progressed.

As a kid I hadn’t read many comics, and didn’t even know there were such things as “comic book stores” devoted to (gasp) just that medium. There were a few comics in the house that belonged to my oldest sister – the ones I remember being some old collections of Archie and some individual issues of Richie Rich – and I did read those few books countless times, and remember being enamored of both the funny and entertaining stories and the way the illustrations complimented and enhanced them. But I didn’t lack for reading materials, with an English teacher for a mom and two older sisters who loved books, so I never went looking for more comics.

Television, however, was a different matter. You didn’t have to go out and find television shows – they came to you! So I grew up on a healthy mix of cartoons like Teenage Mutant Ninja Turtles, ThunderCats, X-Men: The Animated Series (I still love the theme song!), DuckTales and Darkwing Duck, Batman: The Animated Series, and countless others, most of which either started as or ran concurrently with comic books (although I didn’t know it at the time). I also, thanks to my dad, got a healthy dose from an early age of adventure and comics-related shows and movies he loved, including Sky King, The Lone Ranger, The Green Hornet, and the Christopher Reeve Superman movies. Fast forward a few years, and I was addicted to Lois and Clark: The New Adventures of Superman (and even later, I got hooked on Smallville. Apparently I can’t resist on-screen Clark Kent). So comics have always been a part of my life, and I’ve always been a fan, but I didn’t realize it.

In 2008, that all changed. Thanks to an ex who suggested we go to the local comic book store for Free Comic Book Day, I started getting interested in collecting paper comics. On that fateful day he recommended a character that “I think you’ll like,” i.e. Deadpool; and after flipping through a couple of issues, I was completely hooked. In the following month I acquired and read all the Deadpool books I could find (as well as a slew of other comics, both new and old), and, in a joking conversation with the ex in which I was pretending to answer questions as Deadpool, I think I said something like, “wouldn’t it be funny if Deadpool was online answering questions?” and he said, “You should totally do that,” and thus, the first entry of Ask Deadpool was born. I made up the first few questions myself; and by the next day, people were writing in. I’ve now been regularly answering questions online as Deadpool for four years.

I’ve never had much of an interest in writing fanfiction generally, but with comics, it feels a little different. In a strange way, the comics industry could be looked at as the ultimate repository for quality fanfic (except that as it’s published, it becomes canon). There are so many professionals that got their start playing in sandboxes that were built by previous professionals that writing a comic book character non-professionally feels less like fanfic and more like practicing to join the fun. Sure, my Ask Deadpool writing is still fanfic (until I take over Deadpool at Marvel and write it for the next 20 years, mwahahaaaaa), but it’s different than someone writing about a closed universe such as, say, the Harry Potter series. Not only is writing comics fanfic a great way to practice writing previously published characters’ voices, but there’s actually the chance that all that practice might someday be put to use, professionally.

And there’s also the chance that in writing about something you love, you will accidentally become known as a gigantic Deadpool fan to everyone you know and many people you don’t, which will result in a friend getting a cool Deadpool print signed to you by one of the best inkers in the business (hey-oh, Nathan Massengill!), and you will be so excited about it that you will get it framed, and send a thank you email and photo of the framed print to the inker, and subsequently become friends with the inker, who incidentally convinces you to go to a comic con and introduces you to a bunch of other cool people in comics, and soon other fans and all these people who actually work in comics will know you as the biggest Deadpool fan ever, and this turns out to be a pretty good thing.

Because then you will turn out to be “the most passionate Deadpool fan” that a movie news site has encountered, and will be asked to write a fan article about Deadpool for them, at the same time that you just so happened to have started writing comic strip scripts using Deadpool and other characters to commentate on current pop-culture news, and have found another fan who’s a great artist and has agreed to draw the comics, and it turns out that you’ve already written a script that exactly fits the topic of the article. And the news site likes it, and want to see more.

That’s how I ended up having webcomics published on popular movie news websites. (Although it’s also important to know your own value and not be afraid to pitch something. My Avengers three-part series ran on MTV Splash Page because I actually pitched it to the editor, rather than him finding me.) The same passion for comics and network of people and happenstances has also led to me meeting the folks here at ComicMix and being invited to write a weekly column; and to me meeting another writer who has already had several comic scripts published professionally, and with whom I am now plotting out the greatest comic series ever created (well we think so, anyway). And although I can’t predict the future, I have high hopes that for me, it will hold an abundance of work in comics.

The interesting thing here is, until recently I didn’t really sit down and think to myself, “hey, maybe I could actually write comics. Like, professionally.” Instead, I was just having fun with something I enjoy, and expressing a passion for characters and a medium I’ve come to love. As it turns out (I think, and evidence suggests), this is a pretty good way to get started in comics, and the more I think about what I’d like to write in comics, the more ideas I have. Along with the greatest comic series ever created, I’d love to write Deadpool for Marvel someday (after much more practice, perhaps!) and I’ve got a Superman story in my head that I think would knock people’s socks off. And that’s just what’s percolating in my brain right now. But really, whatever happens in my future, I’m overjoyed that I am where I am today, writing about a medium I love and interacting with people who keep me inspired, and plan to continue to write columns, and webcomics, and anything else people will let me write professionally, for as long as I can. And maybe, if you’re a passionate fan like me, you can do that too! Servo Lectio!

Wednesday Morning: Mike Gold Covers Covers

 

Marc Alan Fishman: Words of Advice, From One Noob to Another

The Sunday after Free Comic Book Day, we Unshaven lads participated in a very old-skool styled convention. Housed in a ballroom and corridor in a hotel off a major road with little to no foot traffic. Don’t get me wrong, the show was fine for us. We made back our cost of attending, and a little to spare. Even better? I found some old Exo-Squad action figures and Matt got some old Marvel trading cards. It was a good day. What really made the con for us though, was our across-the-aisle neighbor. A young pup, still in college, selling at his first show. Shucks, we thought, that was us just a few years ago.

And then he asked us for advice.

Gasp!

We tripped over ourselves to unearth every con-attending-tip we’d accrued over the years. And this dude … well … he ate it up. This is what it must feel like to be Mike Gold.

With that in mind, I thought I might take a week off my normal ranting and raving to give some sage advice to all four of you reading this column who are either younger than me, or like ironically reading advice from a nobody. Specifically, I want to address people out there looking to start a web-comic. Why? Well, because Unshaven Comics wants to do it. See? I’m offering advice to myself. How meta! But I digress … some things to consider:

1. Deadlines exist on the web too.

The best web-comics being produced today all share one thing in common. They update on a schedule. The point is clear: Commit or quit. If nothing else, I freely admit this is the single reason Unshaven Comics has yet to have to throw a tooned-up beard in the ring. We’ve simply never mustered the gumption to produce work in such a manner people can depend on it. With the advent of our website we’ve slowly come to terms with posting content on a schedule. We’ve released podcasts nearly every week the site’s been live … as well as releasing monthly sketch contests inspired by our fans. It’s only now that we feel comfortable enough to commit to a schedule. Hence … a forthcoming launch is inevitable.

2. Your voice will come all in good time.

I look at my favorite web-comics these days … Penny Arcade, PvP, Let’s Be Friends Again, The Gutters … and it’s easy to notice how styles (both in script and in presentation) evolve over time. Well, maybe not so much The Gutters, but there’s always an exception to the rule. One of the best parts of working on the web is that it’s a forever-shifting canvas. All artists evolve. A web-comic is as much a timeline of an artist’s work as anything else. The key here is to just start making strips, and let the product and the responses you get to it, help shape it as you continue. This applies not only to the ‘funnies’ mind you. Even the serious web-comic is a never-ending project in process. Just as joke writers learn to find their own voice … so too, do novelists, musicians, etc. Simply put? Your comic needs to have a point-of-view, and a set of rules to play with and then eventually break. None of this comes though, if you’re waiting to “perfect the idea.” Sometimes you just have to hit “post” and let it ride.

3. Putting your name on it means it shouldn’t suck.

It’s an oldie but a goodie. If you sign your name to something, mean it. A commitment to craft at all times can only stand to sway your readership to stick it out with you. Read and reread your script. Ensure characters stay on model. If you can’t draw a hand, go take some classes and come back when you’re ready. Your audience will evolve with you, but if your “pilot” isn’t enough to capture them the first time you’re wasting pixels and bandwidth. While this may seen an antithesis to my previous point, it is indeed not. Put frankly, you need to find a balance between delivering a product you’re proud of, and challenging yourself to get better with every book/strip/joke/piece.

4. No creator is an island.

The single best part of making comics for me is sharing the experience with my two best friends. The second best part of making comics is meeting and collaborating with like-minded creators. Scott Kurtz eventually packed his bags and moved to Seattle to be inspired and challenged by the Penny Arcade dudes. In Art School the critique exists not to knock us down as much as it’s there to pick us up after we fall. That being said, sharing your work as you create can only stand to ensure you reach your target audience with the best foot forward.

5. Don’t be afraid to get off-topic.

Some of my favorite strips have all been smart enough to know when to take a break. Not from posting mind you … but from continuing a narrative without coming up for air. Fans of PvP no doubt refer to LOLBat, Scott Kurtz’s love letter to Memes, action comics tropes, and lighter-than-normal punchlines. And after a heavier set of strips, nothing cleanses the palate (of both artist and reader) better than a well-placed non-sequitur. The key being able to know when to “go to the well” to take that break. Cookies are only a sometimes food, kiddos.

I’m sure there’s tons more points to be made on this subject. Consider this being me putting a pin in the idea. And hey, I’m no stranger to listening to myself. If you have any suggestions for budding web-comic creators … why not put some of them in the comments below?

See you in the funny pages. Well … webpages that is …

SUNDAY: John Ostrander Gets Weird On The Avengers

 

ComicMix Quick Picks: May 19, 2011

Closing them in our browsers so you can open them on yours…

Anything else? Consider this an open thread.

The Point Radio: Christmas On COMMUNITY

The Point Radio: Christmas On COMMUNITY


There’s no argument that NBC’s COMMUNITY isn’t your traditional comedy. So it is a surprise that when they do a Christmas Episode – it isn’t quite traditional? Series regular Danny Pudi explains the episode you’ll be talking about next week, plus a sneak peek at Free Comic Book Day 2011 and good news for the heirs to the Jack Kirby estate.

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Hooray, hooray, the first of May — it’s Free Comic Book Day today!

Hooray, hooray, the first of May — it’s Free Comic Book Day today!

Yep, it’s Free Comic Book Day in comic stores all over the planet.*

To check out participating locations, in the US and around the world, where fans will be able to get a range of free comic books, including titles for kids, from sponsors go to store locator section of www.freecomicbookday.com.  Free Comic Book Day 2010 sponsors include: Ape Entertainment; Archie Comics; Archaia Studios Press; Boom! Studios; Dark Horse Comics; DC Comics; Drawn and Quarterly (D&Q); IDW Publishing; Image; Marvel; as well as C2E2; ComicCon; WizKids; Worldcolor; among others.  Some location will also feature activities and signings.

* Of course, every day is Free Comic Book Day at ComicMix, so we’re a bit jaded. Why not try a romp through Shaman’s Tears, Black Lamb, or Simone & Ajax?